Skip to Content
  • Language
  • End User
  • Educational Use
  • Time Required
(327)
(617)
(823)
(751)
(917)
(28)
(423)
(352)
(189)
(430)
(162)
(172)

Found 944 Collections

 

Tell Me a Story: The Human Imperative for Narrative

In this collection, I am exploring the connections between storytelling and art.  I will also look at the connection of storytelling to neuroscience and the effects of storytelling on the human brain. I will be referencing the work of Will Storr (The Science of Storytelling), neuroscientists, psychologists and resources from institutions such as the Smithsonian, The National Gallery of Art, The British Museum, National Geographic, and the J. Paul Getty Museum.  I will look at how artists use content, meaning, and context to create narrative within their particular medium.

Research suggest that language developed as a way to convey "social information", gossip. Furthermore, it is documented that curiosity kicks the dopamine reward signal in the human brain.  Will Storr in his 2019 book, gorgeously researched and perfectly titled The Science of Storytelling tells us that psychologist Jonathon Haidt says the brain is a 'story processor' not a 'logic processor'.  All of this tells us that humans are hardwired to tell and receive stories.  

How do artists tell stories?  Both Storr and Kidd tell us that psychologist Dr. George Lowenstein asserts there are four ways to induce curiosity in the human brain: questions or puzzles; a sequence of events without revelation of the "end"; "violation of expectations that triggers a search for an explanation"; or knowing that someone else knows something and you want to know it too.  One could almost use these as headings to categorize art and and artistic movements.  Artist capture a moment in time that prods human curiosity, in some cases for thousands of years, to create the rest of the story of that suspended juncture.

The audience for this collection might be students of psychology or English.  It could be of interest to creators of story including novelists, playwrights, actors, screenwriters, musicians, and visual artists.  And anyone interested in what Storr termed as "the science of the human condition".

Will Storr writes, "One benefit of understanding the science of storytelling is that it illuminates the 'whys' behind the 'rules' we're commonly given...Knowing why the rules are the rules means we know how to break them..."

Sources:

Dunbar, Robin et al. Evolutionary Psychology. One World Publications, 2005.

Kidd, Celeste, and Benjamin Y Hayden. “The Psychology and Neuroscience of Curiosity.” Neuron vol. 88,3 (2015): 449-60. doi:10.1016/j.neuron.2015.09.010

Storr, Will. The Science of Storytelling. London: William Collins, 2019.


#AHMCFall2019

krambow
33
 

Beautiful Day in the Neighborhood

Meet the butcher, baker, pizza-dough maker, and all of the friendly people who make our neighborhoods terrific places to live every day. Recycled crafting and interactive songs make this community day the perfect blend of learning and just plain fun.

Discovery Theater
36
 

Ingenuity Challenge 2019

RebeccaBeakerhead
13
 

Breaking Barriers: Race, Gender, and the U.S. Military

This collection brings together EDSITEment and Smithsonian resources to support the initial research into a project for National History Day 2020, "Breaking Barriers in History."

These resources—including photographs, objects, portraits, lesson plans, and articles—explore how individuals overcame barriers during and following their service in the U.S. military. Resources address how issues of race and gender operated as barriers to equal treatment for all those who serve in the U.S. military, as well as circumstances endured by veterans following the end of major wars. The experiences of members of the armed forces during the American Revolution, U.S. Civil War, WWI, and WWII are highlighted; however, other wars and perspectives should be considered when exploring these resources. The second resource of this collection contains questions to help with the analysis of a chosen topic alongside photograph, document, artwork, portrait, and object resources. 

By no means is this collection comprehensive; instead, it provides a launching point for further research.

This collection was created in collaboration with the Smithsonian Center for Learning and Digital Access.

Share your National History Day collections and let us know what you think! Write to us on Twitter: @EDSITEment and @SmithsonianLab, #NHD2020. If you publish a collection on your National History Day topic, be sure to enter #NHD2020 in the description!

Tags: military, soldiers, women, African American, Tuskegee, Airmen, Airwomen, war, World War One, World War I, World War Two, World War II, Red Jacket, Tayadaneega, Joseph Brant, Native Americans, American Indians, Horace Pippin, Theodore Milton Sullivan, J.W. Lucus, Buffalo Soldier, Charles Young, Carter Woodson, Willa Beatrice Brown, Bessie Coleman, Airforce, pilots, Jacqueline Cochran, Janet Harmon Bragg, Cornelia Fort, Nancy Love, WASPs, twentieth century, 20th #NHD

EDSITEment
94
 

Breaking Barriers: Innovation and Industry

This collection brings together EDSITEment and Smithsonian resources to support the initial research into a project for National History Day 2020, "Breaking Barriers in History."

These resources—including, objects, photographs, portraits, lesson plans, and articles—explore how technologies developed in the interest of advancing industrialization during the United States’ Second Industrial Revolution made it possible to overcome economic and social barriers, while, in some cases, unintentionally creating new ones. Innovators who developed technologies and tools to make every day living easier and more enjoyable, along with transportation technologies that broke barriers in terms of travel and movement, are also included in this collection. Users are also asked to consider the legacies of these inventions and their significance to innovation and industrialization through to today. The second resource of this collection contains questions to help with the analysis of a chosen topic alongside photograph, document, artwork, portrait, and object resources. 

By no means is this collection comprehensive; instead, it provides a launching point for further research.

This collection was created in collaboration with the Smithsonian Center for Learning and Digital Access.

Share your National History Day collections and let us know what you think! Write to us on Twitter: @EDSITEment and @SmithsonianLab, #NHD2020. If you publish a collection on your National History Day topic, be sure to enter #NHD2020 in the description!

Tags: factory, industry, invention, innovator, Thomas Edison, Nikola Tesla, Alexander Graham Bell, Samuel F. B. Morse, telegraph, Christopher Latham Sholes, typewriter, telephone, communication, technology, workers, labor, International Ladies Garment Workers Union, David Dubinsky, Asa Philip Randolph, John Llewellyn Lewis, Frances Perkins, Samuel Gompers, strike, boycott, union, Transcontinental, railroad, nineteenth century, 19th, twentieth, 20th, #NHD

EDSITEment
98
 

Breaking Barriers: United Farm Workers

This collection brings together EDSITEment and Smithsonian resources to support the initial research into a project for National History Day 2020, "Breaking Barriers in History."

These resources—including photographs, objects, portraits, lesson plans, and articles—explore how the United Farm Workers, and leaders Cesar Chavez, Dolores Huerta, and Larry Itliong, organized for worker and civil rights during the 1960s and 70s. Resources address how groups and individuals sought to bring attention to the mistreatment of farmers—particularly Chicano and Filipino workers—the barriers they sought to break, and the reforms they fought to establish through artistic expression, as well as organized boycotts and strikes. The second resource of this collection contains questions to help with the analysis of a chosen topic alongside photograph, document, artwork, portrait, and object resources. 

By no means is this collection comprehensive; instead, it provides a launching point for further research.

This collection was created in collaboration with the Smithsonian Center for Learning and Digital Access.

Share your National History Day collections and let us know what you think! Write to us on Twitter: @EDSITEment and @SmithsonianLab, #NHD2020. If you publish a collection on your National History Day topic, be sure to enter #NHD2020 in the description!

Tags: UFW, Latino, Hispanic, California, Fred Ross, art, grapes, lettuce, farmers, immigration, citizenship, labor, laborers, workers, unions, protest, twentieth century, 20th, #NHD

EDSITEment
66
 

Breaking Barriers: Reconstruction

This collection brings together EDSITEment and Smithsonian resources to support the initial research into a project for National History Day 2020, "Breaking Barriers in History."

These resources—including photographs, primary source documents, portraits, lesson plans, and articles—explore the efforts of individuals and groups to overcome racial, economic, and political barriers during the era immediately following the Civil War known as Reconstruction. Resources highlight influential individuals and groups, the intentional and unintentional consequences of actions and policies that resulted in the construction of new barriers for some, and competing perspectives over the best path toward reuniting the United States after the Civil War. The second resource in this collection contains questions to help with the analysis of a chosen topic alongside photograph, document, artwork, portrait, and object resources. 

By no means is this collection comprehensive; instead, it provides a launching point for further research.

This collection was created in collaboration with the Smithsonian Center for Learning and Digital Access.

Share your National History Day collections and let us know what you think! Write to us on Twitter: @EDSITEment and @SmithsonianLab, #NHD2020. If you publish a collection on your National History Day topic, be sure to enter #NHD2020 in the description!

Tags: civil rights, slavery, Freedman’s Bureau, U.S. Bureau of Freedmen Refugees and Abandoned Lands, Fisk Jubilee Singers, African American, Emancipation Proclamation, Abraham Lincoln, Andrew Johnson, Sojourner Truth, South Carolina, Congress, House of Representatives, Frederick Douglass, Robert Smalls, Hiram R. Revels, Benjamin S. Turner , Robert C. De Large, Josiah T. Walls, Jefferson F. Long, Joseph H. Rainey, R. Brown Elliot, Thomas Mundy Peterson, Sidney Taliaferro, John Roy Lynch, Octavius Catto, Edmonia Lewis, Laura Smith Haviland, John W. Menard, Harper’s Weekly, Oliver Otis Howard, William T. Sherman, Howard University, W.E.B. Du Bois, nineteenth century, 19th, Washington, D.C., #NHD

EDSITEment
78
 

Exploration of Different Gold Mining Tools and Techniques

Historical images of placer gold mining tools and techniques used in Columbia, CA may be used for learning different placer gold mining techniques. These visual aids may provide a better understanding of how the types of mining tools changed over time. In the early years of the gold rush, miners traveled with very few items; some which included a gold pan, pick and shovel. As more gold was discovered, mining parties established mining camps or tent towns. The cradle or rocker box was used as towns developed. Further development of mining camps brought in the use of long toms, sluice boxes and water diversions created for mining.

columbiastatehistoricpark
7
 

Design with Empathy (Objects)

This collection includes objects that reflect a design with empathy approach. Explore the objects further on the URLs under the info link.

Jasmine Kassulke
27
 

Beauty/Truth/Revealing/and Concealing: Adding complexity to a literary analysis (Wrap up lesson with "A Doll's House," by Henrik Ibsen) #SAAMTeach

While this lesson revolves around Henrik Ibsen's "A Doll's House," it can be used in conjunction with any work of literature featuring strong characters - the type who generate potentially negative reactions among students, such as: "I hate him... There's nothing good about ______....he's the villain... she's the hero, etc." The lesson is designed to push students out of their comfort zone, give themselves permission to speculate and entertain a variety of viewpoints, and as a means to step away from the literature they just read, then step back in with perhaps a more open-minded approach.

This is a discussion-heavy lesson, requiring some patience on the part of the teacher not to jump in and fill in the gaps. But after completing it the first, second, and then third time, I could definitely sense the students were now more apt to be "risk takers" and more "open minded" with their interpretations and insight.

Step by step instructions follow in the "Notes to Other Users" section. #SAAMTeach

Annette Spahr
8
 

Emma S. Barrientos Mexican American Cultural Center Caminos Teen Leadership Program

CAMINOS is an immersive; one year long paid internship empowering Austin-area Teens to carve their own path in the creative arts. Students work alongside ESB-MACC professionals on a variety of community oriented activities, projects, and exhibitions.

#ethnicstudies

Emma S. Barrientos Mexican American Cultural Center
13
 

My ethnic studies musings

This collection was started as a way to share resources related to Mexican American Studies.  It has now morphed into a larger collection for anyone interested in ethnic studies.  It is still very much a work in progress.

Rubina Pantoja
30
 

Asian American Modernism

This collection is meant to build on two earlier collections, "Asian American Art: Emerging from the Shadows"  and "Asian American Artists and World War II" and to introduce the viewer to artists of Asian ancestry in America using Chang, Johnson & Karlstrom's text, Asian American Art: A History, 1850-1970 (2008), the Fine Arts Museums of San Francisco's exhibition catalog "Asian/American/Modern Art: Shifting Currents, 1900-1970" (2008),the vast resources of the Smithsonian Learning Lab, Project Zero's Global Thinking Routines and other resources.  This collection is part two of four that I have organized, chronologically, on Asian American Art.  The other three collections are "Asian American Art: Emerging from the Shadows",  "Asian American Artists and World War II" and "Asian American Contemporary Art".  It is my hope that these collections will serve as entry points to understanding the many contributions of Asian American artists in the U.S. from 1850 until the present time.

Visual art is a language that is socially and culturally constructed.  Socially constructed learning values diverse perspectives, engages with local and global experts, and employs inquiry, discovery and exploration to move students toward global citizenship.  Because the visual arts leverage the power of dialogue and debate to sharpen critical thinking, starting with the arts is a logical place to help students develop cultural intelligence.

Other purposes of these collections are to explore tangible and intangible cultural heritage; as well as jumpstart brave conversations about race, identity and immigration in the U.S. with teachers, tutors of English Language Learners and others who are interested in becoming cultural leaders in our public schools.

As Gordon H. Chang and Mark Dean Johnson state in the introduction of the exhibition catalog, "Asian/American/Modern Art: Shifting Currents, 1900-1970" (2008):

"Forty years ago there were no Asian Americans.  There were Chinese, Japanese, Koreans, Filipinos, and others of Asian ancestry in the United States, but no 'Asian Americans,' as that term was coined only in 1968.  This population was commonly seen as foreign, alien, not of America.  Their lives and experiences were not generally accepted as part of the fabric of the country, even though Asians had begun settling here steadily in the mid-nineteenth century.

Then, in the late 1960s, as part of the upsurge in the self-assertion of marginalized communities,  'Asian America' emerged to challenge the stigma of perpetual foreignness.  'Asian American' was a claim of belonging, of rootedness, of pride and identity, and of history and community; it was also a recognition of distinctive cultural achievement"  (Chang, Johnson, 2008).

#APA2018

Rubina Pantoja
18
 

Emma S. Barrientos Mexican American Cultural Center Virtual Tour

Take a virtual tour of the Emma S. Barrientos Mexican American Cultural Center on-site art installations.

Emma S. Barrientos Mexican American Cultural Center
53
 

Domingo Ulloa's

This teaching collection helps students to look closely and think critically by examining Domigo Ulloa's painting, Braceros, and historical documentation related to the bracero program, a series of short-term labor contracts from 1942-1964 in which an estimated two million Mexican men came to the US to work on farms and roads. The collection prompts students to consider the program from a variety of perspectives, including individual, collective, social, economic, and political.  

Included here are the painting, a bilingual video with Smithsonian American Art Museum (SAAM) curator E. Carmen Ramos, four suggested Thinking Routines - "See, Think, Wonder," "Step In, Step Out, Step Back," "The 3 Y's," and "Think, Feel, Care" - from Harvard's Project Zero Artful Thinking and Global Thinking materials, supporting digital content from the National Museum of American History, and a blogpost from SAAM of two DC student's written responses to the prompt, "What Domingo Ulloa's Braceros Means to Me." 

For use in Social Studies, Spanish, English, and American History classes

#LatinoHAC #EthnicStudies

This collection supports Unit 1: Intersectionality of Economics, Politics, and Policy, of the Austin ISD Ethnic Studies Part B course.

This Smithsonian Learning Lab collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. 


Rubina Pantoja
10
 

National History Day: American Immigrant Experiences

This collection brings together EDSITEment and Smithsonian resources to support the initial research into a project for National History Day.  While originally created for the 2019 theme, "Triumph and Tragedy in History," resources found in this collection are useful for researching other National History Day themes.  

These resources - including objects, documents, websites, and articles - reveal challenges and opportunities experienced by American immigrants in the 19th to mid-20th centuries.  Resources highlight hardships that compelled people to leave their homelands, difficulties immigrants faced upon arrival, and ways they overcame obstacles to build new lives and communities in America.  The second tile of this collection contains questions to help with the analysis of photograph, document, artwork, portrait, and object resources. 

The history of immigration in America is an immense topic, and this collection addresses only aspects of it.  Use this collection to brainstorm project topics, find connected resources, and as a launching point for further research.

This collection was created in collaboration with EDSITEment, a website for K-12 educators from the National Endowment for the Humanities.

Share your National History Day collections and let us know what you think! Write to us on Twitter: @EDSITEment & @SmithsonianLab, #NHD2019. If you publish a collection on your National History Day topic, be sure to enter #NHD2019 in the description!

Tags: 1800s, 1900s angel island, ellis island, immigration test, community, prejudice, irish, jewish, syrian, lebanese, arab, italian, mexican, german, greek, bohemian, czech, slovenian, know nothing, triangle shirtwaist factory fire, swedish, chinese exclusion act, japanese american incarceration, internment, bracero program, stories project, #NHD

Rubina Pantoja
128
 

Chicano movement

The theme of my collection is Chicano farm workers fighting for their rights. 

Rubina Pantoja
5
 

Making Cultural Connections in Pre-AP World Geography

This adapted collection includes resources for ninth-grade Pre-AP World Geography students. After studying the aspects of culture in the Human Geography unit, students will focus on the culture of the United States and Canada in Unit 4. 

Using the collection, students will explain the impact of immigration on American culture. Students will also develop questions and research how their ethnic groups and culture are reflected in the art and history of North America and connected to regions of the world.

 #EthnicStudies

Melissa Blohm
35
 

Symbols: Using Images to Invoke Feelings

In this collection, students will work with Americana images to do a "close view" that will allow them to make inferences about which feelings did the artists intend to invoke by using symbols. #LearnWithTR

Nicole Clark
9
 

Inspiration: Ancient Greece and Ancient Rome in Our Nation's Capital

In this collection, students will work with images of buildings from ancient Greece and ancient Rome along with images of iconic buildings in Washington, D.C. to identify ways that early Americans were inspired by ancient Greeks and Romans. #LearnWithTR

Nicole Clark
7
 

Making the Old New: Rethinking Monuments and Memorials

In this collection, students will work with images, videos, and texts related to Marta Minujín's "Parthenon of Books" to create a series of questions that a creator must ask and answer before designing a memorial or monument. #LearnWithTR

Nicole Clark
8
 

Inter/sected - LGBTQ + Asian Pacific Americans

Inter/sected, was a photo exhibit on display at the City of Austin's Asian American Resource Center July 5 to September 22, 2019, that celebrated the intersected identities of Queer Asian Pacific Americans. The AARC worked with local Austin photographer Ben Aqua. Ben has titled their photo series “Slaysians,” portraits of LGBTQ+ Asians/Pacific Islanders on their Instagram account at @b3naqua. Ben's pronouns are they/them/theirs.

Teachers and students may use this collection to discuss intersectionality, Asian American identities, gender spectrum/non binary, culture and resistance to assimilation, and expressions through art.  Articles, photographs, and supplemental film, podcast and archive resources are included for further analysis on queer Asian American experiences in the US.

This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center. 

Keywords: asian americans, queer, LGBTQ, intersectionality, gender, queer

 #EthnicStudies

Asian American Resource Center Austin, TX
16
 

Conflict, Identity, and Place in American Art (2019)

This collection contains a selection of artworks related to the themes of conflict, identity, and place.  Teachers can use these artworks for a variety of purposes; here, we use them as a catalyst for discussion, with an extended version of Project Zero's See, Think, Wonder thinking routine.  In small groups or as a classroom, have students select one artwork they find meaningful or interesting and discuss the following:

  1. Why did you pick this artwork?  
  2. What do you see?  Name specific aspects of the artwork you notice.
  3. What do you think about what you see?
  4. What does this artwork make you wonder
  5. Optional: How might the artwork connect to the themes of conflict, identity, and place?

This Smithsonian Learning Lab collection contains artwork selected by Phoebe Hillemann, Teacher Institutes Educator at the Smithsonian American Art Museum, featured in the 2019 Smithsonian American Art Museum Summer Institute for Teachers, "Teaching the Humanities through Art."  

These artworks serve as foundational museum resources in lesson concepts that are accessible by searching the Smithsonian Learning Lab with the hashtag: #SAAMTeach.

Ashley Naranjo
40
 

Not So Still Life

#ethnicstudies #UShistory

Malin Lindelow
6
817-840 of 944 Collections