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Found 736 Collections

 

Running Fence

This teaching collection includes images and video of Running Fence, a work of installation art by Christo and Jean Claude. Included at the end is a lesson plan that engages students in analysis of Running Fence and details the steps for a student-designed installation art work at their school.

Learning goals include:
• Define installation art
• Analyze the process and results of the work of Jean-Claude and Christo to develop Running Fence
• Use the design process to develop a proposal for an installation art piece
• Use persuasive speaking skills to pitch your plan to the relevant stakeholders in your school community
• Plan and execute a piece of installation art on your school grounds, working cooperatively with a team
Kate Harris
46
 

Narrated Stories from Around the World

This topical collection includes fourteen narrated stories, many include visuals, as well. These stories could be used with young children to compare narrative arcs, identify key elements of storytelling, or simply for enjoyment of listening to short stories from around the world, including tales from the Chinese, Blackfoot, Ho Chunk, Cheyenne, Cree, Anikara, Iroquois, Painte, Popul Vuh, artist Romare Bearden's reimagined version of "Homer's Odyssey", Inka, Tlingit and Ghanaian (Asante, Ashanti).
Ashley Naranjo
15
 

What Makes You Say That?: Interpretation with Justification Routine with an Artwork

This collection uses the Harvard Project Zero Visible Thinking routine, highlighting interpretation with justification. The strategy is paired with an artwork from the Smithsonian American Art Museum. Once you have examined the artwork and answered the questions, view an archived webinar with a museum educator to compare your interpretation. How does viewing the artwork with the museum label change your interpretation? How did what you noticed in the artwork compare with what the educators shared?

Suggestions for teachers regarding visual clues for this image are in the "Notes to Other Users" section.

#visiblethinking

Ashley Naranjo
3
 

What Makes You Say That?: Interpretation with Justification Routine with a Historical Photograph

This collection uses the Harvard Project Zero Visible Thinking routine, highlighting interpretation with justification. The strategy is paired with a photograph from the National Portrait Gallery. Once you have examined the photograph and answered the questions, view the original resource and the short video with a curator to check and see if your interpretation was correct. How does viewing the photograph with the museum label change your interpretation?

Suggestions for teachers regarding visual clues for this image are in the "Notes to Other Users" section.
Ashley Naranjo
3
 

International Picnic Day- June 18

This collection celebrates the #HashtagHoliday of #InternationalPicnicDay. A picnic is an outing or occasion that involves taking a packed meal to be eaten outdoors. Often, picnics take place at urban parks or on the shores of a beachfront and are enjoyed in large groups, typically families. In this collection, you will view images of picnic scenes and a vibrant picnic poster series from the 1970s and 1980s. This collection includes a creative writing prompt around describing event sequences and using imagery in your writing. It was adapted from the Smithsonian's collection of "Summer Picnic" posters https://learninglab.si.edu/collections/summer-picnic/X7Rh5kBN7xYwnDoH.
Ashley Naranjo
26
 

Clothing Across Cultures

This teaching collection was made to accompany the Cooper Hewitt Design Museum lesson plan "Saris, Kimonos, Togas & Smocks: Exploring Clothing Across Cultures." In addition to saris, kimonos, togas, and smocks, huipils and kanga are used as examples of culturally-specific clothing.

The lesson asks students to complete think about the cultural importance of clothing, and then to research a specific type of clothing and build a presentation around that research. Students might use this collection as a source for images for their presentation, to inspire research topics, or as a common basis for discussion with their peers.
Kate Harris
32
 

Runaway in an Unknown Land: The Underground Railroad in Western Pennsylvania

Prior to the Civil War, enslaved people had little chance of securing their freedom. There were rare cases of freedom being purchased by the enslaved individual or by some benefactor. Even rarer was the granting of freedom papers by the master. For those who desired to taste freedom, the choice of running was often the only viable choice. Runaways faced incredible dangers en route including the possibility of capture.
Arthur Glaser
29
 

Reading Companion: Robots

This collection is a reading companion to two articles - "Robot Zoo" [Ask; Nov 2011] and "Me, Myself, and My Android Twin" [Muse; Nov 2012]. Students are asked to investigate these articles, alongside other objects, videos, and articles, to examine what issues robot designers are attempting to address with their inventions, and how they are trying to address them. At the end of the activity, students will be asked to write a paragraph or more explaining which inventions they think are the most important and why, citing resources in this collection as evidence.
Tess Porter
22
 

Reading Companion: Pandas

This collection is a reading companion to two articles included here as PDFs - "A Symbol of Peace: The Giant Panda" [Faces; May 2007], "Something New at the Zoo" [Ask; July 2015], and "Panda Handstands Get High Marks" [Ask; March 2005].

Several videos feature panda behavior and habitat. The TED talk by a Smithsonian scientist raises questions about our love affair with pandas.

Together the resources offer several options for comparing and contrasting informational text with science content.
Michelle Smith
17
 

Access Series: Fantastic Creatures

This topical collection of artworks is based upon "fantastical things." It was originally used in a collage art activity (printed out; using paper, glue, and art materials); and as a discussion prompt in an informal learning activity with a group of teens with cognitive disabilities during a summer camp program. Other suggested uses beyond collage and discussion prompts would be a writing exercise, utilizing the "See|Think|Wonder" visible thinking routine. You could also pair the collection with popular young adult fantasy novels, and ancient myths and legends.

Descriptors: Decision Making, Disabilities, Self-Determination, Self-Efficacy, Student Empowerment, All Access Digital Arts Program

Tracie Spinale
64
 

What makes you say that?: Marian Anderson in Concert at the Lincoln Memorial

This collection uses the Harvard Project Zero Visible Thinking routine for interpretation with justification. This routine helps students describe what they see or know and asks them to build explanations. The strategy is paired with photographs from the National Museum of American History, an artwork from the Smithsonian American Art Museum and a video from the Smithsonian Music initiative, featuring a curator from the National Museum of African American History and Culture. Using guided questions, students will look at a single event through multiple media formats.

Tags: William H. Johnson, Robert Scurlock, Marian Anderson, Easter 1939 concert, Lincoln Memorial

#visiblethinking #BecauseOfHerStory #SmithsonianMusic

Ashley Naranjo
5
 

Writing Inspiration: Using Art to Spark Narrative Story Elements

The Smithsonian museum collection inspires many to research the history behind artifacts, but this collection explores the use of art and artifacts to spark creative story writing. Students will choose artifacts to craft characters, a setting, and a plot conflict to create and write a narrative story.

Targeted Vocabulary: Narrative, protagonist , antagonist, character, character traits, setting, plot, climax, and conflict.

After reading and analyzing several narrative stories for story elements such as character, setting, plot, climax, and conflict, students will use this collection to begin planning their own narrative stories.
Individuals or partners will first view the portraits and discuss possible stories behind each face before choosing a protagonist, antagonist, and supporting characters. They may begin to discuss and imagine character traits for each subject.
Next, the student will select a landscape setting in which the story may take place. The writer will describe the landscape, imagine a time period, and name the location.
Finally, the student will either choose an action artifact around which to build a major plot event, or have that slide as a minor scene in their story.
Students may use the Question Formulation Technique to garner ideas for background stories behind the faces. http://rightquestion.org/
Once the story elements are in place, the students may begin to draft narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences.

With the artifacts selected as the major story elements, the students may begin crafting their narrative story. The artifacts can then be displayed as illustrations in the published narratives.
Susan Stokley
66
 

What makes you say that?: Marian Anderson in Concert at the Lincoln Memorial by Ashley Naranjo

This collection uses the Harvard Project Zero Visible Thinking routine for interpretation with justification. This routine helps students describe what they see or know and asks them to build explanations. The strategy is paired with photographs and an artwork from the National Museum of American History and the Smithsonian American Art Museum. Using guided questions, students will look at a single event through multiple media formats.

Tags: William H. Johnson, Robert Scurlock, Marian Anderson, Easter 1939 concert, Lincoln Memorial
Susan Stokley
4
 

What makes you say that?: Marian Anderson in Concert at the Lincoln Memorial

This collection uses the Harvard Project Zero Visible Thinking routine for interpretation with justification. This routine helps students describe what they see or know and asks them to build explanations. The strategy is paired with photographs and an artwork from the National Museum of American History and the Smithsonian American Art Museum. Using guided questions, students will look at a single event through multiple media formats.

Tags: William H. Johnson, Robert Scurlock, Marian Anderson, Easter 1939 concert, Lincoln Memorial
Melinda Welch
5
 

Surrender at Appomattox

This is a lesson designed around the portrait "The Room in the McLean House, at Appomattox Court House, in which General Lee Surrendered to General Grant," and is intended to be used when teaching about General Lee's surrender. #npgteach
Jamie Grace
7
 

#NPGteach The Ladies In and Out of the White House: Not Just A Pretty Face

Looking closely at the women married to our President's. Learn more about the individuals and the contributions they themselves made. Using Learning to Look Strategies to go beyond the pretty faces.

Nancy Gavrish
18
 

A Hero's Journey

in progress

This collection is designed to be used across several days in conjunction with any study of literary heroes. The last page includes a description of how I plan to use the collection with a group of 6th graders studying The Lightning Thief by Rick Riordan.

#npgteach
Alison Gillmeister
15
 

Αλφαβητάρια

A collection of alphabet books to inspire students to create their own. Alphabet books can be created using any subject and completed with any grade. They can be completed individually (one student makes a page for each letter of the alphabet) or as a group or class (each student takes one letter). Here are some ideas for topics or use with your students:
Kindergarden-1st--Pick a letter, write a sentence using that letter and illustrate.
2nd-4th--The class takes a topic such as insects and each student takes a page, researches and illustrates it.
5th-12th--Students take a topic (biography, historical topic, memoir about themselves, book that they've read) and creates an alphabet book with each page telling the story or giving information about the subject.
Met Kous
13
 

Reconstruction

Students analyze works of art from the end of the Civil War and Reconstruction to better understand this tumultous time in our nation's history.
Nick Odem
3
 

Analyzing Cultural Identity

The following lesson is intended for high school students in an ICT English Language Arts classroom.

By the end of the lesson, students (ages 14-18), will be able to determine a central idea about identity by analyzing multiple texts. Students will apply their understanding of artwork (George Catlin's "Wi-jún-jon, Pigeon's Egg Head (The Light) Going To and Returning From Washington") to one or more poems that share conflicting themes of identity. Students are assessed on their ability to create claims, support claims with evidence, synthesize information from multiple sources, and develop a central idea about identity.


#SAAMteach
Nick Verrillo
5
 

Tenement Flats and the Great Depression

Subject: Language Arts

Age: 6th gifted - 8th regular classroom

Objectives:

1. Students will be able to relate to the working class struggles of people living during the Great Depression.

2. Students will be able to use this understanding as an introduction to themes from the historical fiction novel No Promises in the Wind by Irene Hunt.

Yolanda Toni
15
 

Jumping In Lesson

This collection was created in conjunction with the National Portrait Gallery's 2016 Learning to Look Summer Teacher Institute.

The Jumping In lesson helps students to use their creativity in different ways using their five senses (see, hear, touch, taste, and smell). Students will use following sentence starter to help direct students' thinking..

I see, I hear, I touch, I smell, and I taste

The activity can help to exercises their....

Imagination

Creative Writing

Focusing on key details

Asking and answering What, Where, When, When, and How questions

Intro to poetry

Expressive Language

The Jumping In lesson is a great way to start poetry and integrating Social Studies and Science. The activity can be done as a whole group discussion, partner work, or independently.

Maria Menjivar
3
 

The Valentine Dress from the Outwin Collection

This lesson plan and its extensions are designed to facilitate students' observations of art and then extend to an essay writing assignment. A follow-up writing unit will follow when my sophomores will write a memoir in which they incorporate their own growing up experiences and memories of hurt, frustration, loneliness, joy, and discovery. The best of these products will be submitted to the Scholastic Writing contest and will follow the word count/formatting guidelines dictated by the Scholastic Art and Writing Awards: http://www.artandwriting.org/.

This collection was created in conjunction with the National Portrait Gallery's 2016 Learning to Look Summer Teacher Institute.

TAGS: #NPGteach ; portrait; National Portrait Gallery
Jennifer Seavey
12
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