Increase and Diffuse Knowledge for the Holidays With These Smithsonian Curated Books
One of the most cherished of American traits is the quest for knowledge. When Englishman James Smithson endowed the United States with his great fortune, he had never visited America, but he knew that the new Republic was a place where the great engines of industry would generate a growth in ideas and require an ongoing thirst for knowledge among its populace. His funds to “found at Washington, under the name of the Smithsonian Institution, an establishment for the increase and diffusion of knowledge” today endows a host of scientists, historians, educators and scholars, many who contribute to Smithsonian.com in our popular Curators’ Corner. We asked Smithsonian scholars to make book recommendations to our readers for this holiday season of gift giving; and here is what they offered.
Ryan Lintelman, curator, entertainment, National Museum of American History
Springsteen fans like myself couldn't wait to get their hands on The Boss' epic memoir, Born to Run, and it didn't disappoint. In 510 pages of compelling prose that's part confessional, part stage banter, Springsteen lays bare his soul, reflecting on mental illness, family, faith and redemption, as well as the details of his career in Rock.
A whimsically illustrated, thoroughly entertaining history of early American drinking and its relevance to the development of the nation, including immigration, war, temperance, and the Founding Fathers. Colonial Spirits: A Toast to Our Drunken History by Steven Grass includes recipes so that aspiring mixologists can whip up glasses of history at home.
David Ward, senior historian, National Portrait Gallery
How is it that I am just learning about Robert Irwin? His magical novel Wonders Will Never Cease about England, in the late 15th century, and the dynastic struggle between the houses of York and Lancaster (as well as the usual problems with the French) against the backdrop of the mythic past of Arthurian England. The main character is Anthony Woodville who rises—literally—from the dead after being “killed” in battle to become an observer of his own life as a knight, courtier and inadvertent myth maker. Amazingly readable.
Overall, as an historian, I have been interested in the two great themes of modern times: slavery (and freedom) in the 19th century and the Holocaust in the 20th. The first of this German historian/journalist’s two-volume biography of Adolph Hitler, Volker Ullrich is instructive in showing how a particular historical circumstance combined with a messianic new-style of populist politics led to the destruction of democracy in Germany.
On cultural history, I learned much from David Lubin’s Grand Illusions, a sweeping yet incisive survey of the impact of World War I on more than just America’s art and artists (the chapter on plastic surgery is fascinating), Grand Illusions as well as from my friend Jennifer Raab’s more specialist, yet still accessible, study Frederick Church: The Art and Science of Detail and the meaning of 19th-century landscape paintings.
I didn’t read as much poetry this year as I would have liked but can recommend one of my favorites, John Koethe for his latest book The Swimmer. A former philosophy professor, Koethe surveys the hidden world of appearances in daily life in a style that I envy for having the smoothness of a powerful river. I also enjoyed arguing (on Smithsonian.com) with poet and novelist Ben Lerner’s polemical The Hatred of Poetry.
Chris Wilson, director, program in African American culture, National Museum of American History
Nancy Isenberg’s account is a fascinatingly relevant look at American history through the lens of class, arguing that to really understand ourselves we have to work to challenge the myth that anyone can be anything in this country.
In his final installment of his Civil Rights Movement memoir in which he looks at the tumultuous years 1963- 1965, Congressman John Lewis deftly and artfully illustrates what we attempt to teach the public at the Smithsonian with regard to the Movement—successful activism isn’t just passion and protest, it is also—and sometimes chiefly—strategy, organization, coalition building, logistics and day to day work at the grass roots.
In my work with film and theater as a public historian, I always look to what can be best achieved through artistic exploration of the past. The stirring images and scenes in The Underground Railroad by Colson Whitehead bring a new understanding to the experience of American slavery beyond what can be discovered from scholarship alone. “Truths” are not always facts and I found so many relevant emotional truths in this novel that are just as important for us to tackle.
Paul Gardullo, curator, National Museum of African American History and Culture
I love books that begin with a subject that we think we know but then completely throws me for a loop. Ramzi Fawaz's book does just that. It provides a strikingly new view of looking at the real power and impact of comics, their seriousness and their subversiveness. It provides a pantheon of alternative heroes and heroics, rewarding readers with the multidimensionality of this 2D world. What's incredible is that it does so without sacrificing any of the fun and joy of why we devour comics.
I missed so many books this year in the run up to opening of our museum in September. I really want to read Colson Whitehead’s The Underground Railroad and Marlon James A Brief History of Seven Killings, but they sit, still unopened and set aside. Most of the life changing books for me that first come to mind are all releases from last year–but tremendous they are. Here is a mighty trio: Claudia Rakine's Citizen; Bryan Stevenson's Just Mercy and Trace: Memory, History, Race and the American Landscape by Lauret Savoy (a current Smithsonian Institution Senior Fellow). These three provided me with profound ways to think deeply about our past, present, future, about myself, about others and about the places that shape us as individuals and communities.
Amy Henderson, curator emerita, National Portrait Gallery
Prolific critic, author and Booker Prize-winner A.S. Byatt explores the lives and designs of two of her favorite artists, Morris and Fortuny. She argues that “their revolutionary inventions…inspired a new variety of art that is as striking today as when it was first conceived.”
The grand-nephew of Julia Child, writer Alex Prud’homme collaborated with her on her best-selling memoir about her life in Paris. In this follow-up, he writes about her life from 1963 to her death in 2004—years when she became an iconic celebrity figure in American culture.
Mark Ribowsky chronicles the life of “America’s Troubador” from his youth, through his major hits in the early 70s to his career today. He also tracks the generational shift in rock artistry and the transformation of the music industry in the post-Beatles decades.
Sebastian Smee explores the rivalry, friendships and connections between eight of the most famous artists of the modern era. His objective is the show that the art of rivalry is “the struggle of intimacy itself: the restless, twitching battle to get closer to someone…balanced with the battle to remain unique.”
A wonderfully written biography by James Stourton of one the great figures of the 20th-century art world. Delicious stories about everyone from the Bloomsbury set to Bernard Berenson to such major artists as Henry Moore. Clark was best known for his British TV series “Civilisation” and his biographer happily wraps him in the cloak of connoisseurship—an interpretation now out of fashion, but one that previously set all the rules about how art itself was to be viewed.
Doug Herman, geographer, National Museum of the American Indian
Executive Director of the Center for Diversity in the Arts at Stanford University, Jeff Chang provides trenchant essays exploring the idea of “diversity,” the roots of student protest, changing notions of Asian American identity and the impact of a century of segregated housing.
Published on the 50th anniversary of the Black Panther Party’s founding, Power to the People is an insider’s chronicle of that iconic revolutionary organization by Bobby Seale and Steven Shames. Seale was co-founder along with Huey Newton of the Black Panthers; Shames was a student at UC Berkeley who became the preeminent photo-documentarian of the party. Shames provides memorable images while Seale offers colorful commentary.
Mark Speltz, senior historian at the toy and publishing company American Girl, has assembled an eye-opening collection of images of the Civil Rights Movement from the American North and West. The emphasis is on the everyday foot soldiers who protested segregation, police violence and job and housing discrimination in cities from Los Angeles to Philadelphia, a timely reminder that race has always been a national, not sectional issue.
University of Michigan professor Heather Ann Thompson reconstructs the events of the 1971 uprising at New York’s Attica Prison, the subsequent lengthy legal proceedings, both criminal and civil, and the decades of official miscalculations and cover-ups that continue to this day. Thompson explains how she knows what she knows and even explores her own methodological and ethical quandaries…a master historian discussing her craft and illuminating the crisis of prison reform.
Nancy Pope, curator, postal history, National Postal Museum
The American military has long recognized the crucial importance of mail to their personnel’s morale. Letters maintain essential connections between men and women overseas and family and friends back home.
Cheryl Ganz, a former chief curator of philately for the National Postal Museum, edited this collection of stories about stamps and stamp collecting, a companion guide to the museum’s William H. Gross Stamp Gallery.
Scott Wing, research geologist, National Museum of Natural History
Both thoughtful and laugh out loud funny, Dead Presidents by Brady Carlson takes readers on a tour of the tombs, monuments, and museum of the nation’s deceased leaders with commentary on how they died, what we remember about them, and how their memory is being used by the rest of us.
A lively "backstage” political story about Ellen Malcolm’s creation of Emily’s List and some of the key campaigns it fought to put women in the United States Congress. A great read for political junkies.
Peter Liebhold, chair, division of work and industry, National Museum of American History