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Found 759 Collections

 

The Wednesday Wars and the American Ideal

Resources to accompany a unit on the YA novel The Wednesday Wars by Gary Schmidt.

Tip Walker
15
 

Immigration and Community: What is Home?

This collection is a teacher resource for ELL populations who are making connections between their homes/communities and housing communities for migrant populations of the past. #SAAMteach.

arteacher
14
 

Immigration & The Face of American Identity

This collection provides resources that can be used to introduce and discuss the following essential questions, as part of a larger "American Identity" literature-based unit:  

1) In what ways do immigrants change America?

2) What would America be like without immigrants?

3) How do immigrants' experiences contribute to a complex and multifaceted American Identity?

#SAAMteach

Joanna Dickinson
13
 

Preamble: Unity and Individuality In America Today

This lesson focuses on Mike Wilkins' "Preamble".  The purposes of this lesson is to have students analyze the Preamble to the Constitution (particularly the phrase, "We the People") and discuss its relevance today. 


#SAAMteach

Taleen Hasholian
10
 

Identity

English 12 unit 

Focus on "Identity" and transition to "Conformity" and the response of the individual to environmental sources that might seek to suppress individuality

#SAAMteach

Marie Meyer
15
 

The Electronic Superhighway: Perception of American Culture

Is American Culture always perceived in the same way by everyone or does it differ from person to person?

#SAAMteach

Brooke Oxendine
10
 

Maps as Story: Analyzing Thematic Development Using Visual Maps

Students will "read" and analyze elements such as conflict, symbolism, mood, and tone in order to interpret a visual map's message or story.  

Rosalyn Greene
14
 

Recognizing the American Dream Lesson


#SAAMteach

Maria Ryan
6
 

Women and men who helped New York immigrates' living conditions during the 19th and early 20th century.

This collections shows men and women who helped change the living conditions of the immigrants that flooded into New York City during the 19th and 20th centuries. They changed the way people lived by shining a light on the poor living conditions of the newest Americans.  The following people are discussed in this collection: Lillian Wald, Jane Addams, Margaret Sanger, Jacob Riis, and Theodore Roosevelt.  The themes that are discussed are: tenement living, women's health, and immigrants. 

This collection was created in conjunction with the National Portrait Gallery's 2019  Learning to Look Summer Teacher Institute. 

#NPGteach


leigh lewis
17
 

What does it Mean to Be a Scientist?: The Scientific Method and Taking Good Notes

This is a  collection designed to introduce students to the history of aviation as told through the lens of the scientific method-design process. Students begin by thinking about why is flight important in our lives, and how did we get to the airplanes we now know? Students look at the many designs that planes have gone through, and discuss why perseverance and problem-solving are important skills to have. They also see that teamwork, cooperation, and a desire to succeed were necessary for the Wright Brothers to do their important work. Feel free to pick and choose from the resources in creating your own collections:


Overall Learning Outcomes:

  • Scientists use trial and error to form conclusions.
  • Scientists test hypotheses using multiple trials in order to get accurate results and form strong conclusions. 
  • Scientists use multiple data and other evidence to  form strong conclusions about a topic.
  • Scientists work together to apply scientific research and knowledge to create new designs that meet human needs. 
  • Scientists help each other persevere through mistakes to learn new ideas.

Guiding Questions for Students to Answer from this collection:

  • Why is flight important?
  • How do scientists solve problems?
  • How do scientists collect data to help them solve problems?



#LearnwithTR

Katherine Dunn
9
 

The Survivors Who Haunt Us: Developing Global Competence by Understanding the Power of Resilience

These materials address a unit on resilience and global competence as related to and extended from The Book Thief by Markus Zusak.  #SAAMteach

Yolanda Toni
13
 

Inside Out & Back Again

Resources to accompany a unit on the YA verse novel Inside Out and Back Again by Thhanha Lai. #SAAMteach

Katie Porter
6
 

"The more you look, the more you see." - Self Portraiture and the Personal Essay - Student Version - (#SAAMTeach)

Text below, from The National Portrait Gallery: "Eye to I: Self Portraits from 1900 to Today."

#SAAMTeach

Drawing from the National Portrait Gallery’s vast collection of self-portraits, this exhibition explores and thinks critically about how American artists have chosen to portray themselves over the past two centuries. Individuals featured in Eye to I have approached self-portraiture at various points in history, under unique circumstances, and using different tools, but their representations—especially when seen together—all raise important questions about self-perception and self-reflection. Some artists reveal intimate details of their inner lives through self-portraiture, while others use the genre to obfuscate their true selves or invent alter egos. Are we seeing mirror images? Or, are these portrayals refractions of modern identity that reveal artistry rather than personality?

As we are confronted each day with “selfies” via social media, and as we continue to explore the fluidity of contemporary identity, this is an opportune time to reassess the significance of self-portraiture in relation to our country’s history. 

https://www.si.edu/exhibitions...


Annette Spahr
26
 

Symbolism and Self-Portraiture Like Kehinde Wiley

After using the "Seven Ways to Look at a Portrait" strategy, students create self-portraits in the style of Kehinde Wiley that incorporates study symbolism, self-identity narrative, and reflection on the poses of traditional American portraiture. This lesson requires access to computer technology, a camera (mobile phone is fine), a green screen background, a green screen phone app or program, and ideally a printer.

Amy Leserman
16
 

Who creates identity?

This activity will be used to reinforce close reading and analysis of visual text in either a pop culture unit or an identity unit in AP English Language and Composition. The idea is to examine how iconic popular images can be remixed to create new meaning and conversation about identity. 

The collection was created in conjunction with the National Portrait Gallery's 2019 Learning to Look Summer Teacher Institute.

#NPGteach

Cheryl Chambliss
10
 

When Marian Sang: Using Portraiture for Pre-reading and Post-reading Activities

In this collection, portraits are used for both pre-reading and post-reading activities in connection with reading a biography of Marian Anderson. The pre-reading activity uses Betsy Graves Reyneau's oil on canvas portrait, Marian Anderson, to begin to reveal Anderson to students. Post-reading activities include the use of photographs, video and William H. Johnson's oil on paperboard Marian Anderson to enhance understanding of Anderson's 1939 concert and to informally access student learning.  

When Marian Sang: The True Recital of Marian Anderson: The Voice of a Century is a picture book written by Pam Munoz Ryan and illustrated by Brian Selznick. This biography shares the story of opera star Marian Anderson's historic concert of 1939 on the steps of the Lincoln Memorial to an integrated crowd of over 75,000 people. The book recounts Marian's life as a she trains to become an opera singer and as she struggles with the obstacles she faces in pre-Civil Rights America. This picture book is an excellent choice to use in the upper elementary classroom in the context of a unit that focuses on "challenges and obstacles."

This collection was created in conjunction with the National Portrait Gallery's 2019 Learning to Look Summer Teacher Institute. 

#NPGteach

Katie Oxnard
8
 

I'm taking my ball and going HOME!

This collection will serve as the basis for a series of activities designed to promote global competence and to teach for understanding . Specifically, these activities focus on building competence in the domains of investigating the world and taking action. All of these experiences and tasks will use the concept of "HOME" as their point of nucleation or seed, and as a through-line to connect the students to the material and help them extend the material beyond the classroom. 

Resources in this learning lab include:

  1. A collection of global thinking routines to be applied during these encounters, as well as the rationales and goals for their use. 
  2. An example of thinking routines designed to foster global competence based on Homer's Odyssey (I use the Fagles translation) and the work of contemporary Korean-born artist, Do Ho Suh. 
  3. Suggestions for expansion, further interrogation, and fractal extension, including extension into further abstraction.
  4. A series of journal entries charting some of the thinking leading to the production of this learning lab. 
  5. A padlet including documentation of my thinking process and some photos of other pieces by Do Ho Suh: https://padlet.com/debic_mathieu/67572xigbcn 


Timeline:

  • This learning lab collection was originally conceived to be used in an English/Language Arts or composition class. As such, it favors written expression. These writing assignments could be altered, shortened, or dispensed with altogether. 
  • The timeline I had in mind when building this learning lab was about two or three weeks of class time. Obviously it could go longer or shorter, depending on the circumstances of teachers using it. 

#SAAMteach

Mathieu Debic
9
 

Slow Looking: Untitled, by El Anatsui

In this collection, students will explore an artwork by El Anatsui, a contemporary artist whose recent work addresses global ideas about the environment, consumerism, and the social history and memory of the "stuff" of our lives. After looking closely and exploring the artwork using an adapted version of Project Zero's "Parts, Purposes, and Complexities" routine, students will create a "diamante" poem using their observations of the artwork and knowledge they gained about El Anatsui's artistic influences. Additional resources about El Anatsui, how to look at African Art, and Project Zero Thinking Routines are located at the end of the collection.

This collection was created for the "Smithsonian Learning Lab, Focus on Global Arts and Humanities" session at the 2019 New Jersey Principals and Supervisors Association (NJPSA) Arts Integration Leadership Institute. 

Keywords: nigeria, african art, textile, poetry, creative writing, analysis

Tess Porter
20
 

Metadata and Tagging Activity

This activity, designed as a group exercise, asks participants to assume the role of a college student researching American women's work in the early 20th century, as an entry point to consider what is useful when tagging, searching, and creating digital resources. The collection includes the images that participants considered, followed in each case by a PDF of their responses. For the activity instructions, see the second tile of the collection.

This activity was conducted at the inaugural meeting of the Smithsonian Digital Resources Steering Committee, a group convened to share knowledge and explore best practices, issues, and strategies that arise in using and creating digital cultural museum resources.  

Kayo Denda, Librarian for Women's, Gender and Sexuality Studies at Rutgers University and Visiting Fellow at the Smithsonian Center for Learning and Digital Access, created the activity reproduced here.  As a Fellow, Ms. Denda is exploring how libraries, museums, and archives develop metadata for content on women in American history.  


#DCRSC



Philippa Rappoport
17
 

Connecting to Great Gatsby's Appearance vs. Reality in Self Portraiture

This lesson, integrated halfway through F. Scott Fitzgerald's The Great Gatsby, will address both character analysis and the ever present theme of appearance vs. reality in the text.  By using Thomas Hart Benton's "Self Portrait with Rita" as a starting point students will study the specifics of a self portrait from the 1920s which highlights American dream centered ideals.  As a second step, students will make connections between the painting and the characters from our text.  As a final extension activity, students will further explore the inspiration, the biography, or another work by Benton.

#NPGteach

Leslie Reinhart
15
 

Behind every great man is a woman! Looking at the role the First Lady plays.

Opening:  Class Discussion:  What is a portrait?  What are the Elements of Portrayal?

Show Michelle Obama Portrait- Have students work in pairs to come up with a list of things the artist wants us to know about the sitter.

Discuss answers

Read Washington Post article - Add any ideas to list

Divide class into 6 groups - Each group is given a group of first ladies.  Students should come up with a list of attributes/characteristics/symbols for the group as a whole.

Small groups should then meet together and complete a Venn Diagram to show similarities and differences of the groups to distinguish how portraits may/may not have changed through time.  Does this portray how the role of the first lady has evolved over time?

Further questioning:  What roles will future first ladies (men, husband, partner) play in the U.S.

Extension activity:  Portrait - Create a portrait of someone of importance or even a self-portrait.  What style will it be in?  How will you use the elements of portrayal?


This collection was created in conjunction with the National Portrait Gallery's 2019 Learning to Look Summer Teacher Institute.

#NPGteach

Tammy Fitts
14
 

Harlem Renaissance: Style and Subject

This collection is meant to be used as an introductory activity to the novel Their Eyes Were Watching God by Zora Neale Hurston. Specifically, it focuses on the different styles employed by artist Aaron Douglas, most notably in his Scottsboro Boys portrait and in his 1925 self-portrait. In doing so, it asks students to consider when and why an artist who is more than capable of creating within the boundaries of classically beautiful art or writing might chose to create in this style at some times and at other times to create in more radical or avante-garde styles. It uses a Compare and Contrast looking technique before revealing to students that all four distinct pieces are created by the same artist. 

Ideally, teachers can end the unit by facilitating discussion of the social change Douglas aims for with his Scottsboro portrait and of the bridge that Hurston creates with her prose narrator before launching into the dialect of her characters that earned her such scorn from the African American community of her era.

This collection was created in conjunction with the National Portrait Gallery's 2019 Learning to Look Summer Teacher Institute.

#NPGteach

Lindsay Van Loon
11
 

Women of Japan

Time- 2 class periods

Description:

Using the Project Zero Design Thinking routines  "Parts, People, Interaction", this activity provides an understanding of the system of gender power at stake in the representation of Chapter 34 of Tales of Genji - Kashiwagi catches sight of the third Princess.  It then looks at a modernization of the illustrations and offers a reflection on what the new feminine contemporary perspective brings to the interpretation of the Third princess story. 

In exploring the representations of the tales of Genji, students have the opportunity to discover tales that have become a standard for Japanese culture. They look at the first known literature piece written by a woman, who shares a rare and intimate perspective of a woman on a world governed by men.  Students compare the representation of the tales from the XVIth century with one from the XXth century to identify in what ways they have been interpreted.

Day 1:

Step 1: Have students sketch The tale of Genji, chapter 34; Kashiwagi catches sight of the third Princess

Step 2: Debrief as a whole group

Discuss what the students have noticed.  Do not show the caption to the students yet. The observational drawing is good to help students pay attention to details and unveil the artist's choices. It also encourages them to initiate a first interpretation.

Step 3: Parts, People, Interaction

Once students have discussed the painting, guide them through the routine "Parts, People, Interaction". 

"This thinking routine helps students slow down and look closely at a system ( here the system of gender power.) In doing so, young people are able to situate objects within systems and recognize the various people who participate—either directly or indirectly—within a particular system. 

Students also notice that a change in one aspect of the system may have both intended and unintended effects on another aspect of the system. When considering the parts, people, and interactions within a system, young people begin to notice the multitude of subsystems within systems. 

This thinking routine helps stimulate curiosity, raises questions, surfaces areas for further inquiry, and introduces systems thinking." (PZ)

Step 4: Read the PDF "More about Chapter 34" and go back to the questions 

Have students read the caption, go back and look at the painting and ask them to take notes on how their understanding has shifted from their initial interpretation.

Step 5: Debrief the "Parts, People and Interaction" routine as a whole group:

During the discussion, here are some specific question students may want to address:  

  • What does the illustration of Chapter 34, Kashiwagi catches sight of the third Princess says about the system of power gender in place at the Japanese court in the XIth century? 
  • To what extent the architecture in the painting play a role in facilitating the superiority of men? 
  • How does the system in place impact relationship between men and women?

Day 2:

Step 1: "See, Think, Wonder" - The third princess with her pet cat, Yamato Maki, 1987

Have them do a quick "See, Think, Wonder" to encourages them to reactivate prior knowledge, pay attention to details and reflect on the effects of the modernization of the illustration of The tales of Genji though manga. Identify the audience and the context of the illustration.

Step 2: Read the caption as a group - notice what is important.

Step 3: "Layers"

This routine will encourage students to refine their first analysis of the illustration by looking at it through different angles (Aesthetic, Mechanical, Connections, Narrative, Dynamic). It will allow them to draw upon their prior knowledge and consider the impact of modernization of art on the public. 

Students can work in small group and cover between 3 and 5 of the categories.

Step 4: Each group of students present their learning to the class 


Anne Leflot
7
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