<p>This collection can be used online or printed out so that each student receives a portrait to examine. In looking closely at their assigned portraits, students might ask questions, such as: Can a portrait be of a character vs. a real person? Does a portrait have to include a person's face? Does the sitter have to know the portrait is being created? What forms can a portrait take? These questions might help them in creating a list of attributes of portraiture. Students can then compare with their classmates and compare and contrast how their lists of characteristics might differ. By first examining one of the portraits in depth and then examining a breadth of portraits together, the class might work together to create a common definition for "portraiture". Students may be interested in comparing their common definition with a National Portrait Gallery curator's take on "Defining Portraiture: How are portraits both fact and fiction?" in the video included at the end of this collection <a href="https://learninglab.si.edu/resources/view/60783#more-info">https://learninglab.si.edu/resources/view/60783#more-info</a></p><p>This activity works equally well online or using printed flashcards (see the <a href="https://learninglab.si.edu/collections/defining-portraiture/n5fLJjkXzRe4xBd5#r/470937" target="_blank">resource tile</a>). <br /></p>

<p>This collection contains illustrations, sketches, paintings, sculpture and photographs representing a variety of science-related concepts, including animal adaptations, the invention process and climate change. </p> <p>They may be used for a variety of purposes; here, we use them as a catalyst for discussion.  In small groups or as a classroom, have students select one artwork they find meaningful or interesting and discuss the following:</p> <ol><li>Why did you pick this image?  </li><li>What do you see?  Name specific aspects of the image you notice.</li><li>What do you think about what you see?</li><li>What does this image make you wonder? </li></ol><p>This activity works equally well online or using printed flashcards (see <a href="http://learninglab.si.edu/q/ll-c/wCjeBXbgRgExR2Py#r/424391">the resource tile</a>).  You may also replace or pair the above activity with a Project Zero Thinking Routine found in the final section of the collection. </p> <p>Keywords: printable, flash card, project zero visible thinking routine, New Jersey Principals and Supervisors Association, NJPSA, arts integration, natural history, animals, invention, patent, portraits, weather</p>

<p>This collection presents three different <em>liberty bonds</em> primary sources dating from 1918: a postcard, sheet music/song, and a celebrity aviator's brochure. With these resources students will explore <em>L</em><em>iberty Bonds<span></span></em>, also called war bonds or liberty loans, which were essentially loans from the American people to the U.S. government to fund the Allies' involvement in World War I. Many public campaigns presented purchasing bonds as the patriotic way to support the war from the home front. Carefully chosen words and imagery conveyed this message and persuaded Americans to act quickly, through both subtle and direct messaging. </p> <p><u>Essential questions:</u> What role did Liberty Bonds play in financing the U.S. WWI effort? How did persuasive language techniques and visuals lead many Americans to see Liberty Bonds as part of their patriotic duty on the home front? </p> <p><u>Keywords:<span></span></u> primary source, secondary source, soldiers, World War I, Great War, Ruth Law, "What are you going to do to help the boys?", army, military, Uncle Sam, WWI, persuasion, advertising</p> <p>This collection was created in conjunction with the National Postal Museum's "My Fellow Soldiers: Letters from World War I" teacher workshop (July 19, 2017). It focuses on one of the many postcards from <a href="https://learninglab.si.edu/collections/my-fellow-soldiers-postcards-from-world-war-i/HPrCVWkR1wqjpK3k#r" target="_blank" style="background-color:rgb(63,63,63);">this topical collection</a> to demonstrate its use in the secondary classroom. #NPMTeacherPrograms<br /></p><p><em>#historicalthinking</em></p><p><br /></p>

<p>This is a Smithsonian Learning Lab topical collection, which contains images, text, and other multimedia resources that may complement the Tween Tribune feature, <em><a href="https://www.tweentribune.com/article/teen/coastal-cities-ceed-rethink-how-they-deal-rising-waters/">Coastal cities need to rethink how they deal with rising waters</a></em>. Use these resources to introduce or augment your study of this topic. If you want to personalize this collection by changing or adding content, click the Sign Up link above to create a free account.  If you are already logged in, click the copy button to initiate your own version. Learn more <a href="https://learninglab.si.edu/create" target="_blank">here</a>. <br /></p><p><br /></p>

In this student activity, you’ll use specialized image processing software to bring out visual details from images of objects like the Moon, Sun, star clusters, nebulas, and galaxies. After you analyze your own image(s), you’ll have an opportunity to research related astronomy information and to share your scientific and artistic interpretations of your telescope data.

<p>In this collection, students will analyze a single photograph taken during the Japanese American incarceration era in San Francisco, CA in 1942. It shows residents of Japanese ancestry appearing for registration prior to evacuation as mandated by Executive Order 9066, with a young woman as the focal point of the image. Complementary articles, images, and videos support a deeper contextual understanding of the image and the intentions of the photographer, Dorothea Lange, in capturing this moment in time. <br /></p> <p>Teachers and students may use this collection as a springboard for classroom discussion about Japanese American incarceration, as well as an opportunity to analyze visual clues and details of a complex photograph. </p> <p>Keywords: War Relocation Authority, EO9066, internment, World War II  relocation centers</p> <p><em>This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.</em><span></span> </p> <p>#APA2018</p>

<p>This teaching collection includes videos, portraits and lesson plans from the National Portrait Gallery and the National Museum of American History. During Abraham Lincoln's campaign to become president, an 11-year-old girl named Grace Bedell wrote a letter suggesting he grow a beard to gain more votes. Of course, Lincoln's beard became iconic in imagery during his Presidency and throughout the Civil War.</p>

This online conference series invites educators and students to explore Smithsonian research and collections related to the evidence, impact, and response to climate change. Smithsonian curators and researchers explore the evidence of climate change, as well as the impact of climate change on the environment, wildlife, biodiversity, and human populations. Smithsonian experts also lead discussions on how people are responding to the threats posed by climate change. Includes the archive of each session, with teacher-created suggested lessons that utilize Visual Thinking Strategies. Original Airdates: Fall 2009 <br /><br />

<p>This topical collection features forty international stamps that were issued during the World War I era. These stamps will serve as inspiration and a starting point for teacher-created Smithsonian Learning Lab collections during the National Postal Museum's workshop, "<a href="https://postalmuseum.si.edu/education/professional-development/index.html" target="_blank">My Fellow Soldiers: Letters from World War I</a>" (July 2017) </p> <p>#NPMTeacherPrograms<br /></p>

<p>Learning resource collection, which highlights several artworks and photographs of Niagara Falls as early as 1820 to today. It introduces close-looking strategies, with a consistent set of guiding questions to analyze each image and discover changes of a place, specifically three waterfalls on the United States-Canada border, over time.</p>

Learning resources collection, which includes two versions of an artwork that captured the idea of "Manifest Destiny" as pioneer settlers were encouraged to expand American territory westward. Compare the two versions of the artwork and examine details of the painting in the landscape and people the artist included.

This archived online conference features four of the portraits found in the National Portrait Gallery's "America's Presidents" exhibition, along with example strategies for how to use portraiture in the classroom, led by educator Briana Zavadil White. In this collection, we investigate portraits showcasing the use of symbolism, changes over time, use of color, and mass production of imagery. Presidential portraits included in this collection: George Washington, Abraham Lincoln, John F. Kennedy and Barack Obama.