Found 222,766 Resources containing: Research
Geoffrey Parker, left, a forest ecologist at the Smithsonian Environmental Research Center (SERC) in Edgewater, MD. and Project Facilitator Sarita Cargas perform leaf experiments high up in the forest canopy with the help of a crane they rented for a week. The canopy, where the atmosphere interacts with the biosphere, has rarely been studied in a temperate forest.
The Smithsonian Tropical Research Institute's new research vessel, Urraca, named after a Panamanian Indian warrior, arrived in Panama in April 1994. Built in England in 1987, the Urraca has a crew of five and can accommodate scientific parties of up to 10. The research vessel is equipped with laboratories, darkroom, scuba-diving equipment, small boats and the latest in communications and navigation equipment. The vessel will give scientists the opportunity to work much farther afield, with larger and more sophisticated equipment.
Newspaper clipping announcing the formation of the American Art Research Council, its representatives, and description of the agency's goals.
Follow botanist Candy Feller of the Smithsonian Environmental Research Center as she conducts field work on mangrove ecosystems at Carrie Bow Cay, a Smithsonian field research station in the Caribbean.
The post Mangroves research by Candy Feller, Smithsonian Environmental Research Center botanist appeared first on Smithsonian Insider.
Staff of the new Office of Educational Research: (clockwise from left, Joan Liversidge, Deedee Hilke, Mary Mangone, John Falk, John Balling and Karen Severson
For more information, see object 1994.3092.01.
This image shows the Naval Research Laboratory premises, it depicts a fence, signage, and the exterior of several buildings, the image was used to inform a planning survey of the Anacostia area.
Fly Now: The National Air and Space Museum Poster Collection
Throughout their history, posters have been a significant means of mass communication, often with striking visual effect. Wendy Wick Reaves, the Smithsonian Portrait Gallery Curator of Prints and Drawings, comments that "sometimes a pictorial poster is a decorative masterpiece-something I can't walk by without a jolt of aesthetic pleasure. Another might strike me as extremely clever advertising … But collectively, these 'pictures of persuasion,' as we might call them, offer a wealth of art, history, design, and popular culture for us to understand. The poster is a familiar part of our world, and we intuitively understand its role as propaganda, promotion, announcement, or advertisement."
Reaves' observations are especially relevant for the impressive array of aviation posters in the National Air and Space Museum's 1300+ artifact collection. Quite possibly the largest publicly-held collection of its kind in the United States, the National Air and Space Museum's posters focus primarily on advertising for aviation-related products and activities. Among other areas, the collection includes 19th-century ballooning exhibition posters, early 20th-century airplane exhibition and meet posters, and twentieth-century airline advertisements.
The posters in the collection represent printing technologies that include original lithography, silkscreen, photolithography, and computer-generated imagery. The collection is significant both for its aesthetic value and because it is a unique representation of the cultural, commercial and military history of aviation. The collection represents an intense interest in flight, both public and private, during a significant period of its technological and social development.
Copyright Disclosure for Orphaned Works
Whenever possible, the museum provides factual information about copyright owners and related matters in its records and other texts related to the collections. For many of the images in this collection, some of which were created for or by corporate entities that no longer exist, the museum does not own any copyrights. Therefore, it generally does not grant or deny permission to copy, distribute or otherwise use material in this collection. If identified, permission and possible fees may be required from the copyright owner independently of the museum. It is the user's obligation to determine and satisfy copyright or other use restrictions when copying, distributing or otherwise using materials found in the museum's collections. Transmission or reproduction of protected materials beyond that allowed by fair use requires the written permission of the copyright owners. Users must make their own assessments of rights in light of their intended use.
If you have any more information about an item you've seen in the Fly Now: The National Air and Space Museum Poster Collection, or if you are a copyright owner and believe we have not properly attributed your work to you or have used it without permission, we want to hear from you. Please contact email@example.com with your contact information and a link to the relevant content.
View more information about the Smithsonian's general copyright policies at http://www.si.edu/termsofuse