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Found 1,680 Collections

 

American Enterprise: Corporate Era (Great Depression, New Deal)

During the Corporate Era, the United States experienced its most serious economic crisis; in response, political leaders intervened in the economy in innovative ways. In this collection, you’ll explore life during the Great Depression and evaluate New Deal policies by participating in a learning activity the teacher specifies.
Zach Etsch
5
 

American Flag/Washington DC Flag Lesson, One or Two Part

With this collection, students will use a version of the Zoom In thinking routine to analyze several flags with an eye toward creating their own flag at the end of the lesson.

The Guiding Questions used in this lesson are:

-How did the United States flag change over time?

-Why do countries feel that it's important to have a single flag?

The Big Idea for this lesson is:

Simple symbols, like the those presented on flags, can represent a lot about a country's past and what makes that country unique.  

In this lesson, students will begin by exploring the collection and answering, using the quiz tool,  the questions embedded about the two early versions of the American flag.  The questions push students to analyze each flag, consider how versions of the American flag changed, and think critically about how symbolism can be used in a flag to represent unique and/or historical aspects of a country. 

Once students have completed the quiz questions, the teacher will call them together to discuss  the evolution of the American flag and what the elements of the flag's current and former designs represent.  The teacher will then turn the class's attention to the Washington DC flag and reiterate that its design was taken from George Washington's English ancestry.  Using this as another example of a flag drawing upon elements of history, the teacher will  make the point that the DC flag hasn't changed in appearance in over 80 years.  

The class will brainstorm what they feel are the most important and/or interesting aspects of DC history based on what they have studied.  They will then brainstorm symbols that could be used to abstractly represent elements of DC's unique past, status, and culture.  

Once a number of good ideas have been generated, each student will have the chance to create their own version of the DC flag, either modifying the exiting version of creating a completely new design.  On the draft sheets will be a checklist that focus's students attention on the  most important aspects of any flag, namely its symbolism and its connection to the history of the place it represents.  

If the teacher wishes to make this a longer activity featuring multiple drafts, he or she can consider looping in the art teacher to discuss concepts of sketching and design.  

#LearnwithTR



Peter Gamber
5
 

American Indian Culture and Rights

#ethnicstudies

Meridith Manis
9
 

American Indian Heritage Month Resources

These classroom resources from different Smithsonian museums focus on American Indian history and culture. 


Philippa Rappoport
11
 

American Indian Movement and the Traditional Way of Life

These resources provide examples of the role of traditions in the American Indian Movement and how American Indians have attempted to keep their traditional way of life viable. #ethnicstudies

Kip Harmon
8
 

American Indian Women

This collection will present, in tangible form, the position of the American Indian woman as equals to her husband, but simply possessing a different skillset.  

Sydney Lundeberg
10
 

American Indians

Paintings and photographs that represent the Lakota, Inuit, Kwakiutl, Pueblo, and Iroquois tribes. This aligns with Virginia SOL USI.3b. Teachers may have students look critically at each image. Students can then create a claim or hypothesis of what tribe they think it represents, along with supporting details. Teachers should use the "what makes you say that" strategy (described on the first image). This is a great check for understanding or formative assessment of student learning.

Michelle Moses
6
 

American Landscape

Images of landscapes can tell you about how the artist views his or her nation in the moment. What does it value? What does it aspire to be? What are its strengths and limitations? 

Evaluate to what extent views of American Identity changed from 1800-1980.

Sarah Wiseman
8
 

American Revolution

#TeachingInquiry

Sarah Rafalowitz
6
 

American Revolution

The American Revolution marked the point in history when the colonist finally felt it was time to demolish the current government in the colonies since their existence was to only make money for England and they knew that there was more to them then that.

Omar Arreola
7
 

American Revolution

Library/Social Studies Curriculum Crosswalk Resources
Erin Kizziar
5
 

American Revolution

Lesson plan for 5th grade (90 minutes) for use with Mike Wilkins Preamble, Schoolhouse Rock video, etc. #SAAMteach

laurawest200
5
 

American Revolution Era

The following objects are important symbols of the American Revolutionary era. All these objects either lead up to the revolution, were used during the war, or were vital in the success of the war. The American Revolution marked the urgency for independence amongst the colonies from Great Britain. This call for Independence has brought us to where we are today. 

vasthy gonzalez
10
 

American Revolution, Investigation 1, Events of the Revolution

This collection is intended to accompany a study of the major events of the American Revolution. In this study the following goals are targeted: 

Big Ideas: 

  • We must be alert, questioning, and thoughtful readers of history. 
  • All retelling of history is an interpretation. 
  • Historical context is critical for understanding artifacts and historical interpretations. 
  • History is multifaceted and can be understood differently from multiple perspectives. 
  • Historical events are connected to current events.

Expert Thinking: 

  • Analyze primary and secondary sources for relevant historical details.
  • Synthesize details to understand the story of America’s founding.
  • Explain and analyze cause and effect relationships across historical events. 
  • Interpret history using a variety of sources and understanding of perspectives, including: personal stories, events, and factual knowledge.

Guiding Questions: 

  • What forces affect historical change? (i.e. people, events, and ideas)
  • What are the important historical facts in the American Revolution? 
  • What events led to the American Revolution?

Standards: 

Section 1:  Colonial America and the French and Indian War

  • 4.7.1. Locate and identify the first 13 colonies and explain how their location and natural environment influenced their development. 
  • 4.7.10. Explain how the British colonial period created the basis for the development of political self-government and a free-market economic system. 
  • 4.8.2 Explain how political, religious, and economic ideas and interests brought about the Revolution. 

Section 2: Conflicting Interests 

  • 4.8.2 Explain how political, religious, and economic ideas and interests brought about the Revolution (e.g., resistance to imperial policy, the Stamp Act, the Townshend Acts, taxes on tea, and Coercive Acts). 
  • 4.8.3. Describe the significance of the First and Second Continental Congresses and of the Committees of Correspondence.

Section 3: Declaring Independence 

  • 4.8.4. Identify the people and events associated with the drafting and signing of the Declaration of Independence and the document’s significance, including the key political concepts it embodies, the origins of those concepts, and its role in severing ties with Great Britain. 
  • 4.9.6. Explain how the ideals set forth in the Declaration of Independence changed the way people viewed slavery.

Section 4: The Revolution, Briefly 

  • 4.9 Describe the course and consequences of the American Revolution. 
  • 4.9.1. Locate and identify the major military battles, campaigns, and turning points of the Revolutionary War. 
  •  4.9.2. Understand the roles of the American and British leaders, and the Indian leaders’ alliances on both sides. 
  • 4.9.3. Understand the roles of African Americans, including their alliances on both sides (especially the case of Lord Dunmore’s Proclamation and its impact on the war).

Section 5: Building the New Nation 

  • 4.10. Students describe the people and events associated with the development of the U.S. Constitution. 
  • 4.10.1. Describe the significance of the new Constitution of 1787, including the struggles over its ratification and the reasons for the Bill of Rights.  
  • 4.10.2. Describe the direct and indirect (or enabling) statements of the conditions on slavery in the Constitution and their impact on the emerging U.S. nation-state. 
  • 4.10.3. Describe how the Constitution is designed to secure our liberty by both empowering and limiting central government. 
  • 4.10.4. Understand the meaning of the American creed that calls on citizens to safeguard the liberty of individual Americans within a unified nation, to respect the rule of law, and to preserve the Constitution.

Usage: 

These artifacts are intended to provide students with a consistent opportunity to examine historical artifacts in order to make observations and connections to events of the time period. it is suggested that students examine 1-2 items at a time on a regular basis in order to evaluate each item as a historical source using a See-Think-Wonder routine. 

#LearnwithTR



Kathryn Mancino
27
 

American stereotype: All Black Pilgrim Attire

Every year near Thanksgiving, images of our Pilgrims father begin to proliferate showing them as very austere and wearing only black clothing. This learning lab introduces images of Pilgrims that are compared with written primary sources. It was customary in the 17th century to inventory all the belongings of the deceased before they were distributed to the heirs. These inventories and the wills themselves provide detailed information about the attire of everyday Pilgrims of this period.

Arthur Glaser
21
 

American Transcendentalism

Transcendentalism is a philosophy that is rooted in the belief that man is inherently good but has been corrupted by society. Self reliance, self improvement, and peaceful protest were some methods practiced to reverse this effect. 

Linked in this collection are examples of the movement's influence in society, writings, and art.

Katie ODell
10
 

Americans in WWII battles

Jaacob Wiggins
10
 

An 11 year old's Letter and Lincoln's Beard

This teaching collection includes videos, portraits and lesson plans from the National Portrait Gallery and the National Museum of American History. During Abraham Lincoln's campaign to become president, an 11-year-old girl named Grace Bedell wrote a letter suggesting he grow a beard to gain more votes. Of course, Lincoln's beard became iconic in imagery during his Presidency and throughout the Civil War.

Ashley Naranjo
11
 

An Introduction to Hawai'ian Lei Making

All Polynesians have a history of making and giving of lei. From early times, Hawaiians have fashioned lei from shells, seeds, bone, and feathers and from more temporary materials such as leaves, vines, and a few indigenous flowers. Colorful flowers and greenery are braided, twisted, wrapped, or strung together to create lei for the neck, head, wrists and ankles. Lei are made and given for marriages, birthdays, luaus, and funerals. Leis are also given on informal occasions to express gratitude or warmth of friendship. In this collection, you’ll learn how to make your own lei and explore other examples of leis made from a variety of natural materials.
Ashley Naranjo
6
 

An Introduction to Japanese Painting

This collection was designed by the Education Department of the Freer Gallery of Art and Arthur M. Sackler Gallery as a basic introduction to Japanese painting for educators. It is a collection of artworks from the museum's permanent collection that draw from a wide variety of formats, styles, media, and subjects that represent many of the major trends in Japanese painting. Each image includes key information about the artwork, as well as ideas for class discussion, lesson components, and/or links to resources such as videos and articles which provide additional information about the artwork. Feel free to copy the collection and adapt it to your own use. 

Keywords: Buddha, Hokusai, Mount Fuji, watercolor, bodhisattva, Fugen, Sōtatsu, cherry blossoms, seasons, Genji, crane, emakibyobukakemono, ukiyo-e, map, teacher, student, autumn, Japan, Japanese art, landscape, Edo period, Buddhism, Heian period, water, ocean, wave, boat, flower, insect, Muromachi period, river, surimono



Freer and Sackler Galleries
12
 

Analyzing an Oral History Interview: Grant Ichikawa

This collection includes an oral history interview with Grant Hayao Ichikawa (April 17, 1919- December 3, 2017). Ichikawa was a U. S. Army veteran who enlisted after he was relocated to a Japanese American incarceration camp with his family in 1942. The interview includes a first-hand account of the impact of the bombing of Pearl Harbor on Japanese Americans.

Complementary resources to the podcast audio file include: a National Museum of American History teachers' guide and images, Smithsonian Libraries' graphic organizers for evaluating historical sources, a Smithsonian Folklife and Cultural Heritage guide to conducting your own oral history, and additional video and audio oral histories with Grant Ichikawa from the Library of Congress American Folklife Center. 

This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center. 

Keywords: Congressional Gold Medal, veteran, internment camps, World War II, commission, wartime, close listening

#APA2018 #EthnicStudies *This collection was created to support Unit 2: Culture and Resistance, oral history project assignment of the Austin ISD Ethnic Studies Part B course.

Ashley Naranjo
23
 

Analyzing an Oral History Interview: Luis Jimenez

This collection includes an oral history interview clip from the Smithsonian Archives of American Art, with Mexican American artist Luis Jimenez (July 30, 1940-June 13, 2006) from Texas. Students can use the oral history to explore the essential question: What is the purpose and value of oral histories in relation to understanding immigration issues?  A complementary teacher guide from the Blanton Museum of Art (Austin, TX) is available here: https://blantonmuseum.org/wp-content/uploads/2017/08/Critical-Analysis.pdf. Additional resources to the audio file include: Smithsonian Libraries' graphic organizers for evaluating historical sources, a Smithsonian Folklife and Cultural Heritage guide to conducting an oral history, and additional artworks, photographs, and videos highlighting Jimenez's life.

#EthnicStudies *This collection was created to support Unit 2: Culture and Resistance, oral history project assignment of the Austin ISD Ethnic Studies Part B course.

This Smithsonian Learning Lab collection received Federal support from the Latino and Asian Pacific American Initiatives Pool, administered by the Smithsonian Latino Center and the Smithsonian Asian Pacific American Center. 

Keywords: family history, sculptor, close listening, vaquero

Ashley Naranjo
18
 

Analyzing Oral History Interviews: Asian Indian Community of Cleveland, Ohio

This collection includes a series of oral history interviews the Asian Indian Community of Cleveland, Ohio from 2013. Ten Asian Indians who settled in the Greater Cleveland region during the 1950s and 1960s were interviewed by middle and high school students. These interviews document their unique immigrant experiences and focus on professional, family and religious life.

Complementary resources to the podcast files include: a National Museum of American History teachers' guide and images, Smithsonian Libraries' graphic organizers for evaluating historical sources, and a Smithsonian Folklife and Cultural Heritage guide to conducting your own oral history.

Interviewees include: Ajeet Singh Sood, Batuk Modi, Dipti P. Roy, Elizabeth and Winfred Balraj,  Gulab Khandelwal,  Ivan Tewarson, Kul Bhushan, Om Julka, Paramjit Singh, P.K. and Virginia Saha,  Ramachandran Balasubramaniam, Ranajit Datta, Sam Rajiah, Shanta and Surinder Kampani, Shiv and Saroj Aggarwal, Vijay Rastogi, Vinay and Surinder Bhardwaj

#APA2018 #EthnicStudies

This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center. 

Ashley Naranjo
10
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