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Unnamed User

Digital Content Producer
Smithsonian Center for Learning and Digital Access
Smithsonian Staff
Digital Content Producer

I'm the Digital Content Producer at the Smithsonian Center for Learning and Digital Access. Here, I research and develop learning resources focused on the topics of history, art, and culture for projects both within the Smithsonian and in collaboration with other institutions. I also train educators on how to create their own customized content in the Lab.

learninglab@si.edutwitter.com/smithsonianlab

Unnamed User's collections

 

Slow Looking: Untitled, by El Anatsui

<p>In this collection, students will explore an artwork by El Anatsui, a contemporary artist whose recent work addresses global ideas about the environment, consumerism, and the social history and memory of the "stuff" of our lives. After looking closely and exploring the artwork using an adapted version of Project Zero's "Parts, Purposes, and Complexities" routine, students will create a "diamante" poem using their observations of the artwork and knowledge they gained about El Anatsui's artistic influences. Additional resources about El Anatsui, how to look at African Art, and Project Zero Thinking Routines are located at the end of the collection.</p> <p><em>This collection was created for the "Smithsonian Learning Lab, Focus on Global Arts and Humanities" session at the 2019 New Jersey Principals and Supervisors Association (NJPSA) Arts Integration Leadership Institute. </em></p> <p>Keywords: nigeria, african art, textile, poetry, creative writing, analysis</p>
Unnamed User
20
 

Bracero Program: Step In, Step Out, Step Back

<p>In this activity, students will examine a painting of Mexican guest-workers, known as braceros, involved in the Bracero Program (1942-1964), the largest guest-worker program in US history.  Started as a temporary war measure to address labor demands in agriculture and railroads, the program allowed Mexican nationals to take temporary agricultural work in Texas, New Mexico, Arizona, California, and 24 other states. By the time the program ended in 1964, over 4.6 million work contracts were awarded.  </p> <p>Using a Project Zero Global Thinking Routine - "Step In - Step Out - Step Back" - students will examine the perspectives of those depicted in the painting, consider what it means to take the perspectives of others, and explore avenues and methods to learn more about Braceros. Resources for learning more about the Bracero program are located at the end of the collection and include: <em>Bittersweet Harvest</em>, a digital exhibition about the Bracero Program; the <em>Bracero History Archive</em>, which includes oral histories, objects, and more; and a Learning Lab collection of photographs documenting the Bracero Program.</p> <p>Keywords: laborer, immigration, work, migration, migrant workers, agriculture, reform, politics, government, photojournalism, activity, inquiry strategy, global competency, global competence, latino, chicano, 1940s, 40s, 1950s, 50s, 1960s, 60s</p><p>#EthnicStudies</p>
Unnamed User
6
 

What Makes You Say That?: Civil War Photograph

<p>Using the Project Zero Visible Thinking routine "What makes you say that?," students will investigate a photograph from the Civil War taken by the studio of Mathew Brady, one of the most prominent American photographers of the 19th century.  The Civil War was the first major war captured on camera and photographs, like this one, played a pivotal role in shaping public perceptions of the conflict.</p> <p>This activity can be used as an entry point into studying soldiers' experiences during the Civil War, photography's effect on public perspectives about war, and more.  Resources to extend this activity include: a Smithsonian American Art Museum lesson plan investigating this and other photographs from the Civil War, a blog post discussing connections between Civil War photography and President Abraham Lincoln, a Smithsonian Magazine article about Civil War photographer Alexander Gardner, a Learning Lab collection on Alexander Gardner's <em>Photographic Sketchbook of the War, </em>and an article discussing the National Portrait Gallery's recent exhibition <em>The Face of Battle: Americans at War, 9/11 to Now</em>.</p> <p><em>Keywords: photo, battlefield, inquiry strategy</em></p>
Unnamed User
8
 

Bessie Smith: Examining Portraiture

<p>This teacher's guide provides portraits and analysis questions to enrich students' examination of Bessie Smith, the "Empress of the Blues" and one of the most influential blues singers in history. Includes the video "Defining Portraiture: How are portraits both fact and fiction?" and the National Portrait Gallery's "<em>Reading" Portraiture Guide for Educators, </em>both of which provide suggestions and questions for analyzing portraiture. Also includes a video clip of Bessie Smith performing "St. Louis Blues" in 1929 and a post from the National Museum of African American History and Culture discussing her and other LGBTQ African Americans of the Harlem Renaissance.</p> <p>Consider:</p> <ul><li>What do these portraits have in common? How are they different?</li><li>How are these portraits both fact and fiction?</li><li>How do these portraits reflect how she wanted to be seen, or how others wanted her to be seen? Consider for what purpose these portraits were created.</li><li>Having listened her music, does the portrait capture your image of Bessie Smith? Why, or why not?</li><li>If you were creating your own portrait of Bessie Smith, what characteristics would you emphasize, and why?</li></ul><p>Keywords: singer, musician, 20s, 30s, American, Tennessee, #BecauseOfHerStory, #SmithsonianMusic</p>
Unnamed User
11
 

Woody Guthrie: Examining Portraiture

<p>This teacher's guide provides portraits and analysis questions to enrich students' examination of Woody Guthrie, one of the most important folk composers in American history. Includes the video "Defining Portraiture: How are portraits both fact and fiction?" and the National Portrait Gallery's "<em>Reading" Portraiture Guide for Educators, </em>both of which provide suggestions and questions for analyzing portraiture. Also includes multiple music recordings, a Smithsonian Magazine article about his legacy, and a podcast episode about his music and relationship with Smithsonian Folkways Recordings.</p> <p>Consider:</p> <ul><li>What do these portraits have in common? How are they different?</li><li>How are these portraits both fact and fiction?</li><li>How do these portraits reflect how he wanted to be seen, or how others wanted him to be seen? Consider for what purpose these portraits were created.</li><li>Having listened to his music, does the portrait capture your image of Woody Guthrie? Why, or why not?</li><li>If you were creating your own portrait of Guthrie, what characteristics would you emphasize, and why?</li></ul><p>Keywords: singer, musician, songwriter, oklahoma, protest, #SmithsonianMusic</p>
Unnamed User
12
 

Korean Ceramics: Looking at Decorative Processes

<p>In this activity, students will examine Korean ceramics and use visual evidence to speculate about the processes used to create them, paying special attention to decorative techniques.  Questions from the Project Zero Artful Thinking Routine "Colors / Shapes / Lines," help students make detailed observations by drawing their attention to the forms in an artwork and giving them specific categories of things to look for.  Use this activity as an entry point into studying ceramics or Korean art, or to student creation of artwork.</p> <p><a href="https://learninglab.si.edu/search?st=%23AsiaTeachers&amp;st_op=and&amp;item_type=collections">#AsiaTeachers</a> </p> <p>Keywords: pottery, observation, inlay, stamping, types, celadon, goryeo, clay, ceramic<br /></p>
Unnamed User
8
 

Designing a Better Voting Machine: 1880s to Today

<p>Objects are time capsules; they embody values, aspirations, or problems of a particular time and place and mark a stage of technological evolution. This student activity examines voting machines used in U.S. elections over more than a century. Looking closely and understanding the historical objects’ design evolution will inform students’ design of new machine intended to overcome barriers to voting in today's elections. </p> <p>The first five images are voting machines from the late 1800s to the early 2000s. Students will explore their parts, purposes, and complexities, then read the Washington Post article "Broken machines, rejected ballots and long lines: voting problems emerge as Americans go to the polls." Finally, students will design (and may prototype) a voting machine.<br /></p> <p>This collection incorporates two Project Zero Agency by Design routines: <em></em><a href="https://learninglab.si.edu/collections/agency-by-design-voting/xf6JuBhCB1u29e8h/#r/517111">Parts, Purposes, Complexities</a>, a routine for looking closely; and <a href="https://learninglab.si.edu/collections/agency-by-design-voting/xf6JuBhCB1u29e8h/#r/517112">Imagine If...</a>, a routine for finding opportunity. Questions in each routine are open-ended and should be used to spark peer discussion in small groups or as a class. For more information on how to use and facilitate each routine, see their resource tiles at the end of the collection, as well as the <a href="http://www.agencybydesign.org/">Agency by Design website</a>.</p> <p><em>Keywords: vote, voter, maker, making </em></p>
Unnamed User
13
 

Flashcard Activity: Conflict, Identity, and Place in American Art

<p>This collection contains a selection of artworks related to the themes of conflict, identity, and place.  They may be used for a variety of purposes; here, we use them as a catalyst for discussion.  In small groups or as a classroom, have students select one artwork they find meaningful or interesting and discuss the following:</p> <ol><li>Why did you pick this artwork?  </li><li>What do you see?  Name specific aspects of the artwork you notice.</li><li>What do you think about what you see?</li><li>What does this artwork make you wonder? </li><li><em>Optional</em>: How might the artwork connect to the themes of conflict, identity, and place?</li></ol> <p> </p> <p>This activity works equally well online or using printed flashcards (see <a href="https://learninglab.si.edu/collections/flashcard-activity-conflict-identity-and-place-in-american-art/wCjeBXbgRgExR2Py#r/883001">the resource tile</a>).  You may also replace or pair the above activity with a Project Zero Thinking Routine found in the final section of the collection. </p> <p><em>This Smithsonian Learning Lab collection contains artwork selected by <a href="https://learninglab.si.edu/profile/666">Phoebe Hillemann</a>, Teacher Institutes Educator at the Smithsonian American Art Museum, to be featured in the 2018 Smithsonian American Art Museum Summer Institute for Teachers, "Teaching the Humanities through Art."  The activity is adapted from Project Zero's See / Think / Wonder routine.</em></p> <p>Keywords: printable, flash card, project zero visible thinking routine, New Jersey Principals and Supervisors Association, NJPSA, saam</p>
Unnamed User
51
 

Flashcard Activity: Asian Pacific American Resources

<p>This collection contains a diverse set of resources related to Asian Pacific Americans that may be used as an introductory activity to spark classroom discussion and prompt students to conduct research about how Asian Pacific American history is American history.  For discussion questions and activity implementation ideas, click "Read More."  A file to print these resources as flashcards is located at the end of the collection; please see the resource's Information (i) tab for printing instructions.</p> <p>This collection is not comprehensive but rather provides a launching point for further research and study.</p> <p><em>This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center. </em></p> <p>Keywords: printable, flash card, think puzzle explore, project zero visible thinking routine, apa</p> <p>#APA2018</p>
Unnamed User
48
 

Object Analysis: Hawaiian Flag Quilt

<p>This student activity explores a "Hawaiian Flag" quilt, a type of decorative object that became popular in Hawaii after the Hawaiian monarchy was overthrown and the kingdom was annexed by the United States.  Symbols on this quilt, which include the Royal Coat of Arms, a quote from King Kamehameha III, and more, help reveal Hawaiian opinions about the state of their country during this tumultuous period in Hawaiian history.</p> <p>This collection can be used as an activity while studying the overthrowing of the Hawaiian monarchy, Hawaiian annexation, and United States foreign policy in the late 1800s.</p> <p><em>This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.</em></p> <p>Keywords: Hawai'i, annexation, Lili'uokalani, Liliuokalani, 19th century, 1898</p> <p>#APA2018</p>
Unnamed User
6
 

Hawaiian Monarchs

<p>This topical collection includes resources related to the eight monarchs of the Kingdom of Hawaii.  In order of succession, the monarchs are: Kamehameha I (r. 1810 - 1819); Kamehameha II (r. 1819 - 1824); Kamehameha III (r. 1825 -  1854); Kamehameha IV (r. 1855 - 1863); Kamehameha V (r. 1863 - 1872); Lunalilo (r. 1873 - 1874); Kalākaua (r. 1874 - 1891); and Liliʻuokalani (r. 1891 - 1893).  </p> <p>The Kingdom of Hawaii was established as a constitutional monarchy in 1810 by King Kamehameha I.  In 1893, a coup led by American businessmen driven by sugar and pineapple business interests in the Hawaiian islands overthrew Queen Lili'uokalani.  Despite native protests and Lili'uokalani's efforts to reclaim the throne, the United States annexed Hawaii as a territory in 1898.  Hawaii became an American state in 1959.</p> <p>This collection is not comprehensive but rather provides a launching point for further research and study.</p> <p><em>This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center. </em></p> <p>Keywords: Kamamalu, Emma, Kapi'olani, Kapiolani, Kalakaua, Liliuokalani, Hawaiian, royals, royalty</p> <p>#APA2018</p>
Unnamed User
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Japanese American Incarceration: Articles and Videos about Inmate Experiences

<p>This topical collection includes articles and videos about Japanese American experiences in incarceration camps.  The collection highlights four individuals and their stories: Fred Korematsu, a civil rights activist; Minoru Yasui, a lawyer and civil rights advocate; Norman Mineta, a politician who grew up in the camps; and Isamu Noguchi, an artist who self-deported himself to an incarceration camp. Other important articles and videos about inmate experiences are located at the end. This collection is one in a series of collections, each containing different types of resources, about the Japanese American Incarceration; see also <a href="http://learninglab.si.edu/q/ll-c/gCGyk6eEyx7hGU4a">Japanese American Incarceration: Images of Camp Life</a>, <a href="http://learninglab.si.edu/q/ll-c/yqzp7FXFJtCqPsik">Japanese Incarceration: Publications, Letters, and Other Documents</a>, and <a href="http://learninglab.si.edu/q/ll-c/D1atcYAXArxq55uY">Japanese American Incarceration: Camp Objects</a>.</p> <p>In February 1942, following the bombing of Pearl Harbor, President Roosevelt signed Executive Order 9066 and authorized the imprisonment of approximately 75,000 Americans of Japanese ancestry and 45,000 Japanese nationals in incarceration camps.  This order was not rescinded until 1945. </p> <p>Teachers and students may use this collection as a springboard for classroom discussion. This collection is not comprehensive but rather provides a launching point for research and study. </p> <p><em>This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.</em> </p> <p>Keywords: internment camp, world war ii, ww2, wwii</p> <p>#APA2018 </p>
Unnamed User
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