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Found 101 Collections

 

"Shimomura Crossing the Delaware" by Roger Shimomura

This topical collection includes a painting, "Shimomura Crossing the Delaware," by Roger Shimomura, an American artist of Japanese descent, with a National Portrait Gallery "Portrait Spotlight" containing background information and suggested questions for the classroom. Also included are a blog post and video interview of the artist about themes of identity in his work. 

Teachers and students may use this collection as a springboard for classroom discussions about Shimomura and his artworks and for further research.  Also included are Smithsonian Learning Lab collections with teaching strategies from National Portrait Gallery educator, Briana White

Keywords: Asian American, painter, Washington Crossing the Delaware, Claim, Support, Question, Compare and Contrast, Seattle 

This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.  

#APA2018 #EthnicStudies

Ashley Naranjo
17
 

"Their Stories: Lowell's Youth and the Refugee Experience"

This exhibit at Lowell National Historical Park, Lowell, Massachusetts, features the stories of five refugees who came to Lowell as teenagers. As they established new lives here, they tried to maintain their cultural heritage while building a sense of belonging in the United States. Read their stories and hear, in their own words, why they left their home countries, their experiences as refugees, and how they are adapting to life in Lowell.  

#TCSLowell #APA2018

Tsongas Industrial History Center
8
 

"Words can lie or clarify" by Aiko Herzig-Yoshinaga

In 1981, Aiko Herzig-Yoshinaga submitted a memorandum on the subject “Use of term ‘concentration camps’” to the executive director of the Commission on Wartime Relocation and Internment of Civilians (CWRIC). Included in this collection is background information on the Japanese American Incarceration era and Executive Order 9066, alongside Herzig-Yoshinaga's own words. In response to reading through this memorandum, students can apply Project Zero Thinking Routines to what they already know about the Japanese American Incarceration era and what interests them for further research. Additionally, students can begin to connect ideas from Herzig-Yoshinaga's memorandum to artifacts, documents and photographs of the era, noting especially the nuances in the meaning of words used and interpret some of these euphemisms in context.

#APA2018

Related collection of interest around language found within the Civilian Exclusion Order: Document Analysis: Civilian Exclusion Order and Japanese American Incarceration During WWII

Ashley Naranjo
50
 

Allies in the Fields

Most people are familiar with the Farm Workers Movement but many do not know the long history of resistance in the fields.  This activity will provide an introduction into the role Asians and Asian Americans played in providing food across the United States and the pivotal role they played gaining farm worker rights. #APA2018

You will find student instructions for each section on the arrow slide dividers. Click on each for instructions.   

Throughout this experience consider the 3 Ys:

  1. Why might this snapshot of the role of Asians and Asian Americans in the fields matter to me?
  2. Why might it matter to people around (family, friends, fellow students, community)
  3. What might it matter to the world?

At the end of this activity focus on what it means to be an ally and revisit your Universe of Obligation activity.

 

Merri Weir
23
 

America is in the Heart

Carlos Bulosan’s classic words exploring the immigrant experience in America, read by Hasan Minhaj, Ivy Quicho & Junot Díaz.

#APA2018

Sarah Froonjian
31
 

Analysis of an Artwork by Maya Lin

Chinese American designer and artist Maya Lin (b. 1959) achieved national recognition as a Yale University undergraduate student when her design for the Vietnam Veterans Memorial won a national competition. 

In this activity, students will analyze a unique artwork-filled room designed by Maya Lin, first using only a still visual with little context, then a hyperlapse video of the artwork's installation,  then the artist herself discussing  her process, materials used, and vision. Students will make predictions based on visuals, gradually learn about the context of the artwork, and reflect on how their perception of the artwork changed with the addition of new information. 

This activity can be used as an entry point into studying Maya Lin's artwork and other artworks inspired by experiences with the natural environment. This activity opens with a Project Zero See-Think-Wonder routine and asks learners to look closely, prior to revealing additional contextual information. To learn more about other Asian Pacific American Artists, visit this collection: https://learninglab.si.edu/collections/asian-pacific-american-artists/bW68eE1p6kHVzsC7#r

This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.

Keywords: Chesapeake Bay, Maya Lin, Asian American, marbles, Renwick Gallery, waterways

#APA2018 #BecauseOfHerStory

Ashley Naranjo
13
 

Analyzing an Oral History Interview: Grant Ichikawa

This collection includes an oral history interview with Grant Hayao Ichikawa (April 17, 1919- December 3, 2017). Ichikawa was a U. S. Army veteran who enlisted after he was relocated to a Japanese American incarceration camp with his family in 1942. The interview includes a first-hand account of the impact of the bombing of Pearl Harbor on Japanese Americans.

Complementary resources to the podcast audio file include: a National Museum of American History teachers' guide and images, Smithsonian Libraries' graphic organizers for evaluating historical sources, a Smithsonian Folklife and Cultural Heritage guide to conducting your own oral history, and additional video and audio oral histories with Grant Ichikawa from the Library of Congress American Folklife Center. 

This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center. 

Keywords: Congressional Gold Medal, veteran, internment camps, World War II, commission, wartime, close listening

#APA2018 #EthnicStudies *This collection was created to support Unit 2: Culture and Resistance, oral history project assignment of the Austin ISD Ethnic Studies Part B course.

Ashley Naranjo
23
 

Analyzing Oral History Interviews: Asian Indian Community of Cleveland, Ohio

This collection includes a series of oral history interviews the Asian Indian Community of Cleveland, Ohio from 2013. Ten Asian Indians who settled in the Greater Cleveland region during the 1950s and 1960s were interviewed by middle and high school students. These interviews document their unique immigrant experiences and focus on professional, family and religious life.

Complementary resources to the podcast files include: a National Museum of American History teachers' guide and images, Smithsonian Libraries' graphic organizers for evaluating historical sources, and a Smithsonian Folklife and Cultural Heritage guide to conducting your own oral history.

Interviewees include: Ajeet Singh Sood, Batuk Modi, Dipti P. Roy, Elizabeth and Winfred Balraj,  Gulab Khandelwal,  Ivan Tewarson, Kul Bhushan, Om Julka, Paramjit Singh, P.K. and Virginia Saha,  Ramachandran Balasubramaniam, Ranajit Datta, Sam Rajiah, Shanta and Surinder Kampani, Shiv and Saroj Aggarwal, Vijay Rastogi, Vinay and Surinder Bhardwaj

#APA2018 #EthnicStudies

This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center. 

Ashley Naranjo
10
 

Asian American Art: "Emerging from the Shadows"

This collection is meant to build on "Socially Constructed Learning through Art" and to introduce the viewer to artists of Asian ancestry in America using Chang, Johnson & Karlstrom's text, Asian American Art: A History, 1850-1970 (2008), the vast resources of the Smithsonian Learning Lab, Project Zero's Global Thinking Routines and other resources.  This collection is part one of four that I have organized, chronologically, on Asian American Art.  The other three collections are "Asian American Artists and World War II",  "Asian American Modernism" and "Asian American Contemporary Art".  It is my hope that these collections will serve as entry points to understanding the many contributions of Asian American artists in the U.S. from 1850 until the present time.

Visual art is a language that is socially and culturally constructed.  Socially constructed learning values diverse perspectives, engages with local and global experts, and employs inquiry, discovery and exploration to move students toward global citizenship.  Because the visual arts leverage the power of dialogue and debate to sharpen critical thinking, starting with the arts is a logical place to help students develop cultural intelligence.

Other purposes of these collections are to explore tangible and intangible cultural heritage; as well as jumpstart brave conversations about race, identity and immigration in the U.S. with teachers, tutors of English Language Learners and others who are interested in becoming cultural leaders in our public schools.

In Asian American Art: A History, 1850-1970 (Chang, Johnson, Karlstrom, 2008), Gordon H. Chang writes about Asian American art "emerging from the shadows".  He asks, "Why has this treasure been outside our vision?"  Historically, those of Asian heritage faced discrimination in the United States.  For instance, the Chinese Exclusion Act of 1882 prevented Asian immigrants from entering the country.  In 1945, the U.S. government forced Japanese Americans to move to remote internment camps.  Most of these people of Japanese ancestry were U.S. citizens or legal residents and they were forced to abandon their homes and businesses until the war ended.  In 1965, the U.S. finally lifted the last of the immigration laws that overtly discriminated against Asians.  

Asian Americans are now the fastest-growing racial group in the U.S., outpacing both Latinos and African Americans.  In 2013, there were more than 17.3 million Asian Americans living in the U.S. -- 6% of the population.  

So although Asian Americans have been making and exhibiting art in the U.S. since 1850, why is it still so difficult to define the style or content of Asian American art?  We will come back to this question in each of the four collections.

For early Asian American art, as Chang states in his forward, "The fascination with modern abstraction and nonrepresentational art, especially after World War II, turned public eyes away from art that appeared to have social messages or overt ethnic connections.  Art produced by Asian Americans, other racial minorities, and women in America that displayed such markers now appeared nonmodern and was eclipsed by the interest in abstraction.  Art that reflected the quandary of exile (such as that suffered by Chinese diasporic artists -- Wang Ya-chen, Chang Shu-chi, and Chang Dai-chien, for example -- in the mid twentieth century), displacement (such as that experienced by artists who worked in the United States during the height of racial antagonism, such as Yun Gee or Chiura Obata), and persecution (the Japanese artists who suffered internment, Eitaro Ishigaki and others, hounded because of their political beliefs) fell out of fashion." 

#APA2018

Julie Sawyer
24
 

Asian American Artists and World War II

This collection is meant to build on "Asian American Art: Emerging from the Shadows" and to introduce the viewer to artists of Asian ancestry in America using Chang, Johnson & Karlstrom's text, Asian American Art: A History, 1850-1970 (2008), the vast resources of the Smithsonian Learning Lab, Project Zero's Global Thinking Routines and other resources.  This collection is part two of four that I have organized, chronologically, on Asian American Art.  The other three collections are "Asian American Art: Emerging from the Shadows",  "Asian American Modernism" and "Asian American Contemporary Art".  It is my hope that these collections will serve as entry points to understanding the many contributions of Asian American artists in the U.S. from 1850 until the present time.

Visual art is a language that is socially and culturally constructed.  Socially constructed learning values diverse perspectives, engages with local and global experts, and employs inquiry, discovery and exploration to move students toward global citizenship.  Because the visual arts leverage the power of dialogue and debate to sharpen critical thinking, starting with the arts is a logical place to help students develop cultural intelligence.

Other purposes of these collections are to explore tangible and intangible cultural heritage; as well as jumpstart brave conversations about race, identity and immigration in the U.S. with teachers, tutors of English Language Learners and others who are interested in becoming cultural leaders in our public schools.

"In the years before the American entry into World War II, many Chinese American artists, moved by the death and destruction caused by the Japanese invasion of China in the 1930s, depicted Japanese military atrocities in their artwork.  Yun Gee, Kem Lee, Nanying Stella Wong, and David P. Chun, among others, created anguishing images of Chinese suffering and Japanese military brutality.  These powerful images, though, had limited impact on the greater American public, whose attention was elsewhere.  Japanese American artists such as Hideo Date, Yasuo Kuniyoshi, and Isamu Noguchi also used their talents to condemn European and Japanese fascism and encourage American support for the Chinese victims of Japanese aggression.  But it was the Japanese attack on Pearl Harbor in 1941 that established the indelible connection between art, race, and war for these and other Asian American artists."  (Chang, Johnson, Karlstrom, 2008).  

  #APA2018

Julie Sawyer
30
 

Asian American Diaspora

A quick review on the Asian Diaspora and the reactions American nationalists had.  

#APA2018

jtadeo
30
 

Asian American Modernism

This collection is meant to build on two earlier collections, "Asian American Art: Emerging from the Shadows"  and "Asian American Artists and World War II" and to introduce the viewer to artists of Asian ancestry in America using Chang, Johnson & Karlstrom's text, Asian American Art: A History, 1850-1970 (2008), the Fine Arts Museums of San Francisco's exhibition catalog "Asian/American/Modern Art: Shifting Currents, 1900-1970" (2008),the vast resources of the Smithsonian Learning Lab, Project Zero's Global Thinking Routines and other resources.  This collection is part two of four that I have organized, chronologically, on Asian American Art.  The other three collections are "Asian American Art: Emerging from the Shadows",  "Asian American Artists and World War II" and "Asian American Contemporary Art".  It is my hope that these collections will serve as entry points to understanding the many contributions of Asian American artists in the U.S. from 1850 until the present time.

Visual art is a language that is socially and culturally constructed.  Socially constructed learning values diverse perspectives, engages with local and global experts, and employs inquiry, discovery and exploration to move students toward global citizenship.  Because the visual arts leverage the power of dialogue and debate to sharpen critical thinking, starting with the arts is a logical place to help students develop cultural intelligence.

Other purposes of these collections are to explore tangible and intangible cultural heritage; as well as jumpstart brave conversations about race, identity and immigration in the U.S. with teachers, tutors of English Language Learners and others who are interested in becoming cultural leaders in our public schools.

As Gordon H. Chang and Mark Dean Johnson state in the introduction of the exhibition catalog, "Asian/American/Modern Art: Shifting Currents, 1900-1970" (2008):

"Forty years ago there were no Asian Americans.  There were Chinese, Japanese, Koreans, Filipinos, and others of Asian ancestry in the United States, but no 'Asian Americans,' as that term was coined only in 1968.  This population was commonly seen as foreign, alien, not of America.  Their lives and experiences were not generally accepted as part of the fabric of the country, even though Asians had begun settling here steadily in the mid-nineteenth century.

Then, in the late 1960s, as part of the upsurge in the self-assertion of marginalized communities,  'Asian America' emerged to challenge the stigma of perpetual foreignness.  'Asian American' was a claim of belonging, of rootedness, of pride and identity, and of history and community; it was also a recognition of distinctive cultural achievement"  (Chang, Johnson, 2008).

#APA2018

Julie Sawyer
18
 

Asian American Modernism

This collection is meant to build on two earlier collections, "Asian American Art: Emerging from the Shadows"  and "Asian American Artists and World War II" and to introduce the viewer to artists of Asian ancestry in America using Chang, Johnson & Karlstrom's text, Asian American Art: A History, 1850-1970 (2008), the Fine Arts Museums of San Francisco's exhibition catalog "Asian/American/Modern Art: Shifting Currents, 1900-1970" (2008),the vast resources of the Smithsonian Learning Lab, Project Zero's Global Thinking Routines and other resources.  This collection is part two of four that I have organized, chronologically, on Asian American Art.  The other three collections are "Asian American Art: Emerging from the Shadows",  "Asian American Artists and World War II" and "Asian American Contemporary Art".  It is my hope that these collections will serve as entry points to understanding the many contributions of Asian American artists in the U.S. from 1850 until the present time.

Visual art is a language that is socially and culturally constructed.  Socially constructed learning values diverse perspectives, engages with local and global experts, and employs inquiry, discovery and exploration to move students toward global citizenship.  Because the visual arts leverage the power of dialogue and debate to sharpen critical thinking, starting with the arts is a logical place to help students develop cultural intelligence.

Other purposes of these collections are to explore tangible and intangible cultural heritage; as well as jumpstart brave conversations about race, identity and immigration in the U.S. with teachers, tutors of English Language Learners and others who are interested in becoming cultural leaders in our public schools.

As Gordon H. Chang and Mark Dean Johnson state in the introduction of the exhibition catalog, "Asian/American/Modern Art: Shifting Currents, 1900-1970" (2008):

"Forty years ago there were no Asian Americans.  There were Chinese, Japanese, Koreans, Filipinos, and others of Asian ancestry in the United States, but no 'Asian Americans,' as that term was coined only in 1968.  This population was commonly seen as foreign, alien, not of America.  Their lives and experiences were not generally accepted as part of the fabric of the country, even though Asians had begun settling here steadily in the mid-nineteenth century.

Then, in the late 1960s, as part of the upsurge in the self-assertion of marginalized communities,  'Asian America' emerged to challenge the stigma of perpetual foreignness.  'Asian American' was a claim of belonging, of rootedness, of pride and identity, and of history and community; it was also a recognition of distinctive cultural achievement"  (Chang, Johnson, 2008).

#APA2018

Rubina Pantoja
18
 

Asian American Student Activism

A retrospective on Asian American Activism that dispels the Model Minority myth and strengthens the need for Ethnic Studies Programs/Asian American Programs across the country.


#APA2018

jtadeo
30
 

Asian Artists Influence in Austin, Texas

A look at Asian arts in Austin and the growing number of Asian Americans in the creative fields.

#APA2018 

jtadeo
35
 

Asian Pacific American Activists and Leaders

This topical collection includes resources about Asian Pacific American activists and leaders of important political, social, and labor movements. The collection includes portraits, short biographies, videos, and blog posts.

Teachers and students may use this collection as a springboard for classroom discussions about activism. This collection is not comprehensive, but rather provides a launching point for research and study.

This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center. 

Keywords: Yuri Kochiyama, Grace Lee Boggs, Mitsuye Endo, Ram Bagai, Larry Itliong, Norman Mineta, Fred Korematsu, Daniel Ken Inouye, Minoru Yasui, Regie Cabico, Wong Chin Foo, Chew-Een Lee, Noriko Sawada Bridges Flynn, Richard Aoki, South Asian Lesbian and Gay Association (SALGA), Wong Ar Chong, workers' rights, human rights, Civil Rights Movement, Japanese Incarceration, Japanese Internment, politician, lawyer, spoken word poet, immigration, LGBT, Japanese American, Chinese American, Indian American, Filipino American

  #APA2018 #EthnicStudies

Ashley Naranjo
64
 

Asian Pacific American Artists

This topical collection includes resources related to Asian Pacific American artists, including individuals who work in photography, sculpture, painting, installation art, video art, landscape design, furniture design, jewelry and architecture. This collection includes portraits of the artists, artwork, articles, videos with experts, and related Smithsonian Learning Lab collections. 

Teachers and students may use this collection as a springboard for classroom discussions including biographies of Asian Pacific American artists, art analysis, and historical context. This collection is not comprehensive but rather provides a launching point for research and study. 

This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.  

Keywords: Nam June Paik, Korean American, Roger Shimomura, Japanese American, Maya Lin, Vietnamese American, CYJO, Cindy Hwang, Isamu Noguchi, Yasuo Kuniyoshi, Akio Takamori, George Nakashima, visual art

#APA2018

Tess Porter
124
 

Asian Pacific American Authors

This topical collection about Asian Pacific American authors includes portraits, interviews, and book reviews. 

Teachers and students may use this collection as a springboard for classroom discussions. This collection is not comprehensive but rather provides a launching point for research and study. 

This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.  

Keywords: Jhumpa Lahiri, Indian American, Carlos Bulosan, America is in the Heart, Filipino American, Maxine Hong Kingston, Chinese American, Julie Otsuka, Japanese American, Chang-rae Lee, Korean American, Anor Lin, Sadakichi Hartmann, A.X. Ahmad, Ava Chin, P. S. Duffy, Eddie Huang, Yiyun Li, Valynne Maetani, Viet Thanh Nguyen, Vietnamese American, Ellen Oh, Vu Tran, Thrity Umrigar, literature

#APA2018

Tess Porter
28
 

Asian Pacific Americans in Sports

This topical collection about important Asian Pacific American athletes and sports innovators includes portraits, artifacts, blog posts, and a video. 

Teachers and students may use this collection as a springboard for classroom discussions about Asian Pacific American representation in sports. This collection is not comprehensive but rather provides a launching point for research and study. 

This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.  

Keywords: Duke Kahanamoku, Hawaiian, Pedro Flores, Filipino American, Philippines, Apolo Ohno, Japanese American, Kristi Yamaguchi, Craig Beardsley, Chinese American,  Darsh Singh, Indian American, Sikh, Olympics, surfing, surfer, swimmer, swimming, yo-yo, yo-yoing, speed skating, ice skating, 9-man volleyball, rowing, baseball, basketball

#APA2018

Tess Porter
20
 

Asian Pacific Americans in the Performing Arts

This topical collection includes resources about Asian Pacific American actors, choreographers, spoken word poets, musicians, composers, comedians, filmmakers, and stage performers. The collection includes portraits, videos and articles. 

Teachers and students may use this collection as a springboard for classroom discussions about Asian Pacific American representation in the performing arts. This collection is not comprehensive, but rather provides a launching point for research and study. 

This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.  

Keywords: entertainment, actress, magician, dancer, “Siamese twins”, entrepreneur, Moana, Mulan, Anna May Wong, Chinese American, George Takei, Japanese American, Michio Ito, Dana Tai Soon Burgess, Korean American, Regie Cabico, Filipino American, Yo Yo Ma, Aziz Anzari, Mindy Kaling, Indian American, Bruce Lee

#APA2018

Ashley Naranjo
60
 

Asian Pacific Cuisine

Food, agriculture, tools, and customs in Asian Pacific Cuisine.  International Foods Lab 2018, #tcslowell, #APA2018

Lorraine Ostanik-Bellessa
24
 

Asian Pacific Cuisine

Food, agriculture, tools, and customs in Asian Pacific Cuisine.  International Foods Lab 2018, #tcslowell, #APA2018

Susan Brassard
24
 

Burmese Americans in Lowell, MA.

This collection highlights particular aspects - food, culture, religion, traditions - of the Burmese community in Lowell, MA.  The collection also features Burmese events and holidays that take place in the city.

#TCSLowell

 #APA2018

Tsongas Industrial History Center
11
 

Burmese Refugees in Lowell

This collection includes materials about Burmese Americans, the newest Southeast Asian community in Lowell.

Most of these images were donated by members of the Burmese community at the Saydanar Community Development Center in Lowell, MA, on January 14, 2017. Students and faculty from UMass Lowell Center for Asian American Studies visited the community organization to explain the purpose of the Southeast Asian Digital Archive and collect donations and permissions.

Keywords: Asia* America*, Burma, Burmese, Burm* American, Karen, Karenni, Kachin, Thailand, Malaysia, religion, Christian*, Islam, Southeast Asia* America*

#APA2018 #TCSLowell 

Southeast Asian Digital Archive
34
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