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Found 792 Collections

 

Well Behaved Women Rarely Become Famous

A collection of portraits of women that defied conventions of their day. Portraits chosen for this collection could lead to a discussion on the evolution of feminism in the US.  It includes several learning to look strategies.

This collection was created in conjunction with the National Portrait Gallery's 2019 Learning to Look Summer Teacher Institute.

#npgteach

Kimmel Kozak
23
 

Westward Expansion through Various Eyes

Westward the Course of Empire Takes Its Way


#SAAMteach

Mary Brunz
12
 

What Did Gatsby's America Look Like?

Select up to five artifacts that best reflect the setting of the novel. Justify your selections by considering the information provided for each artifact. You can access the information once you select an image and press the lowercase i tab on the left.


Consider how the information from the Smithsonian Learning Lab compares to Fitzgerald's use of setting  throughout The Great Gatsby.

Reminder about setting: five key components that establish the setting:

1: time [moment/hour/morning/evening/season],

2: era, 

3. place {village/city/country], 

4: location{inside a house, at a park, on a front lawn}, 

5: occupation (of protagonist, antagonist especially)

Scott Tuffiash
13
 

What does it Mean to Be a Scientist?: The Scientific Method and Taking Good Notes

This is a  collection designed to introduce students to the history of aviation as told through the lens of the scientific method-design process. Students begin by thinking about why is flight important in our lives, and how did we get to the airplanes we now know? Students look at the many designs that planes have gone through, and discuss why perseverance and problem-solving are important skills to have. They also see that teamwork, cooperation, and a desire to succeed were necessary for the Wright Brothers to do their important work. Feel free to pick and choose from the resources in creating your own collections:


Overall Learning Outcomes:

  • Scientists use trial and error to form conclusions.
  • Scientists test hypotheses using multiple trials in order to get accurate results and form strong conclusions. 
  • Scientists use multiple data and other evidence to  form strong conclusions about a topic.
  • Scientists work together to apply scientific research and knowledge to create new designs that meet human needs. 
  • Scientists help each other persevere through mistakes to learn new ideas.

Guiding Questions for Students to Answer from this collection:

  • Why is flight important?
  • How do scientists solve problems?
  • How do scientists collect data to help them solve problems?



#LearnwithTR

Katherine Dunn
9
 

What is an American?

Context:  A lesson for a U.S. History/American Literature humanities class.  This lesson will come towards the end of our study of the Revolutionary period.

 Essential Question:  What does it mean to be an American in 1782?

Questions:

  • How does Crevecoeur define an American here?  How accurate is his definition for that time period?
  • To whom is Crevecouer making this appeal?  What sort of person would be motivated by these passages?
  • Who is included in Crevecoeur's appeal?  Who is left out?
  • How is "this new man" different?
  • How does Crevecoeur help build the ideals and myths of America?
  • How does this letter build on the idea of American Exceptionalism?  America as the land of "new and improved"?

Activities:

Students will have read Letter III before class.

Using the Smithsonian Learning Lab and the text excerpts below (or the entire text of Letter III), students will identify three key quotes or words  and find artwork that connects to chosen text.  Three total text excerpts and three works of art.  The works of art can support, refute, or simply connect to some aspect of the quote and the idea of what it means to be an American.

Students will share their chosen artworks and quotes via the class Google classroom. 

We will use the images as the basis for a class discussion on what it means to be an American.

After the class discussion, students will write a short paper on "What is an American?" 

----------------------------------

Student instructions:

1.. Using the Smithsonian Learning Lab and the text excerpts below (or the entire text of Letter III),  identify three key quotes or words  and find artwork that connects to chosen text.  You can use the images below as a starting point, but don't feel limited to these.  The Smithsonian has an amazing and extensive collection.  Take time to use the search function and explore the collection.  You have all period to do so.  Be original.

2.  By class tomorrow, post on the google classroom your text excerpts and accompanying three works of art.  The text can be a whole sentence or just a few key words.  The works of art can support, refute, or simply connect to some aspect of the text and the idea of what it means to be an American.  Be sure to include the title, artist, and date for each artwork.  Your artwork doesn't have to come from the Revolutionary time period.  The important thing is that you use your critical reading and thinking skills to make a connection between the text and the art work.

3.  Tomorrow we will have a class discussion based on the images and excerpts.  Be prepared to share your thinking on your choices with the class.


Tips:

As always, remember to consider speaker, audience, and purpose.  Who is speaking? To whom is he appealing? Why? 

Not sure where to start?  Find what you think are the ten most important words in the passage.  Narrow it down to the top three.

Based on our studies so far, what  are the different groups, ethnicities, races, religious affiliations make up the population at this time?  Which of these does Crevecouer include?  Leave out? 

How did these people come to be in America?   Does that matter in Crevecouer's writing?




--------------------------------

"Letters From An American Farmer"

by J. Hector St. John De Crevecoeur

"What then is the American, this new man?...He is an American, who, leaving behind him all his ancient prejudices and manners, receives new ones from the new mode of life he has embraced, the new government he obeys, and the new rank he holds. He has become an American by being received in the broad lap of our great Alma Mater. Here individuals of all races are melted into a new race of man, whose labors and posterity will one day cause great changes in the world. Americans are the western pilgrims...

"After a foreigner from any part of Europe is arrived, and become a citizen; let him devoutly listen to the voice of our great parent, which says to him, "Welcome to my shores, distressed European; bless the hour in which thou didst see my verdant fields, my fair navigable rivers, and my green mountains!--If thou wilt work, I have bread for thee; if thou wilt be honest, sober, and industrious, I have greater rewards to confer on thee--ease and independence. I will give thee fields to feed and clothe thee; a comfortable fireside to sit by, and tell thy children by what means thou hast prospered; and a decent bed to repose on. I shall endow thee beside with the immunities of a freeman. If thou wilt carefully educate thy children, teach them gratitude to God, and reverence to that government, that philanthropic government, which has collected here so many men and made them happy. I will also provide for thy progeny; and to every good man this ought to be the most holy, the most powerful, the most earnest wish he can possibly form, as well as the most consolatory prospect when he dies. Go thou and work and till; thou shalt prosper, provided thou be just, grateful, and industrious"  (Letter III, 1782).


Mike Burns
27
 

What is the legacy of the 19th century whaling industry?

A collection designed to introduce students to the 19th century whaling industry- one of the biggest industries of the 19th century and the industry which supported industrialization.

#TeachingInquiry

Erin Becker
42
 

What Makes a First Lady?

In this collection, students will answer the question "What Makes a First Lady?" by comparing and analyzing images of various First Ladies. They will also think critically about their definition of the First Lady as compared to that of the President and the differences in medium (painting, photography, video) artists use to represent a First Lady. One of the final activities will require students to find an image of a First Lady not shown in the collection to test their definitions.

This activity is based on the "Reading Portraiture" Guide for Educators created by the National Portrait Gallery. The guide can be found at the end of the collection.

Alexander Graves
12
 

What makes a place? Memorials in the U.S.

This playlist on "What makes a place? Memorials in the U.S." is designed for self-guided learning with intermittent check-ins for elementary school age students. The learning tasks are divided over five days, designed for 30-35 minutes per day, and build on each other. However, students are able to work on this playlist at their own pace. They will engage with visual, video, and written texts. Students have the option to complete the tasks online by connecting through Google classroom or print word doc versions of each formative and summative assessments for work offline. By the end of the week, students will create a work of art. Modify the lessons as needed.

  • Formative assessments are represented by a chevron (Learning Task and Learning Check In).
  • Summative assessments are represented by a circle (Final Task).
  • Word doc versions of all formative and summative assessments are in the tiles immediately after the digital versions. 

*Social Studies and Visual Arts standards vary by state for elementary grades. We recommend educators and caregivers consult their student and child's state standards for these two subjects.

National Museum of American History
39
 

What Makes You Say That?: Interpretation with Justification Routine with a Historical Photograph

This collection uses the Harvard Project Zero Visible Thinking routine, highlighting interpretation with justification. The strategy is paired with a photograph from the National Portrait Gallery. Once you have examined the photograph and answered the questions, view the original resource and the short video with a curator to check and see if your interpretation was correct. How does viewing the photograph with the museum label change your interpretation?

Suggestions for teachers regarding visual clues for this image are in the "Notes to Other Users" section.
Ashley Naranjo
3
 

What Makes You Say That?: Interpretation with Justification Routine with an Artwork

This collection uses the Harvard Project Zero Visible Thinking routine, highlighting interpretation with justification. The strategy is paired with an artwork from the Smithsonian American Art Museum. Once you have examined the artwork and answered the questions, view an archived webinar with a museum educator to compare your interpretation. How does viewing the artwork with the museum label change your interpretation? How did what you noticed in the artwork compare with what the educators shared?

Suggestions for teachers regarding visual clues for this image are in the "Notes to Other Users" section.

#visiblethinking

Ashley Naranjo
3
 

What makes you say that?: Marian Anderson in Concert at the Lincoln Memorial

This collection uses the Harvard Project Zero Visible Thinking routine for interpretation with justification. This routine helps students describe what they see or know and asks them to build explanations. The strategy is paired with photographs from the National Museum of American History, an artwork from the Smithsonian American Art Museum and a video from the Smithsonian Music initiative, featuring a curator from the National Museum of African American History and Culture. Using guided questions, students will look at a single event through multiple media formats.

Tags: William H. Johnson, Robert Scurlock, Marian Anderson, Easter 1939 concert, Lincoln Memorial

#visiblethinking #BecauseOfHerStory #SmithsonianMusic

Ashley Naranjo
5
 

What makes you say that?: Marian Anderson in Concert at the Lincoln Memorial

This collection uses the Harvard Project Zero Visible Thinking routine for interpretation with justification. This routine helps students describe what they see or know and asks them to build explanations. The strategy is paired with photographs and an artwork from the National Museum of American History and the Smithsonian American Art Museum. Using guided questions, students will look at a single event through multiple media formats.

Tags: William H. Johnson, Robert Scurlock, Marian Anderson, Easter 1939 concert, Lincoln Memorial
Melinda Welch
5
 

What makes you say that?: Marian Anderson in Concert at the Lincoln Memorial by Ashley Naranjo

This collection uses the Harvard Project Zero Visible Thinking routine for interpretation with justification. This routine helps students describe what they see or know and asks them to build explanations. The strategy is paired with photographs and an artwork from the National Museum of American History and the Smithsonian American Art Museum. Using guided questions, students will look at a single event through multiple media formats.

Tags: William H. Johnson, Robert Scurlock, Marian Anderson, Easter 1939 concert, Lincoln Memorial
Susan Stokley
4
 

When American Bureaucracy Fails; Voices of Dissent (Protest Artists)

America has many great moments fraught with many historical misses.  In other words, for every great feat in American history, there are equal moments of trouble and shame in her behavior.  The failure of America is often human failures, tragic moments where our government failed to act or stand up (i.e., Hurricane Katrina).  Or, it could be duplicitous in egregious behaviors (i.e., Dred Scott Decision, Plessy vs. Ferguson, chattel slavery).  But, historical textbooks do not traditionally frame this dual narrative.  Instead, students tend to get the laudable narrative of bravery, prowess, ingenuity, and individualism.  Or, textbooks gloss over deeply problematic issues that actually resurface in contemporary society today.  But, works of art can always provide the pointed narrative that textbooks attempt to dismiss.  Dissenters have a place in the canon as well, and it is vital for educators to bring them in the fold in teaching American history and literature.

This unit is for teachers!  These works have been curated for their social protest against American bureaucracy, especially in its moments of failure.  It is important for teachers to fully read and study text BEFORE sharing with students.  Please check the "temperature" of your audience!

Angelann Stephens
15
 

When Marian Sang: Using Portraiture for Pre-reading and Post-reading Activities

In this collection, portraits are used for both pre-reading and post-reading activities in connection with reading a biography of Marian Anderson. The pre-reading activity uses Betsy Graves Reyneau's oil on canvas portrait, Marian Anderson, to begin to reveal Anderson to students. Post-reading activities include the use of photographs, video and William H. Johnson's oil on paperboard Marian Anderson to enhance understanding of Anderson's 1939 concert and to informally access student learning.  

When Marian Sang: The True Recital of Marian Anderson: The Voice of a Century is a picture book written by Pam Munoz Ryan and illustrated by Brian Selznick. This biography shares the story of opera star Marian Anderson's historic concert of 1939 on the steps of the Lincoln Memorial to an integrated crowd of over 75,000 people. The book recounts Marian's life as a she trains to become an opera singer and as she struggles with the obstacles she faces in pre-Civil Rights America. This picture book is an excellent choice to use in the upper elementary classroom in the context of a unit that focuses on "challenges and obstacles."

This collection was created in conjunction with the National Portrait Gallery's 2019 Learning to Look Summer Teacher Institute. 

#NPGteach

Katie Oxnard
8
 

Which One Doesn't Belong

This collection includes digital museum resources and models the listening and speaking strategy Which one Doesn't Belong.  The collection can be copied and adapted for use in your own classroom. 




#EthnicStudies


Jennifer Smith
8
 

who am I

Search for your personal meaning in life. Who are you as an individual person? How do you connect as  a member of your community? your country? the world?

louise brady
11
 

Who creates identity?

This activity will be used to reinforce close reading and analysis of visual text in either a pop culture unit or an identity unit in AP English Language and Composition. The idea is to examine how iconic popular images can be remixed to create new meaning and conversation about identity. 

The collection was created in conjunction with the National Portrait Gallery's 2019 Learning to Look Summer Teacher Institute.

#NPGteach

Cheryl Chambliss
10
 

Who is to blame for WWI?

Who is to blame for WWI? Is it Gavrilo Princip, for assassinating the archduke? Surely that’s much too simple? We like to identify “good guys” and “bad guys,” but is there danger is that? The reparations laid on Germany in the Treaty of Versailles, most historians agree, contributed to WWII... Can any one person, group of people, country, truly take the blame for such a crisis? Should they? Who should have stopped it? #Teaching Inquiry

Melissa Kozlowski Ziobro
16
 

Wild Children

Katie Cahill
2
 

William Faulkner: Examining Portraiture

This teacher's guide provides portraits and analysis questions to enrich students' examination of William Faulkner, an American author and Nobel Prize laureate. Includes the video "Defining Portraiture: How are portraits both fact and fiction?" and the National Portrait Gallery's "Reading" Portraiture Guide for Educators, both of which provide suggestions and questions for analyzing portraiture.  

Consider:

  • What do these portraits have in common? How are they different?
  • How are these portraits both fact and fiction?
  • How do these portraits reflect how they wanted to be seen, or how others wanted them to be seen? Consider for what purpose these portraits were created (such as the caricature, stamp, etc.).
  • Having read one of his stories, does the portrait capture your image of William Faulkner? Why, or why not?
  • If you were creating your own portrait of William Faulkner, what characteristics would you emphasize, and why?

Keywords: mississippi, ms, the sound and the fury, writer

Tess Porter
6
 

Winter Scenes

These pictures are to be used as a writing catalyst for writing club. Pick one to do a See / Think / Wonder as a whole group. Then students can complete their own individual ones. These pieces offer a variety of interpretations about the season of winter which may serve as an inspiration to write winter poetry.

Suggestion: You may also play an excerpt of Vivaldi's Four Seasons during this activity.

Yolanda Toni
42
 

Women and men who helped New York immigrates' living conditions during the 19th and early 20th century.

This collections shows men and women who helped change the living conditions of the immigrants that flooded into New York City during the 19th and 20th centuries. They changed the way people lived by shining a light on the poor living conditions of the newest Americans.  The following people are discussed in this collection: Lillian Wald, Jane Addams, Margaret Sanger, Jacob Riis, and Theodore Roosevelt.  The themes that are discussed are: tenement living, women's health, and immigrants. 

This collection was created in conjunction with the National Portrait Gallery's 2019  Learning to Look Summer Teacher Institute. 

#NPGteach


leigh lewis
17
 

Women and Their Literary Work in the Middle Ages

During the Middle Ages, the Church exerted the greatest influence over how women were perceived, women did not have the opportunity to raise as warriors or queens as in the Ancient Times. 

The two main alternatives for a medieval woman were to marry, or to 'take the veil' and become a nun. Almost all female orders required women to live behind the walls of a monastery or within an individual cell, living a life of contemplation, prayer and work. However, there were some women, who broke with the traditional roles assigned to them in several ways during a time when women had no legal rights and were considered a man's property.

Take Heloise for example, she scandalized the 12th century France by having an love affair with her tutor. The letters she exchanged with Abelard  are being read to this day, through them we follow their tragic and passionate love affair. Another women, Hildegard of Bingen is known for her writings and music, her music is still performed today, and her spiritual works are read as examples of a feminine interpretation of church and spiritual ideas. 

Marie de France, was considered the most revolutionary writer of her time, as it was not common practice for women to author any texts at all, and so was Christine de Pizan, who become the first women to support herself and her children through writing after her husband died and she was left alone.

I have also included a fictional character in this collection, Sheharazad, the narrator of The One Thousand and One Nights.  The female characters in the stories fight to make their own choices and live according to their beliefs about freedom, sexuality, and love, as the other women in this collection.













bbridgette
6
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