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Found 385 Collections

 

The nature of Japanese Ceramic

Description:

This collection, based of the exhibition "Imperfectly Beautiful: Inventing Japanese Ceramic Style" is integrated in a unit on Francis Ponge’s collection of poems called The nature of things, 1942, France. In his poems, Ponge has a unique way of focusing on everyday life objects and symbols that he describes in very tiny details. The goal is to explore how Ponge’s perception of objects and symbols can be used as an entry point for an exploration of key components of other cultures. This collection is an opportunity for the students to understand how micro perspectives can lead to global and intercultural understanding.

The collection represents tea pots used for the Japanese tea ceremony (chanoyu). Through slow looking techniques, students explore them and write poems using the thinking routine "Creative Comparison".

Step 1: choose one of the tea pot and sketch it

Step 2: Pair and Share - Explain your choice. What did you notice? what do you notice in your classmate's choice/object?

Step 3: Creative Comparison

The thinking routine " Creative comparison" encourages metaphorical thinking – central to the work of any artist and to creative thinking in any discipline. Metaphors provoke our imaginations to create comparisons between dissimilar things, often leading to deeper and richer understanding of each." (PZ)

Step 4: Pair and Share (with someone else) - Explain your choice. What did you notice? what do you notice in your classmate's choice/object?

Step 5 : read the description of the exhibition and the caption. Answer the questions: 

  • In what way this new information influences your interpretation? 
  • What does it confirm? What new ideas do you have? 
  • What could you do to integrate them in your poem?

Step 6 : write a poem, using Francis Ponge's approach to objects.

Possible extension:

Ask the students to reflect on ways to curate their poems, using the thinking routine "Layers".

For instance, my students decided to do a a pop-up exhibition. They turned their poems into bilingual bookmarks for the school fair. It was a good opportunity for us to talk about translation.


Anne Leflot
36
 

Teaching The Great Gatsby with Informational Texts

#SAAMteach

This collection complements teaching The Great Gatsby using the lens of economics. Informational texts provide foundation for questions like: why should we care about economic inequality?



Cristi Marchetti
28
 

Using Vietnam War art to introduce the novel "Inside Out & Back Again"

This collection is curated to introduce the historical background of the Vietnam War for the free verse novel Inside Out & Back Again by Thanhha Lai, 2011, based on one year in the life of a Vietnamese refugee who came to America in 1975 after the fall of Saigon. I use these resources for a middle school classroom, but it can be modified for high school as well.

#SAAMteach

Karen LaVohn
13
 

Progress: Who's Affected?

Students often understand that technological innovation makes our lives better, but they do not see the backstory. There are people who lose their livelihoods as machines replace them. What was once a necessary job is now obsolete--even the people themselves might feel obsolete. This lesson is designed to help students understand the drawbacks of progress and, more specifically, how it affects those people who were replaced.

#SAAMteach

Madison Doss
9
 

Biodiversity! Podcasting Module

In this modular, multi-part lesson, learners will focus on a Sidedoor podcast discussing biodiversity. Learners will focus on the content the podcast is delivering and then analyze the podcast for production techniques. The content of the podcast will give the team a base understanding for the focus of their own podcast. 

#YAGSidedoor2019

Sidedoor for Educators
7
 

Food! Podcasting Module

In this modular, multi-part lesson, learners will focus on a Sidedoor podcast discussing food. Learners will focus on the content the podcast is delivering and then analyze the podcast for production techniques. The content of the podcast will give the team a base understanding for the focus of their own podcast.

#YAGSidedoor2019

Sidedoor for Educators
7
 

ACCESS SERIES | Nile, Nile Crocodile

IMPORTANT: Click on the "i" for information icon and the paperclip icons as you move through the collection.

Exploring: Ancient Egypt, the Nile River, and glass museum objects, papercraft, and sand art

Rationale for Instruction:

  • Through the introduction, museum visit, and activities, students connect with an ancient and diverse culture in ways both conceptual and concrete. The ancient Egyptians shaped our modern civilization in fundamental ways and left legacies that are still present today. 

Objectives:

  • Explain features of the daily life of an Ancient Egyptian living on the Nile River, including boat transportation, dress, and animal life. 
  • Explore the ancient origins of glass making in Egypt.
  • Examine how glass making relates to object making, animal representation, and the desert environment of Egypt
  • Plan, create, and share digital and physical works of art that represent ancient (sand art) and modern art forms (digital photography with filters) as well as representational art (papercraft) landscape.

EDUCATORS | For the LESSON PLAN of the original "Nile, Nile Crocodile" << CLICK HERE >>

SET THE STAGE:

  • Maps - Look at the maps in the Smithsonian collection; Where do you think you'll journey to in this collection?
  • "This is Sand" App - an tablet app that changes the pixels on the screen into digital sand.
  • Video about The Nile (for learners who prefer a concrete example)
  • Thought journey down the Nile River; Ask questions about observations along the way. If you are able to transform the furniture to reflect a boat, do so. 
  • Glass making video as well as a primary source text from 1904 (for learners who prefer a concrete example); Help make the connection between the desert sand environment and glass making. 

MUSEUM "VISIT"

  • Go to the gallery; read the panels and explore the objects. The gallery has been re-created in the Learning Lab collection
  • Explore the glass vessels-->What do you notice?
  • Observe the glass animals-->Take turns reading the informational texts; What do the animals represent?

~ BREAK ~

ACTIVITY STATIONS (rotate between activity stations)

  • SAND ART - Create your own ancient Egyptian glass vessel through a sand art design similar to the decorated glass in the museum.
  • "ANCIENT" PHOTOS - Use digital tablets to take photos in a museum gallery and use the built-in filters to create 'ancient-looking' photos like the ones that document historic museum excavations. 
  • PAPERCRAFT LANDSCAPE - Create a three-dimensional landscape of ancient Egypt based on the animals and structures observed in the museum gallery and in the introductory materials. Templates and examples are included. Document your results using photography.

Tags: decision-making, self-determination, access, disability, accessibility, neurodiversity, special education, SPED, out of school learning, informal learning, cognitive, social skills, engagement, passion, creativity, empowerment, All Access Digital Arts Program

Tracie Spinale
119
 

Gender

#SAAMteach

Cristi Marchetti
13
 

Argument & Art

Understanding what makes a text effective in terms of rhetorical strategies in increasingly important for students, especially as the ACT/SAT writing exams become more analytical. By pairing a visual stimulus with a somewhat abstract, difficult-to-place concept such as that of Rhetoric, students should be able to more wholly understand what comprises and defines each canon and be able to apply the canons to a broad range of texts, both traditional and contemporary. 

#SAAMteach

Kimberly Siemsen
12
 

Women and men who helped New York immigrates' living conditions during the 19th and early 20th century.

This collections shows men and women who helped change the living conditions of the immigrants that flooded into New York City during the 19th and 20th centuries. They changed the way people lived by shining a light on the poor living conditions of the newest Americans.  The following people are discussed in this collection: Lillian Wald, Jane Addams, Margaret Sanger, Jacob Riis, and Theodore Roosevelt.  The themes that are discussed are: tenement living, women's health, and immigrants. 

This collection was created in conjunction with the National Portrait Gallery's 2019  Learning to Look Summer Teacher Institute. 

#NPGteach


leigh lewis
17
 

Jazz Resources for Preschool Students

Resources to support two year olds learning about jazz music and musicians. Includes portraits of Louis Armstrong, Duke Ellington, Billie Holiday, Ella Fitzgerald and Miles Davis. Students connect the musician to their instrument, identify the parts of a trumpet and listen to Louis Armstrong's "What a Wonderful World" to identify specific instruments in the song. Smithsonian Early Enrichment Center's blog includes an interview with the teacher who originally created and implemented the lesson. Included here are supporting resources of the elements mentioned in her interview.

#SmithsonianMusic

Ashley Naranjo
13
 

Irish Music

This collection includes a wide range of Irish contemporary and traditional music in the Smithsonian collections, with two lesson plans for grades 3-5 from the Center for Folklife and Cultural Heritage.

#SmithsonianMusic

Philippa Rappoport
15
 

Woody Guthrie: Examining Portraiture

This teacher's guide provides portraits and analysis questions to enrich students' examination of Woody Guthrie, one of the most important folk composers in American history. Includes the video "Defining Portraiture: How are portraits both fact and fiction?" and the National Portrait Gallery's "Reading" Portraiture Guide for Educators, both of which provide suggestions and questions for analyzing portraiture. Also includes multiple music recordings, a Smithsonian Magazine article about his legacy, and a podcast episode about his music and relationship with Smithsonian Folkways Recordings.

Consider:

  • What do these portraits have in common? How are they different?
  • How are these portraits both fact and fiction?
  • How do these portraits reflect how he wanted to be seen, or how others wanted him to be seen? Consider for what purpose these portraits were created.
  • Having listened to his music, does the portrait capture your image of Woody Guthrie? Why, or why not?
  • If you were creating your own portrait of Guthrie, what characteristics would you emphasize, and why?

Keywords: singer, musician, songwriter, oklahoma, protest, #SmithsonianMusic

Tess Porter
12
 

Esperanza Spalding: Examining Portraiture

This teacher's guide provides portraits and analysis questions to enrich students' examination of Esperanza Spalding, a Grammy-winning jazz bassist and singer. Includes the video "Defining Portraiture: How are portraits both fact and fiction?" and the National Portrait Gallery's "Reading" Portraiture Guide for Educators, both of which provide suggestions and questions for analyzing portraiture. Also includes a video of artist Bo Gehring speaking about his portrait of Spalding and a Smithsonian Magazine article about her curation of an exhibit at the Cooper Hewitt, Smithsonian Design Museum.

Consider:

  • What do these portraits have in common? How are they different?
  • How are these portraits both fact and fiction?
  • How do these portraits reflect how she wanted to be seen, or how others wanted her to be seen? Consider for what purpose these portraits were created.
  • Having read listened to her music, does the portrait capture your image of Esperanza Spalding? Why, or why not?
  • If you were creating your own portrait of Esperanza Spalding, what characteristics would you emphasize, and why?

Keywords: musician, oregon, American, #BecauseOfHerStory, #SmithsonianMusic

Tess Porter
7
 

Selena: Examining Portraiture

This teacher's guide provides portraits and analysis questions to enrich students' examination of Selena Quintanilla-Pérez, an American singer known as the "queen of Tejano music." Includes the video "Defining Portraiture: How are portraits both fact and fiction?" and the National Portrait Gallery's "Reading" Portraiture Guide for Educators, both of which provide suggestions and questions for analyzing portraiture. Also includes videos of educators and curators talking about her life and accomplishments, as well as an outfit she wore during performances.

Consider:

  • What do these portraits have in common? How are they different?
  • How are these portraits both fact and fiction?
  • How do these portraits reflect how she wanted to be seen, or how others wanted her to be seen? Consider for what purpose these portraits were created.
  • Having listened to her music, does the portrait capture your image of Selena? Why, or why not?
  • If you were creating your own portrait of Selena, what characteristics would you emphasize, and why?

Keywords: singer, musician, texas, model, fashion designer, entertainer, #BecauseOfHerStory, #SmithsonianMusic

Tess Porter
8
 

Bessie Smith: Examining Portraiture

This teacher's guide provides portraits and analysis questions to enrich students' examination of Bessie Smith, the "Empress of the Blues" and one of the most influential blues singers in history. Includes the video "Defining Portraiture: How are portraits both fact and fiction?" and the National Portrait Gallery's "Reading" Portraiture Guide for Educators, both of which provide suggestions and questions for analyzing portraiture. Also includes a video clip of Bessie Smith performing "St. Louis Blues" in 1929 and a post from the National Museum of African American History and Culture discussing her and other LGBTQ African Americans of the Harlem Renaissance.

Consider:

  • What do these portraits have in common? How are they different?
  • How are these portraits both fact and fiction?
  • How do these portraits reflect how she wanted to be seen, or how others wanted her to be seen? Consider for what purpose these portraits were created.
  • Having listened her music, does the portrait capture your image of Bessie Smith? Why, or why not?
  • If you were creating your own portrait of Bessie Smith, what characteristics would you emphasize, and why?

Keywords: singer, musician, 20s, 30s, American, Tennessee, #BecauseOfHerStory, #SmithsonianMusic

Tess Porter
12
 

New Jersey Principals and Supervisors Association (NJPSA) Arts Integration Planning Tool

Using a sample lesson "The Blues and The Great Depression" provided by the New Jersey Principals and Supervisors Association (NJPSA) as a model, this collection demonstrates how the Smithsonian Learning Lab can be a useful tool to curate digital resources that support a lesson for arts integration.

In this lesson, students will learn about the structure and content of the blues using songs from the 1930s and the Great Depression.Students will brainstorm circumstances of the Great Depression and use those ideas to create an original blues song from the point of view of someone living during the Great Depression.

Essential questions: 

● How does blues music reflect the challenges of poverty for the African-American experience during the Great Depression?
● How do images and songs reflect the emotions of the African-American experience during the Great Depression?


The original lesson was created by the New Jersey Principals and Supervisors Association (NJPSA) and included in their Arts Integration User Guide for NJ Educators and Practitioners, starting on p. 90 (http://njpsa.org/documents/EdLdrsAsSchol2018/artsintegrationWorkbook2018.pdf).

Ashley Naranjo
24
 

Compare/Contrast: Faith Ringgold and Jacob Lawrence

This collection includes self-portraits by two different artists: Faith Ringgold and Jacob Lawrence.  Both artists are generally known for their efforts to represent everyday life experiences, struggles, and successes of African Americans.  The purpose of the collection is to prompt a discussion comparing/contrasting each artist's content and media choice in the context of a self-portrait.  Students will be asked to reflect on stages of the artistic process in terms of artist intent, choice of media, and general content of a finished artwork.     

This collection was created in conjunction with the National Portrait Gallery's 2019 Learning to Look Summer Teacher Institute.  #NPGteach 

Liz List
16
 

Immigration & The Face of American Identity

This collection provides resources that can be used to introduce and discuss the following essential questions, as part of a larger "American Identity" literature-based unit:  

1) In what ways do immigrants change America?

2) What would America be like without immigrants?

3) How do immigrants' experiences contribute to a complex and multifaceted American Identity?

#SAAMteach

Joanna Dickinson
13
 

Mini Unit Recognizing the American Dream


#SAAMteach

Maria Ryan
10
 

Ethnic Studies: Identity

Resources for 9th Grade Ethnic Studies Unit on Identity (self and as part of a larger group). Who am I? Where do I come from? #SAAMTeach

Danielle Torrez
8
 

AFRICAN COSMOS

Put the ARTS in STEM - From Egypt to South Africa, take a brief tour of the African Cosmos  and have your students discover the intersection of Art and Astronomy in the southern hemisphere.   Explore constellations only seen on the African continent.  See why the Goliath beetle became a symbol of rebirth for the Egyptian scarab.  Learn about celestial navigation by people and animals. 

Create Your Own Constellation!  Request Activity sheets for your classroom.

Submit your class constellations to our Student Gallery and be a part of your own school's online exhibition!


Deborah Stokes
73
 

Environmental Advocacy through Art

This collection was designed to enable students to reflect deeply on their understanding of local and global human impacts on the planet and how they can inspire others to care about/collectively work to solve one of these issues.  Students will use Project Zero Thinking Routines to examine various pieces of environmental art before they create their own visual call to action focused on the environmental issue that they care most about.

Global Competency Connection:

  • This project was designed to be the culminating project in a high school Environmental Science class, thus it is the expectation that students have “investigated the world” as they explored environmental and social issues throughout the course.  
  • This project will incorporate a level of choice as students “communicate their ideas” on the environmental issue that resonated most with them.
  • As a part of the project, students will share their campaigns with their teachers, peers, and families, and through this awareness raising thus “take action” on issues of global significance.

Using the Collection: A detailed description of daily activities can be found within the "Lesson Sequence" document. Additionally, notes regarding the use of each Project Zero Thinking Routine are documented as annotations within each individual Thinking Routine tile and provide specific instructions on how align these routines with this collection.  

#GoGlobal #ProjectZero #EnvironmentalScience

Aleah Myers
37
 

A Morning in Damascus

This collection features a series of three independent activities around one singular portrait of Bayard Taylor (formally titled A Morning in Damascus) painted by Thomas Hicks, 1855.  Taylor was one of America's foremost and most popular travel writers of the mid to late 19th century.  

These activities were created for my Advanced Placement World History course to practice close reading skills as well as historical thinking skills.  The notations provided here are for teacher reference and would not be given to students. 

This collection was created in conjunction with the National Portrait Gallery's 2017 Learning to Look Summer Teacher Institute.

#NPGTeach 

#historicalthinking

Lauren Hetrick
12
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