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Found 545 Collections

 

Black Panther and Black Superheroes

Wakanda Learning Lab is this? 

This Learning Lab explores the importance of representation in popular media. How are people portrayed? Why are they portrayed? What does this say about a people in a society and the society itself? How do these messages affect and inform us about others and ourselves?

First, how are African Americans represented in popular media. Second, how African, the African Diaspora, and African American culture are represented in Black Panther (both as a comic book character and as part of the modern Marvel cinematic universe) and through other superhero lore. 

The National Museum of African American History and Culture celebrates the museum's acquirement of the movie costume of the iconic and groundbreaking Marvel comic book character Black Panther. The character of Black Panther (King T'Challa of Wakanda), and his iconic suit, debuted in the Marvel cinematic universe in the 2015 film Captain America: Civil War, and featured in his self-titled movie Black Panther in 2018. Since the debut of Black Panther (King T'Challa of Wakanda) in the Fantastic Four #52 in July 1966, Black Panther has been a trailblazer for the black superheroes that have followed him in print and on screen. 

Students can explore this Learning Lab independently. Learning exercises and worksheets have been provided to help enhance the exploration of the content. 

Keyword: nmaahc, African, American, Black, Panther, Marvel, T'Challa, Wakanda, suit, comic, superhero, super, hero, civil war, Falcon, Bumblebee, Vixen, Storm, Nick Fury, Luke Cage, DC, universe, Green Lantern, Misty

National Museum of African American History and Culture
26
 

Environmental Advocacy through Art

This collection was designed to enable students to reflect deeply on their understanding of local and global human impacts on the planet and how they can inspire others to care about/collectively work to solve one of these issues.  Students will use Project Zero Thinking Routines to examine various pieces of environmental art before they create their own visual call to action focused on the environmental issue that they care most about.

Global Competency Connection:

  • This project was designed to be the culminating learning experience in a high school Environmental Science class, thus it is the expectation that students have “investigated the world” as they explored environmental and social issues throughout the course.  
  • This project will incorporate a level of choice as students “communicate their ideas” on the environmental issue that resonated most with them.
  • As a part of the project, students will share their campaigns with their teachers, peers, and families, and through this awareness raising thus “take action” on issues of global significance.

Using the Collection: A detailed description of daily activities can be found within the "Lesson Sequence" document. Additionally, notes regarding the use of each Project Zero Thinking Routine are documented as annotations within each individual Thinking Routine tile and provide specific instructions on how align these routines with this collection.  

#GoGlobal #ProjectZero #EnvironmentalScience

Aleah Myers
40
 

Textiles in Math

Use this collection of textiles as part of a geometry unit. After reviewing shapes, lines, and angles, students can focus on how the patterns repeat, flip, slide, and turn. Once students have had the chance to investigate some textiles, they can use Tinkercad to create their own design that will be come a stamp when 3D printed. The final step is for students to reflect on their design and printing by doing the following:

  • One stamped design on the page
  • Draw lines of symmetry on it
  • Label the shapes used in the design
  • Tell what kind of pattern used on felt rectangle - Dot, Stripe, Block
  • Tell is there is rotation (turn), reflection (flip), translation (slide)

Thank you to Learning Lab contributor, Christopher Sweeney, for inspiring me while designing this unit!


Eveleen Eaton
21
 

Culturally Responsive Teaching: A Guide for Urban Educators

This collection is designed to help teachers build their practice in the areas of culturally responsive teaching (CRT) and global competence.  The resources in this collection can be used to lead a professional learning series on culturally responsive teaching as an instructional framework and the Instructional Try-its can be used as an entry point for teachers seeking to embed CRT into their practice.   As suggested in the Powerpoint provided, a series on this topic could consist of six 35-60 minute sessions that occur on a weekly or bi-weekly basis.   Another approach for using this collection is to use the five Instructional Try-its to expand the number of weeks dedicated to this professional learning series. 

Additional uses for the resources in this collection include: 

1) examining the global competence framework developed by the Asia Society and the role that thinking plays in learning, instruction, and the development of certain dispositions or mindsets.

2) exploring the social action approach of culturally responsive teaching (which matches almost exactly with the “take action” piece of the global competence framework) 

3) asking questions in order to understand the students’ lives and world views. Through the instructional try-Its, teachers can develop approaches and understandings that will help them empower their students as they learn to challenge the power structures that create inequities in access to power. 

Note for users: To find detailed information on applicability and use of each thinking routine included in the collection, be sure to click on the tab marked with a paperclip.

#goglobal

Maria Fernanda Garcia
59
 

Narwhal: Revealing an Arctic Legend

These resources were developed for use with the Smithsonian's exhibition Narwhal; Revealing an Arctic Legend. For more information about this traveling exhibition, please visit the Smithsonian Institution Traveling Exhibition Service (SITES).

Smithsonian Institution Traveling Exhibition Service
50
 

Preventing the Dodo: Unveiling Animal Conservation Stories

What stories do the animals on the American Trail at the Smithsonian's National Zoo tell? Students will use the Project Zero Global Thinking Routine Unveiling Stories to uncover and consider the complexity around conservation. I asked students to consider more than just what is the initial story. I wanted to know what they thought the human and world stories might be. With the success of these animals I wanted students to also consider what the new and untold stories that might remain. The Unveiling Stories thinking routine is a great way to explore the complicated stories of the gray wolf, bald eagle, beaver,  North American river otter, and wood duck. #goglobal

Ellen Rogers
39
 

People, Place and Time: How Art Reflects Culture - Collection 3 - Caja De Memoria Viva II: Constancia Colón de Clemente by Adrián Román (

In this collection, designed for a Spanish-speaking classroom, students will explore how art reflects culture when analyzing “Caja De Memoria Viva II: Constancia Colón de Clemente” by Adrian “Viajero” Román. In this three-dimensional multimedia installation, the artist portrays a black Puerto Rican woman who migrated to the United States in the 1940s. This portrait allows the artist (in his own words) “ to embark on a quest to visually represent how precious our memories are and capture the dignity in the people’s struggle and validate their existence.” The collection includes a teacher's guide in English and suggested authentic resources both in Spanish and English to be adapted by teachers of multiple disciplines.

 Students will observe and analyze this three dimensional work of art and they will describe both its exterior and interior. Students will create their own box to reflect their heritage and personal story or that of a Hispanic figure.

This collection is one of three that explore “People, Place, and Time: How Art Reflects Culture.” Products, practices and perspectives displayed in Latinx art, show how our place and history (past) influence who we are (present) and who we want to be (future) in geographical, social, economic, and/or historical contexts. In the three collections, Latin American works of art illustrate how culture shapes the way we see the world, others, and ourselves, and they also raise awareness about Latinx diversity.

The three collections were created by Marcela Velikovsky (Bullis School) and Vicky Masson (Christ Episcopal School) as part of the  2018 Smithsonian Virtual Teacher Curricula Creation Opportunity with the Smithsonian Center for Learning and Digital Access (SCLDA), and thanks to the Smithsonian Latino Center's Latino Initiative Pool Funds. The three collections highlight Latino history, art and culture,and use Harvard Project Zero Thinking Routines and Global Thinking Routines strategies.

The Smithsonian Learning Lab collections provide an opportunity to invigorate the World Language (Foreign Language) curriculum as it allows to effectively integrate online museum resources (authentic resources) towards a 21st century curriculum. They facilitate student-centered activities within a variety of themes such as, family and communities, personal and public identities, social values and customs, holidays and celebrations, immigration, ethnic groups, Hispanic Heritage,  image and stereotypes, inequality and discrimination, global issues, religious practices, etc. They also provide the opportunity to analyze art, read portraiture, and investigate art media.

These collections also consider ACTFL standards (Communication, Connections, Comparisons, Communities and Culture), Asia Society Global Competence skills, the Sustainable Development Goals (Global Goals), Teaching Tolerance Social Justice standards, the Framework for Developing Global and Cultural Competencies to Advance Equity, Excellence and Economic competitiveness, and Participate Global Competencies.

# National Portrait Gallery  #The Outwin # Adrián “Viajero” Román # Caja de Memoria Viva II # Spanish # Puerto Rico # New York # Empathy # Inequality # Critical thinking # Curiosity # Heritage # Stories #LatinoHAC


Kris Murphy
45
 

The Declaration of Independence and Slavery - "The Paradox of Liberty" (Rhetorical Analysis)

This collection will be used to supplement students' rhetorical analysis of The Declaration of Independence. Earlier in the year, students discussed the paradoxical nature of the Puritans arriving in the New World to escape religious intolerance, yet they were exceedingly intolerant of other religions (i.e., Quakers). In a similar fashion, we'll examine the Declaration of Independence and a critical portion deliberately removed: references to abolishing slavery. We will examine a variety of works of art, noting the clues they give us regarding our founding fathers' often complex ideologies. #SAAMteach

A Detailed lesson plan follows in the "Notes to Other Users."

Annette Spahr
9
 

People, Place, and Time: How Art Reflects Culture - Méndez v. Westminster 1947 - National Postal Museum

In this collection, designed for a Spanish-speaking classroom, students will explore how art reflects culture while studying Méndez v. Westminster 1947, a groundbreaking WWII-era legal case in which a group of Hispanic parents in California successfully sued to end segregation in their schools. The collection includes a teacher's guide in English and suggested authentic resources both in Spanish and English to be adapted by teachers of multiple disciplines. 

Students will investigate how the Méndez v. Westminster 1947 case helped pave the way to desegregation in schools in the United States. Among other activities, students will follow the script for the re-enactment of this case. Students will take action and contribute in their inner circle, their community/country, and/or the world by designing a stamp on a past or present global issue (social, environmental, or cultural), from Latin America or Spain, that matters to them.

This collection is one of three that explore “People, Place, and Time: How Art Reflects Culture.” Products, practices and perspectives displayed in Latinx art, show how our place and history (past) influence who we are (present) and who we want to be (future) in geographical, social, economic, and/or historical contexts. In the three collections, Latin American works of art illustrate how culture shapes the way we see the world, others, and ourselves, and they also raise awareness about Latinx diversity.

The three collections were created by Marcela Velikovsky (Bullis School) and Vicky Masson (Christ Episcopal School) as part of the  2018 Smithsonian Virtual Teacher Curricula Creation Opportunity with the Smithsonian Center for Learning and Digital Access (SCLDA), and thanks to the Smithsonian Latino Center's Latino Initiative Pool funds. The three collections highlight Latino history, art and culture, and use Harvard Project Zero Thinking Routines and Global Thinking Routines strategies.

The Smithsonian Learning Lab collections provide an opportunity to invigorate the World Language (Foreign Language) curriculum as it allows to effectively integrate online museum resources (authentic resources) towards a 21st century curriculum. They facilitate student-centered activities within a variety of themes such as, family and communities, personal and public identities, social values and customs, holidays and celebrations, immigration, ethnic groups, Hispanic Heritage,  image and stereotypes, inequality and discrimination, global issues, religious practices, etc. They also provide the opportunity to analyze art, read portraiture, and investigate art media.

These collections also consider ACTFL standards (Communication, Connections, Comparisons, Communities and Culture), Asia Society Global Competence skills, the Sustainable Development Goals (Global Goals), Teaching Tolerance Social Justice standards, the Framework for Developing Global and Cultural Competencies to Advance Equity, Excellence and Economic competitiveness, and Participate Global Competencies.

#Arago #Rafael Lopez #Spanish / English #Mexican-American #California #Latino Civil Rights #Empathy #Desegregation #Critical thinking #Curiosity #Stamps #LatinoHAC #BecauseOfHerStory

Vicky Masson
60
 

AMERICAN EXPERIMENTS Where Do You Stand? Protest

This collection contains supplemental artifacts and resources for Where Do You Stand? PROTEST, part of the American Experiments suite of educational resources from the National Museum of American History.  

These interactive resources and games challenge students to think about their roles and responsibilities within their democracy. Where Do You Stand? PROTEST invites students to critically think about the nuances and complexities of issues and learn from the experiences and reasoning of their peers as they form their own opinions and responses to a range of prompts. The learning begins with the guiding question: What would you do to support what you believe in? 

Visit Smithsonian's History Explorer to learn more!  

#historicalthinking

National Museum of American History
14
 

Living Systems

Diverse living organisms fill our planet with beauty and wonder.  Plants, animals and many other creatures may seem to exist on their own, when in reality they are interdependent with the world that surrounds them, living and non-living.  Co-existing with other plants, animals, and man, each living organism is part of a grand, intricately woven web and system that allows for the flow of energy, food and life. Producers, consumers, predators and prey play vital roles in sustaining life on Earth.  This collection provides the opportunity to consider how each organism affects others. A Harvard University Project Zero routine has been included.

Nancy Butler
27
 

Talent, Tenacity and Contributions to Arts & Sports

Explore a few famous Americans in the fields of art and sports whose exceptional talents and tenacity raised the bar for everyone in their fields.

Nancy Butler
24
 

Bessie Smith: Examining Portraiture

This teacher's guide provides portraits and analysis questions to enrich students' examination of Bessie Smith, the "Empress of the Blues" and one of the most influential blues singers in history. Includes the video "Defining Portraiture: How are portraits both fact and fiction?" and the National Portrait Gallery's "Reading" Portraiture Guide for Educators, both of which provide suggestions and questions for analyzing portraiture. Also includes a video clip of Bessie Smith performing "St. Louis Blues" in 1929 and a post from the National Museum of African American History and Culture discussing her and other LGBTQ African Americans of the Harlem Renaissance.

Consider:

  • What do these portraits have in common? How are they different?
  • How are these portraits both fact and fiction?
  • How do these portraits reflect how she wanted to be seen, or how others wanted her to be seen? Consider for what purpose these portraits were created.
  • Having listened her music, does the portrait capture your image of Bessie Smith? Why, or why not?
  • If you were creating your own portrait of Bessie Smith, what characteristics would you emphasize, and why?

Keywords: singer, musician, 20s, 30s, American, Tennessee, #BecauseOfHerStory, #SmithsonianMusic

Tess Porter
11
 

Mexican Art & U.S. History: Carmen Lomas Garza

This collection will provide an opportunity for students to analyze artwork, read background information, and connect art with historical events. At the heart of this activity is artwork created by Latino artist Carmen Lomas Garza. These paintings reflect the experiences of Garza's family and Latino life in 1980s America. In addition to image analysis, teachers could extend an opportunity for students to identify and discuss connections between Garza's art and the Mexican American experience from the 1960s to the present. This collection includes:

  • A timeline of U.S.-Mexican American relations
  • Video/audio of Reagan signing the 1986 Immigration Reform Control Act
  • And an overview of immigration reform via ABC-CLIO (requires subscription). 

#ethnicstudies #LISDSS

Texas Essential Knowledge and Skills Connections #TEKS

  • 24A describe how the characteristics of and issues in U.S. history have been reflected in various genres of art, music, film, and literature;

Angela King
24
 

What does it mean to be human in the Anthropocene?

This collection was designed to serve as a bridge between the high school biology units of evolution and ecology as students explore the evolution of humanity through both a biological and moral lens.  Students will use Project Zero Thinking Routines to examine various artifacts from the Smithsonian Museum of Natural History as they grapple with answering the overarching question: What does it mean to be human in the Anthropocene?  #GoGlobal

What does it mean to be human in the Anthropocene? : Students answer/revise their initial answers to the overarching question after gaining additional knowledge from various learning activities: 

  • Claim/Support/Question:  Students use the Claim/Support/Question thinking routine to frame their thinking around and grapple with this question.
  • Skull Analysis > Human Evolution Misconceptions: After the discussion on human evolution misconceptions, students can revise their thoughts on "what it means to be human" and begin to develop a class list on the characteristics shared by humans.
  • Constructing an Ancestral Timeline: After constructing their timeline, students will have gained additional an understanding of specific morphological and behavioral characteristics of humans. 

Using this Collection: 

  • Detailed suggestions on how to implement the learning activities are found in the "information" section of each of the Blue Activity Tiles as well as the Project Zero Thinking Routine Tiles.
  • Notes regarding the use of each Project Zero Thinking Routine are documented as annotations within each individual Thinking Routine tile and provide specific instructions on how align these routines with this collection.  

Global Competence Connection:

  • Students will be challenged to “investigate the world” both in a modern and prehistoric sense as they explore this the resources in this collection.
  • One goal of this collection is to inspire students to take action as a result of considering the impacts that modern humans have had on the planet. 

Additional Questions Explored through this Collection:

  • What (specific behaviors, adaptations, etc.) allow species to survive?
    • This question can be highlighted during the skull sorting and analysis activities in order to help students review the concepts of adaptation, evolution by natural selection, etc. 
      • Extension: Teachers can project photos of these species in their natural environments and ask students to identify the adaptations that aid them in survival. This exploration can be used to explore full-body morphological differences between humans and non-humans.    
    • This question can also be explored as students analyze the Human Evolution Timeline Interactive. Teachers can ask students to compare and contrast the adaptations of various hominid species and propose ways in which these adaptations aided species to survive in their various environments. 
  • How have climatic changes impacted the survival of species over time?
    • This question can be presented as students explore the Interactive Human Evolution Timeline. The timeline presents data showing how the Earth's climate has fluctuated over the 8 million years of human evolution and highlights the fact that some of the most important milestones in human evolution occurred during the greatest climatic fluctuations. 
    • Teachers can use this exploration to foreshadow upcoming discussions of modern climate change.
  • How fragile is human life?
    • The Human Family Tree and Human Evolution Timeline interactives allow for thoughtful exploration of this question as they provide visualizations of hominid existence, individual species' lifespans in geologic time, and extinctions. 
    • Teachers can highlight the small amount of time that modern humans have existed in comparison to early humans as well as points in history that modern humans were faced with events that nearly caused extinction and ask students to grapple with the fragility of human life.  
  • Why do we matter as humans in the anthropocene?
    • This question serves as the bridge into the study of ecology and human impacts on the environment and challenges students to deeply consider their importance to their world. 


Aleah Myers
32
 

Teaching with the Smithsonian Learning Lab: A Workshop for George Washington University Faculty and Graduate Students

For the workshop, Teaching with the Smithsonian’s Learning Lab – Millions of Resources at Your Fingertips! (January 8, 2020), this is a collection of digital museum resources and instructional strategies.  It includes a warm-up activity, a close-looking exercise, and supporting materials for participants to create their own teaching collections. 

This collection was co-created with Tess Porter

#GWTeach

Philippa Rappoport
45
 

President and Mrs. Obama Portrait Unveiling

On February 12, 2018, the official portraits of President Barack Obama and First Lady Michelle Obama were unveiled at the Smithsonian's National Portrait Gallery. President Obama's portrait was created by artist Kehinde Wiley, who is known for his vibrant, large-scale paintings of African Americans posing as famous figures from the history of Western art. This portrait does not include an underlying art historical reference, but some of the flowers in the background carry special meaning for Obama. Mrs. Obama's portrait was created by artist Amy Sherald, who considers the former first lady to be someone “women can relate to—no matter what shape, size, race, or color. . . . We see our best selves in her.” 

This collection includes the two portraits, in high resolution, so that learners can zoom in and out to carefully observe details. It also includes videos and articles about the portraits and their official unveilings. Additional supports include other works by the two artists and strategies for reading portraits. Portraits of the two sitters and other presidential portraits can be used for compare and contrast activities. 

Ashley Naranjo
36
 

Classroom Activity Using Images of Immigration and Identity from the National Portrait Gallery, the New York Times, and the Smithsonian American Art Museum

Students can use the "What makes you say that?" and the "3 Ys" thinking routines to explore two modern portraits about identity and immigration from the National Portrait Gallery. The first thinking strategy asks students to look at a work of art for several minutes before answering two questions: "What's going on?" and "What do you see that makes you say that?" (See https://learninglab.si.edu/res... for more information.)

To further and deepen the discussion, I've included a link to a September 2016 New York Times Op-Doc entitled "4.1 Miles," about a coast guard captain on a small Greek island who is suddenly charged with saving thousands of refugees from drowning at sea. (If it doesn't show up easily, you can view the original video on Times Video at https://www.nytimes.com/video/opinion/100000004674545/41-miles.html.) I've also included two sculptures from the Smithsonian American Art Museum, an interview with Lisa Sasaki, head of the Smithsonian's Asian Pacific American Center, and resources from the University of Minnesota  Libraries Publishing's Immigration Syllabus - Americans / Immigrants, Weeks 1-4.

You may wish to use the "3 Y's" thinking routine here as well, which asks students to consider the following questions:

1. Why might this [topic, question] matter to me?

2. Why might it matter to people around me [family, friends, city, nation]?

3. Why might it matter to the world?

(See https://learninglab.si.edu/res... for more information.)

#APA2018, #LatinoHAC, #EthnicStudies 

This collection supports Unit 1: Precious Knowledge - Exploring notions of identity and community, of the Austin ISD Ethnic Studies Part A course.

This Smithsonian Learning Lab collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. 


Philippa Rappoport
14
 

Becoming a Historian: Historical Context

Historical thinking skills allow historians to better practice and interpret history. This series teaches students how to develop these skills to become better historians themselves.

This Learning Lab will guide students through the process of defining historical context and practicing employing strategies from an example dealing with the 1968 Poor People's Campaign. 

 Historical context is the background information that informs a deeper understanding of a historical individual, group or event. Historical context is important because it allows historians to better understand history in the ways a historical individual or group understood the world around them, which leads historians to analyze the past more accurately. 

 Keywords: nmaahc, African, American, historical, thinking, skills, context, historical, contextualization, background, 1968, Poor People's Campaign, history, interpret, analyze

National Museum of African American History and Culture
16
 

Smithsonian Pioneer: Solomon G. Brown

In 1852, Solomon G. Brown of Washington D.C. became the first African American employed by the Smithsonian Institution. He was an unusual man of his time, as he was a literate free person of color in Washington D.C., where slavery was legal until 1862. Additionally, Mr. Brown was an influential member of the African American community in Washington D.C, before and after the Civil War. For 54 years, Mr. Brown worked at the Smithsonian Institution in a variety of positions. He saw the institution change and grow. In 1902, the Smithsonian honored Mr. Brown for his time and service.

 This Learning Lab explores the experience of Solomon G. Brown and his work at the Smithsonian Institution. Exploring his career can highlight the complexities of slavery, freedom, race, and citizenship that African Americans experienced in Washington D.C. through the latter half of the nineteenth century, which included the late Antebellum Period, the Civil War, the Gilded Age and the beginnings of the Jim Crow Era. His life poses an interesting contrast to the more normative narratives of African Americans during the mid to late nineteenth century.

Discussion questions are included at the beginning of the Learning Lab.

 

Keywords: nmaahc, African American, Smithsonian, Institution, museum, castle, secretary, freedom, slavery, Washington D.C. DC, district, Columbia, research, pioneer, Solomon, Brown, first, civil war, antebellum, reconstruction, Jim Crow, 19th century, 20th century

National Museum of African American History and Culture
23
 

Martin Luther King Jr.: The Later Years (1965 - 1968)

Martin Luther King Jr.’s fight for equality did not end with the passage of the Civil Rights Act of 1964 and the Voting Rights Act of 1965. In his last years, King’s focus shifted toward achieving economic equality and combating poverty in the United States, denouncing the United States’ involvement in the Vietnam War, and contending with the rise of The Black Power Movement.

 This Learning Lab highlights documents, images, objects, and media from the National Museum of African American History and Culture and other Smithsonian units that help to tell the story of Martin Luther King Jr.’s final years, his assassination, and his enduring legacy.

Keywords: nmaahc, Martin Luther King Jr, MLK, Jr., African American, civil rights, last years, Chicago, Vietnam, poverty, Poor People's Campaign, Resurrection City, Memphis, assassination, legacy, Coretta Scott King, Reverend 

National Museum of African American History and Culture
48
 

African Americans and the Civil War

This collection highlights the enslaved and free African American perspective and experience during the Civil War with collection objects from the National Museum of African American History and Culture, other Smithsonian units, and relevant media.

Keywords: NMAAHC, NMAAHC Education, African American, Civil War, United States Colored Troops, soldier, war, emancipation, history, primary sources

National Museum of African American History and Culture
45
 

Exploring the meaning of "social inclusion" through Digital Storytelling

This collection was made for a hands-on workshop organised by the Dresher Center for the Humanities at UMBC as part of the Inclusion Imperative Program.

During the workshop UMBC faculty and graduate students have the opportunity to learn some of the key elements of digital storytelling focused on questions of inclusion and justice. Some of the contents and tools were inspired by the EU funded project DIST - Digital Integration Storytelling http://www.dist-stories.eu/

Workshop participants will practice storyboarding and editing audio/visual materials as well as discuss how narrative structure and modes of storytelling vary in the diverse culture contexts in which we work and live. 

Antonia Liguori
25
 

Exploring Systems

Systems can be vast or miniscule. They can be man-made or occur in nature. A system can be simple or complex but all systems are have various parts. Each of the parts have functions within the system and each system has its own function (what a part or system is used for is called its function)

In this collection, students investigate a variety of systems by viewing and reading about them. 

This collection can be used in the classroom as students explore the crosscutting concept of systems and system models across a variety of science disciplines. The collection can also be used in a design thinking course or unit or as students undertake engineering projects and explore processes and systems.

This collection is designed for students to use independently either in class or on their own. The collection can also be used as a small group or whole class activity driven by discussion instead of writing.

The task is provided in the first slide in the collection. Extension activities can be applied to the task. One extension is included in the task slide and prompts students to use the Learning Lab to seek out their own example of a system and explain its parts and functions. A more interactive class based extension might be for students to circulate and look for a partner/partners who chose the same system or can find a way to make connections between two or more different systems that they chose. Partnerships/teams can then compare the parts/functions that they have identified and prepare to share with the larger class community.



Sue Pike
36
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