This collection uses a visible thinking strategy called "See-Think-Wonder" from Harvard's Project Zero to help students analyze a Civil-War era sketch to determine context and perspective. After completing the routine, students will learn more about the image and the artist who made it, as well as view art representing a very different point of view. For more on this strategy, see the "Notes to Other Users."

The period after the Civil War, known as Reconstruction, had lofty goals for reuniting the nation and preserving the new rights given to African-Americans. For a time, these goals were achieved and three important amendments were made to the Constitution. However, by 1876 Reconstruction was considered over and much of the progress that had been made was undone. This collection of detailed prints and cartoons highlight many different aspects of Reconstruction and asks students to consider the overall result of Reconstruction. Students can analyze each one using the embedded questions.

This collection provides an overview of immigration to the United States, but emphasizes the increased immigration during the Gilded Age. Students can complete the collection independently, keeping in mind the following guided questions: -Why have people been motivated to immigrate to the United States? -What challenges have immigrants faced while traveling to or after arriving in the United States? -What contributions have immigrants made to American society?

This teaching collection includes images and video of Running Fence, a work of installation art by Christo and Jean Claude. Included at the end is a lesson plan that engages students in analysis of Running Fence and details the steps for a student-designed installation art work at their school. Learning goals include: • Define installation art • Analyze the process and results of the work of Jean-Claude and Christo to develop Running Fence • Use the design process to develop a proposal for an installation art piece • Use persuasive speaking skills to pitch your plan to the relevant stakeholders in your school community • Plan and execute a piece of installation art on your school grounds, working cooperatively with a team

This teaching collection was made to accompany the Cooper Hewitt Design Museum lesson plan "Saris, Kimonos, Togas & Smocks: Exploring Clothing Across Cultures." In addition to saris, kimonos, togas, and smocks, huipils and kanga are used as examples of culturally-specific clothing. The lesson asks students to complete think about the cultural importance of clothing, and then to research a specific type of clothing and build a presentation around that research. Students might use this collection as a source for images for their presentation, to inspire research topics, or as a common basis for discussion with their peers.

<p>This collection is based on a lesson in Bruce Lesh's "Why Won't You Just Tell Us the Answer?" and on a Smithsonian National Museum of American History lesson (both cited fully below). In this lesson, students will evaluate primary source material in order to develop an appropriate name for the site of the 1876 battle at Little Bighorn River. This collection allows students to explore the following questions:</p><ul><li>Why do different interpretations of history develop? How do they change over time?</li><li>When thinking about conflicts in history, whose perspectives are valued and remembered?</li></ul><p>tags: Custer, Sitting Bull, Crazy Horse, Little Big Horn, continuity, change over time, perspective, historiography, point of view, Native American, indigenous, American Indian, Sioux, Greasy Grass</p>

<p>This student activity includes a set of archival documents from the United Shoe Machinery Corporation. These documents can be used as resources to help students investigate the relationship between industry, education, and immigration in the early 20th century. </p><p>As students explore the collection, they should consider how each document helps them answer the following questions:</p><p>-Is it in the best interests of business to encourage citizenship and education? Why or why not?</p><p>-What do these materials say about what it means to be considered "American" in the early 20th century?</p><p>tags: school, learning, English, language, migration, Ellis Island, manufacturing, Progressives</p>

<p>This collection gathers resources and artifacts pertaining to the Chicano Movement of the post-WWII era. The following paragraphs, from the Educating Change website, briefly define the movement:</p><p>The "Chicano Movement" has been used by historians to describe a moment of ethnic empowerment and protest among Americans of Mexican descent beginning in the 1960s. "Chicano" had long existed as a pejorative term among young Mexican Americans prior to this period. By the 1960s, however, young Mexican Americans embraced the label, reinscribing it with notions of pride in ones' Mexican heritage and defiance against institutions and individuals who practiced or condoned discrimination against Mexicans.</p><p>The "movement" or movimiento was really a convergence of multiple movements that historians have broken down into at least four components: [1] A youth movement represented in the struggle against discrimination in schools and the anti-war movement; [2] the farmworkers movement; [3] the movement for political empowerment, most notably in the formation of La Raza Unida Party; and [4] the struggle for control and ownership over "homelands" in the US Southwest (<a href="http://www.brown.edu/Research/Coachella/chicano.html">http://www.brown.edu/Research/Coachella/chicano.ht...</a>). We will add an additional component of [5] creating art and music to reflect and voice cultural pride. </p><p>Students will review the collection here and identify five items that connect to one of the components listed above. They will then create their own collection that acts as a digital exhibit, teaching others about the Chicano Movement. This assignment is described in further detail on the last resource in this collection.</p><p>This is a work-in-progress based on the digitized materials within the Smithsonian Learning Lab's collection--it is not meant to be wholly definitive or authoritative.<br /></p>

This collection includes a variety of resources representing styles of writing from around the world. It encourages viewers to consider writing not only for its ability to communicate through letters and symbols, but also for its artistic value. The collection includes a video on Sumerian writing, a website on African writing systems and art, and artifacts that are examples of the writing of East Asian, Arabic, Cherokee, Hebrew, and Modern European alphabets. In addition, a few tools used for writing are included. There is some background material on each type of writing as you read through the collection. Questions for classroom discussion and research might include: -What is the purpose of writing? Why use hand-writing or calligraphy instead of using a computer? -How do alphabets differ? -How can a style of calligraphy (or font change) the interpretation of a written work?

<p>In 2014-2015, artist and illustrator Maira Kalman created a personal collection that was displayed at the Cooper Hewitt, Smithsonian Design Museum. Her collection drew from across the Smithsonian museums and reflected a life story. Her inspiration and thinking is shared in the video resource that begins this collection, and some of the objects that she included (or similar ones) are shared.</p><p>Can you create your own collection of "favorite things"? What story would it tell? What people, places, and objects would it connect to? What emotions would it evoke?</p><p>tags: design, art, activity, personal, inspiration, creativity, biography</p>

<p>This 2-resource collection is intended to introduce students to the Battle of Thermopylae through an artistic interpretation and a map and graph rendering. It could be used as a short bellringer, warm-up, or homework activity prior to in-class discussion of the battle.</p><p>Tags: Sparta, Greece, Greek, Persia, Xerxes</p>

<p>This collection was created for a brief warm-up activity where students practiced analyzing portraits of recognizable figures as a group, prior to working on their own portrait analysis. Portraits of Muhammad Ali, Serena Williams, Rosa Parks, and Booker T. Washington are included and they vary in detail and medium. </p><p>The last resource, a PDF file, is a teacher's guide created by the National Portrait Gallery. Teachers should lead discussion about the portraits using suggested questions in the guide, and then let students search for a portrait of someone of their own choosing to analyze.</p><p>tags: civil rights, sports, tennis, boxing, African-American, black history, analysis, comparison</p>