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Ashley Naranjo

Education and Outreach Strategist
Smithsonian Institution
Smithsonian Staff

Ashley Naranjo, M.Ed. is a museum educator, specializing in the use of digital resources for teaching and learning. She currently manages distance learning initiatives and education partnerships for the Smithsonian. Portfolio highlights have included: the Smithsonian Quests digital badging program, Smithsonian Online Education Conferences, Smithsonian Learning Lab nationwide teacher professional development, Teachers of the Year programming at the Smithsonian, “Explore with Smithsonian Experts” video series, and Smithsonian print publication guides.

Before coming to the Smithsonian, she has had experiences in education in both formal and informal learning spaces: as an ESOL instructor for adults, a middle school teacher in the humanities and a summer programs administrator. She holds a B.A. in Human Development (Developmental Psychology) from the Lynch School of Education at Boston College, where she was a research assistant and independent study student in the Laboratory of Thinking, Learning & Cognition in the Arts. She completed a M.Ed. in Learning Design and Technology from the Rossier School of Education at the University of Southern California, with a thesis entitled, “Using Digital Museum Resources in the Classroom”. She is a 2019 graduate of the Getty Leadership Institute’s NextGen of Museum Leaders program.

Ashley Naranjo's collections

 

Teaching Resources: Creating a Classroom Exhibition

In a museum, it is the job of curators to select objects for display. Curators also study the objects in the museum’s collection. They learn as much as they can about each object so that they can share the story with the museum’s visitors. This collection of teaching resources includes lesson plan ideas for creating a classroom exhibition, a video detailing the Cooper Hewitt's "Digital Curator Project" with teens, as well as a small sample of videos of curators from around the Smithsonian discussing their jobs and research interests. Also included are suggested guidelines for a peer review of student exhibitions.
Ashley Naranjo
15
 

Amelia Earhart

<p>Explore a variety of resources.</p>
Ashley Naranjo
35
 

Getting to Know You: Icebreaker Ideas with the Smithsonian Learning Lab

<p>This collection includes ideas for using digital museum resources as a springboard for getting to know your students this school year. Three practical, teacher-tested activity ideas are shared within the archived webinar and an additional teacher-submitted idea is included. </p> <p><em>Tags</em>: ISTE standards, digital curation, icebreakers, ice breakers, object portraits, Burton Morris, Robert Weingarten, first day of school, CURIO, artifacts, introductions, knowledge constructor, creative communicator, My Smithsonian Closet, Nightstand Portraits, What makes you who you are?</p>
Ashley Naranjo
18
 

What Makes You Say That?: Interpretation with Justification Routine with a Poster

This collection uses the Harvard Project Zero Visible Thinking routine, highlighting interpretation with justification. The strategy is paired with a poster from the Cooper Hewitt, Smithsonian Design Museum. Once you have examined the poster and answered the questions, view the original resource and the related blog post to check and see how your interpretation compares with the expert. How does viewing the poster with the museum label change your interpretation? Suggestions for teachers regarding visual clues for this image are in the "Notes to Other Users" section.
Ashley Naranjo
3
 

U.S. Presidential Inauguration Resources

This teaching collection includes resources, such as video interviews with expert historians, artworks, memorabilia and photographs of the American tradition of presidential inaugurations, including the Oath of Office, the Inaugural Address, the Inauguration Parade and the Inaugural Ball. Discussion Questions: -How does a U.S. presidential inauguration compare to a royal coronation? -How are these events populist (for ordinary citizens)? How are they elitist (for the high class elite)? -Where can inauguration traditions be traced? -What is required by the Constitution to occur at a presidential inauguration? -What events have become a tradition over time? -What objects help tell the story of inaugurations over time?
Ashley Naranjo
36
 

Street Art: Local Washington, D.C. and Global Examples

<p>This thematic collection includes articles, interviews, images and online tours to support opportunities for exploring the relationship between visual art, attention seeking and attention getting. These resources could be integrated into lessons and activities, supporting a deeper understanding of street art both locally in Washington, D.C. and globally.  Featuring artists' response to COVID-19.</p> <p></p> <p>Keywords: DCPS "Somethin' Like a Phenomenon" visual arts unit, street art, stencil making, spray paint, graffiti, public art, mural</p>
Ashley Naranjo
6
 

Presidential Legacies through Inaugural Speeches and Related Objects

This collection includes resources to support students' understanding and analysis of inaugural speeches by United States' presidents. Since the days of George Washington, American presidents have begun their terms by taking the executive oath of office and delivering an inaugural address. To a historian, inaugural addresses of the past give an idea of what the leader hoped to accomplish. They also shed light on what were the most important issues of the time.
Ashley Naranjo
7
 

"Words can lie or clarify" by Aiko Herzig-Yoshinaga

<p>In 1981, Aiko Herzig-Yoshinaga submitted a memorandum on the subject “Use of term ‘concentration camps’” to the executive director of the Commission on Wartime Relocation and Internment of Civilians (CWRIC). Included in this collection is background information on the Japanese American Incarceration era and Executive Order 9066, alongside Herzig-Yoshinaga's own words. In response to reading through this memorandum, students can apply Project Zero Thinking Routines to what they already know about the Japanese American Incarceration era and what interests them for further research. Additionally, students can begin to connect ideas from Herzig-Yoshinaga's memorandum to artifacts, documents and photographs of the era, noting especially the nuances in the meaning of words used and interpret some of these <em>euphemisms </em>in context.</p> <p>#APA2018<br /></p> <p>Related collection of interest around language found within the Civilian Exclusion Order: <a href="https://learninglab.si.edu/collections/document-analysis-civilian-exclusion-order-and-japanese-american-incarceration-during-wwii/XmKK2mgFoDRUju7N#r" target="_blank">Document Analysis: Civilian Exclusion Order and Japanese American Incarceration During WWII</a></p>
Ashley Naranjo
50
 

Teaching Resources: Drama

This teaching collection includes a variety of resources including video performances, lesson plans and blogs with teaching ideas for bringing role playing to the classroom, as a means of making connections of the past to the present. Includes program ideas from the History Alive theater program at the National Museum of American History and the Portraits Alive program at the National Portrait Gallery. <br /><br /> This collection was created for the District of Columbia Public Schools (DCPS) Arts Professional Development Day.
Ashley Naranjo
23
 

Storytelling through Dance

<p>This collection explores the unique forms of storytelling found in choreography and portraiture. It demonstrates examples of artists that communicate universal narratives and express diverse perspectives without words. Photographs of war veterans by Louie Palu and the veterans’ experiences of post-traumatic stress disorder (PTSD) inspired the featured dance. Students can watch a video interview with the choreographer, Dana Tai Soon Burgess, and answer guided questions from Project Zero's "Claim, Support, Question" thinking routine.</p> <p>This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.</p> <p>#APA2018</p> <p>Tags: dance, dancing, choreography, Post-Traumatic Stress Disorder (PTSD), narrative, interpretation, analysis</p>
Ashley Naranjo
11
 

"Crossing the Delaware": Who is portrayed in American history?

<p>This collection highlights variations on a theme through works of art: George Washington Crossing the Delaware, George Washington Carver Crossing the Delaware and Shimomura Crossing the Delaware. Comparisons of these works could serve as springboards for discussions about identity, immigration, "master" or dominant narratives in history, and hero myths.</p> <p>#EthnicStudies</p>
Ashley Naranjo
7
 

Isamu Noguchi

<p>This topical collection includes a portrait of Isamu Noguchi, a 20th-century Japanese American artist and architect and a National Portrait Gallery "Portrait Spotlight" with background information and suggested questions for the classroom. Additional resources include blog posts from the Smithsonian American Art Museum about his work and a small sample of Noguchi's sculptures from the Hirshhorn Museum and Sculpture Garden and the Smithsonian American Art Museum. </p> <p>Teachers and students may use this collection as a springboard for classroom discussions about Noguchi and his artworks and for further research. </p> <p>Keywords: Asian American, sculptor, landscape artist, public works, <em>Okame</em>, <em>Grey Sun</em>, <em>Lunar Landscape</em>, <em>Composition</em>, <em>Cronos</em>, <em>Akari</em>, <em>Mother and Child</em></p><p><em>This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center. </em> </p> <p> #APA2018</p>
Ashley Naranjo
19