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Found 2,266 Collections

 

Examining the Transcontinental Railroad - Nn

Railroads started well before 1869, but it was not until that year that the nation was bound together by a commitment to build the first transcontinental system. On May 10, 1869, the driving of a golden spike, signaled the ceremonial end to a process that had been going on for 6 years of construction, engineering, and human toil. Two companies, one starting in Omaha, Nebraska and the other in Sacramento, California competed to lay track towards each other to join the Central Pacific and Union Pacific Railroads. Their reward for each mile was government money and lots of it. By the time that they met at Promontory Summit, Utah, vast sums of money and untold human labor and sacrifice had been expended on this incredible technical endeavor. A single track united the continent's Wester and Eastern regions. Travel from East to West used to take months by wagon train, could now be measured in mere days. This collection utilizes Primary Source student review strategies from the Library of Congress' Primary Source Analysis Tools

Brian Ausland
14
 

Harlem Renaissance Art and Music

This collection was developed for a unit based upon the Harlem Renaissance and the art movement incorporating the style of visual artist Romare Bearden for students PreK thru 6th grade.  Students were exposed to different musical artists such as Cab Calloway, Louis Armstrong, and Duke Ellington to make the connections between Bearden's art work and their musical abilities.  This group of artifacts was beneficial for students to be exposed to people, art work, and history that they may not have been exposed to before.  Using the thinking routines such as 'See, Think, Wonder' was a great way for students to dive deeper into images, not just art work but even images of people and the differences in time periods.

#pzpgh

Rebecca Grubbs
15
 

Battles of Revolutionary War

This collection highlights important information and pictures of battles of the Revolutionary War.  The materials are not in timeline order.  They are simply for research purposes for the students.

Patrick Conners
15
 

Learning Lab Training Collection on the Theme "The Search for an American Identity"

This collection is designed to help educators bridge the classroom experience to a museum visit. It is intended to demonstrate various ways to use the Learning Lab and its tools, while offering specific, replicable, pre-engagement activities that can simply be copied to a new collection and used to help students engage with museum resources. 

Included here: 

  • Section 1: a set of flashcards, a template document so that teachers can create and print their own specific sets, and strategies for their use in their classrooms. 
  • Section 2: a variety of student activities and resources to explore artist Luis Cruz Azaceta's "Shifting States: Iraq," a metaphorical representation of the unrest taking place in Iraq, and more broadly, an exploration of the human condition during times of crisis.  This section includes an image of the work from the Smithsonian American Art Museum, an explanatory video with curator E. Carmen Ramos, two  Thinking Routines - "See, Think, Wonder" and "The 3 Y's" - from Harvard's Project Zero Visible Thinking and Global Thinking materials, and  an array of prompts and Learning Lab tools to help students think critically and globally.  
  • Section 3: a short assignment to get participants started using the Learning Lab.
  • Section 4: spacer tile template to serve as chapter headings in longer collections.

This collection is adapted from a teaching collection on the same theme (Luis Cruz Azaceta's "Shifting States: Iraq" ( http://learninglab.si.edu/q/ll...), that includes extension activities. It was created for the 2019 cohort of the Smithsonian-Montgomery College Faculty Fellowship Program on the theme, "The Search for American Identity: Building a Nation Together," - the subject of the Montgomery College - Smithsonian 2019 Fellowship program. 


Keywords: #MCteach


Philippa Rappoport
29
 

Charles Russell: Art of the American West

Charles Russell brought the west alive with his paintings and sculptures of western life. His authentic depictions of Native Americans allow the viewer to appreciate the dress and life of the plains Indians. Also skilled in sculpture, Russell depicts cowboys and wildlife in action settings. This lab provides samples of Russell's best work.

mike mickelson
26
 

Jazz Images

Historic images of jazz bands on tour

Female jazz musicians

Behind-the-scenes images of jazz musicians on tour, in the studio and composing

Original hand-written or early prints of sheet music

Action shots of solos and rehearslas

Maggie Crawford
70
 

Exploring Robert Capa's Iconic D-Day Photographs

Revisiting what we know and value about some of the most well-known photographs of the historic landing on Omaha Beach.

Presenter: Shannon Thomas Perich is curator of the Photographic History Collection at the National Museum of American History, Smithsonian Institution, 

#112MCF

Smithsonian Material Culture Forum
4
 

Americanization - Impact on American Indians and Immigrants (1860-1920)

This collection includes before and after images of American Indians and Immigrants who have "Americanized."

Melanie Kirchhof
4
 

The Magic Boxes of D-Day: How One Humble Invention Helped Make Operation Neptune Possible

This presentation will focus on how technology can be simple but when employed in an innovative fashion, also transformative.

Presenter: Frank Blazich, Jr., PhD; Lead Curator of Military History at the National Museum of American History

#112MCF

Smithsonian Material Culture Forum
37
 

Indian Education Media Arts Integration

Collection of Native American Ledger Art and drawings on hides. 

Would be used with other resources on modern Ledger Art being created today, as well as the history of ledger art and hide paintings in Plains Indian cultures. 

Kendall Griggs
11
 

National Youth Summit 2019 | Woman Suffrage: The Ballot and Beyond

Suffrage marked an important moment in the progression of women's participation in American democracy and civic life. Yet it was an imperfect victory, and one that stands neither as a beginning nor an end, but as an important milestone in the fight for equality, justice and representation. The 2019 National Youth Summit will look at woman suffrage as an example of how groups with limited political power have shaped and continue to shape our democracy using tactics and tools, like public protest and the vote, to give voice to issues and galvanize fellow Americans into communal movements for change. Use this collection to examine the legacy of the woman suffrage movement and explore the guiding question: What can we learn from the tactics of the suffragists?

Download the conversation kit and learn about the 2019 National Youth Summit webcast here.

NMAH Education
24
 

Mary Vaux Walcott, Artist

"Sometimes I feel that I can hardly wait till the time comes to escape from city life, to the free air of the everlasting hills." -Mary Vaux Walcott, Letters to Charles Walcott, Feb 19, 1912.

This collection contains personal selections from the nearly 800 botanical illustrations by Mary Walcott held at the Smithsonian American Art Museum. 

From Wikipedia (March 5, 2019): Mary Morris Vaux[a] was born in Philadelphia, Pennsylvania, to a wealthy Quaker family. After graduating from the Friends Select School in Philadelphia in 1879, she took an interest in watercolor painting. When she was not working on the family farm, she began painting illustrations of wildflowers that she saw on family trips to the Rocky Mountains of Canada.[3] During the family summer trips, she and her brothers studied mineralogy and recorded the flow of glaciers in drawings and photographs.[4] The trips to the Canadian Rockies sparked her interest in geology.[3]

In 1880, at the age of nineteen, Vaux took on the responsibility of caring for her father and two younger brothers when her mother died.[5] After 1887, she and her brothers went back to western Canada almost every summer. During this time she became an active mountain climber, outdoors woman, and photographer. Asked one summer to paint a rare blooming arnica by a botanist, she was encouraged to concentrate on botanical illustration.[4] She spent many years exploring the rugged terrain of the Canadian Rockies to find important flowering species to paint. On these trips, Vaux became the first women to accomplish the over 10,000 feet ascent of Mount Stephen.[6] In 1887, on her first transcontinental trip via rail, she wrote an engaging travel journal of the family's four-month trek through the American West and the Canadian Rockies.[7]

Over her father's fierce objections, Mary Vaux married the paleontologist Charles Doolittle Walcott, who was the Secretary of the Smithsonian Institution, in 1914, when she was 54. She played an active part in her husband's projects, returning to the Rockies with him several times and continuing to paint wildflowers. In 1925, the Smithsonian published some 400 of her illustrations, accompanied by brief descriptions, in a five-volume work entitled North American Wild Flowers. In Washington, Mary became a close friend of First Lady Lou Henry Hoover[5] and raised money to erect the Florida Avenue Meeting House, so that the first Quaker President and his wife would have a proper place to worship. From 1927 to 1932, Mary Vaux Walcott served on the federal Board of Indian Commissioners and, driven by her chauffeur, traveled extensively throughout the American West, diligently visiting reservations.

When she was 75, she made her first trip abroad to Japan to visit lifelong friend and fellow Philadelphia Quaker, Mary Elkington Nitobe, who had married Japanese diplomat Inazo Nitobe.

She was elected president of the Society of Woman Geographers in 1933. In 1935, the Smithsonian published Illustrations of North American Pitcher-Plants, which included 15 paintings by Walcott. Following the death of her husband in 1927, Walcott established the Charles Doolittle Walcott Medal in his honor. It is awarded for scientific work on pre-Cambrian and Cambrian life and history. Walcott died in St. Andrews, New Brunswick.[3]

#fivewomenartists #5womenartists #BecauseOfHerStory

Darren Milligan
42
 

AIM and BPP

The following collection acts as a supplemental resource for the Power of the People: Intersectionality of the American Indian Movement and the Black Panther Party 12th grade lesson plan. 

Kenlontae' Turner
65
 

Explorers and Exploring

Various explorers (mainly early Americas) and ideas supporting exploration. Project Zero thinking routines paired with resources. #pzpgh

Thomas Anderson
18
 

The Three Branches of Government

This Collection contains resources to help students understand the three branches of government in the United States.

SWBT identify and describe the purposes of each branch of the United States government. 

#PZPGH


Jackie Pack
18
 

Revolutionary War

This collection was created for the purpose of immersing my fifth grade social studies students in a world of artifacts that they would otherwise not have had the opportunity to see. My students lack exposure and background knowledge centered around the arts. Most of them would never have the opportunity to view these artifacts in person. Having this collection and abundance of  options to integrate into my curriculum opens a world of opportunities! #pzpgh

Jamie Chambers
29
 

Educating for Global Competence with Contemporary Asian Art

What is global competence?  What are the skills and dispositions of globally competent students?  What role can art play in educating students for global competence?  Teachers can use this Learning Lab Collection as a resource for students to explore themes of global importance in the arts of Asia.  The Collection features two works of contemporary Asian art at the Freer Gallery of Art and Arthur M. Sackler Gallery with several tools for students to examine and reflect about the works of art, such as Visible Thinking Routines,  Artful Thinking Routines, or Global Thinking Routines.  For each routine, the rationale and  process is described to help the teacher practice.  The Collection also includes artist interviews and other contextual information about the works of art for teachers and students to deepen their understanding.

This Learning Lab Collection was created to support the The Council of Chief State School Officers (CCSSO) National Teachers of the Year 2018 program.  CCSSO is a nonpartisan, nationwide, nonprofit organization of public officials who head departments of elementary and secondary education in the states, the District of Columbia, the Department of Defense Education Activity, the Bureau of Indian Education and the five U.S. extra-state jurisdictions.  Learn more at https://www.ccsso.org/

Essential Questions to be addressed by this Learning Lab Collection:

  • What are some practical tools teachers can use to look closely and reflect about works of art?
  • How can we use works of art to prepare students to understand the world and participate in it?
  • How do we define global competence and globally competent students?

#NTOY18

Tags:  #AsiaTeachers; Asian; Asia; Freer|Sackler; Project Zero; Global Competence; Global Competency; Visible Thinking; Artful Thinking; Chalk Talk; See-Think-Wonder; 3Ys; 3-2-1 Bridge; Contemporary Asian Art; China; India; Monkeys; Religion; Architecture; Chinese Cultural Revolution; Xu Bing; Terminal; Subodh Gupta; Sculpture; Lacquer; Wood; Brass 

Freer|Sackler Education
22
 

Native American Art

Students will study each of the three paintings and write how each painting makes them feel.  Students will then choose their favorite painting and create their own version.

Katie Wirtzberger
3
 

Three Branches of U.S. Government

This collection was designed to be used in a third grade classroom to supplement the teaching of the three branches of U.S. government.  The collection would be utilized over the course of a week-long unit.

Objective: Students will be able to identify and explain the purpose of the three branches of the U.S. government.

#PZPGH

Monique Wertz
23
 

Compare and Contrast: Schools Then and Now

In this collection, students will be able to make a connection to schools in years past by comparing and contrasting their modern day school environment to schools long ago. The See, Think, Wonder routine allows for children to recognize differences and similarities through using historical resources and events. This collection can be used as a cross curricular resource to create lessons for several units including segregation, civil rights, and time lines. #PZPGH

Cynthia Murphy
12
 

Primary Sources - Objects

Pictures of objects for students to analyze as part of a primary source unit using Project Zero Thinking Routines.  This is part of a large three year enrichment plan which focuses on what is a primary source in 4th grade, a family connected research project based upon primary sources in 5th grade, and finally creating a National History Day project in 6th grade.

Susan Mellon
10
 

Access Series: Making Music and Sonic Self-Portraits

This inspiration collection of musical people and music instruments was used for a music-making activity and discussion prompt in an informal learning activity with a group of teens with cognitive and intellectual disabilities. Students used GarageBand software to create sonic self-portraits. Prior to the activity, teens were asked about their favorite genres of music, including jazz, blues, classical, rock, pop, rap, and R&B. Use the visible thinking routine, "See|Think|Wonder" as a starting point for the discussion prompt, and the images for inspiration.

Tags: decision-making, self-determination, student empowerment, disability, All Access Digital Arts Program

Tracie Spinale
66
 

Posters, Pins & Postage for a Cause

Analyze selected images and discuss:

  • What is the cause or social issue?
  • How has the artist/designer combined text and image to communicate a message?
  • What visual qualities make an image effective or not?

Jean-Marie Galing
27
 

EWP Biographical Primary Sources Collection

Primary sources for my African American Biography unit

Evie Weinstein-Park
59
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