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Found 6,087 Collections

 

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Rosemith Metayer
1
 

Weaving Shop

Are you ready to see the magic behind La Purisima Mission's Weaving Shop?  Come along, let's explore!

La Purísima Mission CA State Historic Park
18
 

Snapshots & Social Change: A Collection of Photographs by Elizabeth Howe Bliss

A collection of photographic prints made between 1915 and 1919 by a social worker named Elizabeth Howe Bliss. She traveled to the American South on behalf of the National Child Labor Committee, writing reports and documenting through photographs child laborers and their challenges accessing education. She also utilized her camera in New York City and in the French department of the Somme during WWI. These images currently reside within the Photographic History Collection at the National Museum of American History: Kenneth E. Behring Center, Smithsonian Institution. 
[This collection is presently under construction as content is being added.]

Kate Fogle
6
 

The Art of Healing

Mind, body and soul.

Various ways of healing the body whether it be exercise, spiritual ceremonies and much more.

Lianne Perez
10
 

Identity

English 12 unit 

Focus on "Identity" and transition to "Conformity" and the response of the individual to environmental sources that might seek to suppress individuality

#SAAMteach

Marie Meyer
15
 

The Industrial Revolution, changes in consumerism, labor and community.

This lesson will examine how innovation in the distribution of food had a lasting effect on the consumer, the worker and the community.

Students will be invited to study Ralph Fasanella's Iceman Crucified. They will start  by examining the painting with the VTS method: What’s going on in this picture?, What do you see that makes you say that? and What more can we find?

Students will then be introduced to our set of supporting documents. At the conclusion of studying these sources we will revisit Iceman Crucified using the Step Inside: Perceive, Know about, Care about. This will include questions: What can the person or thing perceive? What might the person or thing know about or believe? What might the person or thing care about?

Students will end with a creative assignment that will ask them to give a Eulogy on the iceman

RONALD MAGNUSSON
6
 

Connecting to Great Gatsby's Appearance vs. Reality in Self Portraiture

This lesson, integrated halfway through F. Scott Fitzgerald's The Great Gatsby, will address both character analysis and the ever present theme of appearance vs. reality in the text.  By using Thomas Hart Benton's "Self Portrait with Rita" as a starting point students will study the specifics of a self portrait from the 1920s which highlights American dream centered ideals.  As a second step, students will make connections between the painting and the characters from our text.  As a final extension activity, students will further explore the inspiration, the biography, or another work by Benton.

#NPGteach

Molly Boehler
15
 

Sustainable by Design

Students identify needs in their community and design a building to fit that need using Agency by Design framework and protocols. Designed for a collaborative unit with Environmental Science and Sculpture High School students. #goglobal

Ashley Beck
33
 

From One Artist to Another: "Rudolfo Anaya" by Gaspar Enríquez

Students use a Global Thinking Routine to explore both a portrait and a work of literature that together offer a  rich view of the Chicano experience in the American southwest in the middle of the 20th century. 

This teaching collection features Gaspar Enríquez's portrait of Rudolfo Anaya. It is the first commissioned portrait by the National Portrait Gallery of a Latino sitter by a Latino artist. Both artists address the Chicano experience and confluence of cultures in the American southwest.

Included here are the portrait, a bilingual video with National Portrait Gallery curator Taína Caragol, the "Step In - Step Out - Step Back" Thinking Routine from Harvard's Project Zero Global Thinking Strategies, two other works by Gaspar Enríquez, and some links to National Portrait Gallery supporting materials. 

Teachers and students can pair the portrait and read Rudolfo Anaya's coming of age novel "Bless Me Ultima," first published in 1972 and reflecting Chicano culture in rural New Mexico in the 1940s, to gain a deeper understanding of the Chicano experience in the American southwest.

#LatinoHAC #EthnicStudies

Philippa Rappoport
10
 

Crime Photography by Decade

Skylar Seabert
12
 

Native American Policy Overview

During the late 19th century, reformers in the United States like Helen Hunt Jackson pushed for a change in attitude towards Native Americans. Rather than simply viewing them as enemies from whom land could be gained, these reformers promoted the concept of assimilation, or helping Native Americans adopt the characteristics of white culture that would allow them to be successful in American society. One of the ways they did this was through the use of Christian boarding schools for Native American children. Federal laws, like the Dawes Act of 1887, also supported this goal.

As you investigate the artifacts, images, and readings in this collection, consider whether you think assimilation was a beneficial policy for Native Americans. How did Native American families respond to assimilation?

Tags: point of view, assimilation, assimilate, American Indians, Carlisle, Jim Thorpe, allotment

Kate Harris
14
 

Exploring Systems

Systems can be vast or miniscule. They can be man-made or occur in nature. A system can be simple or complex but all systems are have various parts. Each of the parts have functions within the system and each system has its own function (what a part or system is used for is called its function)

In this collection, you will investigate a variety of systems by viewing and reading about them. 

The task is provided in the first slide in the collection. The second slide includes a checklist/rubric for student self-assessment and for teacher use in guiding assessment of the task.

sara gottlieb
36
 

Abraham Lincoln

This is a collection about Abraham Lincoln.
Daniel Mian
6
 

Identifying Characteristics of Renaissance Art

This collection will teach you about how Renaissance artists changed the style and focus of art in the period between 1300 and 1600 CE. When you are done, you should be able to thoroughly answer the question: How did the art of the Renaissance reflect the new emphasis on humanism and science?

First, review the painting, Raphael's School of Athens, and learn about the new techniques used.
Then study the additional works in the collection and try to use them as examples of the different techniques. Some of the works are from the Renaissance period and others are more modern interpretations. A worksheet is included at the end of this collection to record your work.
Finally, test your knowledge with a quick quiz. Use your worksheet to help!
Robin McLaurin
11
 

Indian Education Media Arts Integration

Collection of Native American Ledger Art and drawings on hides. 

Would be used with other resources on modern Ledger Art being created today, as well as the history of ledger art and hide paintings in Plains Indian cultures. 

Robin McLaurin
11
 

Irish Music

This collection includes a wide range of Irish contemporary and traditional music in the Smithsonian collections, with two lesson plans for grades 3-5 from the Center for Folklife and Cultural Heritage.

#SmithsonianMusic

Robin McLaurin
15
 

ART: Colors, shapes & lines all around

Talk with Me!

Having conversations with young children contributes to their thinking and language development. All conversations are good, but research shows that the quality of words children hear matters more than the quantity. Further, what’s best is an exchange; in other words, talk with children, not at them.

The Talk with Me Toolkits give parents and caregivers thematically organized high-quality, authentic materials to make children their conversational partners in discussions that matter. Each online toolkit features captivating videos and real-world photographs, as well as intriguing paintings and other artworks to observe and discuss through conversation prompts.  Hands-on activities and books complete each toolkit. Simple instructions appear right in the toolkits, so you can jump right in. See what interests your child and get started. There’s a lot to talk about!

To read more, see, from the Harvard Graduate School of Education’s Usable Knowledge site, The Brain-Changing Power of Conversation.

Robin McLaurin
25
 

Pictographs

Native American Pictographs
Robin McLaurin
3
 

science in art

Robin McLaurin
6
 

Art and Exercise: Jackson Pollock and Zumba

Summary:

Students will learn that exercise changes how they feel, and how they feel can change what they are able to do. While learning about Zumba, students will make Jackson Pollock inspired artwork.

Essential Questions: 

How can exercise change the way we feel? What kind of art can we make when we are energized? What can we do to feel more energized during the day? 

Art Standards:

VA:Cr1.1.Pk - Engage in self-directed play with materials

VA:Cn10.1.Pk -  Explore the world using descriptive and expressive words and art-making.

Day 1:

Materials: butcher paper taped to tables, crayons

Students look at images of Jackson Pollock in his studio. Students participate in See Think Wonder thinking routine. Emphasis on what Jackson Pollock does with his body to make art. I wonder, do you think that he could make this artwork if he was really sleepy? What can we do to feel more energized. Participate in Zumba video. Demo how to draw collaboratively on tables covered with butcher paper using crayons. Transition to tables with butcher paper for large collaborative drawings. 

Day 2:

Materials: butcher paper taped to tables, crayons

Students review images of Jackson Pollock in his studio. What is Jackson Pollock doing to get these drippy lines? Is he splashing all over the place? Let's watch a video of Jackson Pollock working! How do we look and sound when we watch a video? See think wonder thinking routine. Is he just smashing everywhere or is he making sure to hit the canvas? Is he painting directly on the canvas or is the paint falling through the air? Participate in Zumba video. Have one student demonstrate how to draw collaboratively on tables covered with butcher paper using crayons. Transition to tables with butcher paper for large collaborative drawings. 

Day 3:

Materials: Play dough, trays, paint in cups, canvas on floor, aprons, sticks and brushes, drop cloth/plastic to protect the floor

Look closely at examples of Jackson Pollock artwork. Participate in See, Think, Wonder routine. Emphasize that Jackson Pollock painted drips, not his house or his mom. Today we are going to paint just like Jackson Pollock, but first we need to make sure we aren't too sleepy to do it. Participate in Zumba video. How do we use play dough? Some children will use play dough and some will paint like Jackson Pollock. Everyone will do both, but maybe not today. Thumbs up if you understand. Transition to tables some children use play dough and some work with the teacher to paint like Jackson Pollock on the floor. Transition to carpet. What did you notice when you were painting like Jackson Pollock? What would have happened if we were really sleepy? What did we do to get energized?

(this may take more than one class to complete)

Keywords: Zumba, sand, energized, paint, Jackson Pollock, Two Rivers

#LearnWithTR

Robin McLaurin
7
 

Pocahontas: Comparing and Contrasting Portrayals

In this collection, we explore various portrayals of Pocahontas over 400 years. Students can compare and contrast two or more artistic renderings of Pocahontas, using the provided strategies and historical context with guidance from the teacher. By using portraits of the same sitter by different artists, students consider historical accuracy and changing cultural and historical perspectives. 

This collection was adapted from National Portrait Gallery educator, Briana White's collection, "Compare and Contrast Looking Strategy: Learning to Look with the National Portrait Gallery " and supplemented with the National Museum of the American Indian's Americans online exhibition. Sources for the approach include Compare and Contrast, the National Portrait Gallery's Reading Portraiture Guide and Project Zero's Artful Thinking Routines. 

#historicalthinking


Robin McLaurin
21
 

Design with Empathy: Tova Kleiner Case Study

This Learning Lab explores Tova Kleiner's winning entry to the 2017 National High School Design Competition. Students were challenged to design a solution that improves a community's access to healthy, fresh foods using a Design with Empathy approach. 

While investigating this learning lab answer the following questions:
  •  Who did Tova identify as her stakeholder in this design challenge?
  • What parts of the design process are evident in this learning lab collection?
  • Was Tova’s final design a product, service, environment or a combination?
  • Describe the varying parts of Tova’s design solution: what does the end user receive?
  • How did the other example (the fresh food mobile market) tackle the same design problem in a different way? 

Be prepared to share your answers with the class!





Jasmine Kassulke
15
 

Design with Empathy: Michael Graves Case Study

This collection is designed to explore the essential question: How do designers understand and experience the needs and wants of stakeholders? 

It looks into the design with empathy approach used by Michael Graves to design and test the Prime TC wheelchair for use in a hospital environment.  

Objectives:

  • Examine methods for developing empathy for your stakeholders  
  • Gain familiarity with the design process 
  • Understand what the steps of the design process might look like in application 

Unpacking Questions: 

  • What kind of things did the designers research?
  • What methods did they use to research and document primary data? 
  • Who worked with the designers on this project? What value did this add to the project perspective?
  • Which stakeholders did the design specifically accommodate? 
  • How were stakeholder needs prioritised?
  • What were the main issues the designer was trying to combat? 
  • List the steps of the design process evident in the case study.


Jasmine Kassulke
22
 

Pocahontas: Comparing and Contrasting Portrayals

In this collection, we explore various portrayals of Pocahontas over 400 years. Students can compare and contrast two or more artistic renderings of Pocahontas, using the provided strategies and historical context with guidance from the teacher. By using portraits of the same sitter by different artists, students consider historical accuracy and changing cultural and historical perspectives. 

This collection was adapted from National Portrait Gallery educator, Briana White's collection, "Compare and Contrast Looking Strategy: Learning to Look with the National Portrait Gallery " and supplemented with the National Museum of the American Indian's Americans online exhibition. Sources for the approach include Compare and Contrast, the National Portrait Gallery's Reading Portraiture Guide and Project Zero's Artful Thinking Routines. 

#historicalthinking


Ashley Naranjo
21
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