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Philippa Rappoport

Lead, Education and Engagement
Smithsonian Office of Educational Technology
Smithsonian Staff

I work in education and engagement, teacher professional development, and outreach at the Smithsonian Office of Educational Technology (OET), and have a particular interest in developing and producing trainings, programs, teaching techniques, and platforms that foster deep learning and contribute knowledge to improve practices in museum and preK-16 education and engagement. At OET over the last decade+, I created digital assets for schools, families, and new immigrant English Language learners to complement teacher professional development and pan-Smithsonian programming, including Learning Lab teaching collections, YouTube videos with tradition bearers, a handmade family stories book-making website, and online heritage tours.

Philippa Rappoport's collections

 

Social Justice in the Time of Pandemic: Presentations from the National Museum of African American History and Culture

<p>This collection serves as a preview for the fifth of six seminar sessions in the 2022 Smithsonian-Montgomery College Faculty Fellowship Program. This year's theme is “Social Justice in the time of Pandemic."<br><br>Colleagues from the National Museum of African American History and Culture - Kinshasha Holman Conwill, Kelly Elaine Navies, Doretha Williams, and Auntaneshia Staveloz - will discuss signature programs of the museum's engagement, collection, digitization, and outreach strategy. </p> <p>Resources included in this collection have been recommended by the presenters for participants to explore before the seminar session itself. A fuller description and presenter bios are included inside the collection.<br></p> <p>Special thanks to Danielle Lancaster for her support of this program.</p> <p>#MCteach</p> <p><br></p>
Philippa Rappoport
29
 

National Museum of the American Indian: Saving Sacred Spaces

<p>This collection serves as a preview for the sixth of six seminar sessions in the 2022 Smithsonian-Montgomery College Faculty Fellowship Program. This year's theme is “Social Justice in the time of Pandemic."<br><br>Four colleagues from the National Museum of the American Indian - Maria Marable-Bunch, Shawn Termin, Renée Gokey, and Hayes Lavis - will present and discuss the museum's <em>Living Earth</em> series and partners' work to safeguard sites sacred to Native peoples and nations. <br></p> <p>Resources included in this collection have been recommended by the presenters for participants to explore before the seminar session itself. A fuller description and presenter bios are included inside the collection.<br></p> <p>#MCteach<br></p>
Philippa Rappoport
16
 

Social Justice in the Time of Pandemic: Smithsonian Asian Pacific American Center and National Museum of the American Latino

<p>This collection serves as a preview for the fourth of six seminar sessions in the 2022 Smithsonian-Montgomery College Faculty Fellowship Program. This year's theme is “Social Justice in the time of Pandemic."<br><br>Andrea Kim Neighbors, from the Smithsonian Asian Pacific Ameican Center, and Emily Key, Adrián Aldaba, and Natalia Febo, from the National Museum of the Amerian Latino, will discuss how their units are working to address issues of social justice through education, engagement, community building, collecting, programming, projects, and exhibitions. </p> <p>Resources included in this collection have been recommended by the presenters for participants to explore before and after the seminar itself.<br></p> <p>#MCteach</p>
Philippa Rappoport
26
 

Artist and Archivist: The Papers and Legacy of Angel Suarez Rosado

<p>The Archives of American Art seeks to identify and acquire personal papers and institutional records of national significance in the arts. This topical collection explores the documents and objects from the papers of Angel Suarez Rosado, a living artist of Puerto Rican descent, and their lasting significance to the public.</p> <p>Included here are a bilingual video with curator Josh T. Franco, an exhibition webpage from Rosado's site-specific installation at the Allentown Art Museum in Pennsylvania, and the Archives of American Art homepage where users can explore online collections, resources, and publications, and a final discussion question. </p> <p>#LatinoHAC<br /></p> <p><br /></p>
Philippa Rappoport
4
 

Carnival Celebrations: Masks (Lesson Plans, Activities, and Background Information)

<p>This collection comes from a set of lessons plans to introduce students to the culture of Puerto Rico by looking at customs and objects - specifically masks - connected to the annual celebration of Carnival. The lessons are split into four levels, covering grades K-2, 3-5, 6-8, and 9-12. They were originally adapted from a set of activities that appeared in <em>Our Story in History: A Puerto Rican Carnival</em>, a website produced by the Smithsonian's National Museum of American History - also shown in a link inside the collection, along with instructions for students to make their own masks. The lessons include objects from the Smithsonian's National Museum of the American Indian in New York, the George Gustav Heye Center, and the Department of Anthropology, National Museum of Natural History. </p> <p><br /></p>
Philippa Rappoport
6
 

Michael Cumming's "Haitian Mermaid #2"

<h4><br></h4> <p>This collection prompts students to explore "Haitian Mermaid #2," an artwork by Michael Cummings using the Project Zero Thinking Routine "See, Think, Wonder." After careful observation, students consider two additional images of the mermaid Lasirn by unknown artists, using the Project Zero Artful Thinking Routine "See, Wonder, Compare." The collection can be used to practice and strengthen students' comfort looking at objects and making observations. </p> <p>Also included is an article from the National Museum of National History that includes some background on the mermaid Lasirn in Haiti. According to the article, "the mermaid Lasirn is one of three powerful female water spirits, sometimes considered sisters, who are honored in shrines. One sister is cool, calm and seductive. The other is hot, passionate, angry, and strong. Lasirn's personality is a blend of these opposites. Together, they validate a wide range of temperaments for women." In addition, as in many pictures of Lasirn, a Vodou banner in the exhibition shows her with a mirror and comb, as well as another common mermaid symbol, a trumpet. Lasirn wears modern, imported clothing, such as the cowboy hat... Flags or banners with pictures of spirits are an important part of Vodou ceremonies in Haiti. They are hung in temples or carried in processions to salute the spirits. A single banner may have more than 10,000 sequins."</p> <p>Keywords: Caribbean</p>
Philippa Rappoport
6
 

Close Looking at Edward Reep's "Italian Shrine," and the Nazi Occupation of Bologna, Italy, during WWII

<p>This teaching collection guides  viewers through a close looking exercise to explore American artist Edward Reep's painting of a shrine in Bologna, Italy, based on photographs and notes from his time as a combat artist in Italy during World War II. The collection is set up for students to look closely at the painting using Harvard's Project Zero Thinking Routine "See, Think, Wonder," and then to consider the historical and political context of the time, as well as the artist's personal experiences in Italy during WWII, in order to better understand Reep's homage in painting to the thousands of Italian Resistance fighters and citizens who lost their lives fighting against the Nazi occupation during World War II. The activity concludes with another Project Zero Routine from the Global Thinking series, "The 3 Y's."</p> <p><br /></p>
Philippa Rappoport
5
 

Origami Animals: Demonstration Videos and Background Information

<p>People from all over the world have enjoyed doing traditional paper crafts for hundreds and sometimes thousands of years. In this set, you'll find interviews with origami artists and a variety of demonstration videos to make paper animals (bull, butterfly, crane) and a paper wallet. Appropriate for classroom, home, or informal education settings.</p> <p>The Japanese word "origami" comes from two smaller words: "ori" which means "to fold," and "kami" meaning "paper." Although this is the most common word in the United States for the craft of paper folding, the tradition is known to have existed in China and Japan for more than a millennium, and from there it spread to other countries around the world. Japanese patterns tend to focus on animals and flowers, while Chinese designs are usually for things like boats and hats. Paper folding's earlier use was ceremonial, but with time the tradition became popular as a children's activity.<br /></p> <p>Grab some paper and have fun!<br /></p> <p><br /></p>
Philippa Rappoport
5
 

The Art of Gaman: Storytelling, Musical and Dance Performance, and Hands-On Activities Demonstrations

<p>This collection comes from an Asian Pacific American Heritage Month family day in the Grand Salon of the Renwick Gallery of Art. The festival was created to complement the Renwick exhibition, "The Art of Gaman: Arts and Crafts from the Japanese American Internment Camps, 1942-1946." Included here are an interview with the curator of the exhibition, as well as musical and dance performances by Nen Daiko and the Kikuyuki Dancers of America, storytelling and an interview with Anne Shimojima, and hands-on origami and doll-making demonstrations.</p>
Philippa Rappoport
10
 

Women's History Month Family Festival

<p>Here is a collection of videos from a Women's History Month family festival, that includes interviews and performance footage with Kathak dancer Prachi Dalal, Native American singing group Ulali, mother-daughter storyteller and artist Yona Zeldis McDonough and Malcah Zeldis, and the Georgia Tech Glee Club paying tribute to the women in the audience for Women's History Month. </p>
Philippa Rappoport
5
 

6 Jewish American objects for Jewish American Heritage Month

<p>This is a collection of six objects, from the National Museum of American History, that were selected by museum staff for what they reveal about the Jewish American experience.</p><p>I've created this collection from the blog post by Tory Alrman. <em>Tory Altman has also blogged about <a href="http://americanhistory.si.edu/blog/patriotic-anthems">patriotic songs beyond the national anthem</a> and <a href="http://americanhistory.si.edu/blog/new-project-explores-what-it-means-be-american">what it means to be American</a>.</em></p>
Philippa Rappoport
6
 

Capturing Visitor Voices in Teen-Made videos

<p>In 2011 the Smithsonian joined with the Pearson Foundation to train ARTLAB+ teens to document personal stories at Smithsonian Heritage Month family festivals. ARTLAB+ is a design studio based out of ArtLab space in the Hirshhorn Museum and Sculpture Garden. The teens captured visitor voices through several years, covering a variety of topics including views on race, culture, nature, belonging, music and food.</p>
Philippa Rappoport
12