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Der Meeresstrand

Smithsonian American Art Museum

Painted Swordfish Bill

Smithsonian American Art Museum

United States Coast Guard Wet

Smithsonian American Art Museum

Coast Guard

Smithsonian American Art Museum

Statue of Liberty Quilt

Smithsonian American Art Museum

Will You Take This Journey with Me?

Smithsonian American Art Museum

Marine

Smithsonian American Art Museum

The Herald of Relief from America

National Portrait Gallery

Eben Brock Ward

National Portrait Gallery

Thomas ap Catesby Jones

National Portrait Gallery

Five A.M. [painting] / (photographed by Peter A. Juley & Son)

Archives and Special Collections, Smithsonian American Art Museum
Negative marked: "5 A.M. / 25".

Levin, Gail, "Edward Hopper: A Catalogue Raisonne," New York: Whitney Museum of American Art, 1995, Vol. III, no. O-305.

Black-and-white study print (8x10).

Orig. negative: 8x10, Nitrate, BW.

copy 1 negative: 8x10, Safety, BW.

Church in Maine [painting] / (photographed by Peter A. Juley & Son)

Archives and Special Collections, Smithsonian American Art Museum
Title transcribed from negative.

Black-and-white study print (8x10).

Orig. negative: 8x10, Nitrate, BW.

copy 1 negative: 8x10, Safety, BW.

Benjamin Lincoln

National Portrait Gallery

Matthew Livingston Davis

National Portrait Gallery

Charles Edwin West

National Portrait Gallery

Cape Cod Morning

Smithsonian American Art Museum
In Cape Cod Morning, a woman looks out a bay window, riveted by something beyond the pictorial space. She is framed by tall, dark shutters and the shaded façade of the oriel window. The brilliant sunlight on the side of the house contrasts with the blue sky, trees, and golden grass that fill the right half of the canvas. The painting tells no story; instead, the woman’s tense pose creates a sense of anxious anticipation, and the bifurcated image implies a dichotomy between her interior space and the world beyond.

Modern American Realism: The Sara Roby Foundation Collection, 2014

Minnesota - History and Heritage

Smithsonian Magazine

Historic Fort Snelling (St. Paul)
The restored fort welcomes you to the 1820s. Soldiers, fur traders, servants, cooks, tradesmen, officers and laundresses are eager to share their stories with you.

Take part in the fort's everyday life. Shoulder a musket, mend clothes, scrape a hide or sing along with soldiers' songs. Take tea with Mrs. Snelling or sample the soldiers' bread ration. Shop for supplies at the sutler's store, where only the prices are modern. At historic Fort Snelling, visitors are always welcome and the modern world is checked at the gate. A multimedia exhibit in the officers' quarters shows how historians have traced life at the fort. Back in the visitor center, take in exhibits and films and browse through the gift store. The visitor center has exhibits, film and a gift shop and is open daily from May to October and on weekdays from November to April.

Charles A. Lindbergh Boyhood Home & Interpretive Center (Little Falls)
Now you can hear the whisper of pines from the porch where he slept, enjoy the home's cozy kitchen or walk the trails along the river.

In the basement of the home, young Charles Lindbergh enjoyed tinkering with all things mechanical. His adolescent dreams of flight brought him a job flying the mail. Later, in 1927, he was the first to fly alone over the Atlantic Ocean, for 33-and-a-half hours in a single-engine plane. When he landed safely in Paris, Lindbergh's place in history was assured. The house, which contains original furnishings and family possessions, was built in 1906. A visitor center features a gift shop and exhibits about Lindbergh's family, inventions and aviation accomplishments. Learn about Lindbergh's interest in conservation and the natural beauty of the state as you walk along the Mississippi River on the site's nature trail.

Split Rock Lighthouse Historic Site (Two Harbors)
Split Rock Lighthouse served for nearly six decades as a guide for maritime traffic through the busy shipping lanes of Lake Superior. Today, you can tour the light keeper's dwelling, fog-signal building and the lighthouse, all as they were in the 1920s.

As you explore the visitor center's exhibits, film, store and light station grounds, you'll learn about the building of the light station and about life as a keeper in this remote setting. Tour guides and costumed characters depict the lives of the early lightkeepers and their families, and describe the famous storms that caused many a shipwreck along the rocky North Shore.

Plan a little extra time to enjoy the spectacular views! Shipwrecks from a mighty 1905 November gale prompted this rugged landmark's construction. Completed by the U.S. Lighthouse Service in 1910, Split Rock Light Station was soon one of Minnesota's best known landmarks. Restored to its 1920s appearance, the lighthouse offers a glimpse of lighthouse life in this remote and spectacular setting. Tour the lighthouse, fog-signal building and the restored keeper's dwelling. A visitor center features an award-winning film, exhibits and a museum store.

Historic Murphy's Landing (Shakopee)
Historic Murphy's Landing is a unique living history museum that preserves and interprets 19th century life in the Minnesota River Valley. The idyllic wooded setting that stretches along one and a half miles of scenic river valley brings alive the charm and challenges of life in the 1800s.

Families, history buffs and adventurers of all ages can step in this historic village, which features the rich diversity of early American life.

Visitors can stroll through the site or ride on horse drawn trolleys. Their journey will cover the early days of the fur trade era when people traveled by footpath and canoes, to the bustling village with its shops, homes, church, town hall and railroad depot. Throughout the historic site, costumed interpreters are prepared to spin a tale, demonstrate their craft and explain the daily life of men, women and children. Music and entertainment often fill the daily village routine. Guests may enjoy a beverage, lunch or a keepsake at the gift shop.

Fall Season Special Events
Old West Days: October 6 and 7
Old Fashion Halloween: October 27

Winter Season Special Events
Folkways of the Holiday: November 23 to December 23. Experience what life was like for settlers of all ages living along the Minnesota River Valley during the 1800s. Visit with costumed interpreters in our frontier-era farms and recreated village of Eagle Creek; ride a horse-drawn trolley; enjoy music and demonstrations. Check our Web site for special event dates and times.

Minnesota State Capitol Historic Site (St. Paul)
The Senate, House of Representatives and Supreme Court chambers have been restored to their original appearances. The public is welcome to dine in the newly restored Rathskeller cafe. The Legislature meets the first months of each year. During sessions, all galleries and legislative hearings are open to the public. The Supreme Court hears cases in its historic chambers the first week of the month. Free guided tours that explore the architecture, history and stories of significant Minnesota citizens begin every hour until one hour before closing. Special events, specialized tours and educational programs are available for modest fees throughout the year. A handicapped entrance is available on ground floor front. This is a Minnesota Historical Society site.

Laura Ingalls Wilder Museum (Walnut Grove)
In 1874, 7-year-old Laura Ingalls and her family traveled by covered wagon from Wisconsin's big woods to the prairie of Walnut Grove. The Ingalls's first home was a one-room sod dugout in the banks of Plum Creek.

The Laura Ingalls Wilder Museum's collections are housed in a series of interesting buildings. An 1898 depot exhibit relates the history of Laura through artifacts from the Ingalls era including Laura's handmade quilt.

Additional exhibits include an 1880s style "little red school house," an ecumenical chapel with artifacts from local churches and an onion-domed 1890 home with early 1900s period furnishings. Other exhibits include memorabilia from the "Little House on the Prairie" TV series, the Kelton doll collection containing 250 dolls dating from the 1870s and artifacts from early Walnut Grove businesses and agriculture.

The Wilder Pageant is held every July on the banks of Plum Creek west of Walnut Grove. The amphitheater setting has been developed to allow for extensive lighting, sound, special effects, and imaginative sets. The Wilder Pageant is a family-oriented outdoor theater production. It is a live performance each night, with all characters from the Walnut Grove area. Laura Ingalls Wilder narrates the story, reflecting on her life in Walnut Grove in the 1870s. It is our hope that visitors will take with them a sense of history and a deeper appreciation of the joys and hardships that challenged our ancestors when settling the prairie.

Mayowood Mansion (Rochester)
The Historic Mayowood Mansion is the former home of Doctor Charles H. Mayo, co-founder of the world renowned Mayo Clinic in Rochester. The site has original furnishings and a one-hour guided walking tour. Call for reservations and tour availability.

SPAM Museum (Austin)
Our 16,500 square-foot museum honors SPAM family of products, one of America's oldest and best-loved icons. The SPAM Museum pays homage to the almost 70 year history, quirky joys and unprecedented excitement SPAM has inspired for generations of people worldwide. The self-guided tour is enhanced with our friendly and knowledgeable SPAMbassadors.

American Swedish Institute (Minneapolis)
Founded in 1929 by Swedish immigrant and newspaper publisher Swan J. Turnblad, the American Swedish Institute is housed in his family's 1904 mansion, which is listed on the National Register of Historic Places. Its French Chateau architecture, detail, craftsmanship and elegance make for one of the finest historic buildings open to the public in Minneapolis. The Indiana limestone exterior includes three turrets and gargoyles of lion and griffin figures. The interior features elaborate hand-carved oak, walnut, and mahogany, which took 18 craftsmen two years to complete. The centerpiece of the grand entrance hall is a two-story carved fireplace mantel. Eleven rooms are furnished with Swedish porcelain tile stoves called kakelugnar. A stained glass picture window, colorful sculpted ceilings and a ballroom with proscenium stage are other highlights.

Museum exhibits showcase collections of immigrant artifacts, Swedish glass, fine art, woodcarvings, decorative arts, textiles and more. The ongoing exhibit "Swedish Life in the Twin Cities" tells the story of Swedish immigrants who settled in Minneapolis and St. Paul. The American Swedish Institute is also the place to find Scandinavian gifts, jewelry, books, prints and other imports at the Bokhandel (bookstore) and Museum Shop.

The American Swedish Institute offers a variety of programs designed to celebrate Swedish culture in America. It is conveniently located just south of downtown Minneapolis at 2600 Park Avenue. Museum hours are Tuesday, Thursday, Friday and Saturday from 12 to 4 p.m., Wednesday 12 to 8 p.m. and Sunday 1 to 5 p.m. (Closed Mondays and holidays.) Museum admission is $5 for adults, $4 for ages 62 and above, $3 ages six to 18 and $4 for groups of 15 or more. Group tours can be arranged with advanced notice.

Mill City Museum (Minneapolis)
An attraction for all ages, the museum chronicles the flour milling industry that dominated world flour production for roughly a half-century and fueled the growth of Minneapolis, recognized across the nation and around the world as "Mill City." The museum is built within the ruins of the Washburn A Mill. The story of flour milling—and its impact on Minneapolis, the nation and the world—comes to life through the eight-story Flour Tower and other hands-on exhibits.

Minnesota Fishing Hall of Fame (Walker)
Legends Hall contains video and memorabilia for 26 of Minnesota's fishing legends. Activity center includes games and activities for children. Free kids fishing pond with bait and tackle supplied.

Ironworld Discovery Center (Chisholm)
Ironworld Discovery Center, located on the edge of the Glen mine, is a museum that collects, preserves and interprets the history of Minnesota's Iron Ranges. The explosive growth of iron mining attracted thousands to northeastern Minnesota. Their courage and tenacity transformed a sparsely populated wilderness into a culturally diverse industrial landscape.

Experience the story of Iron Range mining and immigration: the life, the work, the place and the people. Explore history and heritage exhibits, ride a vintage trolley to a former mining location, marvel at spectacular mine views or acquaint yourself with the local history and genealogy collections of the Iron Range Research Center's renowned library and archives. The Iron Range Research Center contains one of the largest genealogical and local history collections in the upper Midwest. Researchers can access books, census and naturalization records, microfilmed newspapers, passenger arrival records, oral histories, photographs and more.

As the Minnesota iron mining industry exploded at the turn of the 20th century, people seeking economic prosperity and freedom immigrated to northern Minnesota from nations around the globe. These immigrants brought few material goods on their journey, but carried with them the rich traditions and customs of their homelands. Ironworld Discovery Center preserves this important period of American history.

Mille Lacs Indian Museum & Trading Post (Onamia)
The Mille Lacs Indian Museum, which opened May 18, 1996, offers exhibits dedicated to telling the story of the Mille Lacs Band of Ojibwe. Trace their journey to Northern Minnesota, learn about their fate during a period of treaties made and broken and follow their story up to the present. The museum exhibit reveals information about the Band's life today, from how dance traditions are carried on to members' interests in music to sovereignty issues.

The museum features videos, listening stations and objects from traditional and contemporary Ojibwe culture, showcasing traditions of language, music, dance and art. A large collection of Ojibwe objects illuminates the lives of Band members, past and present. The Four Seasons Room, a stunning life-size diorama, depicts traditional Ojibwe activities in each season: hunting and spear fishing in winter, maple sugaring in spring, gardening and berry picking in summer and wild rice harvesting in fall.

The museum's crafts room serves as a demonstration area for traditional cooking, birch-bark basketry and beadwork. In a restored 1930s trading post next to the museum-a landmark along Mille Lacs Lake you can shop for books, crafts, clothing and souvenirs. All year, the museum offers demonstrations and classes on a variety of crafts.

Availability
April and May: Thursday to Saturday, 12 to 5 p.m. Memorial Day to Labor Day: Wednesday to Saturday and Mondays, 10 a.m. to 6 p.m., Sunday 12 to 5 p.m.
September and October: Thursday to Saturday 12 - 5 p.m. October to April: By appointment for group and educational tours only. See calendar for weekend workshops and special events. Outreach programs and ITV programming also available. Educational group tours and special events are always available by appointment. Attraction Accessible to Disabled and can accommodate groups of 45 or more. Directions to Attraction from Nearest Town/Intersection Located on U.S. Hwy 169 on the southwest shore of Mille Lacs Lake, 8 miles south of Garrison, 12 miles north of Onamia.

St. Mark’s Square Walking Tour

Smithsonian Magazine

St. Mark’s Basilica dominates the square with its Byzantine-style onion domes and glowing mosaics. Mark Twain said it looked like “a vast warty bug taking a meditative walk.” To the right of the basilica is its 300-foot-tall Campanile. Between the basilica and the Campanile, you can catch a glimpse of the pale-pink Doge’s Palace. Lining the square are the former government offices (procuratie) that administered the Venetian empire’s vast network of trading outposts, which stretched all the way to Turkey.

The square is big, but it feels intimate with its cafés and dueling orchestras. By day, it’s great for people-watching and pigeon—chasing. By night, under lantern light, it transports you to another century, complete with its own romantic soundtrack. The piazza draws Indians in saris, English nobles in blue blazers, and Nebraskans in shorts. Napoleon called the piazza “the most beautiful drawing room in Europe.” Napoleon himself added to the intimacy by building the final wing, opposite the basilica, that encloses the square.

For architecture buffs, here are three centuries of styles, bam, side by side, uno-due-tre, for easy comparison:

1. On the left side (as you face the basilica) are the “Old” offices, built in about 1500 in solid, column-and-arch Renaissance style.

2. The “New” offices (on the right), in a High Renaissance style from a century later (c. 1600), are a little heavier and more ornate. This wing mixes arches, the three orders of columns from bottom to top—Doric, Ionic, and Corinthian—and statues in the Baroque style.

3. Napoleon’s wing is Neoclassical (c. 1800)--a return to simpler, more austere classical columns and arches. Napoleon’s architects tried to make his wing bridge the styles of the other two. But it turned out a little too high for one side and not enough for the other. Nice try.

Imagine this square full of water, with gondolas floating where people now sip cappuccinos. That happens every so often at very high tides (acqua alta), a reminder that Venice and the sea are intertwined. (Now that one’s sinking and the other is rising, they are more intertwined than ever.)

Venice became Europe’s richest city from its trade with northern Europeans, Ottoman Muslims, and Byzantine Christians. Here in St. Mark’s Square, the exact center of this East–West axis, we see both the luxury and the mix of Eastern and Western influences.

Watch out for pigeon speckle. The pigeons are not indigenous to Venice (they were imported by the Habsburgs) nor loved by the locals. In fact, Venetians love seagulls because they eat pigeons. In 2008, Venice outlawed the feeding of pigeons, so their days may be numbered. There are now fewer pigeons, but they’re still there. Vermin are a problem on this small island, where it’s said that each Venetian has two pigeons and four rats. (The rats stay hidden, except when high tides flood their homes.)

The tourist information office is nearby, in the corner of Napoleon’s wing. It’s wise to confirm your sightseeing plans here and pick up the latest list of opening hours. Behind you (southwest of the piazza), you’ll find the public WC (€1.50) and a post office with a helpful stamps-only line (usually closes at 14:00).

Now approach the basilica. If it’s hot and you’re tired, grab a shady spot at the foot of the Campanile.

St. Mark’s Basilica—Exterior

The facade is a crazy mix of East and West. There are round, Roman-style arches over the doorways, golden Byzantine mosaics, a roofline ringed with pointed French Gothic pinnacles, and Muslim-shaped onion domes (wood, covered with lead) on the roof. The brick-structure building is blanketed in marble that came from everywhere—columns from Alexandria, capitals from Sicily, and carvings from Constantinople. The columns flanking the doorways show the facade’s variety—purple, green, gray, white, yellow, some speckled, some striped horizontally, some vertically, some fluted, all topped with a variety of different capitals.

What’s amazing isn’t so much the variety as the fact that the whole thing comes together in a bizarre sort of harmony. St. Mark’s remains simply the most interesting church in Europe, a church that (paraphrasing Goethe) “can only be compared with itself.”

Facing the basilica, turn 90 degrees to the left to see...

The Clock Tower (Torre dell’Orologio)

Two bronze “Moors” (African Muslims) stand atop the Clock Tower (built originally to be giants, they only gained their ethnicity when the metal darkened over the centuries). At the top of each hour they swing their giant clappers. The clock dial shows the 24 hours, the signs of the zodiac, and, in the blue center, the phases of the moon. Above the dial is the world’s first digital clock, which changes every five minutes. The Clock Tower retains some of its original coloring of blue and gold, a reminder that, in centuries past, this city glowed with bright color.

An alert winged lion, the symbol of St. Mark and the city, looks down on the crowded square. He opens a book that reads “Pax Tibi Marce,” or “Peace to you, Mark.” As legend goes, these were the comforting words that an angel spoke to the stressed evangelist, assuring him he would find serenity during a stormy night that the saint spent here on the island. Eventually, St. Mark’s body found its final resting place inside the basilica, and now his lion symbol is everywhere. (Find four in 20 seconds. Go.)

Venice’s many lions express the city’s various mood swings through history—triumphant after a naval victory, sad when a favorite son has died, hollow-eyed after a plague, and smiling when the soccer team wins. The pair of lions squatting between the Clock Tower and basilica have probably been photographed being ridden by every Venetian child born since the dawn of cameras.

The Campanile

The original Campanile (cam-pah-NEE-lay), or bell tower, was a lighthouse and a marvel of 10th-century architecture until the 20th century (1902), when it toppled into the center of the piazza. It had groaned ominously the night before, sending people scurrying from the cafés. The next morning...crash! The golden angel on top landed right at the basilica’s front door, standing up.

The Campanile was rebuilt 10 years later complete with its golden angel, which always faces the breeze. You can ride a lift to the top for the best view of Venice. It’s crowded at peak times, but well worth it.

You may see construction work around the Campanile’s base. Hoping to prevent a repeat of the 1902 collapse, they’ve wrapped the underground foundations with a titanium girdle to shore up a crack that appeared in 1939.

Because St. Mark’s Square is the first place in town to start flooding, there are tide gauges at the outside base of the Campanile (near the exit, facing St. Mark’s Square) that show the current sea level (livello marea). Find the stone plaque (near the exit door) that commemorates the high-water 77-inch level from the disastrous floods of 1966. In December 2008, Venice suffered another terrible high tide, cresting at 61 inches.

If the tide is mild (around 20 inches), the water merely seeps up through the drains. But when there’s a strong tide (around 40 inches), it looks like someone’s turned on a faucet down below. The water bubbles upward and flows like a river to the lowest points in the square, which can be covered with a few inches of water in an hour or so. When the water level rises one meter above mean sea level, a warning siren sounds, and it repeats if a serious flood is imminent.

Many doorways have three-foot-high wooden or metal barriers to block the high water (acqua alta), but the seawater still seeps in through floors and drains, rendering the barriers nearly useless.

You might see stacked wooden benches in the square; during floods, the benches are placed end-to-end to create elevated sidewalks. If you think the square is crowded now, when it’s flooded it turns into total gridlock, as all the people normally sharing the whole square jostle for space on these narrow wooden walkways.

In 2006, the pavement around St. Mark’s Square was taken up, and the entire height of the square was raised by adding a layer of sand, and then replacing the stones. If the columns along the ground floor of the Doge’s Palace look stubby, it’s because this process has been carried out many times over the centuries.

The small square between the basilica and the water is...

The Piazzetta

This “Little Square” is framed by the Doge’s Palace on the left, the library on the right, and the waterfront of the lagoon. In former days, the Piazzetta was closed to the public for a few hours a day so that government -officials and bigwigs could gather in the sun to strike shady deals.

The pale-pink Doge’s Palace is the epitome of the style known as Venetian Gothic. Columns support traditional, pointed Gothic arches, but with a Venetian flair—they’re curved to a point, ornamented with a trefoil (three-leaf clover), and topped with a round medallion of a quatrefoil (four-leaf clover). The pattern is found on buildings all over Venice and on the formerly Venetian-controlled Croatian coast, but nowhere else in the world (except Las Vegas).

The two large 12th-century columns near the water were looted from Constantinople. Mark’s winged lion sits on top of one. The lion’s body (nearly 15 feet long) predates the wings and is more than 2,000 years old. The other column holds St. Theodore (battling a crocodile), the former patron saint who was replaced by Mark. I guess stabbing crocs in the back isn’t classy enough for an upwardly mobile world power. Criminals were executed by being hung from these columns in the hopes that the public could learn its lessons vicariously.

Venice was the “Bride of the Sea” because she depended on sea trading for her livelihood. This “marriage” was celebrated annually by the people. The doge, in full regalia, boarded a ritual boat (his Air Force One equivalent) here at the edge of the Piazzetta and sailed out into the lagoon. There a vow was made, and he dropped a jeweled ring into the water to seal the marriage.

In the distance, on an island across the lagoon, is one of the grandest scenes in the city, the Church of San Giorgio Maggiore. With its four tall columns as the entryway, the church, designed by the late-Renaissance architect Andrea Palla-dio, influenced future government and bank buildings around the world.

Speaking of architects, I will: Sansovino. Around 1530, Jacopo Sansovino designed the library (here in the Piazzetta) and the delicate Loggetta at the base of the Campanile; it was destroyed by the collapse of the tower in 1902 and was pieced back together as much as possible.

The Tetrarchs and the Doge’s Palace’s Seventh Column

Where the basilica meets the Doge’s Palace is the traditional entrance to the palace, decorated with four small Roman statues—the Tetrarchs. No one knows for sure who they are, but I like the legend that says they’re the scared leaders of a divided Rome during its fall—holding- their swords and each other as all hell breaks loose around them. Whatever the legend, these statues—made of precious purple porphyry stone—are symbols of power. They were looted from Constantinople and then placed here proudly as spoils of war. How old are they? They’ve guarded the palace entrance since the city first rose from the mud.

The Doge’s Palace’s seventh column (the seventh from the water) tells a story of love, romance, and tragedy in its carved capital: 1) In the first scene (the carving facing the Piazzetta), a woman on a balcony is wooed by her lover, who says, “Babe, I want you!” 2) She responds, “Why, little ol’ me?” 3) They get married. 4) Kiss. 5) Hit the sack—pretty racy for 14th-century art. 6) Nine months later, guess what? 7) The baby takes its first steps. 8) And as was all too common in the 1300s...the child dies.

The pillars along the Doge’s Palace look short—a result of the square being built up over the centuries. It’s happening again today. The stones are taken up, sand is added, and the stones are replaced, buying a little more time as the sea slowly swallows the city.

At the waterfront in the Piazzetta, turn left and walk (east) along the water. At the top of the first bridge, look inland at...

The Bridge of Sighs

In the Doge’s Palace (on your left), the government doled out justice. On your right are the prisons. (Don’t let the palatial facade fool you—see the bars on the windows?) Prisoners sentenced in the palace crossed to the prisons by way of the covered bridge in front of you. This was called the Prisons’ Bridge until the Romantic poet Lord Byron renamed it in the 19th century. From this bridge, the convicted got their final view of sunny, joyous Venice before entering the black and dank prisons. According to the Romantic legend, they sighed. As you will, too, when you see the scaffolding.

Venice has been a major tourist center for four centuries. Anyone who’s ever come here has stood on this very spot, looking at the Bridge of Sighs. Lean on the railing leaned on by everyone from Casanova to Byron to Hemingway.

I stood in Venice, on the Bridge of Sighs,
a palace and a prison on each hand.
I saw, from out the wave, her structures rise,
as from the stroke of the enchanter’s wand.
A thousand years their cloudy wings expand
around me, and a dying glory smiles
o’er the far times, when many a subject land
looked to the Winged Lion’s marble piles,
where Venice sat in state, throned on her hundred isles!
• from Lord Byron’s Childe Harold’s Pilgrimage
• Sigh.

For more details, please see Rick Steves’ Venice.

Rick Steves (www.ricksteves.com) writes European travel guidebooks and hosts travel shows on public television and public radio. E-mail him at rick@ricksteves.com, or write to him c/o P.O. Box 2009, Edmonds, WA 98020.

© 2010 Rick Steves

25-44 of 44 Resources