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Found 541 Collections

 

Genetics and Stereotypes

This collection uses a print by Enrique Chagoya, “Aliens Sans Frontières (Aliens without borders),” as a starting point to explore our assumptions about certain groups of people and how genetically similar all humans are despite our tendency for 'othering.' "After researching his DNA ancestry, Chagoya learned that his ancestors were Native American (Central Mexico), European, Ashkenazi, Middle Eastern/North African, Sub-Saharan African, and East and South Asian.” In this print, Chagoya presents six self-portraits, “each drawing on a pernicious stereotype of a certain ethnicity". Chagoya “uses his art for activist causes and also uses seemingly cartoonish or naïve imagery as an entryway for discussions of complex cultural and geopolitical issues”. (https://artsandculture.google.com/asset/aliens-sans-fronti%C3%A8res/ywEBemoMJCIUFQ)

This collection can be used in several classroom settings: Biology (genetics unit), Theory of Knowledge (to discuss ways of knowing such as language or consider bias), Geography or History. An interesting interdisciplinary exploration could be connecting a science class with a language class where students read written works from some of the same geographic regions as Chagoya's genetic breakdown.

Annotations attached to the print and video resources provide information on how to guide student exploration with each of the thinking routines.

Extensions:

Articles from New York Times: The first article included in the collection is an opinion piece written by David Reich, whose research focuses on population genetics of ancient humans, including their migrations and the mixing of populations, discovered by analysis of genome-wide patterns of mutations. The second article includes a selection of public comments on the original article as well as responses to each comment from David Reich.

Connection with Skin color, race and migration connection (presently working on this collection, will need to link collection before publishing!)

Emily Veres
7
 

Gender Inequality and Identity: Childe Hassam's Tanagra (The Builders, New York) 1918

This collection includes a multi-day lesson plan built around Childe Hassam's Tanagra (The Builders, New York), 1918, and is designed to explore the effect that gender inequality can have on identity. Lessons are designed for an eleventh-grade, American Studies, Humanities-style course, and the historical context is the Gilded Age and the Women's Suffrage Movement. The plan for this mini-unit includes the analysis of visual, literary, and historical texts, and while it has a historical context, the goal is also to make connections to American life today. The essential question for this mini-unit is this: How can unfair gender norms affect what it feels like to be a human being? Included, you will find a lesson plan as well as digital versions of the artistic, literary, and historical texts needed to execute that plan. #SAAMteach

William Connell
21
 

Gender

#SAAMteach

Cristi Marchetti
13
 

Future Self Portrait Project

@NPGteach

Both a reflective and goal-setting project, the unit culminates in the creation of a future self-portrait. 

In line with college and career readiness, students reflect on goals and dreams for the future. They combine those with a vision--a portrait--of what they will be in 10 years. They will also create an understanding of specific steps that must be taken in order to turn the vision into reality. 

During the 2018-19 school year, stakeholders involved in Andover Public Schools (USD 385) gathered for a series of discussions about what they expect our students to know and who we want them to become by the time they leave our schools with diplomas. This developed into our Portrait of a Graduate, our district’s vision for our students. If your school doesn't have this kind of "portrait", you might add an additional step where students create their own Portrait of a Graduate. 

I use this project at the end of the year after we have practiced journal writing, reflection on academic endeavors, college and career readiness activities, etc. It allows them to dream of the future in a fun and creative way while gaining a broader understanding of how other express themselves, too. 

On the final thumbnail,  I have included the instructions I used for this unit during distance learning in the Spring of 2020. 

Deborah Eades
12
 

Frontier Democracy: Western Pennsylvania and the United States Constitution

This curriculum pack was produced by the Historical Society of Western Pennsylvania and includes everything you need to teach about the growth of democracy and impact of the Constitution in Western Pennsylvania. The student text includes readings that you can give directly to your students, and the info tabs on items throughout the collection includes suggested teaching activities. Primary sources and biographies are also included (be sure to click on the paper clip and/or info icon on each item to find out more about it). 

HeinzHistoryCenterEducation
22
 

From One Artist to Another: "Rudolfo Anaya" by Gaspar Enríquez

Students use a Global Thinking Routine to explore both a portrait and a work of literature that together offer a  rich view of the Chicano experience in the American southwest in the middle of the 20th century. 

This teaching collection features Gaspar Enríquez's portrait of Rudolfo Anaya. It is the first commissioned portrait by the National Portrait Gallery of a Latino sitter by a Latino artist. Both artists address the Chicano experience and confluence of cultures in the American southwest.

Included here are the portrait, a bilingual video with National Portrait Gallery curator Taína Caragol, the "Step In - Step Out - Step Back" Thinking Routine from Harvard's Project Zero Global Thinking Strategies, two other works by Gaspar Enríquez, and some links to National Portrait Gallery supporting materials. 

Teachers and students can pair the portrait and read Rudolfo Anaya's coming of age novel "Bless Me Ultima," first published in 1972 and reflecting Chicano culture in rural New Mexico in the 1940s, to gain a deeper understanding of the Chicano experience in the American southwest.

#LatinoHAC #EthnicStudies

Philippa Rappoport
10
 

Found Poems and Social Justice: Using Rosa Parks and other sources to create found poems about social justice

This collection includes portraits from the National Portrait Gallery, websites, links to Smithsonian Magazine articles, and other news articles all relating to issues of social justice. #NPGteach

Jan Rubenstein
26
 

Forensic Anthropology: What Bones Reveal

Explore what human bones reveal about the past through real-world sources and data and meet Smithsonian experts in the field. This collection includes instructional strategy, student activities, assessment, and extension ideas. Organization is made visible by divider tabs indicating such components as concept understanding, Project Zero thinking routines, and calls to action.

This collection was developed by Sandra Vilevac, STEAM Specialist, Washington International School. See Sandra's other collections.


Keywords: anthropology, archeology, archaeology, carbon dating, chemistry, data, heredity, evolution, carbon 14

Thank you to our sponsor, the Smithsonian Women’s Committee.

#SmithsonianSTEAM

Smithsonian Center for Learning and Digital Access
46
 

Force, Work, Motion -- Lesson Plans and Information

How do canoes work? How do they float/move in the water?

An object will float if the gravitational (downward) force is less than the buoyancy (upward) force. So, in other words, an object will float if it weighs less than the amount of water it displaces. This explains why a rock will sink while a huge boat will float. The rock is heavy, but it displaces only a little water.

Michele Hubert
5
 

Food! Podcasting Module

In this modular, multi-part lesson, learners will focus on a Sidedoor podcast discussing food. Learners will focus on the content the podcast is delivering and then analyze the podcast for production techniques. The content of the podcast will give the team a base understanding for the focus of their own podcast.

#YAGSidedoor2019

Sidedoor for Educators
7
 

Food Chain -- Lesson Plans and Information

How does fishing, pollution and human activity affect the energy balance in the ocean?

The oceans are an important resource for much of humanity. In the United States alone, about one in six jobs has something to do with the ocean. Unfortunately, while humans depend on the ocean for many different things, their activities can also have a negative effect on the ocean and its wildlife.

OVERFISHING OF SPECIES

One of the biggest effects humans have on the ocean is through fishing. An increasing demand for protein has led to an increase in large-scale fishing operations, and throughout the 20th century, many countries failed to put safeguards into place to prevent overfishing. As a result, the populations of a number of large fish species have dropped by as much as 90 percent from their preindustrial populations. This depletion has led to disruptions in ocean food chains, removing predators and allowing other populations to grow unchecked. As the populations of targeted fish decline, many operations move down the food chain to other species, and over time this can cause significant alterations to marine ecosystems.

POLLUTION AND DUMPING

Human pollution also has a significant effect on the oceans. In the 1980s, travelers passing through the Pacific Ocean began to notice areas containing a high concentration of plastic trash, apparently collected by the ocean's natural currents into one area. The so-called Pacific Trash Vortex may contain up to 1.9 million pieces of trash per square mile, and a similar patch of garbage exists in the northern Atlantic. In addition, oil spills such as the one resulting from the Deepwater Horizon fire in 2010 can contaminate large stretches of the ocean, wiping out entire populations of fish and other species and affecting the regional ecosystem for decades.

CARBON EMISSONS

Air pollution also affects the oceans. As the carbon dioxide in the atmosphere increases, the ocean absorbs some of the excess. The gas reacts with seawater and reduces its pH, increasing the acidity of the water. Since the industrial revolution, the pH of the ocean has decreased by 0.1 pH, representing a 30 percent increase in the acidity of seawater. This affects the growth of animals and plants in the ocean, weakening coral and shellfish.

ORGANIC WASTE

Organic waste dumped into the oceans can have a devastating effect on ecosystems. Excess nutrients from fertilizers and sewage runoff flow into the ocean via rivers, and this sudden abundance of organic material can disrupt the balance of life in affected areas. Organic pollution can cause algae blooms, a rapid increase in certain species of microorganisms that may produce toxins or consume the free oxygen in the region, killing off or driving away other species.

 


Michele Hubert
10
 

Fonts and Feelings - Ai Hashimoto

There's a lot you can get out of font design, one of those is feelings. As a reflection on the various design concepts I have explored at Cooper Hewitt with the Design Scholars, I created a Learning Lab on how the fonts in our everyday lives are connected to the feelings that we portray in our writing. I have pulled resources from designers I have met throughout the DesignPrep Program, including designs from Cooper Hewitt, the Smithsonian, and myself. Below you will see a collection of 10 images (each with a description on the connection to feelings) including a video "Wicked Problems in Type Design" that you can explore.

 ***The descriptions written by me may not depict what the actual designer intended their audience to feel, but they are my interpretation (except for my 2 pieces), so please feel free to build off of or have your own interpretation 

#designthinking

Cooper Hewitt Design Scholars
11
 

Follow that Bird! A Science and Technology Unit on Tracking Birds

Welcome to Follow That Bird! A Science and Technology Unit on Tracking Birds. The goal of this inquiry-based unit is to teach core middle-school science concepts through student exploration of the tools used by Smithsonian scientists to track birds, the data they collect and how new information is used for conservation.

Smithsonian's National Zoo and Conservation Biology Institute
45
 

Flight School Math Collection

This lesson focuses on the four forces of flight and the control surfaces of aircraft.  It applies these concepts  to activities with a free flight simulator where students can practice landing and maintaining correct glide scope on final. 

Students will:
  • Understand how axes of flight, controls surfaces, flight controls, and aircraft instruments are used to control a plane during approach and landing. 
  • Practice flying an aircraft using flight controls and instruments. 
  • Use math to determine the best approach to a runway for landing.
  • Apply their knowledge of flying an aircraft to use a flight simulator to practice how to approach and land at an airfield.

Keywords: #airandspace, National Air and Space Museum, NASM

National Air and Space Museum Smithsonian
14
 

Flashcard Activity: Tools and Innovation

This collection traces innovation in various types of tools over time.  Approach in small groups or as a classroom to have students explore the essential questions: What makes something innovative?  How do you define innovation? 

Supporting questions and activity implementation ideas are located under this collection's Information (i) button.  This activity works equally well online or using printed flashcards (see the resource tile). 

Keywords: invention, flash cards, conceptual understanding

Tess Porter
37
 

Flashcard Activity: See, Think, Wonder with Science-Related Images

This collection contains illustrations, sketches, paintings, sculpture and photographs representing a variety of science-related concepts, including animal adaptations, the invention process and climate change. 

They may be used for a variety of purposes; here, we use them as a catalyst for discussion.  In small groups or as a classroom, have students select one artwork they find meaningful or interesting and discuss the following:

  1. Why did you pick this image?  
  2. What do you see?  Name specific aspects of the image you notice.
  3. What do you think about what you see?
  4. What does this image make you wonder? 

This activity works equally well online or using printed flashcards (see the resource tile).  You may also replace or pair the above activity with a Project Zero Thinking Routine found in the final section of the collection. 

Keywords: printable, flash card, project zero visible thinking routine, New Jersey Principals and Supervisors Association, NJPSA, arts integration, natural history, animals, invention, patent, portraits, weather

Ashley Naranjo
47
 

Flashcard Activity: Conflict, Identity, and Place in American Art

This collection contains a selection of artworks related to the themes of conflict, identity, and place.  They may be used for a variety of purposes; here, we use them as a catalyst for discussion.  In small groups or as a classroom, have students select one artwork they find meaningful or interesting and discuss the following:

  1. Why did you pick this artwork?  
  2. What do you see?  Name specific aspects of the artwork you notice.
  3. What do you think about what you see?
  4. What does this artwork make you wonder? 
  5. Optional: How might the artwork connect to the themes of conflict, identity, and place?

This activity works equally well online or using printed flashcards (see the resource tile).  You may also replace or pair the above activity with a Project Zero Thinking Routine found in the final section of the collection. 

This Smithsonian Learning Lab collection contains artwork selected by Phoebe Hillemann, Teacher Institutes Educator at the Smithsonian American Art Museum, to be featured in the 2018 Smithsonian American Art Museum Summer Institute for Teachers, "Teaching the Humanities through Art."  The activity is adapted from Project Zero's See / Think / Wonder routine (see the resource tile).

Keywords: printable, flash card, project zero visible thinking routine, New Jersey Principals and Supervisors Association, NJPSA, saam

Tess Porter
51
 

Flashcard Activity: Asian Pacific American Resources

This collection contains a diverse set of resources related to Asian Pacific Americans that may be used as an introductory activity to spark classroom discussion and prompt students to conduct research about how Asian Pacific American history is American history.  For discussion questions and activity implementation ideas, click "Read More."  A file to print these resources as flashcards is located at the end of the collection; please see the resource's Information (i) tab for printing instructions.

This collection is not comprehensive but rather provides a launching point for further research and study.

This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.

Keywords: printable, flash card, think puzzle explore, project zero visible thinking routine, apa

#APA2018

Tess Porter
48
 

Feminist History

This collection was created in conjunction with the National Portrait Gallery's 2017 Learning to look Summer Teacher Institute. The activities, which should take 1 hour over two class days, use two photographs for student visual analysis, as well as a short reading on feminist history, to help students investigate context to further their understanding of characterization, theme, and plot elements in Atwood's The Handmaid's Tale.  A page of teacher notes is included at the end of the collection, outlining suggested uses of the slides.


TAGS: #NPGteach, portrait, learning to look, National Portrait Gallery

Davina Smith
6
 

Family Pride

This collection contains resources – photographs, paintings, objects, documents, and more – representing familial ideas and themes that a student could be proud of. This collection is part of an activity for Tween Tribune tied to a student reading of the article For Nearly 150 Years, This One House Told a Novel Story About the African-American Experience. A lesson plan is included in "Notes to Other Users," click on the (i) tab in the upper-right to learn more.

Smithsonian Center for Learning and Digital Access
54
 

Facing Genocide: The US Response to the Holocaust

My aunt remembers sitting at the kitchen table as a child while her parents, my grandparents, read the Yiddish newspaper, Der Tag. Often one would start crying, saying, nishta ("gone"), "this one nishta; that one nishta," in response to the paper's lists of towns in Europe overrun by the Nazis. 

This collection examines the US response to the Holocaust, pairing historical documentation with four thinking routines from Harvard's Project Zero Global Thinking and Agency by Design materials - "Unveiling Stories," :Think, Feel, Care," "The 3 Y's," and "Circles of Action," - to prompt students to ask important questions about our individual and collective responsibility to humanity. 

Included here are photographs, documentation, and resources from the National Museum of American History and the United States Holocaust Memorial Museum (USHMM), including a teaching resource and USHMM's online exhibition, Americans and the Holocaust, which examines "the motives, pressures, and fears that shaped Americans’ responses to Nazism, war, and genocide." Examined with thinking routines from Harvard's Project Zero Global Thinking and Agency by Design materials, students will explore complex and deeply troubling issues that continue to have relevance today. 

This collection complements chapter 14 ("World War II and America's Ethnic Problem") of Ronald Takaki's A Different Mirror for Young People: A History of Multicultural America, and supports Unit 1: Intersectionality of Economics, Politics, and Policy, and Unit 3: Local History and Current Issues, of the Austin ISD Ethnic Studies Part B course. 

#EthnicStudies


Philippa Rappoport
19
 

Eye to I: Self-Portraiture as an Exploration of Identity

This collection serves as a preview for the final of six seminar sessions in the 2019 Smithsonian-Montgomery College Faculty Fellowship Program. This year's theme is “The Search for an American Identity: Building a Nation Together.”

National Portrait Gallery colleagues Wendy Wick Reaves and Briana Zavadil White will discuss the exhibition, "Eye to I: Self-Portraits from 1900 to Today." They maintain that, as people are confronted each day with “selfies” via social media and as they continue to examine the fluidity of contemporary identity, this is an opportune time to reassess the significance of self-portraiture in relation to the country’s history and culture.

Resources included in this collection have been chosen by the presenters for participants to explore before the seminar itself.

#MCteach
Philippa Rappoport
7
 

Express Yourself: Creating a Visual Journal with the Portrait Gallery

This collection was created in conjunction with a professional development workshop for teachers held at the National Portrait Gallery in 2017.

How can journaling transform the way your students experience museums and individual artworks? Sean Murphy, the art teacher at Samuel Tucker Elementary School in Alexandria, VA and the Portrait Gallery teamed up to introduce ways of incorporate journaling into your classroom. Participants explored the metacognitive benefits of using art journals in both the classroom and the museum. This workshop included both gallery and studio experiences. 

#NPGteach

Gayle Kraus
15
 

Express Yourself: Creating a Visual Journal with the Portrait Gallery

This collection was created in conjunction with a professional development workshop for teachers held at the National Portrait Gallery in 2017.

How can journaling transform the way your students experience museums and individual artworks? Sean Murphy, the art teacher at Samuel Tucker Elementary School in Alexandria, VA and the Portrait Gallery teamed up to introduce ways of incorporate journaling into your classroom. Participants explored the metacognitive benefits of using art journals in both the classroom and the museum. This workshop included both gallery and studio experiences. 

#NPGteach

Briana White
15
313-336 of 541 Collections