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Found 5,751 Collections

 

Digital Museum Resources for the High School Ethnic Studies Classroom (Irving Arts Center )

This collection includes digital museum resources and replicable activities that will serve as a springboard for discussion during the Exploration of Ethnic Studies workshop at the Irving Arts Center on October 16, 2019. The collection models how digital museum resources can be leveraged to support critical thinking and deeper learning for high school Ethnic Studies curricula. The collection can be copied and adapted for use in your own classroom. 

This program received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

#EthnicStudies

Keywords: Ethnic Studies, Mexican American Studies, MAS

Philippa Rappoport
50
 

Billie Holiday at Sugar Hill: Photographs by Jerry Dantzic

This collection, created to accompany the SITES exhibition Billie Holiday at Sugar Hill: Photographs by Jerry Dantzic, contains complementary resources to support the exhibition's themes. The collection includes music, photography, objects, and other sources to facilitate an examination of who Billie Holiday was, her legacy,  the use of available light within photography, the dynamic context of jazz in the 1950s, and how artists like Billie Holiday used their art to influence social change. 

About the exhibition:  In April 1957, photographer Jerry Dantzic had an assignment from Decca Records to photograph Billie Holiday during a weeklong run of performances at the Newark, New Jersey, nightclub, Sugar Hill. What unfolded was an unexpected and intimate journey into her private and public worlds. His photos comprise the largest collection of images from any single Billie Holiday club engagement. "Billie Holiday at Sugar Hill: Photographs by Jerry Dantzic” presents 56 remarkable images of the jazz icon that challenge the tragic narrative that frequently defines her. The exhibition is on view at Irving Arts Center in the Main Gallery from September 14 through November 17, 2019.  

#IrvingArts

#BillieHoliday

#EthnicStudies


Marcie Inman
34
 

Here We Go Team!

This Discovery Theatre original scores big in a musical play about sharing and taking turns, the importance of personal space, and the awesome power of teamwork.  Five-year-olds Mika and Casey are aspiring soccer stars and best friends—but they’ve ended up on separate teams! Through a mishap on the field, they discover that helping people is cool, thanks to another kind of 'team'-- of medical stars who make everyone feel great.  

Discovery Theater
54
 

Grandma's Thanksgiving Visit

This interactive play created by Creative Tools for Teaching team is infused with pre-literacy, pre-numeracy, and inquiry-based activities. It celebrates family and the many things we are thankful for! Grandma has arrived for the holiday—and that can only mean making puppets, cooking together, washing the car, and learning lots of fun new things. This musical play with a great big heart brings the whole audience into the family with singing, finger play, and call-and response as we all give thanks for being together. Presented by Discovery Theater--a pan-institutional museum theater dedicated to bringing theatre to young audiences and general visitors on and off the Mall since 1969. 

Discovery Theater
69
 

Jojo’s Backyard Safari

Discovery Theater is a pan-institutional museum theater dedicated to bringing theatre to young audiences and general visitors on and off the Mall since 1969. It's time for high adventure as Jojo goes on the lookout for all kinds of fascinating creatures in the wilds of his very own yard. What will he find hidden in plain sight? Come along on the trek as we learn, create, and play in this musical mini-travelogue about the hidden natural world close to home.

Discovery Theater
62
 

Digitizing the Donor Experience

Digitizing the Donor Experience: Exploring the Use of Digital Collections to Build a New Culture of Philanthropy in the Museum Sector

Presented to Smithsonian staff members as a presentation by Romilly Beard, Fellow in Museum Practice (2019). The project explored the following questions:

  • How can we increase impact by using digital museum objects to connect with peoples' stories? 
  • With limited resources, how should you prioritize what objects get digitized? 
  • How can digitized objects affect levels of donors' giving?
  • How can smaller regional museums leverage digitized resources to affect geographic impact? 
  • How can organizations partner with other museums, and their digital objects, to complement a collection and tell a broader story?

| ABSTRACT | "There is increasing recognition and evidence that donor behaviour is starting to shift to increased use of online donations through crowdfunding and digital platforms. With younger philanthropists now fluent in digital communication, this channel of engagement will need to be utilised more frequently and effectively by the museum sector in the future. In the fundraising space there is a growing body of work on digital fundraising in the wider charitable sector. While in the museum sector there is a focus on digitizing collections for reasons of collection management, preservation and access. This research project examined digitized collections through a fundraising lens: highlighting the use of digital collections to personalize a donor experience as well as increase donor reach. A review of relevant literature and access to digital resources held by the Smithsonian Learning Lab provided a background to the project."  - Romilly Beard, Fellowship Proposal, 2018

Smithsonian Center for Learning and Digital Access
36
 

Writing Flash Fiction from Art, Part 1

In this Collection, students will choose art to help generate a piece of original flash fiction. 

Flash fiction - which is limited to 750-1500 words - is uniquely useful to developing writers because it allows them to practice their writing skills over a number of shorter pieces.  The artwork is of great purpose to creating Flash Fiction because it can provide a writer with three of the five essential elements - Setting, Situation, Sensory Detail - as identified by  Katey Schultz of the Interlochen College of the Creative Arts.   Another useful resource is found here.

This assignment is the first of a series of assignments in which students develop Flash Fiction from art pieces, giving them the opportunity to develop their skills over time, then revise and edit and submit a final piece.

Julie Harding
32
 

¡Descubra! Meet the Science Expert

What is ¡Descubra! Meet the Science Expert? These STEM interactive science activities highlight informal conversations with ¡Descubra! Latino featured speakers, ¡Descubra! collaborating organizations, and !Descubra! Create-It hands-on activities.

The Smithsonian Latino Center created the ¡Descubra! series as a fun way to build science in youth.

Smithsonian Latino Center (SLC)
11
 

Brainstorming (11/5/19)

Use this collection to help jumpstart your brainstorming process. As you examine how two designers went from brainstorm to final product, you'll practice three brainstorming strategies: 

- Generating as many ideas as you can 

- Keeping the flow going by saying "Yes, And..."

- Generating new ideas by combining 2 existing ideas

#designthinking


Joel Knopf
22
 

U.S. Dollars in Liberia

The Value of Money exhibition's new acquisition case is currently featuring a display on the use of U.S. Dollars in Liberia.  This Learning Lab makes this display available digitally. 

U.S. Dollars in Liberia 

From 1820 to 1904, about 16,000 people formerly enslaved in the United States sailed to West Africa and established the country now known as Liberia. The American Colonization Society, which sought to create a colony in Africa for formerly enslaved people, issued currency like this 1833 token and established a government led by white officials. 

In 1847 Liberian migrants declared independence from the American Colonization Society and issued their own coins as a symbol of nationhood. The coins were minted in England and circulated alongside indigenous currencies like the Kissi penny. In the late 19th and early 20th century, the Liberian government struggled with debt, making it difficult for the Liberian dollar to maintain its value. As a result, merchants and then the government began to use the colonial currency of British West Africa instead. 

In 1943, with financial help from the U.S. government, the U.S. dollar replaced British West African shillings as the primary currency in circulation. The Liberian dollar continued to be in use as small change. Today Liberia is one of few nations with a dual currency system, as both American and Liberian dollars circulate alongside each other. In 2019 the National Numismatic Collection acquired contemporary Liberian banknotes to help tell this story. 

Suggested Reading:

Gardner, Leigh A. "The rise and fall of sterling in Liberia, 1847-1943." Economic History Review 67, no. 4 (2014): pp. 1089-1112. 

Rosenberg, Emily S. Financial Missionaries to the World: The Politics and Culture of Dollar Diplomacy 1900-1830. Chapel Hill: Duke University Press, 2007. 


 To see all of the West African currency objects in the National Numismatic Collection, click here.  Please feel free to reach out to Dr. Leigh Gardner or Dr. Ellen Feingold with questions or feedback.

This project was generously funded by the Knowledge Exchange and Impact Fund at the London School of Economics. It was completed in partnership with the Smithsonian’s National Numismatic Collection.




NMAH and London School of Economics
7
 

Read and Write Qin Small Seal 认写秦小篆

About This Collection:

This collection was designed by Hongli Holloman, a Chinese language teacher at Washington International School, as a basic introduction to use learning lab for language educators. It is a collection of resources from Emperor Qin Shihuang’s Mausoleum Site Museum, the Smithsonian Center for Learning and Digital Access, and the Smithsonian’s Freer Gallery of Art and Arthur M. Sackler Gallery. Each resources includes key information about the resources, as well as ideas for class discussion using Project Zero Global Thinking Routines, and class activities. Feel free to copy the collection and adapt it to your own use.

Keyword: ancient history; artifact; China; sculpture; Chinese; cross-cultural comparison; think puzzle explore; project zero; visible thinking routine; terra cotta; qin shi huang; shihuangdi; shi huang di; Qin Small Scrip; ancient script; terracotta army

Teaching Goals:

To help students review and learn about the origin of Chinese written language and the evolution of the scrips.

Students with proficiency level of Intermediate Low to Intermediate Med would have more reinforcement to advance to Intermediate High Advanced Low level. Please check here to get the description of ACTFL Proficiency Guidelines.

1. Develop international-mindedness through the study of Chinese languages, culture of China, and ideas and issues of global significance.

2. Enable students to communicate in Chinese they have studied to introduce ancient Qin dynasty and its first Emperor.

3. Encourage, through the study of Qin Small Seal, an awareness and appreciation of a variety of perspectives of people from China

4. Develop students’ understanding of the relationship between the languages and cultures with which they are familiar.

5. Develop students’ awareness of the importance of language in relation to other areas of knowledge, such as history and art.

6. Provide students, through language learning and the process of inquiry, with opportunities for intellectual engagement and the development of critical- and creative-thinking skills specifically using Project Zero thinking routines such as PARTS-PURPOSE-COMPLEXITIES, Looking Ten Times Two, THREE Y’S.

7. Provide students with a basis for further study, work and leisure through the use of Chinese.

8. Foster curiosity, creativity and a lifelong enjoyment of language learning.

Standards Targeted:

  1. ACTFL WORLD-READINESS STANDARDS FOR LEARNING LANGUAGES

Communication

Standard 1.1: Students engage in conversations, provide and obtain information, express feelings and emotions, and exchange opinions.

Standard 1.2: Students understand and interpret written and spoken language on a variety of topics.

Standard 1.3: Students present information, concepts, and ideas to an audience of listeners or readers on a variety of topics.

Cultures

Standard 2.2: Students demonstrate an understanding of the relationship between the products and perspectives of the culture studied.

Connections

Standard 3.1: Students reinforce and further their knowledge of other disciplines through the foreign language.
Standard 3.2: Students acquire information and recognize the distinctive viewpoints that are only available through the foreign language and its cultures.

Comparisons

Standard 4.1: Students demonstrate understanding of the nature of language through comparisons of the language studied and their own.

Standard 4.2: Students demonstrate understanding of the concept of culture through comparisons of the cultures studied and their own.

Communities

Standard 5.1: Students use the language both within and beyond the school setting.

Standard 5.2: Students show evidence of becoming life-long learners by using the language for personal enjoyment and enrichment.

IB DP: Language Acquisition Aims

1. Develop international-mindedness through the study of languages, cultures, and ideas and issues of global significance.

2. Enable students to communicate in the language they have studied in a range of contexts and for a variety of purposes.

3. Encourage, through the study of texts and through social interaction, an awareness and appreciation of a variety of perspectives of people from diverse cultures.

4. Develop students’ understanding of the relationship between the languages and cultures with which they are familiar.

5. Develop students’ awareness of the importance of language in relation to other areas of knowledge.

6. Provide students, through language learning and the process of inquiry, with opportunities for intellectual engagement and the development of critical- and creative-thinking skills.

7. Provide students with a basis for further study, work and leisure through the use of an additional language.

8. Foster curiosity, creativity and a lifelong enjoyment of language learning.

Hongli Holloman
22
 

Ancient religious architectures VS. Modern religious architectures

Inside this Ancient religious architectures VS. Modern religious architecture collection, I will be showing various religious architectures/buildings from the ancient times vs the modern religious building that we have right now. The purpose of creating this collection is because I want to distinguish the difference between the religious architecture around the world and compare it to what the architectures look like back in the old time, since both are religious building, it both are dedicated to a specific goddess, but their outside look looks totally different. The history of architecture is concerned with religious buildings other than any other type. People use the buildings such as temples, churches, mosques, etc. as a place to worship and sometimes shelter. Those religious architectures are also known as the Sacred architectures, many cultures and countries devoted their resources to their sacred buildings to show their respect for their goddess and to worship them. We don’t just see them in ancient history. Today, there is still building being built in the modern world purely for religious reasons, such as churches and temples. In this collection, I will be showing a mix of modern religious buildings and ancient buildings, I will be comparing the two different centuries architectures through pictures.

#AHMC2019

Jenny Chou
18
 

Human Figure

This collection supports learning in the Grade 4 gesture drawing and wire sculpture lessons. Activities:

  • Realism vs. Abstraction: students sort sculptures of the human figure into two categories (realistic or abstract). Describe the ways that some artists abstract the human figure.
  • Compare contrast 2D/3D: identify the shapes an artist used to portray the human figure in a gesture drawing, then identify the equivalent forms used in a sculpture. Record findings in a T-chart.


Jean-Marie Galing
20
 

Time

The theme of TIME can be explored in art using key concepts throughout the semester or year. Explore various concepts related to the idea of TIME by playing the Connections Card Game. The mind maps made after playing the game can be used as a reference throughout the course. 

Teacher Preparation:

  • Download and print images on card stock (resource attached to this collection). Create multiple sets for small groups to play the game.
  • Print Key Concept Cards (resource attached to this collection)

Student Activity:

  • Take turns choosing a card and connecting it to a key concept by placing it near an appropriate Concept Card.
  • Defend choice with evidence in the image.
  • After all cards have been played, students make inferences about how people experience, measure or represent time.
  • Small groups collaborate to draw a mind map to illustrate their ideas.
  • Present maps in a "Carousel Interview." One group member stays with the mind map to answer questions; other group members visit tables to explore mind maps and ask questions.
  • Return to original group. Encapsulate overarching ideas and record them on your group's mind map.
Jean-Marie Galing
27
 

Art & Culture Sort

First, sort the images by type of art/artist. Teacher should make index card headings for the following categories: Painting/Painter, Textile/Weaver, Clothing/Fashion Designer, Architecture/Architect, Prints/Printmaker, Sculpture/Sculptor, Functional Ceramics/Potter or Ceramist. Sometimes an image may cross categories (painting of a house might be categorized in architecture or painting); either answer would be acceptable if the student can justify why.

Second, make an educated guess about culture represented in selected images. Students can "guess and check" with teacher. Online research option: students work in pairs to access this collection and click on the info button for an image to learn about the maker, time period, and culture. They can record their findings to help answer the reflection questions below.

After the sorting activities, ask students to choose an image and answer: Why is/was this object of value (or useful)? How do you think it expresses something important to the people of that culture?

Jean-Marie Galing
28
 

Artwork and The Great Gatsby

The pieces in this collection connect in some what to the characters, plot, setting, or themes from The Great Gatsby. 

Julie Harding
60
 

Writing Flash Fiction from Artwork Part II

In this Collection, students will choose art to help generate a second piece of original flash fiction. 

Flash fiction - which is limited to 750-1500 words - is uniquely useful to developing writers because it allows them to practice their writing skills over a number of shorter pieces.  The artwork is of great purpose to creating Flash Fiction because it can provide a writer with three of the five essential elements - Setting, Situation, Sensory Detail - as identified by  Katey Schultz of the Interlochen College of the Creative Arts.   Another useful resource is found here.


Julie Harding
38
 

native americans

Native American artifact

holly roberts
11
 

spanish america and brazil: state and church

Glynna N. and Cleo K.

Glynna Nathan
8
 

What's a Lichen? How a Smithsonian Scientist Studies a Unique Symbiosis

This collection supports the free Smithsonian Science How webcast, "What's a Lichen? How a Smithsonian Scientist Studies a Unique Symbiosis,"  scheduled to air on November 14, 2019. Manu is a scientist at the Smithsonian who studies lichens, a lichenologist. She collects lichens from all over the world, depositing them into the U.S. National Herbarium, which is located at the Smithsonian’s National Museum of Natural History. Manu identifies the lichens she collects with observations of how the lichen looks, their DNA data and where they were found.

Lichens are a symbiotic relationship between algae and fungus. They have been on earth for millions of years, living on rocks, trees, and soil in all different habitats on all seven continents. Even though lichens are all around us, scientists are still learning about what they are, where they live, and how many different species of lichens there are.

Fungus is any group of spore-producing organisms feeding on organic matter, and include molds, yeast, mushrooms, and toadstools. Algae is a simple, non-flowering plant. Algae contain chlorophyll and produce sugar through photosynthesis, like other plants, but do not have true stems, roots, leaves, or vascular tissue like most other plants. Lichenization is a fungal lifestyle, and therefore the name of lichen is the name of the fungus component.

When you look at a lichen, what you’re looking at is the “house” that the fungus and algae grow together. Scientists call this house a “thallus.” When algae and fungus come together to form this house, we see a lichen. This partnership is called a symbiotic relationship, because it helps both the fungus and algae survive. Research has shown that lichens are not a natural biological group, meaning they do not all come from a single common ancestor, in other words, lichens have many origins. Currently there are almost 20,000 species of lichenized fungi known.

In this symbiotic relationship, the fungus and algae benefit from being associated with each other. The fungus provides the house, its shelter (the thallus). This shelter helps the algae survive in habitats where it would otherwise be exposed to the elements and possibly could not survive. The algae provide food for the fungus, in the form of sugar. The sugar is a byproduct of photosynthesis that occurs within the algae.

Lichens are very important for the environment. They are an important food source for many animals, provide nest materials for birds, and provide habitat and material for biomimicry for insects and other organisms.

Lichens are also important for humans by providing natural dyes, perfumes, litmus paper, and even food. Humans even use lichens as bio-indicators, organisms that help humans monitor the health of the environment. Some species of lichens are sensitive to environmental pollution, so their presence or absence can help us understand more about the health of the environment, like air quality. 

Lichens produce over one thousand different chemical compounds, most of them unique to lichens. These compounds include acids and pigments. Some chemicals may even fluoresce under UV light, making them important components for lichen identification.

Lichens have DNA, which is used to identify lichen and compare relationships amongst and within species. DNA analysis has been an important tool for lichenologists in identifying and understanding the biodiversity of lichens.


Sign up for the Smithsonian Science How webcast to introduce your students to Lichenologist Manuela Dal Forno! The program airs at 11am and 2pm on November 14, 2019. Sign up and view the program here: https://naturalhistory.si.edu/...

Maggy Benson
29
 

American Landscape

Images of landscapes can tell you about how the artist views his or her nation in the moment. What does it value? What does it aspire to be? What are its strengths and limitations? 

Evaluate to what extent views of American Identity changed from 1800-1980.

Sarah Wiseman
8
 

Getting Started with Design Thinking Part II - Design Prototype

Using Design Thinking to Design and Prototype 

Students will be tasked with creating a design a place to sit for the school Design & Manufacturing shop.  Students will access items from the Cooper Hewitt learning lab collection as well other materials and apply the Design Thinking Process. 

Mary Marotta
12
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