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Philippa Rappoport

Lead, Education and Engagement
Smithsonian Office of Educational Technology
Smithsonian Staff

I work in education and engagement, teacher professional development, and outreach at the Smithsonian Office of Educational Technology (OET), and have a particular interest in developing and producing trainings, programs, teaching techniques, and platforms that foster deep learning and contribute knowledge to improve practices in museum and preK-16 education and engagement. At OET over the last decade+, I created digital assets for schools, families, and new immigrant English Language learners to complement teacher professional development and pan-Smithsonian programming, including Learning Lab teaching collections, YouTube videos with tradition bearers, a handmade family stories book-making website, and online heritage tours.

Philippa Rappoport's collections

 

Origami Animals: Demonstration Videos and Background Information

<p>People from all over the world have enjoyed doing traditional paper crafts for hundreds and sometimes thousands of years. In this set, you'll find interviews with origami artists and a variety of demonstration videos to make paper animals (bull, butterfly, crane) and a paper wallet. Appropriate for classroom, home, or informal education settings.</p> <p>The Japanese word "origami" comes from two smaller words: "ori" which means "to fold," and "kami" meaning "paper." Although this is the most common word in the United States for the craft of paper folding, the tradition is known to have existed in China and Japan for more than a millennium, and from there it spread to other countries around the world. Japanese patterns tend to focus on animals and flowers, while Chinese designs are usually for things like boats and hats. Paper folding's earlier use was ceremonial, but with time the tradition became popular as a children's activity.<br /></p> <p>Grab some paper and have fun!<br /></p> <p><br /></p>
Philippa Rappoport
5
 

The Art of Gaman: Storytelling, Musical and Dance Performance, and Hands-On Activities Demonstrations

<p>This collection comes from an Asian Pacific American Heritage Month family day in the Grand Salon of the Renwick Gallery of Art. The festival was created to complement the Renwick exhibition, "The Art of Gaman: Arts and Crafts from the Japanese American Internment Camps, 1942-1946." Included here are an interview with the curator of the exhibition, as well as musical and dance performances by Nen Daiko and the Kikuyuki Dancers of America, storytelling and an interview with Anne Shimojima, and hands-on origami and doll-making demonstrations.</p>
Philippa Rappoport
10
 

Close Looking at Edward Reep's "Italian Shrine," and the Nazi Occupation of Bologna, Italy, during WWII

<p>This teaching collection guides  viewers through a close looking exercise to explore American artist Edward Reep's painting of a shrine in Bologna, Italy, based on photographs and notes from his time as a combat artist in Italy during World War II. The collection is set up for students to look closely at the painting using Harvard's Project Zero Thinking Routine "See, Think, Wonder," and then to consider the historical and political context of the time, as well as the artist's personal experiences in Italy during WWII, in order to better understand Reep's homage in painting to the thousands of Italian Resistance fighters and citizens who lost their lives fighting against the Nazi occupation during World War II. The activity concludes with another Project Zero Routine from the Global Thinking series, "The 3 Y's."</p> <p><br /></p>
Philippa Rappoport
5
 

Michael Cumming's "Haitian Mermaid #2"

<h4><br></h4> <p>This collection prompts students to explore "Haitian Mermaid #2," an artwork by Michael Cummings using the Project Zero Thinking Routine "See, Think, Wonder." After careful observation, students consider two additional images of the mermaid Lasirn by unknown artists, using the Project Zero Artful Thinking Routine "See, Wonder, Compare." The collection can be used to practice and strengthen students' comfort looking at objects and making observations. </p> <p>Also included is an article from the National Museum of National History that includes some background on the mermaid Lasirn in Haiti. According to the article, "the mermaid Lasirn is one of three powerful female water spirits, sometimes considered sisters, who are honored in shrines. One sister is cool, calm and seductive. The other is hot, passionate, angry, and strong. Lasirn's personality is a blend of these opposites. Together, they validate a wide range of temperaments for women." In addition, as in many pictures of Lasirn, a Vodou banner in the exhibition shows her with a mirror and comb, as well as another common mermaid symbol, a trumpet. Lasirn wears modern, imported clothing, such as the cowboy hat... Flags or banners with pictures of spirits are an important part of Vodou ceremonies in Haiti. They are hung in temples or carried in processions to salute the spirits. A single banner may have more than 10,000 sequins."</p> <p>Keywords: Caribbean</p>
Philippa Rappoport
6
 

Carnival Celebrations: Masks (Lesson Plans, Activities, and Background Information)

<p>This collection comes from a set of lessons plans to introduce students to the culture of Puerto Rico by looking at customs and objects - specifically masks - connected to the annual celebration of Carnival. The lessons are split into four levels, covering grades K-2, 3-5, 6-8, and 9-12. They were originally adapted from a set of activities that appeared in <em>Our Story in History: A Puerto Rican Carnival</em>, a website produced by the Smithsonian's National Museum of American History - also shown in a link inside the collection, along with instructions for students to make their own masks. The lessons include objects from the Smithsonian's National Museum of the American Indian in New York, the George Gustav Heye Center, and the Department of Anthropology, National Museum of Natural History. </p> <p><br /></p>
Philippa Rappoport
6
 

Artist and Archivist: The Papers and Legacy of Angel Suarez Rosado

<p>The Archives of American Art seeks to identify and acquire personal papers and institutional records of national significance in the arts. This topical collection explores the documents and objects from the papers of Angel Suarez Rosado, a living artist of Puerto Rican descent, and their lasting significance to the public.</p> <p>Included here are a bilingual video with curator Josh T. Franco, an exhibition webpage from Rosado's site-specific installation at the Allentown Art Museum in Pennsylvania, and the Archives of American Art homepage where users can explore online collections, resources, and publications, and a final discussion question. </p> <p>#LatinoHAC<br /></p> <p><br /></p>
Philippa Rappoport
4
 

Social Justice in the Time of Pandemic: Smithsonian Asian Pacific American Center and National Museum of the American Latino

<p>This collection serves as a preview for the fourth of six seminar sessions in the 2022 Smithsonian-Montgomery College Faculty Fellowship Program. This year's theme is “Social Justice in the time of Pandemic."<br><br>Andrea Kim Neighbors, from the Smithsonian Asian Pacific Ameican Center, and Emily Key, Adrián Aldaba, and Natalia Febo, from the National Museum of the Amerian Latino, will discuss how their units are working to address issues of social justice through education, engagement, community building, collecting, programming, projects, and exhibitions. </p> <p>Resources included in this collection have been recommended by the presenters for participants to explore before and after the seminar itself.<br></p> <p>#MCteach</p>
Philippa Rappoport
26
 

National Museum of the American Indian: Saving Sacred Spaces

<p>This collection serves as a preview for the sixth of six seminar sessions in the 2022 Smithsonian-Montgomery College Faculty Fellowship Program. This year's theme is “Social Justice in the time of Pandemic."<br><br>Four colleagues from the National Museum of the American Indian - Maria Marable-Bunch, Shawn Termin, Renée Gokey, and Hayes Lavis - will present and discuss the museum's <em>Living Earth</em> series and partners' work to safeguard sites sacred to Native peoples and nations. <br></p> <p>Resources included in this collection have been recommended by the presenters for participants to explore before the seminar session itself. A fuller description and presenter bios are included inside the collection.<br></p> <p>#MCteach<br></p>
Philippa Rappoport
16
 

Social Justice in the Time of Pandemic: Presentations from the National Museum of African American History and Culture

<p>This collection serves as a preview for the fifth of six seminar sessions in the 2022 Smithsonian-Montgomery College Faculty Fellowship Program. This year's theme is “Social Justice in the time of Pandemic."<br><br>Colleagues from the National Museum of African American History and Culture - Kinshasha Holman Conwill, Kelly Elaine Navies, Doretha Williams, and Auntaneshia Staveloz - will discuss signature programs of the museum's engagement, collection, digitization, and outreach strategy. </p> <p>Resources included in this collection have been recommended by the presenters for participants to explore before the seminar session itself. A fuller description and presenter bios are included inside the collection.<br></p> <p>Special thanks to Danielle Lancaster for her support of this program.</p> <p>#MCteach</p> <p><br></p>
Philippa Rappoport
29
 

A Classroom or Family Project: "Today I Am Here," with examples of student work

<p>This collection contains assets and resources designed to help teachers (art, English, ESOL, social studies, and media technology), museum educators, and community-based informal learning educators recreate their own "Today I Am Here" project, based on the specific needs of their classroom or learning community. </p> <p>The "Today I Am Here" book is a wonderful classroom activity, made from one sheet of paper, in which students can share their family stories. The design of the book works well for a K-5 classroom display, and helps to show the breadth and diversity of the class and to encourage cross-cultural understanding. The project also works extremely well with ESOL students of any age, although the teacher will need to be prepared for possible difficult issues to surface. </p> <p>Included here are instructions to make the book, examples of student work (images and video of students reading), as well as images from classroom displays.<br></p> <p>The book design is one of many available in another collection: Fun for the Whole Family: Making "Family Memory" Storybooks: <a href="http://learninglab.si.edu/q/ll-c/1tozk88HXhnFBU6d">http://learninglab.si.edu/q/ll-c/1tozk88HXhnFBU6d</a>.<br></p> <p><br></p>
Philippa Rappoport
10
 

Making "Family Memory" Storybooks: Fun for the Whole Family

<p>This collection includes a series of easy-to-do book projects designed to get families talking and creating together. Any of them can be used in the classroom (English, art, social studies), as a home project, or in an informal learning setting. All books are made from a single sheet of paper.</p> <p>Titles are ordered generally from most complex to least complex for topic, and include:<br />"Our Home" Nature Walk Album<br />Today I Am Here<br />Connections<br />My Hero<br />Music Memories<br />Kitchen Memories<br />Special Person<br />Family Treasure<br />Things That Make Me <em>Me!</em><br />I Am A Star<br />My Clubhouse<br />Family Flag<br />My Name</p> <p>At the bottom, you'll also find an interview with the creator of these design templates, book artist Sushmita Mazumdar, and a video of her reading one of her own books.<br /></p> <p>Click on any of these demos and accompanying downloadable instructions to make your own "family memory" storybook!<br /></p> <p>tags: art, crafts, crafting, how-to<br /></p>
Philippa Rappoport
47
 

Art and Technology Projects for Museums and Classrooms: From "Today I Am Here" to "Discovering US/Descubriéndonos"

<p>This collection contains assets and resources designed to help teachers (art, English, ESOL, social studies, and media technology), museum educators, and community-based informal learning educators recreate their own "Today I Am Here" project, based on the specific needs of their classroom or learning community. </p> <p>"Today I Am Here" is a project in which students make a handmade book from one piece of paper, that tells the story of how they got to where they are today. This project is wonderful in a classroom to show the breadth and diversity of the class, and to encourage cross-cultural understanding. </p> <p>Inside you will find instructions and images for the various components of the project, as well as samples of student work.  </p> <p>#LatinoHAC<br /></p>
Philippa Rappoport
15