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      Elizabeth Dale-Deines

      Teacher Programs Coordinator
      Smithsonian American Art Museum
      Smithsonian Staff

      Elizabeth Dale-Deines's collections

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      collection

      Westward Expansion

      <p>Lesson plan: Use an artwork to support students' analysis as they examine American identity in light of the story of westward expansion.</p> <p><strong>Keywords:</strong> US History, visual analysis, critical thinking, sourcing heuristics</p>
      Elizabeth Dale-Deines
      11
       
      collection

      Wearable Art

      <p>Guiding Question: How can we express our identities through wearable art?</p> <ul><li><em>Arc: </em>Identity/Community</li><li><em>Technique: </em>recycling, cultural representation in art</li><li><p><em>Final </em><em>Product: </em>unique wearable art costumes and performance</p></li></ul> <p>Keywords: DCPS, activity, textiles</p>
      Elizabeth Dale-Deines
      38
       
      collection

      Understanding Artistic Choices

      <p>What materials and artistic techniques are best for communicating my ideas?</p> <p><br><em>Arc:</em> Determination<br><em>Techniques: </em>Sculpture, printmaking, drawing painting, textiles<em></em><em></em></p> <p>Keywords: Art, media, expression, visual communication, DCPS</p>
      Elizabeth Dale-Deines
      46
       
      collection

      The Seattle Survey

      <p>This collection offers a subset of a larger photographic survey that documented the Seatlle, WA area in 1980.  These photographs were taken as part of a wider program of photography surveys sponsored by the National Endowment for the Arts to celebrate the bicentennial of founding of the United States.</p> <p><strong><u><br>Background</u>:</strong></p> <p>In 1975, Congress considered a proposal by senator Walter Mondale to authorize funds for the American Bicentennial Photography and Film Project (ABPFP). In the proposal, Mondale referred to the epic documentary photography program undertaken by the Farm Security Administration during the Great Depression. Building on its legacy, the ABPFP would create a new visual record of the United States during the Bicentennial celebration of American independence. </p> <p>Mondale’s proposal was passed by Congress, but without the appropriation of funds. The NEA stepped forward, adding a Bicentennial State Film Projects category under its Public Media grants, and a Photography Surveys category under Visual Arts. The impact was transformative. Federal patronage was the single most important factor in the growth of American photography in the 1970s. The Photography Surveys grants were a central component of the NEA’s success. </p> <p>Between 1975 and 1981, a total of 219 photographers conducted 69 individual surveys in 30 states and 55 cities.</p> <p>The Smithsonian American Art Museum holds 13 of these surveys:</p> <ol><li><a href="https://collections.si.edu/search/results.htm?date.slider=1950s%2C1990s&q=los+angeles+documentary&view=list&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&fq=-name%3A%22Eber%2C+Linda%22&fq=-name:%22Hernandez%2C+Anthony%22" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Los Angeles, CA</a> </li><li><a href="https://collections.si.edu/search/results.htm?view=masonry&date.slider=1950s%2C1990s&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&q=long+beach+documentary" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Long Beach, CA</a> </li><li><a href="https://collections.si.edu/search/results.htm?date.slider=1950s%2C1990s&q=venice&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=name%3A%22Eber%2C+Linda%22&view=list&start=20" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Venice, CA</a> </li><li><a href="https://collections.si.edu/search/results.htm?view=list&date.slider=1950s%2C1990s&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&fq=-name%3A%22Eber%2C+Linda%22&fq=-name%3A%22Hernandez%2C+Anthony%22&q=atlanta+documentary" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Atlanta, GA</a> </li><li><a href="https://collections.si.edu/search/results.htm?date.slider=1950s%2C1990s&q=kansas+documentary&view=list&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&fq=-name%3A%22Eber%2C+Linda%22&fq=-name%3A%22Hernandez%2C+Anthony%22&start=0" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Lawrence, KS</a> </li><li><a href="https://collections.si.edu/search/results.htm?date.slider=1950s%2C1990s&q=kentucky+documentary&view=list&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&fq=name:%22Burke%2C+Bill%22" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Louisville, KY</a> </li><li><a href="https://collections.si.edu/search/results.htm?date.slider=1950s%2C1990s&q=kentucky+documentary&view=list&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&fq=-name%3A%22Eber%2C+Linda%22&fq=-name%3A%22Hernandez%2C+Anthony%22&fq=-name:%22Burke%2C+Bill%22" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Whitesburg, KY</a> </li><li><a href="https://collections.si.edu/search/results.htm?q=galveston+&gfq=CSILP_1&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=name:%22Tichich%2C+Betty%22" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Galveston, TX</a> </li><li><a href="https://collections.si.edu/search/results.htm?q=east+baltimore+documentary+survey+project&gfq=CSILP_1&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&start=20" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Baltimore, MD</a> </li><li><a href="https://collections.si.edu/search/results.htm?fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&q=mars+hill&gfq=CSILP_1" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Mars Hill, NC</a> </li><li><a href="https://collections.si.edu/search/results.htm?date.slider=1970s%2C1980s&q=buffalo%2C+new+york+documentary&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Friedlander%2C+Lee%22&fq=-name:%22Christo%22" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Buffalo, NY</a> </li><li><a href="https://collections.si.edu/search/results.htm?fq=data_source%3A%22Smithsonian+American+Art+Museum%22&q=seattle+documentary&gfq=CSILP_1" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Seattle, WA</a> </li><li><a href="https://collections.si.edu/search/results.htm?fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&q=wyoming+survey&gfq=CSILP_1" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Cheyenne, WY</a> </li></ol> <p>Created for use with NEH's EDSITEment.</p> <p>Keywords: US History, oral history, anthropology, CCOT, continuity and change over time</p>
      Elizabeth Dale-Deines
      22
       
      collection

      The Past in the Present

      <p>April 8, 2017</p><p>9:30 a.m. - 1:30 p.m.</p><p>When navigating the reality of today and seeking to shape their futures, your students may not see the power of the past at work in their lives. As the educators of tomorrow's voters, leaders, and citizens, you know that history can serve as a roadmap and a cautionary tale. Explore the Museum's contemporary art galleries with the senior curator of contemporary interpretation to uncover the history hiding in contemporary art. Participate in activities that challenge you (and your students) to internalize the past, trace its ripples to the present, and take informed action toward change for the future.<br /></p>
      Elizabeth Dale-Deines
      27
       
      collection

      Then and Now: Native Voices in American History

      <p>Presented with the National Museum of the American Indian December 9, 2017 9:30a.m.–1:30 p.m.</p> <p>What learning opportunities arise when we add complexity to “the story” of westward expansion? How can Native perspectives and contemporary events engage student historians-in-training? Leave with strategies and resources that will help you add depth and breadth to your teaching and inspire inquiry in the classroom.</p>
      Elizabeth Dale-Deines
      18
       
      collection

      The Kentucky Bicentennial Photographic Project

      <p>This collection offers a subset of a larger photographic survey that documented the Louisville, KY area in 1976.  These photographs were taken as part of a wider program of photography surveys sponsored by the National Endowment for the Arts to celebrate the bicentennial of founding of the United States.</p> <p><strong><u><br>Background</u>:</strong></p> <p>In 1975, Congress considered a proposal by senator Walter Mondale to authorize funds for the American Bicentennial Photography and Film Project (ABPFP). In the proposal, Mondale referred to the epic documentary photography program undertaken by the Farm Security Administration during the Great Depression. Building on its legacy, the ABPFP would create a new visual record of the United States during the Bicentennial celebration of American independence. </p> <p>Mondale’s proposal was passed by Congress, but without the appropriation of funds. The NEA stepped forward, adding a Bicentennial State Film Projects category under its Public Media grants, and a Photography Surveys category under Visual Arts. The impact was transformative. Federal patronage was the single most important factor in the growth of American photography in the 1970s. The Photography Surveys grants were a central component of the NEA’s success. </p> <p>Between 1975 and 1981, a total of 219 photographers conducted 69 individual surveys in 30 states and 55 cities.</p> <p>The Smithsonian American Art Museum holds 13 of these surveys:</p> <ol><li><a href="https://collections.si.edu/search/results.htm?date.slider=1950s%2C1990s&q=los+angeles+documentary&view=list&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&fq=-name%3A%22Eber%2C+Linda%22&fq=-name:%22Hernandez%2C+Anthony%22" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Los Angeles, CA</a> </li><li><a href="https://collections.si.edu/search/results.htm?view=masonry&date.slider=1950s%2C1990s&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&q=long+beach+documentary" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Long Beach, CA</a> </li><li><a href="https://collections.si.edu/search/results.htm?date.slider=1950s%2C1990s&q=venice&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=name%3A%22Eber%2C+Linda%22&view=list&start=20" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Venice, CA</a> </li><li><a href="https://collections.si.edu/search/results.htm?view=list&date.slider=1950s%2C1990s&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&fq=-name%3A%22Eber%2C+Linda%22&fq=-name%3A%22Hernandez%2C+Anthony%22&q=atlanta+documentary" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Atlanta, GA</a> </li><li><a href="https://collections.si.edu/search/results.htm?date.slider=1950s%2C1990s&q=kansas+documentary&view=list&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&fq=-name%3A%22Eber%2C+Linda%22&fq=-name%3A%22Hernandez%2C+Anthony%22&start=0" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Lawrence, KS</a> </li><li><a href="https://collections.si.edu/search/results.htm?date.slider=1950s%2C1990s&q=kentucky+documentary&view=list&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&fq=name:%22Burke%2C+Bill%22" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Louisville, KY</a> </li><li><a href="https://collections.si.edu/search/results.htm?date.slider=1950s%2C1990s&q=kentucky+documentary&view=list&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&fq=-name%3A%22Eber%2C+Linda%22&fq=-name%3A%22Hernandez%2C+Anthony%22&fq=-name:%22Burke%2C+Bill%22" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Whitesburg, KY</a> </li><li><a href="https://collections.si.edu/search/results.htm?q=galveston+&gfq=CSILP_1&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=name:%22Tichich%2C+Betty%22" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Galveston, TX</a> </li><li><a href="https://collections.si.edu/search/results.htm?q=east+baltimore+documentary+survey+project&gfq=CSILP_1&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&start=20" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Baltimore, MD</a> </li><li><a href="https://collections.si.edu/search/results.htm?fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&q=mars+hill&gfq=CSILP_1" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Mars Hill, NC</a> </li><li><a href="https://collections.si.edu/search/results.htm?date.slider=1970s%2C1980s&q=buffalo%2C+new+york+documentary&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Friedlander%2C+Lee%22&fq=-name:%22Christo%22" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Buffalo, NY</a> </li><li><a href="https://collections.si.edu/search/results.htm?fq=data_source%3A%22Smithsonian+American+Art+Museum%22&q=seattle+documentary&gfq=CSILP_1" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Seattle, WA</a> </li><li><a href="https://collections.si.edu/search/results.htm?fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&q=wyoming+survey&gfq=CSILP_1" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Cheyenne, WY</a> </li></ol> <p>Developed for use with NEH's EDSITEment. </p> <p>Keywords: US History, oral history, anthropology, CCOT, continuity and change over time</p>
      Elizabeth Dale-Deines
      13
       
      collection

      The Corner Stores of Galveston

      <p>This collection offers a subset of a larger photographic survey that documented Galveston, TX in 1977.  These photographs were taken as part of a wider program of photography surveys sponsored by the National Endowment for the Arts to celebrate the bicentennial of founding of the United States.</p> <p><strong><u><br>Background</u>:</strong></p> <p>In 1975, Congress considered a proposal by senator Walter Mondale to authorize funds for the American Bicentennial Photography and Film Project (ABPFP). In the proposal, Mondale referred to the epic documentary photography program undertaken by the Farm Security Administration during the Great Depression. Building on its legacy, the ABPFP would create a new visual record of the United States during the Bicentennial celebration of American independence. </p> <p>Mondale’s proposal was passed by Congress, but without the appropriation of funds. The NEA stepped forward, adding a Bicentennial State Film Projects category under its Public Media grants, and a Photography Surveys category under Visual Arts. The impact was transformative. Federal patronage was the single most important factor in the growth of American photography in the 1970s. The Photography Surveys grants were a central component of the NEA’s success. </p> <p>Between 1975 and 1981, a total of 219 photographers conducted 69 individual surveys in 30 states and 55 cities.</p> <p>The Smithsonian American Art Museum holds 13 of these surveys:</p> <ol><li><a href="https://collections.si.edu/search/results.htm?date.slider=1950s%2C1990s&q=los+angeles+documentary&view=list&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&fq=-name%3A%22Eber%2C+Linda%22&fq=-name:%22Hernandez%2C+Anthony%22" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Los Angeles, CA</a> </li><li><a href="https://collections.si.edu/search/results.htm?view=masonry&date.slider=1950s%2C1990s&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&q=long+beach+documentary" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Long Beach, CA</a> </li><li><a href="https://collections.si.edu/search/results.htm?date.slider=1950s%2C1990s&q=venice&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=name%3A%22Eber%2C+Linda%22&view=list&start=20" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Venice, CA</a> </li><li><a href="https://collections.si.edu/search/results.htm?view=list&date.slider=1950s%2C1990s&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&fq=-name%3A%22Eber%2C+Linda%22&fq=-name%3A%22Hernandez%2C+Anthony%22&q=atlanta+documentary" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Atlanta, GA</a> </li><li><a href="https://collections.si.edu/search/results.htm?date.slider=1950s%2C1990s&q=kansas+documentary&view=list&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&fq=-name%3A%22Eber%2C+Linda%22&fq=-name%3A%22Hernandez%2C+Anthony%22&start=0" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Lawrence, KS</a> </li><li><a href="https://collections.si.edu/search/results.htm?date.slider=1950s%2C1990s&q=kentucky+documentary&view=list&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&fq=name:%22Burke%2C+Bill%22" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Louisville, KY</a> </li><li><a href="https://collections.si.edu/search/results.htm?date.slider=1950s%2C1990s&q=kentucky+documentary&view=list&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Levinthal%2C+David%22&fq=-name%3A%22Eber%2C+Linda%22&fq=-name%3A%22Hernandez%2C+Anthony%22&fq=-name:%22Burke%2C+Bill%22" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Whitesburg, KY</a> </li><li><a href="https://collections.si.edu/search/results.htm?q=galveston+&gfq=CSILP_1&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=name:%22Tichich%2C+Betty%22" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Galveston, TX</a> </li><li><a href="https://collections.si.edu/search/results.htm?q=east+baltimore+documentary+survey+project&gfq=CSILP_1&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&start=20" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Baltimore, MD</a> </li><li><a href="https://collections.si.edu/search/results.htm?fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&q=mars+hill&gfq=CSILP_1" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Mars Hill, NC</a> </li><li><a href="https://collections.si.edu/search/results.htm?date.slider=1970s%2C1980s&q=buffalo%2C+new+york+documentary&fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&fq=-name%3A%22Friedlander%2C+Lee%22&fq=-name:%22Christo%22" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Buffalo, NY</a> </li><li><a href="https://collections.si.edu/search/results.htm?fq=data_source%3A%22Smithsonian+American+Art+Museum%22&q=seattle+documentary&gfq=CSILP_1" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Seattle, WA</a> </li><li><a href="https://collections.si.edu/search/results.htm?fq=data_source%3A%22Smithsonian+American+Art+Museum%22&fq=object_type%3A%22Photographs%22&q=wyoming+survey&gfq=CSILP_1" target="_blank" rel="noreferrer noopener" data-auth="NotApplicable">Cheyenne, WY</a> </li></ol> <p>Created for use with NEH's EDSITEment.</p> <p><strong>Keywords: </strong>US History, oral history, anthropology, CCOT, continuity and change over time</p>
      Elizabeth Dale-Deines
      29
       
      collection

      Telling a More Complete History

      <p><a href="https://americanart.si.edu/artist/george-catlin-782" target="_blank">George Catlin</a>’s paintings of American Indians seem to capture the different ways of life of Native Americans in the 1830s. Incorporating them into your classroom activities can be a tempting way to check the “analyze primary sources” box while also checking the “art integration” box. But whose stories and values are actually represented in these works? How might we tell more complete narratives in our classrooms to share multiple perspectives and gain a more nuanced and authentic understanding of this time and the peoples represented? NMAI’s Native Knowledge 360⁰ online lesson provides perspectives from Native American community members, documents, maps, images, and activities to help students and teachers understand an important and difficult chapter in the history both of Native Nations and the United States. Renée Gokey (Citizen of the Eastern Shawnee Tribe of Oklahoma), NMAI Teacher Services Coordinator, will co-facilitate.</p> <p>Please note: this is for teachers of all grades and subjects.</p> <p>Keywords: Native Americans, History, DEI, diversity, equity, inclusion</p>
      Elizabeth Dale-Deines
      30
       
      collection

      STEAM: Art Conservation + Chemistry

      <p>Having completed this lesson, students will be better able to:</p> <ul><li>Describe how batteries work;</li><li>Choose combinations of materials that do not suffer from inherent vice;</li><li>Identify art conservators as stewards of material culture.</li></ul> <p><strong>Keywords:</strong> STEAM, STEM, chemistry, experiment</p>
      Elizabeth Dale-Deines
      17
       
      collection

      STEAM: Art Conservation + Careful Decision-Making

      <p><u>Essential Understandings</u>:​<br>Art conservators’ code of ethics protects cultural inheritance while also guiding and constraining the actions of conservators. ​<br>​<u><br>Essential Questions</u>:​</p> <ul><li>How does one determine the best course of action, especially when an action cannot be un-done?​</li><li>What are our criteria for “informed” decisions?</li></ul> <p><strong>Keywords:</strong> design thinking, STEM, STEAM, NGSS</p>
      Elizabeth Dale-Deines
      18
       
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      Sites Unseen: Navigating Complexity and Grappling with Uncertainty

      <p><em><a href="https://americanart.si.edu/exhibitions/paglen" target="_blank">Trevor Paglen: Sites Unseen</a></em><em><a href="https://americanart.si.edu/exhibitions/paglen"></a> </em>combines the disciplines of art, science, and investigative journalism to bring unseen and, at times, unsettling elements of our contemporary world to light. Zooming outward from personal, to local, and finally global implications of this work, participants will work collaboratively to identify extensions and troubleshoot any challenges of this content for the classroom.<br /></p><p>All Grade Levels</p>
      Elizabeth Dale-Deines
      16