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Found 52 Collections

 

Henrietta Lacks: The Mother of Modern Medicine

This Learning Lab from the National Museum of African American History and Culture (NMAAHC) will explore the connection between visual art and history. 

When studying history, it is important to remember that all historical sources do not look the same. Visual art, being an active response to a stimulus, serves as a mirror to the contemporary landscape. Art engages in a conversation with history while acting as a visual expression of contemporary thoughts and ideas.

The new portrait of Henrietta Lacks by contemporary artist Kadir Nelson sheds new light on the story of a woman who gave so much and was given so little in return. Through a visual exploration of her portrait, students can learn more about Henrietta Lacks and her legacy in medical miracles, bioethics, and racial history. The questions, prompts, and information provided in this Learning Lab will help students hone their skills in visual literacy competency. Students can use this Learning Lab collection to help sharpen their historical thinking skills and expand their conceptions of historical sources.

The guiding questions of this Learning Lab are

  • What is visual art’s connection to historical events? Why is it important that we recognize these connections?
  • How do contemporary events shape artists’ responses in their art making?
  • What does studying art add to our understanding of historical events and time periods?

The goals of this Learning Lab are

  • Bridge the gap in understanding between art analysis and historical analysis
  • Explore the inherent ties between art pieces and their surrounding historical context
  • Introduce the foundations of formal art analysis and develop close looking skills for visual art pieces

If you are new to Learning Lab, visit https://learninglab.si.edu/help/getting-started to learn how to get started!

#becauseofherstory

National Museum of African American History and Culture
10
 

Lanette Scheeline

Lanette Scheeline (1910-2001) was an American textile and wallpaper designer. Designs by Scheeline were often custom and created using block printing, intaglio and machine printing techniques. She also experimented with printing designs on Japanese paper. Her designs were largely influenced by natural forms and botany, which can be seen in this collection. Scheeline's working career overlapped with World War II, during which she worked in a shipyard, she returned to her career as as designer after the war.

#BecauseOfHerStory

Cooper Hewitt Education Department
59
 

Trude Guermonprez: Breaking Boundaries with Design

Trude Guermonprez (1910-1979) was a highly regarded textile designer born in Germany. Guermonperz immigrated to America and began teaching weaving at the Black Mountain College in North Carolina until the weaving program there ended. Trude Guermonperz then went on to teach at the California School of Fine Arts (now the San Francisco Art Institute), and finally at California College of Arts and Crafts (now known as the California College of Art & Design) where she became chair of the department. Through her teaching Guermonperz had an enormous impact on American weavers, many cite her as an influence and inspiration. Trude Guermonprez's work includes designs that were completed for clients and industry as well as broad collection of highly experimental pieces. This collection includes examples of functional designs for clients, experimental designs and samples, as well as a selection of her beautifully rendered sketches for designs.

This collection focuses on the objects within the Cooper Hewitt, Smithsonian Design Museum collection from Trude Guermonprez, yet also includes photographs of the designer from the Archives of American Art.

#BecauseOfHerStory

Cooper Hewitt Education Department
50
 

Elaine Lustig Cohen

Elaine Lustig Cohen (1927-2016) built a career specializing in book cover design, museum catalogs and building signage, most of which she inherited from her husband's business after his early death at age 40. Cohen was never formally trained as a designer, and worked as a production artist for her husband, after his death she took over the business and built a successful and highly regarded career. Much of the work she did in this phase included graphic design and signage for architectural spaces, having taken over a project for Philip Johnson upon her husband's death. In addition to signage Cohen's design work included idnity design and advertising as well as museum catalog designs, though most prolifically she produced work as book designer. Cohen closed her business in 1969, choosing instead to focus on painting, though she continued to take design jobs occasionally from clients and she designed catalogs for the rare book company, Ex-Libris, she founded with her second husband Arthur Cohen, while all of Elaine Lustig Cohen's work can be viewed as experimental it is the work she did for herself and her husband as clients at Ex-Libris that is exceptionally so. Some of her longest running clients included Meridian Books and the Jewish Museum, examples of work from both can be found in this collection along with catalog designs for Ex-Libris. Cohen earned recognition within the graphic design community with awards like the 2011 AIGA Medal.

This is a collection highlighting the career of graphic designer Elaine Lustig Cohen as part of the American Women’s History Initiative.

#BecauseOfHerStory

Cooper Hewitt Education Department
56
 

Eva Zeisel: A Lifetime of Design

Eva Zeisel (1906–2011) was born in Budapest and only immigrated to America in 1938 after having been imprisoned by the NKVD in Russia for an alleged plot on Stalin's life. She lived in America for the rest of her life though she continued to work internationally and worked until she passed away in 2011 at 105. Zeisel created designs for American, German, Italian and Japanese companies and her list of clients includes Sears, Roebuck as well as more recent clients such as Crate and Barrel. Zeisel was the recipient of many honors and awards, including an exhibition at The Museum of Modern Art in l947 and a Lifetime Achievement award from the Cooper Hewitt in 2005. This collection includes sketches for designs as well as finished ceramic pieces. Note that her most colorful and loudly patterned pieces are designs for German companies.

Includes a video that is roughly 58 minutes long, introductions last about 4:40 then talk begins.

#BecauseOfHerStory

Cooper Hewitt Education Department
57
 

Dorothy Wright Liebes: Unorthodox Textiles

Dorothy Wright Liebes (1893-1972) was a textile designer who is known for having developed a distinctive look, including vibrant colors and patterns that became synonymous with the Modernist movement in California in the 1940s and 1950s. Widely traveled, Liebes often drew inspiration from the places she visited around the world for her unique textile designs. Her designs often include bold colors associated with California Modernism. Liebes experimented with materials, aside from traditional materials such as silk and cotton, she was also know to incorporate cellophane and plastics as well as metals and metallic yarns into her designs. Fiercely determined and career driven, when her husband Leon Liebes suggested she quit working she divorced him, choosing herself and her career over the marriage. Her designs were so successful and sought after that they inspired many imitations.

Contributions of Liebes can be found in the Archives of American Art, the National Portrait Gallery as well as the Copper Hewitt, Smithsonian Design Museum, this collection included examples across the Smithsonian but primarily focuses on content from the Cooper Hewitt.

#BecauseOfHerStory

Cooper Hewitt Education Department
71
 

Gere Kavanaugh: A Colorful Life

Gere Kavanaugh (1929- ) has had a long a storied career as a designer, she was one of the first women to graduate from the Cranbrook Academy, as well as one of the first female designers employed at GM, dubbed the Damsels of Design. An all around designer her work was not limited to one field. Her designs include furniture and industrial designs as well as interior, graphic and exhibition design. After leaving GM Kavanaugh went to work for Victor Gruen in Los Angeles eventually leaving in 1964 to start her own design firm, Gere Kavanaugh/Designs were she continued to work for with and for big name clients. Her designs for fabrics and wallpaper are great examples of her playful and colorful approaches to design. Now in her 90s her work continues to be relevant with today's audiences, her designs have most recently been sold to CB2.

#BecauseOfHerStory

Cooper Hewitt Education Department
40
 

Women and Science

These resources are for the students in the Women and Science Honors Seminar at Rutgers, School of Environmental and Biological Sciences. Instructors; Distinguished Professor Joan Bennett and Visiting Professor Catherine Reid. The resources highlight women represented in different Smithsonian collections for their pioneering works in their respective fields.

Women faced challenges when they entered male dominant institutions, such as employment in the fields of science, technology, engineering and mathematics. They faced struggle for gender inclusion, and in some cases, added racial discrimination. In many cases, the accomplishments of women and people of color were rendered invisible in the official histories of institutions. With the pioneering works of feminist activists and gender scholars, counter narratives are now emerging to illuminate the ongoing project of racial and gender inclusion in the 21st  century. 

 For additional resources on women in science at Smithsonian, go to the site Women in Science.  Also the NASA site from Hidden Figures to Modern Figures celebrates the accomplishments of Katherine Johnson, Mary Jackson, and Dorothy Vaughan who contributed as researchers to NASA projects. 

#BecauseOfHerStory

Kayo Denda
17
 

Scientists, Inventors, and Entrepreneurs: Women Who Shaped History

This topical collection includes resources related to featured women scientists, inventors and entrepreneurs. This collection includes portraits of the scientists, inventors and entrepreneurs, related artifacts, articles, videos with experts, and related Smithsonian Learning Lab collections. Use this collection to launch lessons about the women's life stories, primary source analysis, and examination of the context in which these women lived and made their contributions. This collection is not comprehensive but rather provides a launching point for research and study. 

Keywords: Mae Carol Jemison, Grace Hopper, Ellena Ocha, Maria Sibylla Merian, Madam CJ Walker, Charlotta Bass, Dr. Nancy Grace Roman, Ursula Marvin, Valentina Tereshokova, #BecauseOfHerStory

Clare Wynter
62
 

People, Place, and Time: How Art Reflects Culture - Méndez v. Westminster 1947 - National Postal Museum

In this collection, designed for a Spanish-speaking classroom, students will explore how art reflects culture while studying Méndez v. Westminster 1947, a groundbreaking WWII-era legal case in which a group of Hispanic parents in California successfully sued to end segregation in their schools. The collection includes a teacher's guide in English and suggested authentic resources both in Spanish and English to be adapted by teachers of multiple disciplines. 

Students will investigate how the Méndez v. Westminster 1947 case helped pave the way to desegregation in schools in the United States. Among other activities, students will follow the script for the re-enactment of this case. Students will take action and contribute in their inner circle, their community/country, and/or the world by designing a stamp on a past or present global issue (social, environmental, or cultural), from Latin America or Spain, that matters to them.

This collection is one of three that explore “People, Place, and Time: How Art Reflects Culture.” Products, practices and perspectives displayed in Latinx art, show how our place and history (past) influence who we are (present) and who we want to be (future) in geographical, social, economic, and/or historical contexts. In the three collections, Latin American works of art illustrate how culture shapes the way we see the world, others, and ourselves, and they also raise awareness about Latinx diversity.

The three collections were created by Marcela Velikovsky (Bullis School) and Vicky Masson (Christ Episcopal School) as part of the  2018 Smithsonian Virtual Teacher Curricula Creation Opportunity with the Smithsonian Center for Learning and Digital Access (SCLDA), and thanks to the Smithsonian Latino Center's Latino Initiative Pool funds. The three collections highlight Latino history, art and culture, and use Harvard Project Zero Thinking Routines and Global Thinking Routines strategies.

The Smithsonian Learning Lab collections provide an opportunity to invigorate the World Language (Foreign Language) curriculum as it allows to effectively integrate online museum resources (authentic resources) towards a 21st century curriculum. They facilitate student-centered activities within a variety of themes such as, family and communities, personal and public identities, social values and customs, holidays and celebrations, immigration, ethnic groups, Hispanic Heritage,  image and stereotypes, inequality and discrimination, global issues, religious practices, etc. They also provide the opportunity to analyze art, read portraiture, and investigate art media.

These collections also consider ACTFL standards (Communication, Connections, Comparisons, Communities and Culture), Asia Society Global Competence skills, the Sustainable Development Goals (Global Goals), Teaching Tolerance Social Justice standards, the Framework for Developing Global and Cultural Competencies to Advance Equity, Excellence and Economic competitiveness, and Participate Global Competencies.

#Arago #Rafael Lopez #Spanish / English #Mexican-American #California #Latino Civil Rights #Empathy #Desegregation #Critical thinking #Curiosity #Stamps #LatinoHAC #BecauseOfHerStory

Vicky Masson
60
 

Women in the Great War

This collection brings together objects and resources from the National Museum of American History that consider some of the critical ways that women supported and participated in World War I. Using these artifacts and resources, engage students in a thoughtful discussion to analyze the guiding question: How did women shape the outcomes of World War I?

Additional information and resources can be found in the museum's online exhibitions The Price of Freedom: Americans at War, Advertising War: Women and the War, Modern Medicine: Women in the War, and Uniformed Women in the Great War.

#BecauseOfHerStory

National Museum of American History
20
 

Cindy Whitehead’s GN4LW Skateboard - Conversation Kit Resources

A skateboarding pioneer, Cindy Whitehead turned pro at seventeen, skating both pool and half-pipe and becoming one of the top-ranked vert skaters while competing against the boys—something girls were not doing in the mid-1970s. But Whitehead had no choice but to wear boys’ shorts when competing; there were no skate products for girls in the 1970s.

She changed that in 2013 with her girl-empowered brand Girl is NOT a 4 Letter Word (GN4LW). Whitehead is especially supportive of young female skaters through the GN4LW skate team and products which are geared towards women and girls.  

Whitehead’s signature phrase printed in gold on many of the GN4LW products personifies her independent spirit, "Live life balls to the wall. Do epic sh*t. Take every dare that comes your way. You can sleep when you’re dead." 


This Learning Lab collection contains artifacts and resources that support the Conversation Kit on Cindy Whitehead's GN4LW Skateboard as part of the Smithsonian's American Women's History Initiative. #BecauseOfHerStory

National Museum of American History
32
 

Bessie Smith: Examining Portraiture

This teacher's guide provides portraits and analysis questions to enrich students' examination of Bessie Smith, the "Empress of the Blues" and one of the most influential blues singers in history. Includes the video "Defining Portraiture: How are portraits both fact and fiction?" and the National Portrait Gallery's "Reading" Portraiture Guide for Educators, both of which provide suggestions and questions for analyzing portraiture. Also includes a video clip of Bessie Smith performing "St. Louis Blues" in 1929 and a post from the National Museum of African American History and Culture discussing her and other LGBTQ African Americans of the Harlem Renaissance.

Consider:

  • What do these portraits have in common? How are they different?
  • How are these portraits both fact and fiction?
  • How do these portraits reflect how she wanted to be seen, or how others wanted her to be seen? Consider for what purpose these portraits were created.
  • Having listened her music, does the portrait capture your image of Bessie Smith? Why, or why not?
  • If you were creating your own portrait of Bessie Smith, what characteristics would you emphasize, and why?

Keywords: singer, musician, 20s, 30s, American, Tennessee, #BecauseOfHerStory, #SmithsonianMusic

Tess Porter
11
 

REMAKING THE RULES: EXPLORING WOMEN WHO BROKE BARRIERS

How have women created space for themselves in the arts and culture?

This collection features resources related to the December 5, 2019, professional development webinar, "Remaking the Rules:  Exploring Women Who Broke Barriers," hosted by educators from the Smithsonian American Art Museum and the National Portrait Gallery.  This joint webinar is one of three in the series A Woman’s Place Is in the Curriculum: Women’s History through American Art and Portraiture. Learn how American art and portraiture can bring diverse women’s stories into your classroom, connecting with themes you may already teach. Discover strategies for engaging your students in close looking and critical thinking across disciplines.  #SAAMTeach #NPGteach

This project received support from the Smithsonian American Women’s History Initiative. To learn more, visit the Smithsonian American Women History Initiative website. #BecauseOfHerStory

Anne Showalter
13
 

PERSISTING AND RESISTING: EXPLORING WOMEN AS ACTIVISTS

How have women led the way in activism and social justice movements? 

This collection features resources related to the October 8, 2019, professional development webinar, "Persisting and Resisting: Exploring Women as Activists," hosted by educators from the Smithsonian American Art Museum and the National Portrait Gallery.  This joint webinar is one of three in the series A Woman’s Place Is in the Curriculum: Women’s History through American Art and Portraiture. Learn how American art and portraiture can bring diverse women’s stories into your classroom, connecting with themes you may already teach. Discover strategies for engaging your students in close looking and critical thinking across disciplines.  #SAAMTeach #NPGteach

This project received support from the Smithsonian American Women’s History Initiative. To learn more, visit the Smithsonian American Women History Initiative website.
#BecauseOfHerStory


Anne Showalter
14
 

WHO TELLS YOUR STORY? EXPLORING WOMEN AND IDENTITY

Women’s identities are complex, intersecting with race, class, sexuality, etc., and have often been overlooked or erased from history. What is the importance of being able to express yourself and voice your story? 

This collection features resources related to the November 7, 2019, professional development webinar, "Who Tells Your Story? Exploring Women and Identity," hosted by educators from the Smithsonian American Art Museum and the National Portrait Gallery.  This joint webinar is one of three in the series A Woman’s Place Is in the Curriculum: Women’s History through American Art and Portraiture. Learn how American art and portraiture can bring diverse women’s stories into your classroom, connecting with themes you may already teach. Discover strategies for engaging your students in close looking and critical thinking across disciplines.  #SAAMTeach #NPGteach

This project received support from the Smithsonian American Women’s History Initiative. To learn more, visit the Smithsonian American Women History Initiative website. #BecauseOfHerStory


Anne Showalter
25
 

Can you name #5WomenArtists?

This collection is my response to the National Museum of Women in the Arts in Washington, D.C.'s social media campaign asking, "Can you name five women artists (#5WomenArtists)?" The artists featured are Yayoi Kusama, Frida Kahlo, Barbara Kruger, Alma Thomas and Elaine de Kooning with short biographical notes, selected works and learning resources.

Anyone can create a collection on the Smithsonian Learning Lab. Here are some short tutorials to get you started: https://learninglab.si.edu/create. The Smithsonian Learning Lab can be a great research tool to learn more about your favorite artists, discover new artists and share collections of your favorites and new discoveries to provide inspiration for others. Discussion questions and additional sources of inspiration for exploring artists that may be new to you are provided at the end of this collection.

Tags: Women's History Month, Yayoi Kusama, Frida Kahlo, Barbara Kruger, Alma Thomas, Elaine de Kooning, #BecauseOfHerStory

Ashley Naranjo
70
 

Women in Sports: Cindy Whitehead’s GN4LW Skateboard Conversation Kit Resources

A skateboarding pioneer, Cindy Whitehead turned pro at seventeen, skating both pool and half-pipe and becoming one of the top-ranked vert skaters while competing against the boys—something girls were not doing in the mid-1970s. But Whitehead had no choice but to wear boys’ shorts when competing; there were no skate products for girls in the 1970s.

She changed that in 2013 with her girl-empowered brand Girl is NOT a 4 Letter Word (GN4LW). Whitehead is especially supportive of young female skaters through the GN4LW skate team and products which are geared towards women and girls.  

Whitehead’s signature phrase printed in gold on many of the GN4LW products personifies her independent spirit, "Live life balls to the wall. Do epic sh*t. Take every dare that comes your way. You can sleep when you’re dead." 


This Learning Lab collection contains artifacts and resources that support the Conversation Kit on Cindy Whitehead's GN4LW Skateboard as part of the Smithsonian's American Women's History Initiative. #BecauseOfHerStory

Because Of Her Story
32
 

Nicholasa Mohr and New York's Puerto Rican Migration

This topical collection explores Antonio Martorell's portrait of prolific Latina author Nicholasa Mohr, and is displayed with a range of resources that offer a view, through art, portraiture, and literature, into the lives of Puerto Rican migrants to the continental United States in the early to mid-twentieth century. The images and resources can be used as discussion or writing prompts in a variety of courses, including history, culture, literature, and language.

The portrait itself,  one of a series of 45-minute portraits that Martorell made of his artist friends, captures Mohr's spirit, much in the way that Mohr's writing brings to life the people, sounds, and activities of New York's Puerto Rican migrants in the twentieth century. The collection also includes a bilingual video with National Portrait Gallery curator Taína Caragol, as well as the first page and a review of "Nilda," one of Mohr's most well-known novels, about a Puerto Rican girl coming of age in New York during World War II. This book was selected as an "Outstanding Book of the Year" by the New York Times, and a "Best Book of 1973" by the American Library Association.

The collection includes images and a bilingual podcast by Martorell speaking about a different work in the Smithsonian American Art Museum collection, "La Playa Negra" ("Tar Beach"), which is the term used by Puerto Rican migrants for the rooftops of tenement buildings. As the label describes, in this painting, "a fashionable woman wears a fur-collared coat and sits in front of a New York City skyline. Her hardworking double on the left sits behind a sewing machine. In his "Playa Negra" ("Tar Beach") series, Martorell juxtaposed migrants' prosperous self-image with a glimpse of their tiring labor."

The collection also includes a series of photographs from the collection of the Smithsonian American Art Museum, by Hiram Maristany, a resident and photographer of the El Barrio neighborhood. Maristany grew up with eight siblings on East 111th Street. In addition, the collection includes links from PBS Learning Media on Puerto Rican history and migration.

#LatinoHAC #BecauseOfHerStory #EthnicStudies 

This collection supports Unit 2: Culture and Resistance, Expressions of culture and values, of the Austin ISD Ethnic Studies Part B course. "How do expressions of culture reflect assimilation and resistance to assimilation? How do distinct expressions of culture reflect specific values for various ethnic groups?" 

This Smithsonian Learning Lab collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. 


Philippa Rappoport
24
 

Dolores Huerta: Revolution in the Fields/Revolución en los Campos

Dolores Huerta: Revolution in the Fields/Revolución en los Campos shares the compelling story of legendary activist and leader Dolores Huerta (b. 1930) and the farm workers movement of the 1960s and 70s. It is a quintessentially American tale of struggle and sacrifice, of courage and victory.

As a complement to the exhibition, these educational resources explore Huerta's public life as an activist and co-founder of the United Farm Workers  (UFW) and what led her to become a Latina civil rights icon. In her life as a communicator, organizer, lobbyist, contract negotiator, teacher and mother,  Huerta's unparalleled leadership skills helped dramatically improve the lives of farm workers.

Users will broaden their understanding of the farm workers movement through a careful look at Dolores Huerta's significant - but often under-acknowledged - contributions. The exhibition and educational resources also explore how workers of different ethnic and racial backgrounds came together to empower the movement and how the arts played an essential role. In addition, users will come to understand Huerta's far-reaching impact and important legacy.

The resources in this collection include a bilingual community engagement resource to promote dialogue on issues that relate to social justice, activism, leadership, etc. A few activities that can be used in the classroom or when you visit the exhibition at your local museum.  In addition, you can learn more by listening to Dolores Huerta by downloading the free downloadable App "Dolores Huerta" on Google and Apple.  Please remember that the App takes a few minutes to download.


#NHD #NHD2020  #BecauseOfHerStory


Smithsonian Institution Traveling Exhibition Service
43
 

Hispanic Women

What's missing in today's history books, especially in the Southwest? Quite a lot actually.  Today's social studies textbooks reflect the standards each state has adopted and in many cases, when it comes to learning about people who have sacrificed their lives or changed the way we live here in United States, there are groups of people who are missing.  Even in 2019, more than 50 years after the Civil Rights Movement, there are only minimal standards acknowledging the contributions of people of color.  In Texas, women are marginally covered with the standards, and women of color even less so.  In elementary grades, only five Hispanic women are included within the standards, most of them being in 4th grade Texas history.  Only two are a part of the middle school state curriculum, both in 7th grade Texas history.  In high school, Dolores Huerta and Sonia Sotomayor are the only Hispanic female individuals judged worthy to be included although the Las Madre's e la Plaza de Mayo, a group of Argentinian women are included in the world history standards.

This collection seeks to provoke thinking about the lives, contributions and sacrifices of Hispanic women in American history.  

#EthnicStudies #BecauseOfHerStory

Leticia Hallmark
47
 

Activists: Women Who Shaped History

This topical collection includes resources related to featured women activists. This collection includes portraits of the activists, related artifacts, articles, videos with experts, and related Smithsonian Learning Lab collections. Use this collection to launch lessons about the life stories of activists, primary source analysis, and examination of the context in which these women lived and made their contributions. This collection is not comprehensive but rather provides a launching point for research and study. 

Keywords: Fannie Lou Hamer, Ida B. Wells, Ruth Bader Ginsburg, Edith Windsor, Wilma Mankiller, Grace Lee Boggs, Pauli Murray, Shirley Chisholm, Rachel Carson, Zitkala-Sa, #BecauseOfHerStory

Leslie Schaffer
70
 

#BecauseOfHerStory: Exploring Untold Stories through Portraiture and American Art

This collection features resources related to a November 22, 2019 session presented at the National Council for the Social Studies (NCSS) annual conference. 

Learn how American art and portraiture can bring diverse women’s stories into your classroom, connecting with themes you may already teach. Discover strategies for engaging your students in close looking and critical thinking across disciplines.  #SAAMTeach #NPGteach

RELATED WEBINAR SERIES (recordings available): https://americanart.si.edu/education/k-12/professional-development/webinars

This project received support from the Smithsonian American Women’s History Initiative. To learn more, visit the Smithsonian American Women History Initiative website. #BecauseOfHerStory


Phoebe Hillemann
19
 

People, Place, and Time: How Art Reflects Culture - Collection 2 - Méndez v. Westminster 1947 - National Postal Museum

In this collection, designed for a Spanish-speaking classroom, students will explore how art reflects culture while studying Méndez v. Westminster 1947, a groundbreaking WWII-era legal case in which a group of Hispanic parents in California successfully sued to end segregation in their schools. The collection includes a teacher's guide in English and suggested authentic resources both in Spanish and English to be adapted by teachers of multiple disciplines. 

Students will investigate how the Méndez v. Westminster 1947 case helped pave the way to desegregation in schools in the United States. Among other activities, students will follow the script for the re-enactment of this case. Students will take action and contribute in their inner circle, their community/country, and/or the world by designing a stamp on a past or present global issue (social, environmental, or cultural), from Latin America or Spain, that matters to them.

This collection is one of three that explore “People, Place, and Time: How Art Reflects Culture.” Products, practices and perspectives displayed in Latinx art, show how our place and history (past) influence who we are (present) and who we want to be (future) in geographical, social, economic, and/or historical contexts. In the three collections, Latin American works of art illustrate how culture shapes the way we see the world, others, and ourselves, and they also raise awareness about Latinx diversity.

The three collections were created by Marcela Velikovsky (Bullis School) and Vicky Masson (Christ Episcopal School) as part of the  2018 Smithsonian Virtual Teacher Curricula Creation Opportunity with the Smithsonian Center for Learning and Digital Access (SCLDA), and thanks to the Smithsonian Latino Center's Latino Initiative Pool funds. The three collections highlight Latino history, art and culture, and use Harvard Project Zero Thinking Routines and Global Thinking Routines strategies.

The Smithsonian Learning Lab collections provide an opportunity to invigorate the World Language (Foreign Language) curriculum as it allows to effectively integrate online museum resources (authentic resources) towards a 21st century curriculum. They facilitate student-centered activities within a variety of themes such as, family and communities, personal and public identities, social values and customs, holidays and celebrations, immigration, ethnic groups, Hispanic Heritage,  image and stereotypes, inequality and discrimination, global issues, religious practices, etc. They also provide the opportunity to analyze art, read portraiture, and investigate art media.

These collections also consider ACTFL standards (Communication, Connections, Comparisons, Communities and Culture), Asia Society Global Competence skills, the Sustainable Development Goals (Global Goals), Teaching Tolerance Social Justice standards, the Framework for Developing Global and Cultural Competencies to Advance Equity, Excellence and Economic competitiveness, and Participate Global Competencies.

#Arago #Rafael Lopez #Spanish / English #Mexican-American #California #Latino Civil Rights #Empathy #Desegregation #Critical thinking #Curiosity #Stamps #LatinoHAC #BecauseOfHerStory

Marcela Velikovsky
62
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