Skip to Content

Found 3,851,349 Resources

Inga lindeniana Benth.

NMNH - Botany Dept.

Christella serra (Sw.) Holttum

NMNH - Botany Dept.

Apristurus laurussonii

NMNH - Vertebrate Zoology - Fishes Division
From the Stewart Springer Radiograph Collection. No Rad./Serial No.

We assume this specimen to be USNM 221253 due to Collection Event data.

Sonoda megalophthalma Grey

NMNH - Vertebrate Zoology - Fishes Division
Formerly fmnh 65986.

Thalassoma hardwicke

NMNH - Vertebrate Zoology - Fishes Division
Specimen voucher located at Museum National d'Histoire Naturelle, Paris.

Shell Axe

NMNH - Anthropology Dept.

Cup Handle.

NMNH - Anthropology Dept.

Trimosina guraboensis Bermudez, 1949

NMNH - Paleobiology Dept.

'Staggering' Damage to Florida’s Everglades Remains in the Wake of Hurricane Irma

Smithsonian Magazine

In September of last year, as Hurricane Irma tore through the southern United States, fierce winds battered the Florida’s Everglades National Park. As Megan Gannon reports for Live Science, NASA scientists recently conducted an aerial survey of the Everglades to assess the impact of the storm—and found massive damage to the region's mangrove forests.

The research team was able to get a particularly good sense of forest casualties because in April of last year, several months before the storm hit, NASA surveyed the area using an airborne instrument called G-LiHT, which stands for Goddard’s Lidar, Hyperspectral and Thermal Imager. This device maps terrestrial ecosystems using thermal measurements, imaging spectroscopy and a remote sensing technique known as LiDAR. By sending out up to 500,000 laser pulses per second, LiDAR can create detailed 3-D maps of dense forested areas from far above the ground.

As NASA explains on its website, the goal of the 2017 project was to find out how freshwater ecosystems—like the marshes of the Everglades—are transitioning to saltwater ecosystems due to rising sea levels and coastal erosion. By comparing images from this dataset to information gleaned from the most recent aerial survey, researchers were able to assess how the Everglades changed after Irma.

The team returned to the area in December of this year, flying the same path across 500 square miles of wetlands and supplementing that information with 3D scans taken from the ground by local agencies. Researchers discovered that 60 percent of the area’s mangrove forests were severely damaged. Heavy winds had sliced off the limbs of trees and torn them out of the ground, creating gaps across 40 percent of the forest canopy in the surveyed area. The average height of the canopy dropped between three to five feet due to fallen trees and branches.

“It’s staggering how much was lost,” Lola Fatoyinbo, a remote sensing scientist at NASA’s Goddard Space Flight Center, said in the agency’s statement. “The question is, which areas will regrow and which areas won’t.”

The team plans to compare datasets from before and after the storm to see if areas that were under stress prior to Irma recover as quickly as ones that were not. As Maddie Stone explains in Earther, it is important to track the health of this ecosystem because the Everglades act as a buffer that protects residents of south Florida from storms and rising sea levels. “If the Glades are being weakened and lost by natural disasters, development and climate change,” Stone writes, “that’s bad news for the nearly seven million people living nearby.”

NASA researchers are now heading to Puerto Rico to conduct G-LiHT flights over areas that were hit hard by both Irma and Hurricane Maria last year.

“It’s a good way to document which areas were more susceptible to events like Hurricane Maria,” Bruce Cook, G-LiHT lead scientist at NASA Goddard. “And also it’s a way to start tracking recovery as well. A lot of people are interested in the recovery, and what we might be talking about in terms of reestablishing the forests in the future, and whether it will require human intervention.”

O say can you sing a different patriotic song?

National Museum of American History

On March 3, 1931, President Herbert Hoover signed a congressional act that made Francis Scott Key's "The Star-Spangled Banner" the official national anthem of the United States. The American military had adopted Key's song as an official part of their ceremonies as early as the 1890s, but the song that commemorated American victory at the Battle of Baltimore in 1814 was far from the only contender for National Anthem status by the early 20th century. The Sam DeVincent Collection of Illustrated American Sheet Music, housed in the museum's Archives Center, contains the sheet music for a number of patriotic songs and compilations that were hugely popular anthems in their own time.

Elaborate sheet music color with twisting ivy designs and cursive lettering

"Yankee Doodle"

Young man holding an American flag

British soldiers were singing "Yankee Doodle" to mock their supposedly ragged and bumbling colonial counterparts as early as the French and Indian War (1754-1763), with different lyrics, of course. The term "doodle" actually refers to someone who is foppish, or a fool. But, according to legend, as soon as the American Revolution began, the American Continental Army adopted the song for their own, singing a rousing chorus of "Yankee Doodle" as they pushed the defeated British troops back to Boston after the Battle of Lexington and Concord. When General Lord Charles Cornwallis surrendered to General George Washington at Yorktown, Virginia, in 1781, "Yankee Doodle" was likely one of many musical pieces played to mark the event.

Listen to a 1910 version of the song from the Library of Congress's National Jukebox.

"Hail Columbia!"

Sheet music

The tune to "Hail Columbia!" was written by a German immigrant named Philip Phile who titled his piece "President’s March." It was first played ceremonially for George Washington as he entered Trenton, New Jersey, in April 1789, on his way from his home at Mount Vernon, Virginia, to New York City to be inaugurated the first President of the United States.

About nine years later, the lyrics that would make the "President's March" into "Hail Columbia!" were written in the space of about 24 hours by Joseph Hopkinson, who was doing a favor for his friend Gilbert Fox. Fox was hosting a musical revue that wasn’t selling out, and he was desperate for an inspiring patriotic song to draw an audience. Fox approached Hopkinson to write one and the result, a day later, became "Hail Columbia!" The song made Fox's revue a huge success and rocketed "Hail Columbia!" to the top of the patriotic charts, where it reigned as the de facto national anthem until the 1890s. It is rarely played today.

You can hear the song in a 1906 recording.

"My Country 'Tis of Thee"

sheet music cover

The lyrics for "My Country 'Tis of Thee" were written by the Rev. Samuel Francis Smith in 1831, while he was attending Andover Theological Seminary in Massachusetts. For the melody, he used a song he found among some German music books provided by a friend, a famous American musician named Lowell Mason, but Smith likely didn’t realize that the tune he chose was already wildly popular the world over. Smith picked a melody that was then in use in no fewer than seven national anthems in Europe, including the British "God Save the King." His words and the melody premiered together for the first time at a children's church concert on July 4, 1831. The song quickly stuck in the popular imagination and has remained there ever since. Martin Luther King Jr. quoted "My Country 'Tis of Thee" on August 28, 1963, when he called upon Americans to "let freedom ring!"

Listen to a 1902 recording of the song.

"God Bless America"

Sheet music cover

"God Bless America" did not actually achieve a place in the pantheon of American patriotic tunes until after "The Star-Spangled Banner" was named the official national anthem, but its enduring popularity ensures it a place on this list. Irving Berlin, a Russian immigrant to the United States, first wrote the words and music for "God Bless America" in 1918, but, unsatisfied with his work, he put the song in a drawer for 20 years. In the late 1930s, with another global war looming on the horizon, Berlin returned to "God Bless America" and updated his lyrics to address the current state of the world.

Nationally famous singer and radio personality Kate Smith premiered the song on her radio show on Armistice Day, November 11, 1938. The song was an instant hit and sales of the sheet music and recordings of the performance soared, prompting Berlin to found the God Bless America Foundation. Through that organization, all proceeds from "God Bless America" went to the Boy and Girl Scouts of America.

"God Bless America" inspired another patriotic tune familiar to most Americans: Woody Guthrie's This Land is Your Land.  Guthrie felt Berlin's song was too celebratory and overlooked many of the very real problems of poverty, joblessness, and social and economic injustice many Americans faced. In This Land is Your Land, Guthrie acknowledged these issues while still paying reverence to the natural beauty and diversity of the American landscape.

Want more on the history of the national anthem? Check out The Banner Yet Waves: 200 Years of Star-Spangled History.

Tory Altman is an education specialist and project coordinator for What it Means to Be American.

OSayCanYouSee?d=qj6IDK7rITs OSayCanYouSee?d=7Q72WNTAKBA OSayCanYouSee?i=42Igbt0Nxi8:fKJz2moQSeY:V_sGLiPBpWU OSayCanYouSee?i=42Igbt0Nxi8:fKJz2moQSeY:gIN9vFwOqvQ OSayCanYouSee?d=yIl2AUoC8zA

Bombus unidentified

NMNH - Entomology Dept.
H.H. Knight Collection 1976

Figurative axe

National Museum of African Art
Iron axe blade with an upward curving end, which pierces through a wood handle with an antelope head, three dark rings on the shaft and a flared base. The eye of the antelope is inlaid with a white glass bead.

Face mask

National Museum of African Art
Wood, long ovoid face mask with two horns curved upward from the forehead and with a cone-shaped hairdo and with combs in the front. There is a crest on top of the hairdo with a ^-shape on top, long dark rectangular scarifications on the forehead, a long nose and small mouth in the point of the mask and fully shaped closed eyes.


National Museum of African Art
Cast copper alloy figurative weight in the form of a wicker shield frame composed of X forms within squares and round knobs surmounting the corners.

Valeriana sorbifolia Kunth

NMNH - Botany Dept.
14473-14496 of 3,851,349 Resources