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Nicole Vance Nash

Museum Educator
Smithsonian Staff

Nicole Vance Nash's collections

 

We Make History: A Guide for Students

<p>Who makes history? Who records it? In this collection explore these ideas with your students using objects from the Anacostia Community Museum's collection. Explore how Washingtonians make and record history by weaving together the work of changemakers, who improve our communities, and history keepers, who preserve and share our stories. Discover how change happens and how recording it helps us remember the past, live in the present, and shape the future. </p> <p>Can't visit the museum? Print out a <a href="https://learninglab.si.edu/collections/we-make-history-a-guide-for-students/OeX0WzB7hkl4Lujp#r/1682575">guide</a> and use this collection as your virtual museum. </p>
Nicole Vance Nash
108
 

Meet John N. Robinson

<p dir="ltr">Meet John N. Robinson (1912-1994) a painter who created portraits of his family and community. Despite a busy schedule working to provide for his family, he made art. His artworks give a glimpse of everyday life his twentieth-century neighborhood in Anacostia.</p> <p dir="ltr">Meet John N. Robinson is part of a series of lessons highlighting the biographies and artwork of artist educators featured in Anacostia Community Museum’s exhibition <a href="https://anacostia.si.edu/beautifulvision">A Bold and Beautiful Vision: A Century of Black Arts Education in Washington, DC, 1900-2000</a>. These lessons are designed for educators and students of grades 4-12. </p>
Nicole Vance Nash
48
 

Meet Thomas W. Hunster

<p dir="ltr">Washington, DC’s forgotten founder of arts education, Thomas W. Hunster (1851-1929) was a talented landscape painter and innovative art teacher. This “Father of Art” inspired many generations of Black artists and leaders with his creative curriculum which emphasized learning by doing. While getting to know the artist, students will have the opportunity to create their own soundscapes, observational drawings, and dioramas all inspired by Thomas W. Hunster. </p> <p dir="ltr">Meet Thomas W. Hunster is part of a series of lessons highlighting the biographies and artwork of artist educators featured in Anacostia Community Museum’s exhibition <a href="https://anacostia.si.edu/beautifulvision">A Bold and Beautiful Vision: A Century of Black Arts Education in Washington, DC, 1900-2000</a>. These lessons are designed for educators and students of grades 4-12. </p> <p dir="ltr"><strong>Art Lessons</strong></p> <ul><li dir="ltr"><p dir="ltr">Soundscape</p></li><li dir="ltr"><p dir="ltr">Observational Drawing</p></li><li dir="ltr"><p dir="ltr">Dioramas</p></li></ul> <p><br></p> <p dir="ltr"><strong>Thinking Routines</strong></p> <ul><li dir="ltr"><p dir="ltr"><a href="https://www.youtube.com/watch?v=s34aV6Z8r7g">Jumping In</a></p></li><li dir="ltr"><p dir="ltr"><a href="https://plannedgivstamps4fun.philamuseum.org/learn/educational-resources/exploring-our-five-senses-through-art-preschool">Exploring the Five Senses through Art</a></p></li><li dir="ltr"><p dir="ltr"><a href="https://pz.harvard.edu/resources/see-think-wonder">See, Think, Wonder</a></p></li><li dir="ltr"><p dir="ltr"><a href="https://pz.harvard.edu/resources/see-think-me-we">See, Think, Me, We</a></p></li></ul> <p><br></p> <p dir="ltr"><strong>Clas</strong><strong>sroom Connections</strong></p> <ul><li dir="ltr"><p dir="ltr">Visual Arts: use this lesson to teach about landscapes, soundscapes, observational drawing, and dioramas</p></li><li dir="ltr"><p dir="ltr">Science: use this lesson to teach about how scientists use their senses and observations to create art</p></li><li dir="ltr"><p dir="ltr">Social Studies: use this lesson to teach about the Reconstruction period of US History</p></li></ul>
Nicole Vance Nash
42
 

Meet Sam Gilliam

<p dir="ltr">Meet Sam Gilliam (1933—2022), an American artist, teacher, and innovator, known for breaking paintings out of their frames. He continually experimented with paint and materials and challenged ideas about what paintings could be.</p> <p dir="ltr">Meet Sam GIlliamis part of a series of lessons highlighting the biographies and artwork of artist educators featured in Anacostia Community Museum’s exhibition <a href="https://anacostia.si.edu/beautifulvision">A Bold and Beautiful Vision: A Century of Black Arts Education in Washington, DC, 1900-2000</a>. These lessons are designed for educators and students of grades 4-12. </p> <p dir="ltr"><strong>Art Lessons</strong></p> <ul><li dir="ltr"><p dir="ltr">Process Paintings</p></li><li dir="ltr"><p dir="ltr">Sculptural Paintings</p></li></ul> <p><br></p> <p dir="ltr"><strong>Thinking Routines</strong></p> <ul><li dir="ltr"><p dir="ltr">Colors, Shapes, Lines</p></li><li dir="ltr"><p dir="ltr">See, Think, Feel, Wonder</p></li></ul> <p><br></p> <p dir="ltr"><strong>Clas</strong><strong>sroom Connections</strong></p> <ul><li dir="ltr"><p dir="ltr">Visual Arts: Painting, Process Art, Contemporary Art</p></li><li dir="ltr"><p dir="ltr">Social Studies: Late Twentieth Century African American History </p></li><li dir="ltr"><p dir="ltr">Language Arts: Reading, Writing</p></li></ul>
Nicole Vance Nash
54
 

Meet Madame Lillian Evanti

<p dir="ltr">Meet the First Lady of Opera, Madame Lillian Evanti (1890-1967). Lillian Evans Tibbs spoke five languages fluently and could sing in many more languages! This Washington, DC native became world famous as the first African American to sing in a professional European opera company in 1925. In addition to her illustrious opera career she was also a composer, lyricist, teacher, art collector, lecturer, and goodwill ambassador for the US Department of State. </p> <p><br>Meet Madame Lillian Evanti is part of a series of lessons highlighting the biographies and artwork of artist educators featured in Anacostia Community Museum’s exhibition <a href="https://anacostia.si.edu/beautifulvision">A Bold and Beautiful Vision: A Century of Black Arts Education in Washington, DC, 1900-2000</a>. These lessons are designed for educators and students of grades 4-12.</p> <p dir="ltr"><strong>Art Lessons</strong></p> <ul><li dir="ltr"><p dir="ltr">Identity Selfies</p></li></ul> <p dir="ltr"><strong>Thinking Routines</strong></p> <ul><li dir="ltr"><p dir="ltr"><a href="https://pz.harvard.edu/sites/default/files/Listening%20-%20Ten%20Times%20Two_0.pdf">Listening 10x2</a></p></li><li dir="ltr"><p dir="ltr"><a href="https://pz.harvard.edu/resources/circle-of-viewpoints">Circle of Viewpoints</a></p></li><li dir="ltr"><p dir="ltr">Compare and Contrast</p></li></ul> <p><br></p> <p dir="ltr"><strong>Clas</strong><strong>sroom Connections</strong></p> <ul><li dir="ltr"><p dir="ltr">Visual Arts: Portrait Photography</p></li><li dir="ltr"><p dir="ltr">Music: Opera</p></li><li dir="ltr"><p dir="ltr">Social Studies: Early Twentieth Century African American History </p></li><li dir="ltr"><p dir="ltr">Language Arts: Reading, Writing</p></li></ul>
Nicole Vance Nash
50
 

Meet Lou Stovall

<p dir="ltr">Meet printmaker extraordinaire, Lou Stovall (1937-2023). Lou Stovall crafted posters in his DC workshop for over six decades for fellow artists, activists, and musicians. In his workshops, he taught generations of artists how to make screen prints.<br><br>Meet Lou Stovall is part of a series of lessons highlighting the biographies and artwork of artist educators featured in Anacostia Community Museum’s exhibition A Bold and Beautiful Vision: A Century of Black Arts Education in Washington, DC, 1900-2000. These lessons are designed for educators and students of grades 4-12.</p> <p dir="ltr"><strong>Art Lessons</strong></p> <ul><li dir="ltr"><p dir="ltr">Design a Poster</p></li><li dir="ltr"><p dir="ltr">Make a Silkscreen</p></li></ul> <p><strong>Thinking Routines</strong></p> <ul><li dir="ltr"><p dir="ltr"><a href="https://thinkingmuseum.com/2022/12/15/5-thinking-routines-for-comparing-contrasting/">Compare and Contrast</a></p></li><li dir="ltr"><p dir="ltr"><a href="https://pz.harvard.edu/resources/headlines">Headlines</a></p></li></ul> <p dir="ltr"><strong>Clas</strong><strong>sroom Connections</strong></p> <ul><li dir="ltr"><p dir="ltr">Visual Arts: Printmaking</p></li><li dir="ltr"><p dir="ltr">Social Studies: Late Twentieth Century African American History</p></li><li dir="ltr"><p dir="ltr">Language Arts: Reading, Writing</p></li></ul>
Nicole Vance Nash
66
 

Exploring Identity through Portraiture

<p>This Learning Lab complements the National Portrait Gallery's student program, Exploring Identity through Portraiture.</p> <p>Exploring Identity through Portraiture explores the ways in which artists and sitters use portraiture as a means to convey individual, community/cultural, and national identity. By analyzing portraits, including self-portraits, students will consider how the artists tell the sitters’ stories, paying attention to how the artists’ choices reveal some—but perhaps not all—aspects of the sitters’ identity. Students will explore how portraiture can be an avenue that they can use to represent their own identities and make meaning of what is important to them.<br></p> <p><strong>Objectives</strong></p> <p><strong></strong>After completing this lesson, students will be better able to: </p> <p>• Examine how modern and contemporary artists use portraiture to reveal aspects of a sitter’s individual, community/cultural, and national identity. </p> <p>• Identify key components of a portrait and discuss what one can learn about the sitter through these components. </p> <p>• Discuss the artistic choices that portrait artists make and consider how such decisions can reveal the artists’ viewpoints and also influence the viewers’ understanding of the sitters’ identity. </p> <p>• Use the museum’s collection as a gateway to investigating and exploring one’s own individual, community/cultural, and national identity.</p> <p>#NPGteach</p>
Nicole Vance Nash
78
 

The Portraits

<p>The National Portrait Gallery tells the story of the United States of America by portraying the people who shape the nation’s history, development and culture.</p> <p>This collection is a virtual gallery of all the portraits found within student programs at the National Portrait Gallery. Learn more about our <a href="https://npg.si.edu/teachers/school-groups">virtual student programs</a> and explore more of the <a href="https://learninglab.si.edu/org/npg">National Portrait Gallery's Learning Lab collections</a>.</p> <p>#NPGteach</p> <p><br></p>
Nicole Vance Nash
299
 

Era of Social Change (1945-1980) with the National Portrait Gallery

<p>This portrait timeline spotlights individuals who shaped the history, development, and culture of the United States of America between the years 1954 and 1980.</p> <p>#NPGteach</p> <p>Keywords: Civil Rights Movement, Segregation, Brown vs. Board of Education, McCarthyism, Space Race, 1950s, 1960s, 1970s, </p>
Nicole Vance Nash
103
 

Portraits of Determination: Figures of the AIDS Epidemic

<p>2025 marks the 40th anniversary of the opening of gay rights and HIV/AIDS activist Larry Kramer’s play, <em>The Normal Heart</em>. This collection takes a close look at portraits of Kramer and other significant figures during the AIDS epidemic of the 1980’s and considers how portraits can be used to share this history.</p> <p><em>“Portraits of Determination: Figures of the AIDS Epidemic” is part of the teacher workshop series Classroom Conversations which uses portraits to explore topics and themes related to history and heritage months throughout the school year.</em> </p>
Nicole Vance Nash
31
 

Mirrors and Windows: Empathy and Portraiture

<p>Explore how portraits can be both mirrors and windows- mirrors to see ourselves and windows into the humanity of others. Use this collection to think about connections between yourself, those around you, and sitters within the National Portrait Gallery collection.</p> <p><i>"Mirrors and Windows: Empathy and Portraiture</i>”<em> is part of the teacher workshop series “Classroom Conversations” which uses portraits to explore topics and themes related to history and heritage months throughout the school year.</em> </p>
Nicole Vance Nash
36
 

In Dialogue: Smithsonian Objects and Social Justice with the National Portrait Gallery

<p>Heighten your civic awareness in your classroom through conversations about art, history and material culture. Check back for new objects each month as educators from the National Portrait Gallery partner with colleagues from across the Smithsonian to discuss how historical objects from their respective collections speak to today’s social justice issues.</p> <p>#NPGteach</p> <p>Keywords: social justice, portraits, object based learning, material culture, US history, identity, representation, leadership, visible thinking strategies, video tour, Smithsonian </p>
Nicole Vance Nash
66