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Found 862 Collections

 

Do symbols mean the same thing in every culture?

Plains Native people have always depicted star images on their clothing, tipis, and containers.

Formative Task: In a class discussion list three ways Western cultures think about stars. Use this collection to discover what stars mean to the Lakota and other Native people.

Summative Performance Task: Use the star quilt pattern to create a symbolic quilt that represents your school.


National Museum of the American Indian Education Office
15
 

Destination Moon: NASA Art

Established in 1962, the NASA Artists Cooperation Program gave several artists unrestricted access to several NASA facilities. The goal was to communicate the emotional tone and the cultural significance of space exploration.

This collection uses the "Connect Extend Challenge" visible thinking strategy developed by Project Zero at Harvard University. This strategy encourages students to make connections between new ideas and prior knowledge. It also encourages them to make a personal connection to an artwork or topic.

This lesson helps teachers create connections between works of art and the study of space exploration, and to help teachers use art as a force for developing students’ critical thinking.  

Observe and discuss the first image as a class. Use the "Connect Extend Challenge" to discuss the image as a class. Ask the following: 

  • How is the artwork or object connected to something you know about?
  • What new ideas or impressions do you have that extended your thinking in new directions?
  • What is challenging or confusing? What do you wonder about?

Provide any background knowledge that enhances the conversation, using the metadata information about the NASA Artists Cooperation Program. 

Next, divide the students into 4 groups. Have them use the same questions to discuss one of the 4 images that deals the Apollo 11 launch. Wrap-up the discussion by having each group share out key thoughts and responses. Repeat the same process with the 4 images that represent Mission Control (note, Mission Control Images are from a selection of Apollo missions). 

Finally, students should choose one of the final 4 images to investigate, using the "Connect Extend Challenge" to guide their exploration. Their work could be shared verbally in a paired group, or written as a personal essay. 


Christina Ferwerda
13
 

Our Planet's Issues - Biodiversity, Population Growth, Global Water Challenges, and Climate Change

The resources in this collection will be used to help Montgomery College IERW002 students complete the essay on Our Vulnerable Planet.  Students are to use the articles and videos to enhance their understanding of the topics.  Students will complete Reading Information sheets on every resource that is used in this assignment - images, articles, graphs, and videos.  In class and out of class assignments are based on these resources.

readandwrite
13
 

Do our national symbols accurately reflect our nation?

After the War of 1812, a set of new national symbols were revered. These symbols, including the flag and the song that would be come the national anthem, demonstrated a sense of pride in a nation that had now defeated the British twice and would be an experiment in liberty and freedom.  Use the items in this collection to learn about the history of these symbols. Do they accurately reflect the ideals of the nation in the early 19th century? Do they accurately reflect the realities of life in the nation at that time?

Lately, the national anthem and athlete protests during the anthem have been the subject of some controversy. What are your personal feelings about the flag and/or anthem? Consider how learning the historical background of the song might impact your opinion on these anthem protests. 

Kate Harris
10
 

Election of 1876

The United States presidential election of 1876 was one of the most disputed presidential elections in American history

kamren crandall
5
 

15th Amendments

Allowing any citizen the right to vote no matter race or color of skin.

Jeremiah Fontenot
6
 

The Global Implications of HIV/AIDS

This activity can be used on its own or as a starting point for an interdisciplinary exploration of the global implications of HIV/AIDS.

This collection includes a three-part activity that can be modified by choosing to spend more or less time considering other viewpoints on HIV/AIDS. It uses Project Zero Thinking Routines and several images that allow students to explore multiple perspectives on HIV/AIDS. I have also created a separate collection with more images that could be used as starting points for further conversation called “The Global Implications of HIV/AIDS - An Interdisciplinary Exploration.” 

The focus of this particular collection is to allow students to begin exploring at the individual level and then keep zooming out to the global level to engage with HIV/AIDS as a global issue.

Part I: The individual and Individuals within a Society

Using a work by Felix Gonzalez-Torres and the Project Zero Thinking Routine “See, Think, Wonder,” students can begin the conversation about the toll of HIV/AIDS on the individual level. Depending on student comments, this could also involve individuals within a society.  The video included here could be shown as a follow-up explanation or could simply be used to help the teacher and not shown to students. The images of the quilt panel and the poster could both be used with the Project Zero Thinking Routine “Circle of Viewpoints” to help further the society or systems approach. These images allow students to explore the political complexities and how this can directly impact individuals within a group. Again, the video included could be used to enhance teacher and/or student knowledge.

 

Part II: Engaging in conversations about Society and Global Issues

Students will use the Project Zero Thinking Routine “See, Think, Wonder” to explore the Gapminder HIV Chart graphic (axes have been removed). If the group of students you are working with have less experience with thinking routines in general or are less inclined to take risks in sharing out, skip to the original version of the Gapminder HIV Chart graphic instead. At either starting point, more information can be revealed as students pose thoughts and wonders about the data provided. The link to the TedTalk can help students better understand what the graph is showing and perhaps be another starting point for a dialogue on the complexities of HIV/AIDS.

 

Part III: Reflection

There is some reflection built into the “Circle of Viewpoints” Thinking Routine but it is worthwhile to also reflect at the end of the activity. I have provided the Project Zero “I used to think…But now I think” Thinking Routine slide but a teacher could also choose to return to the Wrap Up questions provided from the earlier “Circle of Viewpoints” Thinking Routine and revisit what the students had mentioned from Part II. 

Emily Veres
13
 

Hurricanes

Students will use the See/Think/Wonder strategy to make inferences about Hurricanes. 

Danielle Friend
5
 

Decades of Transformation: Bridging the 1920s and 30's

Each item in this collection reflects the changing culture of America between the two World Wars. As we read The Great Gatsby and Of Mice and Men, consider how these pieces show the change of mindset across the decades.

Your task: select 5 artifacts and write a short paragraph for each saying how the object relates to 1) the era it is from, 2) to two texts, and 3) the other objects in you collection. Do not answer the three items like a list; rather, think about having your entire paragraph answer these questions: Why did I choose this object for this collection? What does it add to the whole? How can I interpret this object for the visitors of my gallery?

For your writing voice, sound authoritative, like a museum placard (those little signs next to objects). You do not need direct text evidence, but you do need to reference one or both of the texts.

Jacob Carlson
29
 

Hudson River School

Today, the United States' borders are much larger than what they were 250 years ago. With the release from British authority, the United States faced the challenge of expanding westwards, bound by no outside law.

Art was perhaps the most compelling form of storytelling. Whether it was about certain war victories, discovery of land, or peace treaties, art was a popular way of depicting what had taken place.

Art during this era was also a form of propaganda: it had to be beautiful, depict the west as a place of grand spectacles and such. It shouldn't be a surprise to anyone that heavy romantic themes would dominate this era of art. This was called the Hudson River School movement, which often exaggerated the beauty of American nature. As a result, we get to explore three major themes associated with Western Expansion: discovery, exploration, and settlement. Examine how these pictures make you as the audience feel, and how it might relate to the successful expansion westwards.

Marjon Santiago
30
 

My Consumer Revolution Collection

The Consumer Revolution sparked the trend of what we call today, conspicuous consumption, during the 17th and 18th century. Fashioned in the English colonies, consumers purchased extravagant merchandise to display wealth within colonial societies. Due to this trend, the Consumer Revolution enforced a higher efficiency in goods through ease of travel and payment. These options eventually led to consumption from all despite race, class, or gender.

Each element of this collection has its own unique style. However, these distinct objects served different purposes within the societies of early America. Today, many items we purchase are influenced from some of the greatest designer's and public figures in history.

Kayla Moorhead
10
 

Native American Portrayal in Media During the 1800s

This collection does not pertain to a certain period; instead it spans throughout the 1800s. The portrayals chosen are not organized into a period due to the fact that the ideology of Native Americans primarily are negative, both past and present. This ideology was first planted into history through Christopher Columbus’ first meeting with “Indians”. In his journal, he describes them using animistic terms including, “ Their hair [is] coarse-almost like the tail of a horse…”.

 Although they are human-beings and bleed red, in the eyes of everyone else they viewed them through warped lenses, they were monsters simply because they did not share their skin tone, their culture, their religion, or their mannerisms. They were characterized as “savages”, the notion of this word is that of uncultured, inhumane, and uncivilized. They were civilized, they did have their own culture, but it was not that of European Culture that sets it apart.

Thrown in this collection are positive portrayals, however, it is to be noted that out of ten there are only two. This was done on purpose to showcase how the majority are negative, and how hard it is to find a non-biased portrayal. 


Allyson Khiev
10
 

The Important Depiction of Different Kinds of Men in the Revolutionary Era Through Paintings

The lives of many different men and their stories can be told and learned about through only an image. Paintings and drawings are very telling of a historical figure's history, whether i'ts through simplicity or complex work, studying an image that was produced by an artist can tell a learner a lot if they are willing to study the portrait. 

Throughout the time of the American Revolution, different men from all kinds of different backgrounds and walks of life made history for the things they did. Some of them are known for groundbreaking stories such as leading a battle to victory, and others are known for being on the wrong side of bygone times. Some are only known for small feats, but every single man has a story. When studying the lives of historical figures, it can be hard to picture that  story without putting a face to the name. You find yourself wondering what they wore, what they looked like, and how they held themselves. Knowing the likes of these things can really make each figure's historical stories that much richer, so to say. 

Although your everyday and modern camera didn't exist in the seventeen and eighteen-hundreds, artists did. Every painting and drawing of a man came along with a story, and each portrait let the world know who these men were. If a man had a portrait, he had a story. The paintings and drawings of these men are important pieces of history from the Revolutionary era, as they serve as the only glimpse of what some of the most historical figures in American history even looked like. The artists from these times tell a man's history through only an image on paper.

The following ten paintings and drawings are portraits of men from the times of the Revolution. Although artists that the pieces once belonged to are long gone, the history of each man still lies within the images that are within this collection. 

Joshua Brown
10
 

Slaves and Religion: A Blend of African Religion and European Christianity

This collection of items shows things like items and objects that were used to carry out religious ceremonies of the enslaved African people. This collection will also look at what exactly religion was and looked like during slavery times. The Africans that were brought over to the Americas for the purpose of slavery had no knowledge of Christianity or any other European religion. Africans had their own beliefs and since brought over to slavery, could no longer practice them freely. Slaves were eventually exposed to Christianity by their slave masters  and that was the only religion that the master permitted. Slaves ultimately saw the European religion, Christianity, as possible freedom.  The slaves often resisted the teachings and exposure of Christianity because of their strong commitment and belief in their motherland religion. Eventually there was a mixture of the slaves original religion back in their homeland and the newly learned Christianity. Enslaved people also eventually appealed to Christianity and turned it into a possible road to freedom. This was no good sign for slave masters, which soon leads to punishment of things like open worship and Bible reading. We will be looking at many things in this collection from items to secret gathering places that the slaves used.

Tyeema Brockington
10
 

Taxing Revolution

This collection presents the importance of the tax on tea and other items during the American Revolution. Britain is known for having tea, and is used in daily lifestyles of the people in Britain and America. After the war the British placed taxes on everything such as sugar, glass, paper, and tea. Riots, boycotts, and protest occurred one after another.  American people did not appreciate the extra money they had to pay for the items they use for daily activities, so they decided to stand up for themselves and go against the British to become an independent nation.  The taxes brought the people together as a community against the government. 

This collection focuses on the role taxed tea plays in during the American revolution. It contains documents, pictures, and items about the cause and effect of the war and the Townshend act. There are also famous cartoons included that exaggerated the relationship between the British and Americans. War led to the American having debt which led to the British taxing the colonist. They taxed on stamps, sugar, glass, paper, and most importantly, tea. All these taxes angered the colonist, so The British removed some, but still continued to place taxes on the people. The taxing led to a war for independence because the American people were just tired of the British control. They wanted to become a new independent Country and the people wished for their freedom. They would do anything to remove the tax on their items even if it means rioting. The people of America started to come together as a nation and brutally start to fight for their freedom. 

Jenny Lin
10
 

Exploring the Science of skin color

What was the role of Science in the construction of race? How can various written works and works of art begin a conversation about race as a social construct? These series of activities allow for a dialogue about this complex issue.

This collection includes a three-part activity that can be modified by choosing to spend more or less time sharing out as a group and whether TED Talks are watched as a class or individually as preparation for class. 

Part I begins with a work of art to stimulate thought using the Project Zero Thinking Routine "See-Think-Wonder."  Students will then read an article and view an advertisement. Another thinking routine is used here to uncover the complexities of this particular advertisement. In the next parts, students view TED Talks followed by different kinds of media. Several Project Zero Thinking Routines can be used to stimulate and record thinking.

 

Part I: Identifying the focus and beginning a conversation

Starting with an artwork by Byron Kim and Glenn Ligon, students use the "See-Think-Wonder" Project Zero Thinking Routine to try and make sense of the image. After a class discussion, students should be guided to read a short article about skin-colored ballet shoes that would be more representative of the skin tones of actual ballet dancers. Teachers could choose to help students digest this article or move directly into the Ivory soap advertisement. Using the "Beauty and Truth" Project Zero Thinking Routine, students can uncover the underlying complexity of this image.

 

Part II: The evolution of skin color and telling the story of a work of art

After viewing the TEDTalk by Nina Jablonski about the illusion of skin color, students can reflect individually by answering the question "Why is it problematic to view race as a biological concept and categorize individuals based on skin color?" Then, using Project Zero’s "The Story Routine," students can create meaning for a work of art. Students can share out in pairs first or simply share out to the whole group depending on class size, etc.

 

Part III: Photography, an essay on color and race and a work of art from that essay

  Angelica Dass’s photography challenges how we think about skin color and ethnic identity. The TEDTalk describes her Humanae project and allows for further dialogue about the complexity of skin color. Teachers could choose to help students identify important aspects of the talk or move directly into silent reading of Zora Neale Hurston’s essay "How It Feels to be Colored Me." Students can use the "Step inside-step out-step back" Project Zero Thinking Routine to identify perspectives addressed in this essay. Glenn Ligon created a work of art using this essay and students can use this piece to further the conversation with the same thinking routine or simply as part of the reflection.  A final reflection about skin color and the social construct of race can be completed either as a group or individually using the "I Used to think…; But Now I Think…" thinking routine. Teachers should consider providing a more focused prompt that suits the goals/objectives of their lesson.

Emily Veres
12
 

National History Day 2018 - Compromise After Conflict

How has compromise been used to end ongoing conflict?  U.S. History sample topics for National History Day 2018 includes an overview about treaties from the exhibition "Nation to Nation: Treaties between the United States and American Indian Nations",  "The Canandaigua Treaty of 1794", and "The Indian Removal Act of 1830".  Use the objects, videos, and online lessons in this collection to help inform your National History Day project.

#NHD2018 #NHD

National Museum of the American Indian Education Office
10
 

Creative Writing Exercise: Dress for Success

In this activity, you will create and develop characters based on the following images. For each resource, you will be give five minutes to write a brief scene in a character would wear the featured garment. 

This activity serves a warm-up for having users think more critically about how they write characters and how details, such as clothing, can impact the greater narrative. 

At the end of the assignment, you will share your characters with the class or group and compare and contrast the different approaches to the images.

tags: character study, fashion, warm-up

Alexander Graves
7
 

IB Biology Topic 1

Images in this collection represent the Nature of Science (NOS) learning statements found in each of the Topic 1 (cell biology) subtopics of the IB Biology curriculum (2016).   The images and descriptions can be used as an introductory activity to illustrate the depth, variation and cultural relevancy of biological discovery and technological advancement that is part of the IB Biology course.  Or, the images could serve as a revision activity before the end of course exam; students pair the image to the corresponding NOS learning statement. 

Gretel von Bargen
8
 

Exploring Identity: How can portraiture conceal or reveal?

What is identity? How is it constructed? These activities investigate how portraits can conceal or reveal aspects of identity. How does the artist choose to portray an individual? How does the sitter choose to be shown?

This collection includes a three-part activity that can be modified by choosing to spend more or less time sharing out as a group. It begins with a discussion about identity, using the Chalk Talk Thinking Routine and a comparison of two portraits to further push students' thinking on how portraiture can both conceal and reveal aspects of identity. In the next parts of the activity, students are able to choose from a variety of portraits for individual reflection and then come together as a group to discuss a larger work to about culture and identity. Several Project Zero Thinking Routines can be used to stimulate and record thinking. 


Part I: Chalk Talk and comparing portraits

Students participate in the Chalk Talk Thinking Routine using the questions provided. A quick gallery walk where students circulate and read all responses can allow the class to get a feel for the many (or singular) perspective(s) of identity. Using the See-Think-Wonder Thinking Routine, students compare and contrast two portraits: LL Cool J by Kehinde Wiley and John D. Rockefeller by John Singer Sargent. Students can share with a neighbor and then out to the larger group or simply share out as a large group depending on class size, etc. 

 

Part II: Portraiture and Identity

Using the Individual Exploration of Portraiture worksheet, students can choose one image from the fifteen provided and spend some time exploring their selected portrait. Students can be given 5-10 minutes to interact with their chosen image. Using one of Roger Shimomura’s portraits, students will use the Unveiling Stories Thinking Routine to better understand the many layers to this work of art. Again, students can share out in pairs first or simply share out to the whole group depending on class size, etc.

 

Part III: Returning to chosen portrait and final reflection

Students will once again return to their selected portrait and complete the "second look" section of the Individual Exploration of Portraiture worksheet. A final reflection about identity and portraiture can be completed either as a group or individually using the I Used to think…; But Now I Think… Thinking Routine.

#NPGteach

Emily Veres
23
 

Storytelling Training: Brainstorming and Going into the Field

Whether you're participating in the Stories: YES program in conjunction with a Museum on Main Street exhibition or creating digital stories on your own, the six modules in the Storytelling Training Series will help you think through everything to help get started. Unlike the other Storytelling Training courses where information is given to you, you'll be asked to contribute ideas for your own potential story in this course. There's no right or wrong answers here. It's a way to help you start planning. Remember to make a copy of this collection first if you want your answers to be saved so you can revisit them!

This training module was created by the Smithsonian's Museum on Main Street program, a part of the Smithsonian Institution Traveling Exhibition Service, in conjunction with the MuseWeb Foundation.

SITES Museum on Main Street
12
 

Thinking About "The Way We Worked"

In this short course, you'll learn about topics that inspired the traveling exhibition "The Way We Worked," produced by Museum on Main Street at the Smithsonian. 

This training module was created by the Smithsonian's Museum on Main Street program, a part of the Smithsonian Institution Traveling Exhibition Service, in conjunction with the MuseWeb Foundation.

SITES Museum on Main Street
28
 

Storytelling Training: Sharing your Story

Whether you're participating in the Stories: YES program in conjunction with a Museum on Main Street exhibition or creating digital stories on your own, the six modules in the Storytelling Training Series will help you think through everything to help get started. In this short course, you'll find tips for posting your stories online for the world to see, from the Smithsonian's Stories from Main Street website to SoundCloud and less common platforms like Clio and izi.Travel. There are also tips about protecting information from people you interview and yourself when using online platforms and social media. 

This training module was created by the Smithsonian's Museum on Main Street program, a part of the Smithsonian Institution Traveling Exhibition Service, in conjunction with the MuseWeb Foundation.

SITES Museum on Main Street
17
 

Storytelling Training: What Makes a Great Story?

Whether you're participating in the Stories: YES program in conjunction with a Museum on Main Street exhibition or creating digital stories on your own, the six modules in the Storytelling Training Series will help you think through everything to help get started. In this course, you'll  learn about the parts that make stories compelling, especially non-fiction narratives which are unique stories grounded in real-life perspectives and history. Explore how your story can be both personal and research-based at the same time. Even documentaries start with a script!

This training module was created by the Smithsonian's Museum on Main Street program, a part of the Smithsonian Institution Traveling Exhibition Service, in conjunction with the MuseWeb Foundation. 

SITES Museum on Main Street
22
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