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3D Print Your Own Breakfast

Smithsonian Magazine

Imagine coming down for breakfast and, instead of popping a piece of toast in the toaster and boiling an egg, you stick a cartridge in a printer. A minute or two later, you’ve got a freshly printed banana and flaxseed muffin.

Thanks to a new kind of 3D food printer, the printed breakfast is several steps closer to reality for the average consumer.

 "Food printing may be the 'killer app' of 3D printing," says Hod Lipson, who’s led the creation of the new printer. "It's completely uncharted territory." 

Lipson, a professor of mechanical engineering at Columbia University, has been studying 3D printing for nearly 20 years, working on printing things like plastics, metals, electronics and biomaterials. His work on 3D food printing came out of his research on printing complete 3D robots that could, in theory, “walk off the printer.”  

To achieve something like this, a printer must be able to print with many materials at the same time. While experimenting with making multi-material printers, Lipson noticed the students in his lab were beginning to use food as a test material.

“They were using cookie dough, cheese, chocolate, all kinds of food materials you might find around an engineering lab,” he says. “In the beginning, it was sort of a frivolous thing. But when people came to the lab and looked at it, they actually got really excited by the food printing.”

So Lipson and his team began to take a more serious look at just what they could do with food. There are two basic approaches to 3D food printing, Lipson explains. The first involves using powders, which are bound together during the printing process with a liquid such as water. The second—the approach used by Lipson’s lab—is extrusion-based, using syringes that deposit gels or pastes in specific locations determined by the software’s “recipe.”

Lipson’s prototype involves an infrared cooking element, which cooks various parts of the printed product at specific times.

“We’ve used all kinds of materials, with different levels of success,” Lipson says. “Sometimes the materials are conventional—eggs, flour, cookie dough, cheese, pesto, jam. Cream cheese is something students like to work with a lot.”

The printer prototype (Timothy Lee Photographers, Columbia University)

They’ve also recently collaborated with a New York culinary school, letting chefs play around with the prototype to see what they’d come up with.

“They kind of broke the machine by really pushing it to its limits,” Lipson says. “One thing we’ve learned is printing in cream cheese is very easy, but printing in polenta and beets is very hard. It has these granules in it, so from an engineering standpoint it’s much more challenging.

It’s also difficult to predict how different foods will fare when combined. It’s easy enough to create recipes based on single items like chocolate, whose properties are well-established. But when you start to mix things together—mixing, of course, being fundamental to cooking—the mixtures may have much more complex behaviors. Another challenge is figuring out when to cook what during the printing process. If you’re printing a pyramid of salmon and mashed potatoes, the salmon and the potatoes will need very different cooking times and temperatures. The team is tackling this problem with software design, working with computer scientists to create software that will predict what the final product will look like after cooking.

The printer Lipson's team has made is not the only food printer to be developed in recent years. But while products like Hershey’s chocolate-printing CocoJet or the Magic Candy Factory’s 3D gummy printer are single-ingredient, limiting their use for the general public, Lipson’s printer is unique for being able to handle many ingredients at once, and cook them as it goes.

Lipson sees the printer as having two main uses for consumers. First, it could be a specialty appliance for cooking novel foods difficult to achieve by any other process. You could print, say, a complex pastry designed by someone in Japan, a recipe you’d never have the expertise or equipment to make by hand. Lipson says he could imagine digital recipes going viral, spreading across the globe. The second use is about health and targeted nutrition. People are already increasingly interested in personal biometrics, tracking their blood pressure, pulse, calorie burn and more using cell phones and computers. In the future, it may be possible to track your own health in much greater detail—your blood sugar, your calcium needs or your current vitamin D level. The printer could then respond to those details with a customized meal, produced from a cartridge of ingredients.

“Imagine a world where the breakfast that you eat has exactly what you need that day,” Lipson says. “Your muffin has, say, a little less sugar, a little more calcium.”

As for when the printer might be available to consumers, Lipson says it’s more a business challenge than a technology one.

“How do you get FDA approval? How do you sell the cartridges? Who owns the recipe? How do you make money off this?” he says. “It’s a completely new way of thinking about food. It’s very radical.”

A recent redesign of the prototype may bring the product closer to being something the average consumer would accept. Previous versions of the printer were very high-tech, full of tubes and sticking-out nozzles. People had a hard time imagining it on their kitchen counters.

Then, one of Lipson’s students named Drim Stokhuijzen, an industrial designer, completely redesigned the machine, giving it the sleek look of a high-end coffee maker.

“His design is so beautiful people are saying for the first time, ‘oh, I can see the appeal of food printing, this is something I might actually use,’” Lipson says.

Although Lipson doesn’t think 3D food printing will replace other cooking techniques, he does think it will revolutionize the kitchen.

“For millennia we’ve been cooking the same way,” he says. “Cooking is one of the things that hasn’t changed for eternity. We still cook over an open flame like cavemen. Software has permeated almost every aspect of our lives except cooking. The moment software enters any field—from manufacturing to communications to music, you name it—it takes off and usually transforms it. I think that food printing is one of the ways software is going to enter our kitchen.” 

3D Printed Hermit Crab Shells

Hirshhorn Museum and Sculpture Garden
Hermit crabs checking out the 3D printed shells that teens created during the Q?rius and ARTLAB+ workshop.

3D Printer in Zero-G Experiment

Cooper Hewitt, Smithsonian Design Museum

3D Printing Could Help Developing Countries Predict Natural Disasters

Smithsonian Magazine

The poorest countries tend to be the most vulnerable to natural disasters, in part because they do not have adequate tools to see them coming. Predicting events like big storms or floods requires weather stations full of sensors and equipment, all of which can cost as much as tens of thousands of dollars. But researchers from the National Oceanic and Atmospheric Administration (NOAA) and USAID think they can soon offer a far cheaper solution.

These researchers have been experimenting with 3D-printed forecasting tools, and they say a station stocked with thier tools should only cost about $200, reports Popular Science. That's far less than even most home weathers stations on the market, which run from hundreds to thousands of dollars. To top it off, they will be able to reduce the maintenance costs when something in the weather station breaks: because most of the parts are printed, it will be far easier to make replacements locally.

USAID describes the process of putting a weather station together:

First, Martin Steinson, a UCAR project manager and mechanical engineer, creates 3D computer designs for every part of a weather station. Then, a microwave-size 3D printer turns these designs into reality – melting thick coils of plastic into thin threads that layer on top of one another to form the components of a fully functional, sophisticated weather station. The printing is so precise that once all the pieces are printed, they can be assembled by hand and the new weather station finally brought online.

In the field, the station collects measurements related to temperature, pressure, humidity, rainfall and wind that are stored in a tiny computer about the size of an iPhone. From here, the data can be transmitted to weather experts, who will use it for their forecasts.

After testing the stations in Boulder, Colo., last summer, the researchers presented their findings at the United Nations World Conference on Disaster Risk Reduction last month. Now, they plan to launch a pilot project in Zambia.

These stations won’t only be useful in times of crisis; for example, daily weather reports could help farmers know what to expect to increase their years. “In the U.S. weather is very accessible. You can turn on the news, look online, or use an app on your phone. It’s easy to take for granted the ability to check the weather,” project manager Kelly Sponberg said. “But in many developing countries, weather forecasting has been limited because of the high cost of weather systems.” 

3D Printing Molten Glass Is Beautiful

Smithsonian Magazine

The results of 3D printing range from gimmicky to life-saving to terrifying and innovators are still coming up with new ways to build things from successively deposited layers of material. And now, a group from the Massachusetts Institute of Technology has just unveiled a way to 3D print glass. Since making glass the traditional way involves melting sand at extremely high temperatures, the group’s printer needed to handle molten material.

The upshot is a beautiful and mesmerizing process. Mary Beth Griggs reports for Popular Science:

From a reservoir heated to 1900 degrees Fahrenheit, the printer can lay down individual layers of melted glass, building it up into a finished sculpture. And the printer doesn't have to make straight lines or simple cylinders. The machine drizzles glass like honey into fascinatingly beautiful shapes.

But don’t just believe the description — watch the machine spin glass sculptures in this video

Once the material cools it is, like other glass, transparent, but the ripples and layers are still visible, giving rise to unique-looking textures. The The 3D-printing process allows makers to create fluted structures out of glass that would be difficult to shape using traditional glass-blowing techniques. 

A 2016 exhibition at Cooper Hewitt, Smithsonian Design Museum in New York City will feature some of the 3D printed glass pieces.

3D Scanning at the Smithsonian

Smithsonian Institution
What can you do to bring some of the Smithsonian's 137 million objects to life? Put them in 3D! This is a full-time job for two of the Smithsonian's very own "laser cowboys," Vince Rossi and Adam Metallo, who work in the Smithsonian's 3D Digitization Program Office. They work hard to document, in very high three-dimensional detail, many of our priceless and important collections so that the objects are available for research, education and general interest. Smithsonian 3D Digitization on Facebook: Gunboat Philadelphia: Cornell Imaging: Smithsonian Gardens' orchid collections: Euglossa ignita bee:

3D Scanning of Dog Mask

Smithsonian Museum Conservation Institute
A video showing a pdf of the 3D data from a structured light scan of a dog mask.

3D Scanning the "Greek Slave" by Hiram Powers

Smithsonian American Art Museum
Vince Rossi and Jon Blundell from the Smithsonian's Digitization Program Office (/ apply various 3D capture methods on the pointed plaster model for the "Greek Slave" by Hiram Powers, the most famous sculpture of the 19th century, in the Smithsonian American Art Museum. Learn more about Hiram Powers' "Greek Slave":

3D Scanning the Carnegie Mansion

Cooper Hewitt, Smithsonian Design Museum
See how state-of-the-art 3D scanning, 3D imaging, and 3D printing techniques came together in this epic effort to fully model Andrew Carnegie's 1903 mansion in the heart of New York City. The Cooper Hewitt museum, which is housed by the Carnegie mansion, is making this 3D data freely available for architects, filmmakers, video game developers, and anyone who works with digital graphics to use this hi-res model in new and creative ways. Download the model for free: /

3D Scanning “Greek Slave” at American Art

Smithsonian Science

Vince Rossi and Jon Blundell from the Smithsonian’s Digitization Program Office ( apply various 3D capture methods on the pointed plaster model for the “Greek […]

The post 3D Scanning “Greek Slave” at American Art appeared first on Smithsonian Science News -.

3D Scans of Inka Stonework—Live Online at SI X 3D

National Museum of the American Indian
Digital 3D offers Smithsonian researchers new ways to study museum objects and historic and archaeological sites. Now Smithsonian X 3D is making 3D images, tools for viewing, and downloadable data available to everyone online.

3D Viewer 2

Hirshhorn Museum and Sculpture Garden
This video is about 3D Viewer 2

3D Virtual Camera Reveals Where Salem's Witches Were Hanged

Smithsonian Channel
Where were the Salem witches executed? For years, people believed it was at the top of a hill known as Gallows Hill. But a team of historians think it's somewhere else - and they're turning to science to prove it. From the Series: America's Hidden Stories: Salem's Secrets

3D Visualization of the Crab Nebula

Smithsonian Astrophysical Observatory
The visible, infrared, and X-ray vision of NASA's Great Observatories have been combined to create a three-dimensional representation of the Crab Nebula. The visualization is based on images from the Chandra, Hubble and Spitzer space telescopes, and dissects the intricate nested structure that makes up the stellar corpse. The powerhouse "engine" energizing the Crab system is a pulsar, a rapidly spinning neutron star, that is shooting out blistering pulses of radiation towards us 30 times a second with clockwork precision. The three-dimensional interpretation is guided by science data and evidence, scientific knowledge and intuition, and artistic license.

3D photograph of woman seated at table

National Museum of American History

3D scan of a Clovis stone projectile point

Office of Public Affairs
This video was created by Dr. Sabrina Sholts of the Human Evolution Research Center at the University of California in Berkeley using 3D digital scans of a Clovis stone projectile point from the collections of the Department of Anthropology, National Museum of Natural History, Smithsonian Institution. Scans of Clovis stone points from the Smithsonian were the subject of the scientific paper "Flake scar patterns of Clovis points analyzed with a new digital morphometrics approach: Evidence for direct transmissions of technological knowledge across early North America," in an upcoming issue of the Journal of Archaeological Science, May 2012.

3D scanning Hiram Powers' "Greek Slave" plaster - Time-lapse

Smithsonian American Art Museum
4K resolution

3D simulations reveals why the Sun flips its magnetic field every 11 years

Smithsonian Insider

Using new numerical simulations and observations, scientists may now be able to explain why the Sun’s magnetic field reverses every eleven years. This significant discovery […]

The post 3D simulations reveals why the Sun flips its magnetic field every 11 years appeared first on Smithsonian Insider.

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