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Found 875 Collections

 

Changing Places and Never Let Me Go

Hey Guys!

Here is your challenge for the day.  

You are going to look at a series of photos today taken at the same location over multiple years. The photos are in chronological order.  Take your time to look at each photo carefully to spot the changes that you see.  Look at each photo individually and then look at the series as a whole. At the end of the series, I want you to write down some of the ways in which the series of photos reflects the characters, plot, and/or major themes of Never Let Me Go.  Be prepared to share with your neighbors some of what you experienced.

If you finish early, take a look at the painting titled "Waiting Room."  What parallels do you see between Never Let Me Go and the thematic elements present in the painting?  Be prepared to share.

#SAAMteach

Michelle Fortier
7
 

Birds

Compare similarities and differences among types of birds.

Analyze bird sculptures: what shapes/forms help represent the body, head, neck, beak, or wings? Which type of bird would you like to sculpt in clay?

Jean-Marie Galing
16
 

Planet Series: Mercury

This assignment allows you to explore these aspects of Mercury:

  • Name
  • Location
  • Size
  • Atmosphere
  • Surface
  • Moons
  • Exploration

Many of the artifacts, videos, and images include questions that will help you better understand our solar system. 

HOW TO BEGIN:

Begin this activity by watching the first video about Mercury, which will help you answer questions throughout the collection.

Tags: Stars, Moons, Mythology

Christina Shepard
29
 

Scientists: What do they do?

Students, please scroll through the videos in order to learn about four areas of science with Smithsonian scientists: Earth science, Marine science, Animal science, and Space science. There is a Smithsonian online interactive in each section under learn more.

Tags: frogs, elephants, ocean, snails, dinosaur, leopard, elephant

Christina Shepard
26
 

Zoology Introduction: Observing Pandas

This lesson plan teaches innate and learned animal behavior by having students watch videos of Bao Bao, the Smithsonian National Zoo's panda, and answer questions about her behavior in the videos. The videos range from Bao Bao as a newborn to her first birthday and have quiz questions connected to them to help students better understand how to observe animal behavior. There is a hand out for students to read while watching the videos to better help them answer questions. There is also a chart attached that can be used by the teacher to write down the behavior of Bao Bao in each video in fifteen second increments. This teacher lesson plan can also be adapted to be used as a class assignment, if needed. 

Christina Shepard
13
 

John F. Kennedy Portrait

This activity explores Elaine de Kooning's John F. Kennedy portrait and the process of its creation from sketches to the final piece. The collection includes a video about John F. Kennedy's assassination and prompts learners to better understand how to read this portrait by thinking critically while answering questions.

Christina Shepard
8
 

Jackson Pollock

Are you interested in learning about Jackson Pollock and his "drip" method of painting? If you are, this is the perfect collection for you!

You will be asked questions throughout this collection to help you better understand Jackson Pollock's art work.

Christina Shepard
18
 

Allensworth Collection

Allensworth, CA. founded in 1908, represents the only all black township in California; founded, built, governed and populated by African Americans. Located in the great central valley (southern San Joaquin), it was founded to be a agricultural community and center of learning. Where, African Americans only 50 years out of slavery could become economically free. Due to lack of a dependable water supply, the untimely death of the Colonel and other factors the town's future was bleak. By 1918 the town began its demise struggling to survive. The historic portions of the town became a state historic park in the 1970's. It is formally listed on the National Register of Historic Places and is a California Historic Landmark. Here is a link to the park site, where you will find contact information for park ranger Steve Ptomey who developed this collection and manages the Allensworth State Historic Park.

Steven Ptomey
29
 

Mike's Test Version_Storytelling Training: Creating Your Story

Whether you're participating in the Stories: YES program in conjunction with a Museum on Main Street exhibition or creating digital stories on your own, the six modules in the Storytelling Training Series will help you think through everything to help get started. Ready to start developing your story? In this short course, you'll get some tips on how to create a story board, writing a non-fiction script, and more. 

This training module was created by the Smithsonian's Museum on Main Street program, a part of the Smithsonian Institution Traveling Exhibition Service, in conjunction with the MuseWeb Foundation.

Michael Cieslak
27
 

Thinking About "The Way We Worked"

In this short course, you'll learn about topics that inspired the traveling exhibition "The Way We Worked," produced by Museum on Main Street at the Smithsonian. 

This training module was created by the Smithsonian's Museum on Main Street program, a part of the Smithsonian Institution Traveling Exhibition Service, in conjunction with the MuseWeb Foundation.

SITES Museum on Main Street
28
 

The Way They Was- Thematic Links to To Kill a Mockingbird

This collection contains the provocative piece The Way They Was and asks students to make parallels to the novel To Kill a Mockingbird. It uses thinking routines such as "See/Think/Wonder", "Circle of Viewpoints", and "Claim/Support/Question". There is also a graphic organizer in the shape of a door that allows students to record the connections they see between the piece of art and the novel. This lesson can be used after Chapter 25 or at the end of the novel.

#SAAMteach

Sara Katlen
4
 

Socially Constructed Learning Through Art

Visual art is a language that is socially and culturally constructed.  Socially constructed learning values diverse perspectives, engages with local and global experts, and employs inquiry, discovery and exploration to move students toward global citizenship.  Because the visual arts leverage the power of dialogue and debate to sharpen critical thinking, starting with the arts is a logical place to help students develop empathy for others while increasing their cultural intelligence.

This collection was created to support teachers and administrators who wish to better understand the various cultures in their schools.  Using both Project Zero's Global Thinking Routines and strategies from Amy E. Herman's Visual Intelligence book, participants will practice articulating cultural perspectives and communicating across differences using artwork and primary sources from the vast collections of the Smithsonian Learning Lab.  Participants will learn how to read a work of art, understand compositional hierarchy, and question what is missing.  The frameworks provided by Project Zero and Amy E. Herman will allow everyone, even those not accustomed to discussing art, a place from which to begin using art as a foundation for building culturally-responsive curriculum.

Participants will see museums as the cultural ambassadors that they are and ask whose culture is being represented and whose is missing and why.  Extending from this inquiry, participants will recognize the role schools play in nurturing and shaping the lives and identities of our students.

Julie Sawyer
24
 

Portrait of a Community

This activity asks you to think about what makes a community. Can objects and images tell a story about a place?

Choose five images or objects that best represent a place, whether it's a town, county or some other geographically defined location. Find them by searching the Learning Lab or uploading from other sources.   

Shannon Sullivan
9
 

Senses Series - Sight in Humans and Animals

How do we see what we see? This collection is about seeing the world in unexpected ways through human innovations and animal adaptations. Meet a teen who invented a new way to see infrared, a visually impaired woman with a bionic implant, a shark whose eye is similar our own, a Giant Squid with the world's largest eyes, a mantis shrimp who sees many colors in all directions, and a nocturnal sweat bee who navigates the jungle in the dark. Learn about why human vision can only see a certain type of light within the electromagnetic spectrum. Background information from the website Neuroscience for Kids provides an overview of how the eye and brain function together, and experiments to try. The collection concludes with a cross-cultural examination of seeing from a Tibetan monastic Buddhist perspective. How might their experience of sight differ from your own? 

Based on exhibition project work through Science for Monks and The World of Your Senses Exhibition (2010).

Tracie Spinale
15
 

Senses Series - Hearing

How do we hear what we hear? This collection is about hearing the world in unexpected ways through human perspectives of science and culture, and animal adaptations. Meet a shark whose entire body is an ear; zoo otters who play the keyboard; rabbits whose large ear adaptations provide self-defense; and the reasons for a sea lion's bark. Learn about the structure and function of human ears can only see a certain type of light within the electromagnetic spectrum. Background information from the website Neuroscience for Kids provides an overview of how the ear and hearing functions work, as well as a sound experiments to try. The collections closes with a cross-cultural examination of hearing and function from Tibetan Buddhist monastics.

Based on exhibition project work through Science for Monks and The World of Your Senses Exhibition (2010).

Tracie Spinale
10
 

Senses Series - Smell

How do we experience the sense of smell? This collection explores the variety of human and animal smell experiences. Videos examine ants that use smell to communicate, orchid bee perfumery, and the unique smell adaptation of the maned wolf. Background information from the website Neuroscience for Kids provides the structure and function of the nose, as well as olfaction experiments. The collection concludes with a cross-cultural examination of touch from a Tibetan monastic Buddhist perspective. How might their experience of smell differ from your own?

Based on exhibition project work through Science for Monks and The World of Your Senses Exhibition (2010).

Tracie Spinale
9
 

Senses Series - Taste

How do we taste what we taste? This collection is about the kinds of tastes that the human tongue experiences. Background information from the website Neuroscience for Kids provides an overview of how the tongue and taste function. Included are experiments to try, as well as examples of the kinds of tastes: sweet, salty, sour, hot and bitter. The collection closes with a cross-cultural examination of tongue function and tastes from Tibetan monastics—who recognize thirty-six different tastes!

Based on exhibition project work through Science for Monks and The World of Your Senses Exhibition (2010).

Tracie Spinale
14
 

Senses Series - Touch

How do we experience the sense of touch? This collection explores the variety of human and animal touch experiences. From the characteristics of a variety of objects, to a video which examines the touch experience of tortoises and pandas... we all experience touch differently. Background information from the website Neuroscience for Kids provides touch experiments; an examination of pain and why it hurts, and the functionality of the body's largest organ—the skin. The collection concludes with a cross-cultural examination of touch from Tibetan monks' Buddhist perspective. How might their experience of touch differ from your own?

Based on exhibition project work through Science for Monks and The World of Your Senses Exhibition (2010).

Tracie Spinale
19
 

Depictions of Water in American Impressionist Painting

This collection explores different water scenes painted by nineteenth and twentieth century American impressionists. It looks at both technical vocabulary for art, and Impressionism as a movement. It uses multiple mediums and explores different artists over the period.

This lesson aims to:

  • Introduce students to Impressionist techniques in art, we well as specifically introduce American Impressionist painting.
  • Encourage discussion of the representation of water in the context of the Museum on Main Street (MoMS) exhibition Water/Ways.
  • Teach some foundational artistic concepts and vocabulary at the intermediate level to students, including: basic color theory, brushwork, expression, and mood.

Students should be able to:

  • Describe visual elements of painting with specific vocabulary.
  • Compare multiple paintings and artists, in terms of specific visual elements.
  • Compare artwork based on the representation of a specific subject: water.
  • [Optional Activity] Reproduce at least one technique from the following categories: color and brushwork.  
Mary Byrne
18
 

The Art of American Industry

This collection explores the growth of American industry as seen through the lens of artistic production throughout the twentieth century. It can be paired with a multi-day lesson plan on American industrialization in a Social Studies, History, or Economics context. Students can begin to explore and understand the layered narratives and consequences involved within the rapid chances in mechanized American life. The lesson would begin with students examining the first row of resources to become acclimated to expansive impact of American industry. Students would then be able to use the Connect/Extend/Challenge thinking routine to examine how these fluctuations profoundly reformed societal, familial, and personal relationships. By considering multiple perspectives and outcomes, participants can begin to better identify their connection to broader industrial trends today. 

#SAAMteach

Evan Binkley
33
 

The Changing Image of American Classrooms

The artworks in this collection exemplify just how rapidly classrooms and their students have changed over the past century. What can we learn about the Civil Rights Movement and America's historical challenge of diversity? How might these works allow us to better understand ongoing societal issues in addition to the valuable roles teachers play? 

This Learning Lab collection is intended for a multi-day lesson plan for middle school students. A lesson based off of this collection could be begin with a discussion of the similarities and differences between schooling a century ago and classrooms today. Using a number of individual and group thinking routines, students could then begin to identify historical precedents of discrimination which have existed and/or continue to exist in the American educational system. A close reading of attached articles incorporated with additional thinking strategies would allow students to consider ongoing efforts of activism related to the classroom. 

#SAAMteach


Evan Binkley
36
 

A Long Walk to Water

     This collection is to be used in conjunction with the novel, A Long Walk to Water by Linda Sue Park.  The lesson concept spans the total of three 55 minute class periods for a middle school ELA course.  

   Students will begin by completing a pre-reading activity where they will analyze the artwork, Iceman Crucified #4through a "See, Think,Wonder" activity.  Students will then discuss the overarching ideas or themes that they observed in the piece.  This lesson will end with students making a prediction about the book, A Long Walk to Water, through previewing the cover/title and using information from the artwork to predict a possible theme of the story.  

   After reading chapters 1-4, students will then begin analyzing their predictions.  They will also be introduced to a new piece of art, The Girl I Left Behind, to analyze in conjunction with another character in the book.  Students will do a collaborative poem with the artwork.  They will then work in pairs to analyze lines of text and draw similarities/differences between the character in the text and the girl in the painting.  

#SAAMteach

SARA LOGAN
8
 

Telling the Tale of the “Other”: The Effect of Artist Identity on Storytelling

This set of activities is designed to encourage students to think critically about how an artist’s race, background, and experiences might impact their ability to fairly and accurately tell the story of a different person or group - an "other." 

Specifically, students will look at the creations of two white men - the painting Wi-jún-jon, Pigeon's Egg Head (The Light) Going To and Returning From Washington by George Catlin and the novella The Pearl by John Steinbeck - to analyze how the whiteness of these two artists might have affected their ability to fairly portray the indigenous people they sought to memorialize. Using primary source texts written by the artists themselves, students will conduct an inquiry into the possible motives and biases of these men in order to assess whether they, as white outsiders to the groups on which they focused, did or even could tell their stories accurately. The question students will be tasked with answering in writing as a culminating exercise is whether a white man can fairly and accurately tell the story of an indigenous people? 

In terms of purpose, the study of the painting is intended to supplant a traditional anticipation guide to help students prepare to read The Pearl and also to provide a lens through which to analyze the text.

#SAAMteach

Sarah Parham-Giannitti
15
 

1950's: Culture, Media & McCarthyism

Use Tooker's Waiting Room as an introduction for students to  explore major developments of the 1950's  including the mass media, consumer culture, suburbs, & McCarthyism.

#SAAMteach

Mike Krause
5
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