Found 968 Learning Lab Collections
This collection details a photography and community engagement project that the Smithsonian Center for Learning and Digital Access did with educators from the National Portrait Gallery and the Fairfax County Family Literacy Program. It includes assets and resources designed to help teachers (art, English, social studies, and media technology), museum educators, and community-based informal learning educators recreate the program as is, or design their own, based on the specific needs of their classroom or learning community.
For our project, pairs of native Spanish speaking immigrant moms and their middle school children did a five-day (15 hours total) training session at their school and at the Smithsonian Portrait Gallery. They learned about Dolores Huerta, portraiture, and photojournalism through the exhibition, "One Life: Dolores Huerta." Participants took portraits of themselves, critiqued each other's work, and created photo exhibitions about their communities and important issues, that were displayed at the Hispanic Heritage Month Family Day at the National Portrait Gallery.
Dolores Huerta, the "co-architect" of the American Farm Workers Movement and mother to eleven children, proved to be a huge inspiration to the participants. Before the workshop, 33 percent of the parents and none of the children saw themselves as able to make change in their community; after the workshop, 100 percent of parents and children reported seeing themselves as able to make change in their community. In addition, 100 percent of the mothers and 80 percent of the children reported that they believed they had increased their artistic skills.
This collection supports Units 2 (What is the History - Civil Rights Movements) and 3 (Critical Geography and Current Issues) of the Austin ISD Ethnic Studies Part A course, and Unit 3 (Local History and Current Issues) of the Austin ISD Ethnic Studies Part B course. "What would you advocate for to beneficially change your community? How can you advocate to create change within your community?" "How do you understand the concept of community advocacy? What is needed for an individual to cultivate personal change?"
This Smithsonian Learning Lab collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Here is a collection of English and Scottish ballads, recorded by Smithsonian Folkways and sung by Ewan MacColl, who is sometimes referred to as the "godfather of British folk revival." These recordings are in the Folkways Records Collection, 1948-1986.
This is a topical collection about American life and politics in the 1960s. Resources in this collection might be helpful to students and teachers working on projects about the decade. It is not meant to be completely comprehensive, but rather includes highlights of the Smithsonian's collection spanning art, popular culture, social trends, leadership, and technology.
Teachers and students might copy and adapt this collection to suit their needs; highlighting a specific aspect of life in the 1960s and adding annotations and additional resources.
tags: Sixties, Kennedy, Camelot, civil rights, Vietnam, politics, decade
Compare and contrast artworks by William Christenberry and Robert Rauchenberg:
How do they depict the passage of time?
How are events or environments represented?
What do these images communicate about control or loss of control?
This is a Smithsonian Learning Lab topical collection, which contains images, text, and other multimedia resources that may complement the Tween Tribune feature, Move over, steel: The high rises of tomorrow are "plyscrapers." Use these resources to introduce or augment your study of this topic. If you want to personalize this collection by changing or adding content, click the Sign Up link above to create a free account. If you are already logged in, click the copy button to initiate your own version. Learn more here.
This survey virtual exhibition, featuring 40 artworks and 35 artists, examines the artistic production of artists of Latin American and Caribbean descent and US-born Latinos in Chicago, IL. The site of confluence of various migratory waves from Mexico, Puerto Rico, Cuba, Dominican Republic, and Central and South America throughout the 20th and 21st centuries, at this moment Chicago boasts the fifth largest Hispanic and Latino Community in the United States.
The Latino Art Now! Chicago Virtual Gallery is an innovative 3D immersive space that supports the current broad definition of American art prompted by changing demographics. It explores artistic issues, contexts, meanings, visual cultures and historical grounding sin addition to artists' own engagements with identity, community, public art and the urban space.
The Latino Art Now! Chicago Virtual Gallery and the Educator Transmedia Training Toolkit Vol. 2 are a collaboration between the Inter-University Program fro Latino Research (IUPLR) headquartered at the University of Illinois at Chicago and the Smithsonian Latino Center (SLC). This project is supported in part by an award from the National Endowment for the Arts. Additional support for the Educator Transmedia Training Toolkit Vol. 2 is made possible by the generous support of Comcast NBC Universal, and the Chicago Community Trust.
This collection was developed for the Arts, Media, and Entertainment 2017 Leadership Conference in California. Enjoy.
This is a Smithsonian Learning Lab topical collection, which contains images, text, and other multimedia resources that may complement the Tween Tribune feature, Misty Copeland is bringing "Ballet Across America." Use these resources to introduce or augment your study of this topic. If you want to personalize this collection by changing or adding content, click the Sign Up link above to create a free account. If you are already logged in, click the copy button to initiate your own version. Learn more here.
This teaching collection gives an introduction to e-textiles, which incorporates sewing with circuitry. Students will first learn the basics LED circuitry, then create their very own wearable tech. Extension activities include creating paper circuits with magnetic copper tape and magnetic "throwies".
This is one of 5 activities used in the Lenovo Week of Service event.
Music was an important element in the life of Native Americans. It was created through voice and instruments. The combination of voice and sound was quite elaborate and was created to be used for ceremonies, entertainment, relaxation, and healing. Featured within this collection are musical instruments of several Native American groups. The groups featured are the Cheyenne, Seneca, Hopi, Sioux, and Iroquois. The instruments span from the 18th-20th century. Three different classifications of instruments are featured within the collection. The classifications are idiophones(rattles), Membranophones(drums), and aerophones (flutes) and are organized respectively. The purpose of this collection is to provide a visual comparison of similar instruments among tribes in different geographical regions. The instruments display the similarities in craftsmanship and use of natural material among the various groups. Most of the materials are organic in origin (composed of carbon) and include seeds, wood and animal components. The instruments vary to some degree as far as adornment, but the instruments within their classification serve a similar function and produce a similar sound. As previously mentioned, the music produced by these instruments in combination with voice was intricate. Although the sounds created with the instruments were similar, each of the Native Americans groups created a sound that was unique to their region.
This collection previews the fifth and final seminar of the 2017 Montgomery College / Smithsonian Institution Fellowship seminar series, The Struggle for Justice. Two National Portrait Gallery staff members will lead this event: David Ward and Briana Zavadil White.
Resources and questions included in this collection have been chosen by the presenters for participants to explore and consider before the seminar itself.
This collection previews the fourth seminar of the 2017 Montgomery College / Smithsonian Institution Fellowship seminar series, The Social Power of Music. Two staff members from the Smithsonian Center for Folklife and Cultural Heritage will lead this event: James Deutsch and Atesh Sonneborn.
Resources and questions included in this collection have been chosen by the presenters for participants to explore and consider before the seminar itself. Two resources, included at the end of the collection, are optional materials for those interested in addtional background information on Smithsonian Folkways.
This collection previews the third seminar of the 2017 Montgomery College / Smithsonian Institution Fellowship seminar series, American Democracy in the Trump Age. Harry Rubenstein, Curator and Chair of the Division of Political History at the National Museum of American History, will lead this event.
Resources and questions included in this collection have been chosen by the presenter for participants to explore, consider, and answer before the seminar itself.
Resources supporting the March 2017 Google Hangout facilitated by the National Museum of American History's curator of Photographic History, Shannon Perich, in coordination with the Smithsonian Center for Learning and Digital Access. Suggested questions for analyzing photographs, yearbooks, photo albums and portraits are included. The archived version of the online session is available at the end of the collection for viewing.
Tags: Migrant Mother, Napalm Girl, Tank Man, Times Square Kiss, 1943 Rohwer Center High School Yearbook, WWI Photo album, Robert Wiengarten, Hank Aaron
This collection previews the second seminar of the 2017 Montgomery College / Smithsonian Institution Fellowship seminar series, The Native American Struggle for Treaty Rights and Tribal Sovereignty. Three National Museum of the American Indian staff members will lead this event: Mark Hirsch, David Penney, and Colleen Call Smith.
Resources included in this collection have been chosen by the presenters for participants to explore before the seminar itself.
This collection contains images of rock-art of the Wadi al-Ajal, in the Fezzan region of south-west Libya. Several hundred engravings have so far been identified here. This rich concentration of rock-art spans the phase from at least 7,000 years ago until the present - a critical period of time which encompasses major transitions in human economy, culture and ideology from hunting and gathering to raising livestock, then to agriculture and more recently to industrialization. Rock-art provides fascinating evidence of how human groups were living during this period, what their relationships with their environment were and what they considered of importance and value. Because rock-art is deliberately placed at specific locations in the landscape, a powerful relationship can often exist between rock-art sites and natural landscape features.
A general topical overview collection of Bahrain (and Arabian Gulf-related) objects in the Smithsonian collections. Stamps are featured, as well as the historic pearling industry; Endangered species are described, as well as articles about the ancient Dilmun culture and other archaeological finds.
What can we learn about people from their cultural artifacts? The Five Pillars of Islam are unifying principles of the faith by which all Muslims abide. They are: Profession of Faith (Shahada), Prayer (Salat), Alms (Zakat), Fasting (Sawm), and Pilgrimage to Mecca (The Hajj). Look through the collection. What's going on? Identify an artifact that represents a pillar. What do you see that makes you say that? Explain what pillar you think it represents, and explain why. Bonus activity: Complete the sorting activity. What did you know about the Five Pillars before you began the activity? Did you learn anything new? What do you think now about observing the Five Pillars?
Tags: Islam, Muslim, religion, Muhammad, object analysis, practice, pilgrimage, hajj, fasting, Ramadan, Shahada, zakat, tithe, salat, prayer, cultural literacy
The original collection and idea was created by Kate Harris, SCLDA.
This collection previews the first seminar of the 2017 Montgomery College / Smithsonian Institution Fellowship seminar series, A Journey Through the African American Lens. Five National Museum of African American History and Culture staff members will lead this event: Kinshasha Holman Conwill, Dr. Rex Ellis, Dr. Jacquelyn Serwer, Dr. Michèle Gates Moresi, and Mary Elliott.
Resources and reflection questions included in this collection have been chosen by the presenters for participants to explore, consider, and answer before the seminar itself. Fellows will be asked to discuss their answers to the reflection questions during the seminar.
This exhibit showcases objects of leisure, focusing on children's toys like wooden wagons and paper dolls. These artifacts depict evolving themes of childhood and growth in North America from the mid-18th to the late-19th centuries. These material objects established and enforced the traditional gender roles of the time periods during which they were created. Toymakers often targeted specific younger audiences, catering their designs to whichever gender was socially suited to the toy. Toys were either made by artisanal third parties who were paid for their products or were constructed by individuals from objects that were had on-hand within the home. The toys educated young children in socially accepted gender roles, assigning girls to feminine notions of domesticity and modesty, while resigning boys to more masculine pursuits of rough play and control-seeking. By analyzing these artifacts and material objects, present day historians and audiences alike can become better informed about past sociocultural trends and gender roles, making for a more informed public. This can allow modern viewers to better contextualize historical subjects.