Found 373 Learning Lab Collections
The Second Great Awakening was a religious revival movement in the first half of the 19th century. It emphasized emotion and enthusiasm, but also democracy: new religious denominations emerged that restructured churches to allow for more people involved in leadership, an emphasis on man's equality before god, and personal relationships with Christ (meaning less authority on the part of a minister or priest). There was also a belief that the Second Coming was imminent, and society must be improved before that time. Women were heavily involved in the 2nd Great Awakening movement, converting in large movements and taking on leadership roles in service committees and reform work.
Students and teachers might use this collection as a topical resource to explore: Why and how did the Second Great Awakening inspired a range of antebellum reform movements?
Other questions that might support this inquiry include:
- How are concepts of democracy and equality important to both the Second Great Awakening and the rise of reform movements?
- Why do you think women were often leaders in antebellum reform movements?
- More Americans were moving westward during this period. How do you think that impacted the religious revival movement?
- Can you hypothesize a connection between the increase in utopian societies during this time and the growing reform and religious movements?
Tags: abolition, temperance, women's rights, women's suffrage, second coming, antebellum reform, asylum and prison reform, education, 2GA
This topical collection includes images from Wilson A. Bentley's snowflake photography collection, which was donated to the Smithsonian in 1903. Bentley used a bellows camera that had a microscope inside to capture these small and unique natural objects. Also included in the collection is the original correspondence between Bentley and the Smithsonian, as well as ideas for using these sources in the classroom from the Smithsonian Institution Archives.
Throughout all of history, ciphers and secret codes were devised to keep intelligence from falling into the wrong hands. From the WWII German "Enigma" machine to America's Cherokee Code Talkers, people used ciphers and codes to safeguard secrets. One of my favorite mysterious artworks is the sculpture Antipodes, outside of the Hirshhorn Museum. No one knows what it means, and its companion piece Kryptos sits outside at Langley. I was inspired to create this collection because a parent wrote to us asking what kinds of spy or secret code summer camps were available at the Smithsonian. Before passing them along to the International Spy Museum, I wondered what kind of topical collection I could create in SLL. It turns out, there's a lot of material culture associated with codes and coding, so these are some of my favorite objects and videos in our Smithsonian collections.
The five years of the Civil War are quite rightly considered a period of ordnance and artillery experimentation, development, and transition. The work of one man led, in fact, to the casting of one of the biggest guns ever built, even to the present day--a monstrous 20-inch muzzzleloader that fired a 1000 pound solid shot
This collection provides an introduction to the 3D resources available from the Smithsonian Institution. All of the items in this collection are videos showing 3D models or sharing the process of creating such materials. To explore the models directly in a 3D viewer, download file information, and discover tours and other educator resources, please visit 3d.si.edu.
Models of interest to K-12 teachers might include:
- Apollo 11 command module
- Amelia Earhart's flight suit
- Liang Bua (archaeological site where homo floriensis was discovered)
- Funerary bust of Haliphat (from Palmyra)
- Jamestown burial sites and artifacts
- David Livingstone's gun
- Porcelain dishes and other home items in the Freer Gallery of Art (from Asian cultures)
- Killer Whale Hat
- Whale and dolphin fossils
- Cosmic Buddha
- Woolly mammoth skeleton
- Wright Brothers flyer
- Gunboat Philadelphia
This is a topical collection of items relating to red caps and Pullman porters, positions associated with train travel during the 20th century.
Teachers and students might use this collection to explore how these jobs reinforced the social status of African-Americans while at the same time ensuring steady, reliable work and the rise of an African-American middle class. They also might consider the impact of A. Philip Randolph and the Brotherhood of Sleeping Car Porters. How did the development of this labor union later impact the Civil Rights movement?
tags: amtrak, railroad, trains, sleeping car, segregation
Welcome to the National Museum of African American History and Culture Collection Grid for the 2017 NHD Theme!
Below are some objects and videos to help you explore the 2017 NHD theme: Taking a Stand in History. These objects will help you consider the perspective of the African American experience in history.
These objects may help you form an idea for a project topic or they may help to expand the narrative of your selected project. Click on the text icon for possible project connections and/or the hotspots to reveal object questions to spark your curiosity.
The artifact questions should encourage viewers to think and explore the history of the object or video on their own!
Joseph Stella (1877-1946) was an Italian born American Futurist painter. He is best known for his renditions of industrial America.
Included in this collection are some his works from the collections of the Hirshhorn Museum and Sculpture Garden, the National Portrait Gallery, and the Smithsonian American Art Museum, with oral history interviews from the Smithsonian Institution Library and the Smithsonian Archives of American Art. You can find other works by searching the collections.
Theodore Roszak (1907-1981) was a Polish American painter and sculptor. He emigrated to the United States as a young child, and won the Logan Medal of Art by age 25. He later moved to New York and taught at Sarah Lawrence College and Columbia University.
Included in this collection are several works of art and a podcast from the collections of the Hirshhorn Museum and Sculpture Garden, the National Portrait Gallery, and the Smithsonian American Art Museum. You can find other works by searching the collections.
This topical collection explores the contributions to American history and society of Civil Rights activist Dolores Huerta, the "co-architect" with Cesar Chavez of the American Farm Workers Movement. The images and resources can be used as discussion or writing prompts in a variety of courses, including history, culture, language, and literature. Included in this collection are images from the exhibition, "One Life: Dolores Huerta," a bilingual video with National Portrait Gallery curator Taína Caragol, footage of an interview program with Dolores Huerta at the museum, and an NPR interview with Dolores Huerta in January 2017.
The videos shown here are from a series, hosted by the Smithsonian Center for Learning and Digital Access and the Smithsonian Heritage Months Steering Committee, that features colleagues from around the country doing innovative work in the fields of community outreach and heritage. Featured here are colleagues from the Tenement Museum in New York City presenting, "Widening the Conversation: Involving Communities in Interpretive Planning," Martha Norkunas presenting "Listening Across Differences," and Faye McMahon and Benjamin Virgilio presenting, "Not Just Child's Play: Emerging Tradition and the Lost Boys of Sudan."
Here is a collection of videos from a Women's History Month family festival, that includes interviews and performance footage with Kathak dancer Prachi Dalal, Native American singing group Ulali, mother-daughter storyteller and artist Yona Zeldis McDonough and Malcah Zeldis, and the Georgia Tech Glee Club paying tribute to the women in the audience for Women's History Month.
This collections comes from a African American History Month family festival created to complement the exhibition, "The Black List." Included here are a gallery tour with curator Ann Shumard, and interviews with puppeteer Schroeder Cherry, guitarist Warner Williams, the Taratibu Youth Association Step Dance Group, silhouette artist Lauren Muney and collage artist Michael Albert.
This collections comes from an Asian Pacific American Heritage Month family festival at the National Museum of Natural History. Included in the collection are interviews and demonstrations about dance with Dana Tai Soon Burgess, Japanese "kimekomi" doll making with Akiko Keene and Anne Cox, Thai fruit and vegetable carving with Phuangthong Malikul, Rangoli Indian design with Nisha Rajam and Anjana Mohanty, Korean calligraphy by Mookjae, and Chinese paper folding by Alice Li.
This collections comes from an American Indian Heritage Month family festival focusing on Tlingit culture from the northwest coast of America. Included here are music and dance performances by the Dakhka Kwaan Dancers, storytelling by Gene Tagaban, Shelly Laws, and Maria Williams (of her book, "How Raven Stole the Sun"), a moiety game, and hands-on demonstrations by Shelly Laws of how to weave a two-stranded basket and to make Tlingit-style beaded ear loops .
This collections comes from a Hispanic Heritage Month Family Day, held in the Kogod Courtyard of the National Portrait Gallery and the Smithsonian American Art Museum, as part of a larger "Argentina at the Smithsonian" series. Included here are music and dance interviews and performances about tango, and a how-to demonstration to make a clay llama.
This collection comes from a Hispanic Heritage Month family festival celebrating Central American traditions, and in support of an exhibition at the National Museum of the American Indian, "Ceramica de los ancestros: Central America's Past Revealed." Held at the National Museum of American History, the festival featured a sampling of music and dance performances, food demonstrations, and hands-on activities. The museum's terrace featured fair tables that included demonstrations of foods such as papusas and tamales, traditional weaving from Guatemala using a back strap loom, and musical and dance performances, including El Salvadoran chanchona by Los Hermanos Lovo, garifuna by the New York-based group Bodoma, and Latin punk rock by DC-based Machetes. Inside, activities included designing a family "bandera" (flag), making a clay cacao pot, making "alfombras" or carpets, which are temporary artworks made with sawdust based on a 400-year-old Guatemalan tradition, a lecture on Central American ceramics with Alex Benitez, archeologist and George Mason University professor, and engaging in conversations about immigration based on objects in the museum's teaching collections.
This collection comes from a family festival at the National Museum of the American Indian that explored uses of leather in Native communities - literally from the hunting and tanning of deer and their hides, to their use in ritual and everyday life. The collection includes demonstrations of deer-hide tanning, moccasin making, bead working, instructions to make a leather pouch and a daisy chain bracelet, and an interview and performance by Lawrence Baker and the White Oak Singers.
Lei making is an important part of Hawaiian culture. These twisted strands are worn on important occasions and given as gifts of welcome. In this collection you'll find a demonstration video by Mokihana Scalph, as well as performances of children's stories, dance performances, and images of leis and ti leaves, to give context to the performances.
This topical collection is based on a past exhibit in the National Portrait Gallery entitled Rebels and Beats: Painters and Poets of the 1950s. This collection might be used by teachers or students who want to explore the counterculture of the 1950s, a time period typically associated with conformity. The collection includes paintings, photographs, and videos related to the writers and artists involved in the Beat Generation, San Francisco Renaissance, Black Mountain College, and New York School scenes.
In what ways did these artists challenge the social norms of the time? Why is art often a means of challenging the status quo?
tags: Ginsberg, Kerouac, Ferlinghetti, de Kooning, Baraka, poem, counterculture, Beat Movement
This learning lab consists of portraits painted by John Singleton Copley, one of America's first painters. The subjects included all played a role either prior to or during the revolution.
Native American Beading: Examples, Artist Interview, Demonstration and Printable Instructions for Hands-on Activity
This collection looks at examples of bead work among Native American women, in particular Kiowa artist Teri Greeves, and helps students to consider these works as both expressions of the individual artist and expressions of a cultural tradition.
The collection includes work samples and resources, an interview with Ms. Greeves, demonstration video of how to make a Daisy Chain bracelet, and printable instructions.