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Found 13,827 Resources

Carbon in our Seas: Measuring Ocean Acidification

Smithsonian TMON
MarineGEO scientists are using the latest technology to understand patterns of ocean acidification in our coastal waters and its effects on ecosystems. Music: "Se recourber" by Monplaisir, FreeMusicArchive, CC0 1.0 Universal License. "Adventure, Darling" by Gillicuddy, FreeMusicArchive, Attribution-Noncommercial 3.0 Germany License.

What is a Squidpop?

Smithsonian TMON
A visual demonstration of the Squidpop assay and its role as a tool for marine science.

MarineGEO in Tasmania

Smithsonian TMON
MarineGEO explores Tasmania above the waves and below in this compilation of drone and underwater footage from their March 2017 field trip to Maria Island.

The Sounds of Biodiversity

Smithsonian TMON
Biodiversity, the living organisms all around us, can be a tricky quantity to measure. How can we count all the species on a busy reef with limited time and resources? The answer may be by listening to them. MarineGEO Postdoctoral Fellow Erica Staaterman is using cutting-edge technology to record and analyze the noises marine organisms make to tell us who they are and what they are doing.

Invisible Drivers: Microbial foundation communities

Smithsonian TMON
Dr. Holly Sweat is the 2017 MarineGEO Postdoctoral Fellow based at the Smithsonian Marine Station in Florida. She studies the microbial communities that first colonize surfaces and encourage settlement of animal larvae that develop into larger fouling communities. Her work takes her all over, including the Virginia Institute of Marine Science's Eastern Shore Laboratory in Wachapreague, Virginia featured here.

Wachapreague Bio Blitz 2018: Tell Me More

Smithsonian TMON
“We still depend on the ocean and need to understand how it works” – Emmett Duffy, Director of the Marine Global Earth Observatory The 2018 Bio Blitz in Wachapreague, VA, yielded over 380 unique species, some of which were completely new species discoveries. Take a look into the processing of a sample, from the water to the museum. Thank you to our summer intern, Carmen Camp for creating this video. Music: "New Rock (Extended Background Mix)" by Steve Combs https://creativecommons.org/licenses/by/4.0/legalcode

Wachapreague Bio Blitz 2018: Highlights

Smithsonian TMON
In July 2018, scientists crowded into a tiny town on the Eastern Shore of Virginia. They spent hundreds of hours over the course of two weeks trying to find the wildest and tiniest critters out there.Stay tuned for a short film about how this process actually works! Thank you to our summer intern, Carmen Camp for creating this video. Music: "Traveller" by David Szesztay https://creativecommons.org/licenses/by-nc/3.0/legalcode

What is a Baryton and Who is Joseph Haydn?

Smithsonian Music
Kenneth Slowik, curator of the Musical Instrument Collection at the National Museum of American History and artistic director of the Smithsonian Chamber Music Society, tells us about the Baryton & Haydn.

Tell us about J Dilla's Instruments

Smithsonian Music
Timothy Anne Burnside, Museum Specialist at the National Museum of African American History and Culture, tells us about instruments used and owned by one of the most legendary producers of our time, the late J Dilla. Both the MPC and synthesizer are on display in the permanent music exhibition "Musical Crossroads" at the new National Museum of African American History and Culture.

Who Was Celia Cruz?

Smithsonian Music
Marvette Perez (1961-2013), Curator of Latino History at the Smithsonian National Museum of American History, discusses who Celia Cruz was and presents objects held in our collections.

What are Some Facts About the Stradivarius Violins?

Smithsonian Music
Kenneth Slowik, curator of Musical Instrument Collection at National Museum of American History and artistic director of the Smithsonian Chamber Music Society, tells us about the Stradivarius Violin.

Tell Us About the George Clinton's Mothership

Smithsonian Music
Curator of Music and Performing Arts at the National Museum of African-American History and Culture tells us about one of the most iconic stage props ever, George Clinton's Mothership. It will be on display in the permanent music exhibition "Musical Crossroads" at the new National Museum of African-American History and Culture

Tell Us About Chuck Berry's Cadillac

Smithsonian Music
Museum historian Kevin Strait tells us about Chuck Berry's Cadillac, which he helped to collect along with Chuck Berry's guitar, "Maybellene." They can both be found in the "Musical Crossroads" exhibit at the Smithsonian National Museum of African American History and Culture.

Tell us about James Brown's Hammond B3 Organ

Smithsonian Music
Dr. Dwandalyn Reece, Curator of Music and Performing Arts at the National Museum of African-American History and Culture, tells us about James Brown's Hammond B3 Organ that is on display in "Through the African-American Lens" exhibit at National Museum of American History.

Tell Us About the Zande Harp

Smithsonian Music
Collections Curator Bryna Freyer tells us the history of the Zande Harp in the African Art Museum Collections.

How Do You Tune a Harpsichord?

Smithsonian Music
Kenneth Slowik, curator of Musical Instrument Collection at National Museum of American History and artistic director of the Smithsonian Chamber Music Society, tells us how to tune a harpsichord

What are the Differences Between Poncho Sanchez and Mongo Santamaria's Congas?

Smithsonian Music
Marvett Perez (1961-2013), Curator of Latino History at the Smithsonian National Museum of American History, presents and discusses the difference between two types of congas. One owned by Poncho Sanchez and the other by Mongo Santamaria. Both congas are part of the Smithsonian Institution’s collections.

Tell us about Chuck Berry's Guitar "Maybellene"

Smithsonian Music
Museum historian Kevin Strait tells us about Chuck Berry's guitar "Mabellene," which he helped to collect. It can be found in the "Musical Crossroads" exhibit at the National Museum of African American History and Culture.

Why Did Celia Cruz Say, "Azúcar"?

Smithsonian Music
Marvette Perez (1961-2013), Curator of Latino History at the Smithsonian National Museum of American History, discusses Celia Cruz.

Frances Densmore and Mountain Chief

Smithsonian Music
Richard Kurin, Acting Provost and Under Secretary for Museums and Research at the Smithsonian Institution, discusses a photograph of Frances Densmore and Mountain Chief sitting in front of the Smithsonian Castle.

Can You Tell Us About the Harpsichord?

Smithsonian Music
Kenneth Slowik, curator of Musical Instrument Collection at National Museum of American History and artistic director of the Smithsonian Chamber Music Society, tells us about the harpsichord

What are the origins of stringed instruments?

Smithsonian Music
Richard Kurin, Acting Provost and Under Secretary for Museums and Research at the Smithsonian Institution, discusses the evolution of stringed instruments from the ektar to the dutar, sitar, qatar and finally to the guitar.

Tell us about Marian Anderson

Smithsonian Music
Dr. Dwandalyn Reece, Curator of Music and Performing Arts at the National Museum of African American History and Culture, tells us about Marian Anderson's pivotal concert at the Lincoln Memorial while highlighting the outfit she wore that will be on display in the permanent music exhibition "Musical Crossroads" at the new National Museum of African American History and Culture.

Keyboard owned by Ray Charles

Smithsonian Music
John Hasse, PhD, Curator of American Music at the National Museum of American History, presents a Yamaha KX88 keyboard used by Ray Charles and discusses Ray's comments on playing the piano.
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