Found 1,658 Learning Lab Collections
Essential Question :
How did the women at the forefront of the sporting frontier use sports as a career to help gain women acceptance?
Women and men who helped New York immigrates' living conditions during the 19th and early 20th century.
This collections shows men and women who helped change the living conditions of the immigrants that flooded into New York City during the 19th and 20th centuries. They changed the way people lived by shining a light on the poor living conditions of the newest Americans. The following people are discussed in this collection: Lillian Wald, Jane Addams, Margaret Sanger, Jacob Riis, and Theodore Roosevelt. The themes that are discussed are: tenement living, women's health, and immigrants.
This collection was created in conjunction with the National Portrait Gallery's 2019 Learning to Look Summer Teacher Institute.
This is a Smithsonian Learning Lab topical collection, which contains images, text, recordings, and other multimedia resources that may complement the Tween Tribune feature, Four Olympic stadiums with unexpected afterlives. Use these resources to introduce or augment your study of this topic. If you want to personalize this collection by changing or adding content, click the Sign Up link above to create a free account. If you are already logged in, click the copy button to initiate your own version. Learn more here.
Wilma Rudolph defied the odds and paved the way for African American female athletes. Discover her strength and courage.
This collection was created in conjunction with the National Portrait Gallery’s 2017 Learning to Look Summer Teacher Institute.
TAGS: #NPGteach, portrait, learning to look, National Portrait Gallery
This collection aims to discuss the reasons why some objects are elevated to the category of cultural heritage while others are not. Museums are important institutions in this process and the collection of a museum is by nature a collection of cultural heritages. From the survey of some objects safeguarded in the Smithsonian, we will reflect on the immaterial character of all cultural heritages. After all, the value of an asset does not lie only in its physical nature or in its function and market value.
There are resources with quiz questions that students can answer directly, or teachers may prefer to print documents and resources for in-class use. It is recommended that teachers preview the materials in this teaching collection as there are a variety of ways to structure the lesson.
Essential questions include:
-How would you describe the relationship between Kim Il Sung and Joseph Stalin?
-Was North Korea, a smaller country, pulling a superpower into a conflict?
-Was the Soviet Union using North Korea to further its goals?
-Why did the United States choose to respond via the United Nations forces instead of unilaterally? How did this decision impact the conflict?
-How does this incident reflect larger themes and issues of the Cold War, especially the role of the United Nations, over-arching foreign policy strategy, and nuclear fears?
Tags: Wilson Center, Cold War, Korea, China, Truman, Eisenhower, Macarthur, Soviet Union, USSR, Communism
During this experience you will follow in the steps of immigrants whose immigration story took them to Angel Island and Ellis Island providing you a window into who came to the United States, why they came, the immigration process, their acceptance or denial as well as their legacy. You will find student instructions for each section on the arrow slide dividers. Click on each for instructions. #APA2018
Throughout this experience consider the 3 Ys:
- Why might this snapshot of Angel Island & Ellis Island matter to me?
- Why might it matter to people around (family, friends, fellow students, community)
- What might it matter to the world?
Quotes / Poems to consider:
Angel Island Written on the walls in Chinese
I am distressed that we Chinese are
in this wooden building
It is actually racial barriers which cause
difficulties on Yingtai Island.
Even while they are tyrannical they still
claim to be humanitarian.
I should regret my taking the risks of
coming in the first place.
This is a message to those who live here not
to worry excessively.
Instead, you must cast your idle worries to
the flowing stream.
Experiencing a little ordeal is not hardship.
Napoleon was once a prisoner on an island.
"Well, I came to America because I heard the streets were paved with gold. When I got here, I found out three things: first, the streets weren’t paved with gold; second, they weren’t paved at all; and third, I was expected to pave them." Italian Immigrant
"Island of Hope, Island of Tears"
Who is to blame for WWI? Is it Gavrilo Princip, for assassinating the archduke? Surely that’s much too simple? We like to identify “good guys” and “bad guys,” but is there danger is that? The reparations laid on Germany in the Treaty of Versailles, most historians agree, contributed to WWII... Can any one person, group of people, country, truly take the blame for such a crisis? Should they? Who should have stopped it? #Teaching Inquiry
Choose at least three items (image, audio, video) that tell something about you; who you are as a person, what you think is important, how you want others to “see” you. Make sure you caption your items with your first and last name and an explanation (1-2 sentences).
In this collection, portraits are used for both pre-reading and post-reading activities in connection with reading a biography of Marian Anderson. The pre-reading activity uses Betsy Graves Reyneau's oil on canvas portrait, Marian Anderson, to begin to reveal Anderson to students. Post-reading activities include the use of photographs, video and William H. Johnson's oil on paperboard Marian Anderson to enhance understanding of Anderson's 1939 concert and to informally access student learning.
When Marian Sang: The True Recital of Marian Anderson: The Voice of a Century is a picture book written by Pam Munoz Ryan and illustrated by Brian Selznick. This biography shares the story of opera star Marian Anderson's historic concert of 1939 on the steps of the Lincoln Memorial to an integrated crowd of over 75,000 people. The book recounts Marian's life as a she trains to become an opera singer and as she struggles with the obstacles she faces in pre-Civil Rights America. This picture book is an excellent choice to use in the upper elementary classroom in the context of a unit that focuses on "challenges and obstacles."
This collection was created in conjunction with the National Portrait Gallery's 2019 Learning to Look Summer Teacher Institute.
This is the story of Mehmed the Conqueror, perhaps the greatest of the Ottoman sultans. His victory over Constantinople on May 29, 1453 not only ended the Byzantine Empire, but forged the path for his predecessors to create one of the most expansive empires in the world.
#NPGteach #npgteach #MehmedII #Ottoman Empire #sultan #EastMeetsWest #empire #history #Byzantines
This collection pretends to show how women fought for equal rigths and the importance in history
This collection is based on a lesson in Bruce Lesh's "Why Won't You Just Tell Us the Answer?" and on a Smithsonian National Museum of American History lesson (both cited fully below). In this lesson, students will evaluate primary source material in order to develop an appropriate name for the site of the 1876 battle at Little Bighorn River. This collection allows students to explore the following questions:
- Why do different interpretations of history develop? How do they change over time?
- When thinking about conflicts in history, whose perspectives are valued and remembered?
tags: Custer, Sitting Bull, Crazy Horse, Little Big Horn, continuity, change over time, perspective, historiography, point of view, Native American, indigenous, American Indian, Sioux, Greasy Grass
This collection provides students the opportunity to dress artist Frida Kahlo in traditional Mexican garb that she favored, the huipil and the quechquemitl.
Frida Kahlo was born in Coyoacan on July 6, 1907. Thoughout her life Frida was a fierce nationalist and a vocal socialist. As a reflection of her beliefs, Frida often wore the indigenous clothing of Mexico. This can be seen both in photographs of her and in her paintings. Frida completed 143 paintings during her lifetime, 55 of which are self-portraits. Many of these self-portaits are among her most famous works.
Most of the costumes Frida wears were hand-woven, as well as hand embroidered and stitched. The colors and many of the symbols used in her work are clearly influenced by Mexican tradition.
She died in 1954.
Throughout American History, young people have led, influenced, and defined the outcomes of our elections and politics. By organizing, lobbying, advocating, protesting, and voting, young voices supply our democracy with a never-ending source of fresh ideas, concerns, and hopes. This tradition continues today, as voters ages 18 to 24 make up the biggest potential voting bloc in modern elections.
This Learning Lab collection can be used in conjunction with a short video that challenges young people to reflect on and discuss “What will you stand for?” Find the video and additional resources here: https://historyexplorer.si.edu...
This video is part of a series of short films from the Smithsonian’s National Museum of American History that looks at how young people have historically shaped public opinion and outcomes. These brief videos help young people learn from the civic actions of youth in the past to become thoughtful, informed, and active participants in their democracy today. Through historical stories of youth engaged in our elections and politics, these videos show how youth have made history through civic action and challenge today’s young people to continue shaping their democracy.
Using the Project Zero Visible Thinking routine "What makes you say that?," students will investigate a photograph from the Civil War taken by the studio of Mathew Brady, one of the most prominent American photographers of the 19th century. The Civil War was the first major war captured on camera and photographs, like this one, played a pivotal role in shaping public perceptions of the conflict.
This activity can be used as an entry point into studying soldiers' experiences during the Civil War, photography's effect on public perspectives about war, and more. Resources to extend this activity include: a Smithsonian American Art Museum lesson plan investigating this and other photographs from the Civil War, a blog post discussing connections between Civil War photography and President Abraham Lincoln, a Smithsonian Magazine article about Civil War photographer Alexander Gardner, a Learning Lab collection on Alexander Gardner's Photographic Sketchbook of the War, and an article discussing the National Portrait Gallery's recent exhibition The Face of Battle: Americans at War, 9/11 to Now.
Keywords: photo, battlefield, inquiry strategy
This collection was created in conjunction with the National Portrait Gallery's 2016 Learning to Look Summer Teacher Institute.
Tags: #NPGteach; portrait; National Portrait Gallery
In this collection, students will answer the question "What Makes a First Lady?" by comparing and analyzing images of various First Ladies. They will also think critically about their definition of the First Lady as compared to that of the President and the differences in medium (painting, photography, video) artists use to represent a First Lady. One of the final activities will require students to find an image of a First Lady not shown in the collection to test their definitions.
This activity is based on the "Reading Portraiture" Guide for Educators created by the National Portrait Gallery. The guide can be found at the end of the collection.
A collection designed to introduce students to the 19th century whaling industry- one of the biggest industries of the 19th century and the industry which supported industrialization.
In this activity, students will learn about the background and cultural significance of the holiday Kwanzaa through an an analysis of various resources:
- The collection begins with several images related to Kwanzaa. By looking through each of the resources, students can gain a deeper understanding of the holiday. Each image contains text about different parts of Kwanzaa and quiz questions to encourage further thoughts and reflections.
- A resource from the Kwanzaa Planning Committee is featured after these resources to further discuss practices and principles related to the holiday.
- Then, they will compare and contrast them with an image representing Christmas and another representing Hanukkah.
- The final activity has the student upload a separate image and explore how he or she would use that image to describe Kwanzaa to someone.
- The final resource includes an article from the Smithsonian Magazine that you can use to discuss the history of Kwanzaa with your class.
- The resources include multiple choice and discussion questions.
To read more information about Kwanzaa, please read the following official Kwanzaa website set up by the African American Cultural Center in Los Angeles, California: (http://www.officialkwanzaawebsite.org/symbols.shtm...).
Tags: holidays, history, culture, African American culture, African American history, American history, American culture
Context: A lesson for a U.S. History/American Literature humanities class. This lesson will come towards the end of our study of the Revolutionary period.
Essential Question: What does it mean to be an American in 1782?
- How does Crevecoeur define an American here? How accurate is his definition for that time period?
- To whom is Crevecouer making this appeal? What sort of person would be motivated by these passages?
- Who is included in Crevecoeur's appeal? Who is left out?
- How is "this new man" different?
- How does Crevecoeur help build the ideals and myths of America?
- How does this letter build on the idea of American Exceptionalism? America as the land of "new and improved"?
Students will have read Letter III before class.
Using the Smithsonian Learning Lab and the text excerpts below (or the entire text of Letter III), students will identify three key quotes or words and find artwork that connects to chosen text. Three total text excerpts and three works of art. The works of art can support, refute, or simply connect to some aspect of the quote and the idea of what it means to be an American.
Students will share their chosen artworks and quotes via the class Google classroom.
We will use the images as the basis for a class discussion on what it means to be an American.
After the class discussion, students will write a short paper on "What is an American?"
1.. Using the Smithsonian Learning Lab and the text excerpts below (or the entire text of Letter III), identify three key quotes or words and find artwork that connects to chosen text. You can use the images below as a starting point, but don't feel limited to these. The Smithsonian has an amazing and extensive collection. Take time to use the search function and explore the collection. You have all period to do so. Be original.
2. By class tomorrow, post on the google classroom your text excerpts and accompanying three works of art. The text can be a whole sentence or just a few key words. The works of art can support, refute, or simply connect to some aspect of the text and the idea of what it means to be an American. Be sure to include the title, artist, and date for each artwork. Your artwork doesn't have to come from the Revolutionary time period. The important thing is that you use your critical reading and thinking skills to make a connection between the text and the art work.
3. Tomorrow we will have a class discussion based on the images and excerpts. Be prepared to share your thinking on your choices with the class.
As always, remember to consider speaker, audience, and purpose. Who is speaking? To whom is he appealing? Why?
Not sure where to start? Find what you think are the ten most important words in the passage. Narrow it down to the top three.
Based on our studies so far, what are the different groups, ethnicities, races, religious affiliations make up the population at this time? Which of these does Crevecouer include? Leave out?
How did these people come to be in America? Does that matter in Crevecouer's writing?
by J. Hector St. John De Crevecoeur
"What then is the American, this new man?...He is an American, who, leaving
behind him all his ancient prejudices and manners, receives new ones from the new
mode of life he has embraced, the new government he obeys, and the new rank he holds. He has
become an American by being received in the broad lap of our great Alma Mater.
Here individuals of all races are melted into a new race of man, whose labors
and posterity will one day cause great changes in the world. Americans are the
"After a foreigner from any part of Europe is arrived, and become a citizen; let him devoutly listen to the voice of our great parent, which says to him, "Welcome to my shores, distressed European; bless the hour in which thou didst see my verdant fields, my fair navigable rivers, and my green mountains!--If thou wilt work, I have bread for thee; if thou wilt be honest, sober, and industrious, I have greater rewards to confer on thee--ease and independence. I will give thee fields to feed and clothe thee; a comfortable fireside to sit by, and tell thy children by what means thou hast prospered; and a decent bed to repose on. I shall endow thee beside with the immunities of a freeman. If thou wilt carefully educate thy children, teach them gratitude to God, and reverence to that government, that philanthropic government, which has collected here so many men and made them happy. I will also provide for thy progeny; and to every good man this ought to be the most holy, the most powerful, the most earnest wish he can possibly form, as well as the most consolatory prospect when he dies. Go thou and work and till; thou shalt prosper, provided thou be just, grateful, and industrious" (Letter III, 1782).
This is a collection designed to introduce students to the history of aviation as told through the lens of the scientific method-design process. Students begin by thinking about why is flight important in our lives, and how did we get to the airplanes we now know? Students look at the many designs that planes have gone through, and discuss why perseverance and problem-solving are important skills to have. They also see that teamwork, cooperation, and a desire to succeed were necessary for the Wright Brothers to do their important work. Feel free to pick and choose from the resources in creating your own collections:
Overall Learning Outcomes:
- Scientists use trial and error to form conclusions.
- Scientists test hypotheses using multiple trials in order to get accurate results and form strong conclusions.
- Scientists use multiple data and other evidence to form strong conclusions about a topic.
- Scientists work together to apply scientific research and knowledge to create new designs that meet human needs.
- Scientists help each other persevere through mistakes to learn new ideas.
Guiding Questions for Students to Answer from this collection:
- Why is flight important?
- How do scientists solve problems?
- How do scientists collect data to help them solve problems?