Found 672 Learning Lab Collections
This collection is designed to demonstrate, and asks workshop participants to consider, various ways to use the Learning Lab and its tools. Included here are a set of flashcards, a template document so that teachers can create and print their own specific sets, and strategies for their use in their classrooms. After the flashcard section you'll see a variety of student activities and resources to explore artist Luis Cruz Azaceta's "Shifting States: Iraq," a metaphorical representation of the unrest taking place in Iraq, and more broadly, an exploration of the human condition during times of crisis. This section includes an image of the work from the Smithsonian American Art Museum, an explanatory video with curator E. Carmen Ramos, two Thinking Routines - "See, Think, Wonder" and "The 3 Y's" - from Harvard's Project Zero Visible Thinking and Global Thinking materials, and an array of prompts and Learning Lab tools to help students think critically and globally. Finally, the collection also includes a short assignment to get participants started using the Learning Lab.
This collection is adapted from a larger teaching collection on the same theme (Luis Cruz Azaceta's "Shifting States: Iraq" ( http://learninglab.si.edu/q/ll...), that includes extension activities. It was created for the 2019 cohort of the Smithsonian-Montgomery College Faculty Fellowship Program on the theme, "The Search for American Identity: Building a Nation Together," - the subject of the Montgomery College - Smithsonian 2019 Fellowship program.
This collection has been made to depict the ideals of beauty that were birthed in the Ancient World. The differing time periods illustrate similar and different beauty ideals that are still present today. Body types, makeup, and style will be showcased to demonstrate how the influence of the culture and time defined beautiful. #AHMC2019
For Teachers of 6th-12th Grade
Saturday, March 9 (9:30-1:30)
Location: Smithsonian American Art Museum (8th and G Streets, NW)
What can you learn when you put art, science, and history together in a room? Come find out why these three disciplines form the foundation of art conservation and how this profession can encourage students to see history as ongoing, science as creative, and art as a Rubik’s Cube of choices. Learn what it takes to preserve a collection with our Lunder Conservation Center’s Program Coordinator, Laura Hoffman!
This collection serves as a preview for the third of six seminar sessions in the 2019 Smithsonian-Montgomery College Faculty Fellowship Program. This year's theme is “The Search for an American Identity: Building a Nation Together.”
The National Museum of African American History and Culture tells American History through an African American lens. Kinshasha Holman Conwill, Elaine Nichols, and Ariana Curtis will engage participants in an exploration of the cultural collections of the museum as markers of identity. A fuller description and presenter bios are included inside the collection.
Resources included in this collection have been chosen by the presenters for participants to explore before the seminar itself.
As I am writing this I am sitting in a cafe shop in a small town on an island Sardinia in Italy. To this day, the remains of the Roman Empire and it's architecture can be found all over the island, which sparked an interest in me for that great culture and it makes me want to focus this project on that. This project focuses on the architecture of the great Roman empire and the influence that the architecture of the Roman Empire, changes in the way this Culture express itself trough architecture and art work within that architecture. When traveling to a new place, I believe the first thing people notice is the architecture and then they look within. This is exactly what this project will try to do.
This collection will focus on art throughout of history or Roman Empire and Italy as we know it today. It will start from the Ancient Greece where early Roman Empire drew most of it’s inspiration for art and architecture and connect various different forms of art and how it interacted with the history of this great nation. I hope you enjoy the collection.
On April 5-6, 2019, the Kennedy Center will host an evening of "Legendary Women's Voices," as performed by Cynthia Erivo and the National Symphony Orchestra. Featuring repertoire by artists ranging from Marian Anderson and Nina Simone to Gladys Knight and Beyoncé, the performances aim to honor a diversity of iconic women musicians. The event is being co-promoted by the Smithsonian Year of Music. Through the Learning Lab, the Smithsonian highlights a collection of artifacts that relate to the musicians featured in the Kennedy Center concerts.
This student activity explores Luis Cruz Azaceta's "Shifting States: Iraq" using two Project Zero Thinking Routines to help students think critically and globally. The work is a metaphorical representation of the unrest taking place in Iraq, and more broadly, an exploration of the human condition during times of crisis.
Included here are an image of the work from the Smithsonian American Art Museum, an explanatory video with curator E. Carmen Ramos, two Thinking Routines - "See, Think, Wonder" and "The 3 Y's" - from Harvard's Project Zero Visible Thinking and Global Thinking materials, an array of prompts and Learning Lab tools, and an assignment. This collection is adapted from a larger teaching collection on the same theme (Luis Cruz Azaceta's "Shifting States: Iraq" ( http://learninglab.si.edu/q/ll...), that includes extension activities.
This collection was originally designed for a workshop for pre-service teachers at Trinity Washington University. It is intended to demonstrate and asks workshop participants to consider various ways to use the Learning Lab and its tools. #TWUtech
Keywords: #LatinoHAC, Latinx, Latino, global competency, competencies
I created this second collection to build on the topic of my first: The Portrayal of Powerful Women Through Visual Art. I began the introduction of my previous collection with an explanation of why I chose this topic. I will repeat that when I began at UMASS online, I immediately chose Gender Studies as one of my concentrations as I am fascinated with woman’s evolution through time. Art is the perfect time capsule to look at such a topic over time and I began with the first collection focusing on Egyptian Art. In this collection I will look at the representation of women in Renaissance art and some Baroque art. Again, my hope is that this collection will exemplify the power that was evident in a woman in this time period. My main sources of study were Arts and Culture: An Introduction to the Humanities, and the Smithsonian Lab.
Art is an important way to document our collective present so that future generations may have greater understanding of our ways of thinking, values and more. Norman Rockwell's iconic paintings are a window into the lives of ordinary people in the 20th century. Reaching further back into time, the cave paintings of the prehistoric era provide one of the last few glimpses into how these people lived and their religious and moral values. Art is a product of its time. It is a result of the social, political, and religious context in which it was made. Visual art is one of the best ways to understand women of a certain time period. In the Renaissance Era, women had no personal option in the choice of a marriage partner. The role of women continued to be to serve their husbands because the church, communal and judicial laws that at this time favored the ambitions of men. It seemed that Renaissance women were cast into a subservient state from the time of birth. Despite these values, I think that the power of a woman is still evident in art.
One piece in particular, which I have included in the collection, is The Birth of Venus by Botticelli. It immediately caught my eye when I turned to that page in our textbook. Venus is depicted standing upright in an oversized clamshell, her posture is unstable and off balance, her hands attempt to modestly cover her statuesque beauty as her long, golden hair billows in the breeze. She rises from the sea looking like a classical statue and floating on a seashell. Time seems to stop around her, and she stands alone, captivating the viewer with her gaze. She is the goddess of love and holds us all under her spell. This is just one example of representation of a woman in Renaissance art.
What I have put together in this collection represents the significance of women at this point in history.
Benton, Janetta Rebold, and Robert DiYanni. Arts and Culture: an Introduction to the Humanities. Pearson, 2014.
National Museum of American Indian colleagues Paul Chaat Smith, Cecile R. Ganteaume, Colleen Call Smith, and Mandy Van Heuvelen will provide a behind the scenes look at the most daring exhibition the National Museum of the American Indian has ever staged. The exhibition argues that Native American imagery is everywhere in American life, and rather than being merely kitsch, stereotype, and cultural appropriation, it is evidence of the centrality of Indians in both history and 21st century life in the United States.
Resources included in this collection have been chosen by the presenters for participants to explore before the seminar itself.
This collection contains Chicano artwork and historical images that embody my Mexican heritage.
A collection aimed at studying different interpretations of the myth of Icarus. Students, as you view each piece, take note of how it represents both the poem we read "Musee de Beaux Arts" by WH Auden, and the painting "Landscape With the Fall of Icarus". What do you feel is missing? What does each piece of art include that others did not. Which one do you like the best? Why?
Though most rulers in the ancient (and classical) world were men, some women wielded power and influence.
Some ruled in their own name, some influenced their world as royal consorts, but they all made an impact during the ancient times.
The Search for an American Identity: Smithsonian-Montgomery College Faculty Fellowship 2019 Opening Panel Resources
This collection serves as an introduction to the opening panel of the 2019 Smithsonian-Montgomery College Faculty Fellowship Program. This year's theme is “The Search for an American Identity: Building a Nation Together.” Three Smithsonian staff members will present at the opening panel, including David Penney (Associate Director of Research and Scholarship at the National Museum of the American Indian), Ranald Woodaman (Director of Exhibitions and Public Programs at the Smithsonian Latino Center), and Paula Johnson (Curator at the National Museum of American History). Their bios, presentation descriptions, and other resources are included inside.
As you explore the resources be sure to jot down any questions you may have for the presenters.
It's going to be a great seminar series!
The focus of this collection is architecture around the world. Ancient Roman architecture in particular, has influenced the way more modern architects design buildings all around the world. My interest in architecture comes from the time I spent in Italy in 2016. I visited Rome, Florence, and all around Tuscany. As I saw during my stay there, and also what we have learned in class, is that the most important features in Roman architecture were arches, columns, and very thick walls. Columns were erected to show victories in wars and arches were pivotal in Rome’s success. Without arches, they wouldn’t have been able to build expansive buildings or roadways from Britain to the Middle East. Aqueducts contain arches which serve as a nice physical feature, as well as hold a strong material in place for many many years. Romanesque style influenced Gothic style, which contained high pointed vaulted and a more vertical appeal. There is so much detail in every piece of architecture and every building tells an individual story. Much of the architecture standing where we are today, tells a story of what we know about Romans.
This topical collection includes resources related to featured women artists, actresses and performers. This collection includes portraits of the artists, actresses and performers, related artifacts, articles, videos with experts, and related Smithsonian Learning Lab collections. Use this collection to launch lessons about the women's life stories, primary source analysis, and examination of the context in which these women lived and made their contributions. This collection is not comprehensive but rather provides a launching point for research and study.
Keywords: Hattie McDaniel, Aretha Franklin, Frida Kahlo, Anna May Wong, Selena Quintanilla, Maria Tallchief, Maya Lin, Gladys Bentley, #BecauseOfHerStory
This collection will explore the depiction of women in art throughout different periods of time. The collection begins with the prehistoric art and ends with contemporary art. #AHMC2019
In this activity, students will examine a painting of Mexican guest-workers, known as braceros, involved in the Bracero Program (1942-1964), the largest guest-worker program in US history. Started as a temporary war measure to address labor demands in agriculture and railroads, the program allowed Mexican nationals to take temporary agricultural work in Texas, New Mexico, Arizona, California, and 24 other states. By the time the program ended in 1964, over 4.6 million work contracts were awarded.
Using a Project Zero Global Thinking Routine - "Step In - Step Out - Step Back" - students will examine the perspectives of those depicted in the painting, consider what it means to take the perspectives of others, and explore avenues and methods to learn more about Braceros. Resources for learning more about the Bracero program are located at the end of the collection and include: Bittersweet Harvest, a digital exhibition about the Bracero Program; the Bracero History Archive, which includes oral histories, objects, and more; and a Learning Lab collection of photographs documenting the Bracero Program.
Keywords: laborer, immigration, work, migration, migrant workers, agriculture, reform, politics, government, photojournalism, activity, inquiry strategy, global competency, global competence, latino, chicano, 1940s, 40s, 1950s, 50s, 1960s, 60s
The focus of this collection is to accurately depict Ancient Greece culture and inform the reader on, the cultural significance of the artwork , architecture, gods, and individuals who lived in Ancient Greece. I have always had a fascination with Ancient Greece and the influence it left on the world. I think they are one of the most beautiful cultures to ever exist and the people from this time left a lasting impact on the world around us.
The first two pieces of my collection include two busts; one of Zeus and one of Aphrodite. They are both vital parts of Greek mythology and were highly respected by the Ancient Greeks at the time. Zeus was the the king of all the gods and was believed to live on top of mount olympus. Aphrodite was the Greek goddess of beauty. An interesting fact about Aphrodite is that in some Greek myths she was known as the mother of Eros (Cupid).
The next two pieces of my collection include sculptures of Alexander the Great and Achilles. Alexander the great was born in Pella where is father was king and controlled Macedonian Army. Due to the success of his father Alexander inherited one of the most powerful Armies of the time which allowed him to expand his empire even further. Achilles is the protagonist of the Iliad a story created by Homer. The significance of Achilles is he was grabbed by the heels and dipped in a river which turns him immortal. However, since his heels did not touch the water and later on he was hit by an arrow in that spot which led to his downfall.
The the last two pieces of my collection contain Ancient Greek architecture. One of the pieces I specifically wanted to focus on the columns since they were such a pivotal part of Ancient Greek architecture. They created three types of columns corinthian, doric and Ionic. The second piece of architecture I include was the Parthenon. This piece of architecture was on the Athenian Acropolis, and was dedicated to Athena, who the people of Athens thought was their patron
In the second installment of my collection I added four pieces of art I found to be significant during this time. I also believe the pieces I chose are extremely interesting as well as informative. The two other following pieces I added were based on architecture. I believe the architecture I have added to my collection represent well the styles of columns and other specific aspects that are unique to ancient Greece. For the new pieces of my collection I focussed on adding most of the detail of my pieces in the description part of each image.
1. “Parthenon Facts.” Math, www.softschools.com/facts/ancient_civilizations/parthenon_facts/2231/.
2. “Aphrodite • Facts and Information on Greek Goddess Aphrodite.” Greek Gods & Goddesses, greekgodsandgoddesses.net/goddesses/aphrodite/.
3. Cartwright, Mark. “Column.” Ancient History Encyclopedia, Ancient History Encyclopedia, 11 Feb. 2019, www.ancient.eu/column/.
4. Smithsonian American Art Museum, Smithsonian Institution. “Smithsonian Learning Lab Resource: Psyche.” Smithsonian Learning Lab, Smithsonian Center for Learning and Digital Access, 2 Nov. 2015. learninglab.si.edu/q/r/118194. Accessed 12 Feb. 2019.
5.“Great Altar of Zeus and Athena at Pergamon.” Khan Academy, Khan Academy, www.khanacademy.org/humanities/ap-art-history/ancient-mediterranean-ap/greece-etruria-rome/v/the-pergamon-altar-c-200-150-b-c-e.
6 .McDowall, Carolyn, and Carolyn McDowall FRSA. “Motya Charioteer – Ancient Greek Sculpture at Its Finest.” The Culture Concept Circle, 1 Sept. 2012, www.thecultureconcept.com/motya-charioteer-ancient-greek-sculpture-at-its-finest.
This collection is meant to showcase and demonstrate the importance and impact of performance arts throughout history. Music will be the focus but any type of performance may be used to establish the value of performance arts.
In this collection I am exploring the themes of art, literature, music, and philosophy of Greek civilization. I think this is interesting topic to explore because I have always enjoyed learning about Greek civilization and how they invented many things in antiquity. Ancient Greece had many different times period starting from Geometric to Archaic then to Classical and ending in the Hellenistic Period. Throughout these periods many types of art was created. This will soon go with my with my theme of Greek life and how the Greeks helped shape the world that we know today through the Byzantine Empire and through the Renaissance era. Byzantine Civilization also influenced art for the renaissance artists as their main focus was on religious figures.