<p><a href="https://www.cooperhewitt.org/march-creative-collaboration/"></a><a href="https://www.cooperhewitt.org/march-creative-collaboration/">MARCH: CREATIVE COLLABORATION | Cooper Hewitt, Smithsonian Design Museum</a><a href="https://www.cooperhewitt.org/march-creative-collaboration/"></a></p> <p><strong>Age: Middle School, Highschool</strong> </p> <p>Collaboration is essential to Es Devlin’s artistic practice. Directors, studio associates, lighting designers, production managers, musicians, video designers, writers, fabricators, and more enrich her work and make it possible at such a grand scale. Some collaborations might last a few months while others endure for many years. All of them unfold over a continued conversation. No one person always has the best idea, and exchanging ideas fosters stronger outcomes. </p> <p>While Devlin’s collaborations often have an end goal, much of the richness of working with others comes from the places you explore together along the way—the dead ends, the abandoned ideas, the miscommunications, the fresh starts. Working with someone offers a chance to consider new ways of thinking, and that exchange can inspire new directions for creative work. The exercises and materials on this page offer some ways to kickstart or reflect on collaboration in your own life. What might you learn from one collaboration that you apply to the next? </p>

<p></p> <p><a href="https://www.cooperhewitt.org/january-drawing/">JANUARY: DRAWING | Cooper Hewitt, Smithsonian Design Museum</a></p> <p><strong>Age: Middle School, High school </strong></p> <p>Drawing is essential to Es Devlin’s creative practice. She draws every day, making quick, rough sketches and longer, more detailed studies. Her thousands of drawings capture the seeds of imagined ideas for stage designs and sculptural installations. But drawing also helps Devlin to study and relate to the world around her. When we draw from life, our hands and eyes connect, providing a different way for us to see and understand an object, place, or person. </p> <p>Many of us think we can’t draw or that we’re bad at it. It can be difficult to even attempt a drawing when we’re afraid of failing at it. But instead of focusing on the end product, we encourage you to explore what you might learn, experience, or feel while drawing. The process of drawing can be a kind of meditation. It can provide a rare moment to slow down and look closely. The prompts, readings, and programs on this page provide ways to explore drawing as a tool and to consider how it might support other aspects of a creative life. </p> <p></p>

<p><a href="https://www.cooperhewitt.org/february-texts/">FEBRUARY: TEXTS | Cooper Hewitt, Smithsonian Design Museum</a></p> <p><strong>Age: Middle School, High school </strong></p> <p>The act of reading is central to Es Devlin’s process for translating plays, operas, or song lyrics to stage designs or stadium tours. While reading, she underlines important passages and makes sketches in the margins of books. She returns to these notes as she considers the form of a stage sculpture or the narrative journey through an installation. </p> <p>Reading provides us an opportunity to immerse ourselves in someone else’s thoughts. We imagine a world built by their words. On its own, reading can expand our thinking and open us to new understanding. But texts can also help spark our own creative ideas. The materials on this page encourage you to explore new ways to engage with texts as part of a creative practice. </p>