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Found 5,963 Collections

 

Coral Reefs and Climate Change

Explore coral reefs and climate change through real-world sources and data and meet Smithsonian experts in the field. This collection includes instructional strategy, student activities, assessment, and extension ideas. Organization is made visible by divider tabs indicating such components as concept understanding, Project Zero thinking routines, and calls to action.

This collection was developed by Sandra Vilevac, STEAM Specialist, Washington International School. See Sandra's other collections.

Thank you to our sponsor, the Smithsonian Women’s Committee.

#SmithsonianSTEAM


Smithsonian Center for Learning and Digital Access
42
 

Formosa

Emily Pearce Seigerman
42
 

North Carolina

Betsy Roman
8
 

Carnival Arts

Traditional carnival sounds, video, and objects as well as other items to inspire new carnivals.
Celeste Landeros
15
 

Shimomura's

Analyzing Roger Shimomura's painting "Diary 12, 1941" and understanding Japanese American internment

#SAAMteach 

Karen McClinchey
23
 

Declaration of Independence

Artifacts to assist students in learning about the Declaration of Independence. #SAAMTeach

Leslie Schaffer
5
 

California Parks Learning Activity

This collection is for an activity with California State Parks leadership teams. Teams will use a somewhat random series of resources found within this Smithsonian collection to see if they can create an educational theme/context using at least 3-5 of the resources. #CalParks

Brian Ausland
27
 

CCDS Brian - My Race to Space Collection

Take this collection, and make it your own by finding at least 5-10 more "space" objects and artifacts.

Brian Ausland
6
 

March of Progress

Collection for lesson 1 of Prehistory of Humans

Kirra Lent
10
 

Adding the A to STEM: Integrating Portraiture into STEAM/STEM Subjects

This Learning Lab demonstrates how portraiture can be used as an interdisciplinary springboard for lessons in Science, Technology, Engineering, and Math (STEM). Portraits of STEM pertinent sitters provide a jumping-in point for students, visually grounding them in a subject. In this way, portraiture functions as an interdisciplinary tool to engage students and enrich their learning across curriculum. 

#NPGteach

Briana White
308
 

History and Portraiture: Utilizing Art to Teach American History, Colonial America to the Civil War

This Learning Lab contains a five unit curriculum that puts students in conversation with a diverse group of significant Americans from the colonial era to the present. Lessons on the Elements of Portrayal, Symbols, Labels, Letter Writing, and Portrait Pairing prompt students to analyze the lasting impact of remarkable individuals from the Portrait Gallery’s collection. This collection was originally created in collaboration with Alice Deal Middle School in Washington D.C. 

#NPGteach

Briana White
84
 

America's Presidents

How has presidential portraiture changed since the days of George Washington? The National Portrait Gallery is proud to hold the only complete collection of presidential portraits outside of the White House. This program introduces students to the “America’s Presidents” exhibition and investigates the diverse ways in which presidents have been portrayed in portraiture over the past two centuries.

#NPGteach

Briana White
17
 

Power of the Press

The press and media have influenced America even before it was a country. The goal of this learning lab is to show the effect media has played on our democracy. It is also important to understand the bias that media and press can have on us everyday. Realizing this influence can make all of us better citizens.

Sydney Thatcher
22
 

Just Cool

#MCteach

Sara Ducey
9
 

Behind Design: Exploring Culture Through Artifact Investigation

Introduction

How might we learn about cultures through the study of artifacts? What role could the study of design elements and process play in in deepening our understanding? How could we leverage student agency of the design process to gain opportunities to recognize relationships between artifacts and culture?

This collection provides opportunities for students to uncover complexity by looking closely and making connections between cultures and the design process behind the artifacts. Student claims are based on evidence using provided resources for investigation. The Artifact Investigation Map serves as a visible thinking tool for documenting our understanding of a culture by making connections between the artifact and research.

Procedure

Begin by looking closely at an artifact, Lone Dog Winter Count, using a Project Zero Routine, Zoom In. Through close examination, we begin to develop hypotheses about the object and the connections to the culture. While a main goal is to learn more about the culture related to the artifact, we are also building a capacity for using this thinking process to build understanding. Record and display class ideas generated through this routine. In the discussion of culture, we are looking at how people live: What do the people value? What are their priorities and motivations?

Introduce the points of The Artifact Investigation Map. Ask students, “How could this be used to organize the ideas documented from the thinking routine about the artifact and the people who created it?”. (Students may recognize this as the Engineering Design Process.) Building on our initial Zoom In documentation, the group connects the artifact ideas to the map points. Different questions within each point may serve as prompts to continue making connections and lead to more questions about what we still wonder, guiding the next research steps. Provide a space to record and share new questions during the process.

Begin the research process with the first video Lakota Winter Counts. Using information from the source, model the process of organizing the findings using the different points on The Artifact Investigation Map. Be sure to highlight unanswered questions in the map as the class decides the future steps in the research. Support the student use of resource-based evidence starting from this Learning Lab collection when making and documenting claims. Depending on the learners, this phase may vary in the structure of guidance and interaction. Documentation is shared with an emphasis on providing opportunities to discuss the claims, findings, and analysis.


Guiding Points for Inquiry using The Artifact Investigation Map:

Ask: What needs or problems might this artifact address/solve? Does this design reflect empathy for a particular group or person?

Imagine: What possible prototypes or variations might have been produced in the timeline of this artifact? Could there have been earlier versions leading to this one?  

Plan: Identify and describe what could have been key factors and/or restrictions influencing design process. Examples: materials/natural resources, traditions, people power, skills, technology/tools, historical and natural environment….

(Re)Create: Describe the possible steps taken to create the artifact. What could this look like? Options include for this exploration: Try to create a version or reenact one of the steps of the process. Use observations of the process to draw possible conclusions about the culture. Sketch or act out the steps. Take a part of the process and use the Step Inside thinking routine. *Document and share this process with the group in order to prepare for the next phase of The Artifact Investigation Map

Improvements: Since the creation of this artifact, what versions do we see today? What would the biography of this type of innovation look like? How might this type of artifact connect to modern innovation?  *Extension for Improvements: Use the thinking routine Imagine If to evaluate a modern iteration of the artifact. How does it compare to the original?


Documenting Ongoing Conclusions/Questions/Reflections

Throughout the investigation, students share and post supported claims about the culture and reflect upon the process of using the design cycle to guide the study.

For the final reflection, use the thinking routine I Used to Think, Now I Think… to look for changes in thinking. Keep the process and research lines of thinking open for continued exploration with the unanswered questions.

#PZPGH

Erik Lindemann
30
 

The Pullman Porters and the Railcar: Nexuses of the Great Migration

The Pullman Porters and the railcar were carriers of hope during the era known as the Great Migration. Pullman Porters were employed by George Pullman who created the nation’s first luxury railcar and made his home in Chicago, Illinois. During the Great Migration, hundreds of thousands of African Americans sought greater employment and housing opportunities in northern cities like Chicago, Pittsburgh, and New York. They traveled to the North primarily on railcars though segregated from white passengers and in less comfortable conditions. The Pullman Porters were pillars in the Black community and made positive impacts on African American migrants, entrepreneurs, and social causes effecting the Black community.  

This collection displays the story of the Pullman Porters and demonstrates the railcar as a nexus of the Great Migration. A restored Pullman Palace railcar, Southern Railway No. 1200, is now housed at the National Museum of African American History and Culture. 

Keywords: Pullman Porters, George Pullman, Railcars, The Great Migration, NMAAHC, African American History, American History

Le'Passion Darby
13
 

Statue of Liberty and Symbolism

This collection includes a variety of representations of the Statue of Liberty--as a protest object, on an environmental campaign poster, on a postage stamp, and as a symbol used on patterned clothing. In small groups, learners will apply three scaffolded Visible Thinking Routines to a resource of their choice. First, they will use a "See, Think, Wonder" thinking routine to note their observations and interpretations as well as anything about which they are curious. Next, they will analyze the resource using the "Layers" thinking routine. As an optional step, they could also consider the artist or creator of the object's point of view/perspective in creating the resource, with the "Step Inside" thinking routine. Finally, they will create an artwork or representation that depicts a cause that is important to a community of which they are a member.

A final item from the American Jewish Historical Society includes information on a student contest running from September 2019 until May 2020, where students create a new poem based on Emma Lazarus' s"New Colossus" on the Statue of Liberty.

#visiblethinking

Ashley Naranjo
26
 

Pictographs

Native American Pictographs
Connie Grimes
3
 

Reading American Art as a Historical Source

How can American art be read as a historical text? How can it be used to explore the 2018 National History Day theme of "Conflict and Compromise in History"? This collection examines two works of American art closely, modeling the process of historical inquiry and analysis. It also shares several online resources on reading artwork in a historical context, and suggests additional artworks from SAAM's collection that might support the theme of Conflict and Compromise.

#NHD2018 #NHD

Keywords: Reconstruction, Civil War, John Rogers, Winslow Homer

#historicalthinking


Phoebe Hillemann
29
 

Alexander the Great

The question “Was Alexander Great?”

#TeachingInquir

Dave Montgomery
8
 

Station 2: Paleolithic

Kirra Lent
3
 

Civilization

Kirra Lent
5
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