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Found 57 Collections

 

Dolores Huerta: Revolution in the Fields/Revolución en los Campos

Dolores Huerta: Revolution in the Fields/Revolución en los Campos shares the compelling story of legendary activist and leader Dolores Huerta (b. 1930) and the farm workers movement of the 1960s and 70s. It is a quintessentially American tale of struggle and sacrifice, of courage and victory.

As a complement to the exhibition, these educational resources explore Huerta's public life as an activist and co-founder of the United Farm Workers  (UFW) and what led her to become a Latina civil rights icon. In her life as a communicator, organizer, lobbyist, contract negotiator, teacher and mother,  Huerta's unparalleled leadership skills helped dramatically improve the lives of farm workers.

Users will broaden their understanding of the farm workers movement through a careful look at Dolores Huerta's significant - but often under-acknowledged - contributions. The exhibition and educational resources also explore how workers of different ethnic and racial backgrounds came together to empower the movement and how the arts played an essential role. In addition, users will come to understand Huerta's far-reaching impact and important legacy.

The resources in this collection include a bilingual community engagement resource to promote dialogue on issues that relate to social justice, activism, leadership, etc. A few activities that can be used in the classroom or when you visit the exhibition at your local museum.  In addition, you can learn more by listening to Dolores Huerta by downloading the free downloadable App "Dolores Huerta" on Google and Apple.  Please remember that the App takes a few minutes to download.


#NHD #NHD2020  #BecauseOfHerStory


Smithsonian Institution Traveling Exhibition Service
61
 

Eva Zeisel: A Lifetime of Design

Eva Zeisel (1906–2011) was born in Budapest and only immigrated to America in 1938 after having been imprisoned by the NKVD in Russia for an alleged plot on Stalin's life. She lived in America for the rest of her life though she continued to work internationally and worked until she passed away in 2011 at 105. Zeisel created designs for American, German, Italian and Japanese companies and her list of clients includes Sears, Roebuck as well as more recent clients such as Crate and Barrel. Zeisel was the recipient of many honors and awards, including an exhibition at The Museum of Modern Art in l947 and a Lifetime Achievement award from the Cooper Hewitt in 2005. This collection includes sketches for designs as well as finished ceramic pieces. Note that her most colorful and loudly patterned pieces are designs for German companies.

Includes a video that is roughly 58 minutes long, introductions last about 4:40 then talk begins.

#BecauseOfHerStory

Cooper Hewitt, Smithsonian Design Museum
57
 

Lanette Scheeline

Lanette Scheeline (1910-2001) was an American textile and wallpaper designer. Designs by Scheeline were often custom and created using block printing, intaglio and machine printing techniques. She also experimented with printing designs on Japanese paper. Her designs were largely influenced by natural forms and botany, which can be seen in this collection. Scheeline's working career overlapped with World War II, during which she worked in a shipyard, she returned to her career as as designer after the war.

#BecauseOfHerStory

Cooper Hewitt, Smithsonian Design Museum
59
 

Trude Guermonprez: Breaking Boundaries with Design

Trude Guermonprez (1910-1979) was a highly regarded textile designer born in Germany. Guermonperz immigrated to America and began teaching weaving at the Black Mountain College in North Carolina until the weaving program there ended. Trude Guermonperz then went on to teach at the California School of Fine Arts (now the San Francisco Art Institute), and finally at California College of Arts and Crafts (now known as the California College of Art & Design) where she became chair of the department. Through her teaching Guermonperz had an enormous impact on American weavers, many cite her as an influence and inspiration. Trude Guermonprez's work includes designs that were completed for clients and industry as well as broad collection of highly experimental pieces. This collection includes examples of functional designs for clients, experimental designs and samples, as well as a selection of her beautifully rendered sketches for designs.

This collection focuses on the objects within the Cooper Hewitt, Smithsonian Design Museum collection from Trude Guermonprez, yet also includes photographs of the designer from the Archives of American Art.

#BecauseOfHerStory

Cooper Hewitt, Smithsonian Design Museum
50
 

Elaine Lustig Cohen

Elaine Lustig Cohen (1927-2016) built a career specializing in book cover design, museum catalogs and building signage, most of which she inherited from her husband's business after his early death at age 40. Cohen was never formally trained as a designer, and worked as a production artist for her husband, after his death she took over the business and built a successful and highly regarded career. Much of the work she did in this phase included graphic design and signage for architectural spaces, having taken over a project for Philip Johnson upon her husband's death. In addition to signage Cohen's design work included idnity design and advertising as well as museum catalog designs, though most prolifically she produced work as book designer. Cohen closed her business in 1969, choosing instead to focus on painting, though she continued to take design jobs occasionally from clients and she designed catalogs for the rare book company, Ex-Libris, she founded with her second husband Arthur Cohen, while all of Elaine Lustig Cohen's work can be viewed as experimental it is the work she did for herself and her husband as clients at Ex-Libris that is exceptionally so. Some of her longest running clients included Meridian Books and the Jewish Museum, examples of work from both can be found in this collection along with catalog designs for Ex-Libris. Cohen earned recognition within the graphic design community with awards like the 2011 AIGA Medal.

This is a collection highlighting the career of graphic designer Elaine Lustig Cohen as part of the American Women’s History Initiative.

#BecauseOfHerStory

Cooper Hewitt, Smithsonian Design Museum
56
 

Gere Kavanaugh: A Colorful Life

Gere Kavanaugh (1929- ) has had a long a storied career as a designer, she was one of the first women to graduate from the Cranbrook Academy, as well as one of the first female designers employed at GM, dubbed the Damsels of Design. An all around designer her work was not limited to one field. Her designs include furniture and industrial designs as well as interior, graphic and exhibition design. After leaving GM Kavanaugh went to work for Victor Gruen in Los Angeles eventually leaving in 1964 to start her own design firm, Gere Kavanaugh/Designs were she continued to work for with and for big name clients. Her designs for fabrics and wallpaper are great examples of her playful and colorful approaches to design. Now in her 90s her work continues to be relevant with today's audiences, her designs have most recently been sold to CB2.

#BecauseOfHerStory

Cooper Hewitt, Smithsonian Design Museum
40
 

Dorothy Wright Liebes: Unorthodox Textiles

Dorothy Wright Liebes (1893-1972) was a textile designer who is known for having developed a distinctive look, including vibrant colors and patterns that became synonymous with the Modernist movement in California in the 1940s and 1950s. Widely traveled, Liebes often drew inspiration from the places she visited around the world for her unique textile designs. Her designs often include bold colors associated with California Modernism. Liebes experimented with materials, aside from traditional materials such as silk and cotton, she was also know to incorporate cellophane and plastics as well as metals and metallic yarns into her designs. Fiercely determined and career driven, when her husband Leon Liebes suggested she quit working she divorced him, choosing herself and her career over the marriage. Her designs were so successful and sought after that they inspired many imitations.

Contributions of Liebes can be found in the Archives of American Art, the National Portrait Gallery as well as the Copper Hewitt, Smithsonian Design Museum, this collection included examples across the Smithsonian but primarily focuses on content from the Cooper Hewitt.

#BecauseOfHerStory

Cooper Hewitt, Smithsonian Design Museum
71
 

Four Women Who Made American History

Because of Her Story presents a YouTube miniseries where students speak with Smithsonian curators about four women who shaped American history and culture.

These videos were created for a middle school audience and above.

See more YouTube videos from the Smithsonian American Women's History Initiative, Because of Her Story. #BecauseOfHerStory

Because Of Her Story
11
 

How Did Mia Hamm Inspire More Women to Play Sports?

Mia Hamm helped popularize soccer in the U.S. and inspire a new generation of athletes.

Because of Her Story presents a YouTube miniseries where students speak with Smithsonian curators about four women who shaped American history and culture. In How Did Mia Hamm Inspire More Women to Play Sports?, Kamau, a student, speaks with Eric Jentsch, curator at the Smithsonian’s National Museum of American History, about Hamm's legacy.

See more YouTube videos from the Smithsonian American Women's History Initiative, Because of Her Story. #BecauseOfHerStory

Because Of Her Story
12
 

How Did Angela Davis Inspire a Movement?

In 1970, activist Angela Davis was charged with murder. A movement arose to free her, and her time in jail Her time in jail inspired her to work to change the prison system. 

Because of Her Story presents a YouTube miniseries where students speak with Smithsonian curators about four women who shaped American history and culture. In How Did Angela Davis Inspire a Movement?, Kemi, a student, talks with Kelly Elaine Navies, oral historian at the Smithsonian’s National Museum of African American History and Culture.

See more YouTube videos from the Smithsonian American Women's History Initiative, Because of Her Story.#BecauseOfHerStory

Because Of Her Story
22
 

Why Is Celia Cruz Called the Queen of Salsa?

Celia Cruz celebrated her Cuban American identity as one of the first women salsa singers. 

Because of Her Story presents a YouTube miniseries where students speak with Smithsonian curators about four women who shaped American history and culture. In Why Is Celia Cruz Called the Queen of Salsa?,Mincy, a student, speaks with Ariana A. Curtis, curator at the Smithsonian’s National Museum of African American History and Culture.

See more YouTube videos from the Smithsonian American Women's History Initiative, Because of Her Story. #BecauseOfHerStory

Because Of Her Story
23
 

How Did Kitty Cone Change Disability Rights?

In 1977, 13 years before the American with Disabilities Act, Kitty Cone and other disability rights activists occupied a federal building in San Francisco. They demanded the government protect their rights.

Because of Her Story presents a YouTube miniseries where students speak with Smithsonian curators about four women who shaped American history and culture. In How Did Kitty Cone Change Disability Rights?, Ren, a student, speaks with Katherine Ott, curator at the Smithsonian’s National Museum of American History, about why Cone’s work matters.

See more YouTube videos from the Smithsonian American Women's History Initiative, Because of Her Story. #BecauseOfHerStory

Because Of Her Story
17
 

Mary Vaux Walcott, Artist

"Sometimes I feel that I can hardly wait till the time comes to escape from city life, to the free air of the everlasting hills." -Mary Vaux Walcott, Letters to Charles Walcott, Feb 19, 1912.

This collection contains personal selections from the nearly 800 botanical illustrations by Mary Walcott held at the Smithsonian American Art Museum, but available in the public domain to use by anyone, using CC0

From Wikipedia (March 5, 2019): Mary Morris Vaux[a] was born in Philadelphia, Pennsylvania, to a wealthy Quaker family. After graduating from the Friends Select School in Philadelphia in 1879, she took an interest in watercolor painting. When she was not working on the family farm, she began painting illustrations of wildflowers that she saw on family trips to the Rocky Mountains of Canada.[3] During the family summer trips, she and her brothers studied mineralogy and recorded the flow of glaciers in drawings and photographs.[4] The trips to the Canadian Rockies sparked her interest in geology.[3]

In 1880, at the age of nineteen, Vaux took on the responsibility of caring for her father and two younger brothers when her mother died.[5] After 1887, she and her brothers went back to western Canada almost every summer. During this time she became an active mountain climber, outdoors woman, and photographer. Asked one summer to paint a rare blooming arnica by a botanist, she was encouraged to concentrate on botanical illustration.[4] She spent many years exploring the rugged terrain of the Canadian Rockies to find important flowering species to paint. On these trips, Vaux became the first women to accomplish the over 10,000 feet ascent of Mount Stephen.[6] In 1887, on her first transcontinental trip via rail, she wrote an engaging travel journal of the family's four-month trek through the American West and the Canadian Rockies.[7]

Over her father's fierce objections, Mary Vaux married the paleontologist Charles Doolittle Walcott, who was the Secretary of the Smithsonian Institution, in 1914, when she was 54. She played an active part in her husband's projects, returning to the Rockies with him several times and continuing to paint wildflowers. In 1925, the Smithsonian published some 400 of her illustrations, accompanied by brief descriptions, in a five-volume work entitled North American Wild Flowers. In Washington, Mary became a close friend of First Lady Lou Henry Hoover[5] and raised money to erect the Florida Avenue Meeting House, so that the first Quaker President and his wife would have a proper place to worship. From 1927 to 1932, Mary Vaux Walcott served on the federal Board of Indian Commissioners and, driven by her chauffeur, traveled extensively throughout the American West, diligently visiting reservations.

When she was 75, she made her first trip abroad to Japan to visit lifelong friend and fellow Philadelphia Quaker, Mary Elkington Nitobe, who had married Japanese diplomat Inazo Nitobe.

She was elected president of the Society of Woman Geographers in 1933. In 1935, the Smithsonian published Illustrations of North American Pitcher-Plants, which included 15 paintings by Walcott. Following the death of her husband in 1927, Walcott established the Charles Doolittle Walcott Medal in his honor. It is awarded for scientific work on pre-Cambrian and Cambrian life and history. Walcott died in St. Andrews, New Brunswick.[3]

#fivewomenartists #5womenartists #BecauseOfHerStory

Darren Milligan
44
 

Women in Sports: Cindy Whitehead’s GN4LW Skateboard Conversation Kit Resources

A skateboarding pioneer, Cindy Whitehead turned pro at seventeen, skating both pool and half-pipe and becoming one of the top-ranked vert skaters while competing against the boys—something girls were not doing in the mid-1970s. But Whitehead had no choice but to wear boys’ shorts when competing; there were no skate products for girls in the 1970s.

She changed that in 2013 with her girl-empowered brand Girl is NOT a 4 Letter Word (GN4LW). Whitehead is especially supportive of young female skaters through the GN4LW skate team and products which are geared towards women and girls.  

Whitehead’s signature phrase printed in gold on many of the GN4LW products personifies her independent spirit, "Live life balls to the wall. Do epic sh*t. Take every dare that comes your way. You can sleep when you’re dead." 


This Learning Lab collection contains artifacts and resources that support the Conversation Kit on Cindy Whitehead's GN4LW Skateboard as part of the Smithsonian's American Women's History Initiative. #BecauseOfHerStory

Because Of Her Story
33
 

#BecauseOfHerStory: Exploring Untold Stories through Portraiture and American Art

Learn how American art and portraiture can bring diverse women’s stories into your classroom, connecting with themes you may already teach. Discover strategies for engaging your students in close looking and critical thinking across disciplines.  #SAAMTeach #NPGteach

RELATED WEBINAR SERIES (recordings available): https://americanart.si.edu/education/k-12/professional-development/webinars

This project received support from the Smithsonian American Women’s History Initiative. To learn more, visit the Smithsonian American Women History Initiative website. #BecauseOfHerStory


Phoebe Hillemann
19
 

Henrietta Lacks: The Mother of Modern Medicine

This Learning Lab from the National Museum of African American History and Culture (NMAAHC) will explore the connection between visual art and history. 

When studying history, it is important to remember that all historical sources do not look the same. Visual art, being an active response to a stimulus, serves as a mirror to the contemporary landscape. Art engages in a conversation with history while acting as a visual expression of contemporary thoughts and ideas.

The new portrait of Henrietta Lacks by contemporary artist Kadir Nelson sheds new light on the story of a woman who gave so much and was given so little in return. Through a visual exploration of her portrait, students can learn more about Henrietta Lacks and her legacy in medical miracles, bioethics, and racial history. The questions, prompts, and information provided in this Learning Lab will help students hone their skills in visual literacy competency. Students can use this Learning Lab collection to help sharpen their historical thinking skills and expand their conceptions of historical sources.

The guiding questions of this Learning Lab are

  • What is visual art’s connection to historical events? Why is it important that we recognize these connections?
  • How do contemporary events shape artists’ responses in their art making?
  • What does studying art add to our understanding of historical events and time periods?

The goals of this Learning Lab are

  • Bridge the gap in understanding between art analysis and historical analysis
  • Explore the inherent ties between art pieces and their surrounding historical context
  • Introduce the foundations of formal art analysis and develop close looking skills for visual art pieces

If you are new to Learning Lab, visit https://learninglab.si.edu/help/getting-started to learn how to get started!

#becauseofherstory

National Museum of African American History and Culture
10
 

Women and Science

These resources are for the students in the Women and Science Honors Seminar at Rutgers, School of Environmental and Biological Sciences. Instructors; Distinguished Professor Joan Bennett and Visiting Professor Catherine Reid. The resources highlight women represented in different Smithsonian collections for their pioneering works in their respective fields.

Women faced challenges when they entered male dominant institutions, such as employment in the fields of science, technology, engineering and mathematics. They faced struggle for gender inclusion, and in some cases, added racial discrimination. In many cases, the accomplishments of women and people of color were rendered invisible in the official histories of institutions. With the pioneering works of feminist activists and gender scholars, counter narratives are now emerging to illuminate the ongoing project of racial and gender inclusion in the 21st  century. 

 For additional resources on women in science at Smithsonian, go to the site Women in Science.  Also the NASA site from Hidden Figures to Modern Figures celebrates the accomplishments of Katherine Johnson, Mary Jackson, and Dorothy Vaughan who contributed as researchers to NASA projects. 

#BecauseOfHerStory

Kayo Denda
17
 

Scientists, Inventors, and Entrepreneurs: Women Who Shaped History

This topical collection includes resources related to featured women scientists, inventors and entrepreneurs. This collection includes portraits of the scientists, inventors and entrepreneurs, related artifacts, articles, videos with experts, and related Smithsonian Learning Lab collections. Use this collection to launch lessons about the women's life stories, primary source analysis, and examination of the context in which these women lived and made their contributions. This collection is not comprehensive but rather provides a launching point for research and study. 

Keywords: Mae Carol Jemison, Grace Hopper, Ellena Ocha, Maria Sibylla Merian, Madam CJ Walker, Charlotta Bass, Dr. Nancy Grace Roman, Ursula Marvin, Valentina Tereshokova, #BecauseOfHerStory

Clare Wynter
62
 

People, Place, and Time: How Art Reflects Culture - Méndez v. Westminster 1947 - National Postal Museum

In this collection, designed for a Spanish-speaking classroom, students will explore how art reflects culture while studying Méndez v. Westminster 1947, a groundbreaking WWII-era legal case in which a group of Hispanic parents in California successfully sued to end segregation in their schools. The collection includes a teacher's guide in English and suggested authentic resources both in Spanish and English to be adapted by teachers of multiple disciplines. 

Students will investigate how the Méndez v. Westminster 1947 case helped pave the way to desegregation in schools in the United States. Among other activities, students will follow the script for the re-enactment of this case. Students will take action and contribute in their inner circle, their community/country, and/or the world by designing a stamp on a past or present global issue (social, environmental, or cultural), from Latin America or Spain, that matters to them.

This collection is one of three that explore “People, Place, and Time: How Art Reflects Culture.” Products, practices and perspectives displayed in Latinx art, show how our place and history (past) influence who we are (present) and who we want to be (future) in geographical, social, economic, and/or historical contexts. In the three collections, Latin American works of art illustrate how culture shapes the way we see the world, others, and ourselves, and they also raise awareness about Latinx diversity.

The three collections were created by Marcela Velikovsky (Bullis School) and Vicky Masson (Christ Episcopal School) as part of the  2018 Smithsonian Virtual Teacher Curricula Creation Opportunity with the Smithsonian Center for Learning and Digital Access (SCLDA), and thanks to the Smithsonian Latino Center's Latino Initiative Pool funds. The three collections highlight Latino history, art and culture, and use Harvard Project Zero Thinking Routines and Global Thinking Routines strategies.

The Smithsonian Learning Lab collections provide an opportunity to invigorate the World Language (Foreign Language) curriculum as it allows to effectively integrate online museum resources (authentic resources) towards a 21st century curriculum. They facilitate student-centered activities within a variety of themes such as, family and communities, personal and public identities, social values and customs, holidays and celebrations, immigration, ethnic groups, Hispanic Heritage,  image and stereotypes, inequality and discrimination, global issues, religious practices, etc. They also provide the opportunity to analyze art, read portraiture, and investigate art media.

These collections also consider ACTFL standards (Communication, Connections, Comparisons, Communities and Culture), Asia Society Global Competence skills, the Sustainable Development Goals (Global Goals), Teaching Tolerance Social Justice standards, the Framework for Developing Global and Cultural Competencies to Advance Equity, Excellence and Economic competitiveness, and Participate Global Competencies.

#Arago #Rafael Lopez #Spanish / English #Mexican-American #California #Latino Civil Rights #Empathy #Desegregation #Critical thinking #Curiosity #Stamps #LatinoHAC #BecauseOfHerStory

Vicky Masson
60
 

Women in the Great War

This collection brings together objects and resources from the National Museum of American History that consider some of the critical ways that women supported and participated in World War I. Using these artifacts and resources, engage students in a thoughtful discussion to analyze the guiding question: How did women shape the outcomes of World War I?

Additional information and resources can be found in the museum's online exhibitions The Price of Freedom: Americans at War, Advertising War: Women and the War, Modern Medicine: Women in the War, and Uniformed Women in the Great War.

#BecauseOfHerStory

National Museum of American History
20
 

Cindy Whitehead’s GN4LW Skateboard - Conversation Kit Resources

A skateboarding pioneer, Cindy Whitehead turned pro at seventeen, skating both pool and half-pipe and becoming one of the top-ranked vert skaters while competing against the boys—something girls were not doing in the mid-1970s. But Whitehead had no choice but to wear boys’ shorts when competing; there were no skate products for girls in the 1970s.

She changed that in 2013 with her girl-empowered brand Girl is NOT a 4 Letter Word (GN4LW). Whitehead is especially supportive of young female skaters through the GN4LW skate team and products which are geared towards women and girls.  

Whitehead’s signature phrase printed in gold on many of the GN4LW products personifies her independent spirit, "Live life balls to the wall. Do epic sh*t. Take every dare that comes your way. You can sleep when you’re dead." 


This Learning Lab collection contains artifacts and resources that support the Conversation Kit on Cindy Whitehead's GN4LW Skateboard as part of the Smithsonian's American Women's History Initiative. #BecauseOfHerStory

National Museum of American History
32
 

Bessie Smith: Examining Portraiture

This teacher's guide provides portraits and analysis questions to enrich students' examination of Bessie Smith, the "Empress of the Blues" and one of the most influential blues singers in history. Includes the video "Defining Portraiture: How are portraits both fact and fiction?" and the National Portrait Gallery's "Reading" Portraiture Guide for Educators, both of which provide suggestions and questions for analyzing portraiture. Also includes a video clip of Bessie Smith performing "St. Louis Blues" in 1929 and a post from the National Museum of African American History and Culture discussing her and other LGBTQ African Americans of the Harlem Renaissance.

Consider:

  • What do these portraits have in common? How are they different?
  • How are these portraits both fact and fiction?
  • How do these portraits reflect how she wanted to be seen, or how others wanted her to be seen? Consider for what purpose these portraits were created.
  • Having listened her music, does the portrait capture your image of Bessie Smith? Why, or why not?
  • If you were creating your own portrait of Bessie Smith, what characteristics would you emphasize, and why?

Keywords: singer, musician, 20s, 30s, American, Tennessee, #BecauseOfHerStory, #SmithsonianMusic

Tess Porter
11
 

REMAKING THE RULES: EXPLORING WOMEN WHO BROKE BARRIERS

How have women created space for themselves in the arts and culture?

This collection features resources related to the December 5, 2019, professional development webinar, "Remaking the Rules:  Exploring Women Who Broke Barriers," hosted by educators from the Smithsonian American Art Museum and the National Portrait Gallery.  This joint webinar is one of three in the series A Woman’s Place Is in the Curriculum: Women’s History through American Art and Portraiture. Learn how American art and portraiture can bring diverse women’s stories into your classroom, connecting with themes you may already teach. Discover strategies for engaging your students in close looking and critical thinking across disciplines.  #SAAMTeach #NPGteach

This project received support from the Smithsonian American Women’s History Initiative. To learn more, visit the Smithsonian American Women History Initiative website. #BecauseOfHerStory

Anne Showalter
13
 

PERSISTING AND RESISTING: EXPLORING WOMEN AS ACTIVISTS

How have women led the way in activism and social justice movements? 

This collection features resources related to the October 8, 2019, professional development webinar, "Persisting and Resisting: Exploring Women as Activists," hosted by educators from the Smithsonian American Art Museum and the National Portrait Gallery.  This joint webinar is one of three in the series A Woman’s Place Is in the Curriculum: Women’s History through American Art and Portraiture. Learn how American art and portraiture can bring diverse women’s stories into your classroom, connecting with themes you may already teach. Discover strategies for engaging your students in close looking and critical thinking across disciplines.  #SAAMTeach #NPGteach

This project received support from the Smithsonian American Women’s History Initiative. To learn more, visit the Smithsonian American Women History Initiative website.
#BecauseOfHerStory


Anne Showalter
14
1-24 of 57 Collections