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Found 687 Collections

 

AFRICAN COSMOS

Put the ARTS in STEM - From Egypt to South Africa, take a brief tour of the African Cosmos  and have your students discover the intersection of Art and Astronomy in the southern hemisphere.   Explore constellations only seen on the African continent.  See why the Goliath beetle became a symbol of rebirth for the Egyptian scarab.  Learn about celestial navigation by people and animals. 

Create Your Own Constellation!  Request Activity sheets for your classroom.

Submit your class constellations to our Student Gallery and be a part of your own school's online exhibition!


Jessica Radovich
73
 

ACCESS SERIES | Galaxy Quest

IMPORTANT: Click on the "i" for information icon and the paperclip icons as you move through the collection.

Have you ever wondered what's going on out there in the universe? Would you like to discover exciting things about planets, stars, and galaxies? Today, we will go on a GALAXY QUEST to EXPLORE THE UNIVERSE!

RATIONALE | Digital technology has transformed how we explore the Universe. We now have the ability to peer into space right from our homes and laptop computers. Telescopes, photography, and spectroscopy remain the basic tools that scientists—astronomers and cosmologists—use to explore the universe, but digital light detectors and powerful computer processors have enhanced these tools. Observatories in space—like the Hubble Space Telescope—have shown us further into space then we have ever seen before.

EDUCATORS | For the LESSON PLAN of the original "Galaxy Quest" << CLICK HERE >>

Lesson Objectives:
1. Process and save at least one digital image of a galaxy or space image (with caption)
2. Create a three-dimensional astronomy sculpture (galaxy or other space body, space alien, plant, animal)
3. Create a digital astronomy sculpture (galaxy or other space body, space alien, plant, animal)
4. Visit the Explore the Universe exhibition at NASM and identify Hubble parts (mirror, lens, spectroscope)

Learning Objectives:
1.     What a galaxy is
2.     What a space telescope is
3.     Learn how to open an image on the computer and process it
4.     Socialize well in the museum setting


Tags: decision-making, self-determination, access, disability, accessibility, neurodiversity, special education, SPED, out of school learning, informal learning, cognitive, social skills, engagement, passion, creativity, empowerment, All Access Digital Arts Program 


Jessica Radovich
77
 

MicroObservatory: A guide to Observing the Universe

MicroObservatory is a network of automated telescopes that can be controlled over the Internet. In this collection, students will learn how they can control these telescopes themselves, using many of the same technologies that NASA uses to capture astronomical images by controlling telescopes in space. After gathering their very own images of space, students will learn the steps professional astronomers take to process the astronomical masterpieces so often seen from NASA, and then have the opportunity to create their very own!

Jessica Radovich
6
 

Journey through an Exploded Star: An Online Interactive

In this collection, students will explore the life cycle of stars and learn about the connection between elements and space. They'll explore real data that provides evidence for the dispersal of several elements produced by the explosion of massive stars, specifically through the Cassiopeia A supernova. Then they’ll put their knowledge into practice by navigating the remains of the supernova in the online interactive “Journey through an Exploded Star.”

  1. The activity begins with “DISCOVER." The students will go through a series of slides, learning first how the visible spectrum of light is only a small part of the entire electromagnetic spectrum, about the different telescopes scientists use to view the electromagnetic radiation across that spectrum, and finally how they've used that data to form a composite view of our universe, specifically through a 3D model of the Cassiopeia A supernova.
  2. In the "EXPLORE" activity, students examine the 3D visualization of data, compiled by astrophysicist Tracey DeLaney, to understand how and why scientists study supernovas such as Cassiopeia A: to gain a comprehensive picture of the cosmos.
  3. The “PLAY” online interactive then takes the students on a first-person flight through the center of this exploded star. The interactive is split into two parts: The first part is a 2 minute guided fly-through, where Kim Arcand, project lead of the original 3D visualization found in the collection, explains the different forms of light and the elements that are traceable under those spectrums. The second is a free explore option, where students are able to manipulate the different spectrums by adjusting filters as they choose. Both parts of the interactive reinforce what they’ve previously learned within the collection about light across the EMS. This interactive works across browsers and requires no software downloads. Also included is a 360 video tour that works on mobile devices and Google Cardboard.
  4. Finally, three extension activities are included. The first allows students to take photographs using real MicroObservatory robotic telescopes located at Smithsonian Observatory sites in Cambridge, Massachusetts and Amado, Arizona to create their very own authentic astrophotographs. They’ll use specialized image processing software to bring out visual details from images of objects like the Moon, Sun, star clusters, nebulas, and galaxies. The second, "Recoloring the Universe," is a suite of resources that use astrophysical data to teach basic coding. The third resource, "How to Be a Scientist: Careers in Astronomy" highlights the career and data visualization work of astronomer Kimberly Arcand. 

This online activity could be used to augment study about the forms of radiation light can take, learning about supernovae and what happens after a star explodes, as well as learning about some of the different careers in science that are available (astrophysicists, astrophotographers, engineers, and visualization experts). As with all Learning Lab collections, it is built to be freely modified and adapted to fit your specific needs. 

Jessica Radovich
22
 

Introducing Hokusai: Mad about Painting

This Learning Lab Collection introduces three themes from the Hokusai:  Mad about Painting exhibition and provides works of art, classroom activities, and discussion questions associated with each theme. 

Tags:  #AsiaTeachers; Be a Reporter; customs; daily life; dragons; Edo; Great Wave; Hokusai; Japan; nature; New Year; personification; poetry; power; Project Zero; Mount Fuji; See Think Wonder; Step Inside; symbols; thunder; woodblock print

About the exhibition:

Hokusai:  Mad about Painting
November 23, 2019–November 8, 2020
Freer Gallery of Art, galleries 5–8

The Japanese artist Katsushika Hokusai (1760–1849) is widely recognized for a single image—Great Wave Off the Coast of Kanagawa, an icon of global art—yet he produced thousands of works throughout his long life. Charles Lang Freer recognized the artist’s vast abilities before many other collectors, and he assembled the world’s largest collection of paintings, sketches, and drawings by Hokusai. In commemoration of the centennial of Freer’s death in 1919, and in celebration of the Summer Olympics in Tokyo in 2020, the Freer Gallery presents a yearlong exploration of the prolific career of Katsushika Hokusai. Works large and small are on view, from six-panel folding screens and hanging scrolls to paintings and drawings. Also included are rare hanshita-e, drawings for woodblock prints that were adhered to the wood and frequently destroyed in the process of carving the block prior to printing. Among the many featured works are Hokusai’s manga, his often-humorous renderings of everyday life in Japan. Together, these works reveal an artistic genius who thought he might finally achieve true mastery in painting—if he lived to the age of 110.


Freer and Sackler Galleries
26
 

Fort Tejon

The Native Americans who lived in this area prior to the establishment of Fort Tejon are generally referred to as the Emigdiano. They were an inland group of the Chumash people. Unlike their coastal relatives, however, the Emigdiano avoided contact with European explorers and settlers, and were never brought into one of the missions or even incorporated into the Sebastian Indian Reservation. Once Fort Tejon was established, the Emigdiano often worked as independent contractors for the army, providing guides for bear hunts and delivering fresh fruits from their fields for sale in officers row. 

In 1852, President Millard Fillmore appointed Edward F. Beale to the position of Superintendent of Indian Affairs for California and Nevada, and sent him to California to head off further confrontation between the Indians and the many gold seekers and other settlers who were pouring into California. After studying the situation, Beale decided that the best approach was to set up a large Indian reservation at the southern end of the San Joaquin Valley and to invite displaced Indian groups to settle there. 

In order to implement his plan, Beale requested a federal appropriation of $500,000 and military support for the 75,000 acre reservation he had selected at the foot of Tejon Pass. Colonel Ethan Allen Hitchcock, commander of the Pacific Division of the U.S. Army, supported Beale's plan and agreed to set up a military post on or near the Indian reservation. The army was eager, in any case, to abandon Fort Miller (near Fresno, California) in favor of a more strategically advantageous site in California's southern San Joaquin Valley. 

In August 1854, Major J.L. Donaldson, a quartermaster officer, chose the present site in Canada de las Uvas. The site was handsome and promised adequate wood and water. It was just 17 miles southwest of the Sebastian Indian Reservation, and it was right on what Major Donaldson was convinced would become the main route between the Central Valley and Southern California. 

For almost ten years, Fort Tejon was the center of activity in the region between Stockton and Los Angeles. The soldiers, known as Dragoons, garrisoned at Fort Tejon patrolled most of central and southern California and sometimes as far as Utah. Dragoons from Fort Tejon provided protection and policed the settlers, travelers and Indians in the region. People from all over the area looked to Fort Tejon for employment, safety, social activities and the latest news from back east. 

Lori Wear
63
 

SAAM Family Day Crafts

Art-making activities for at-home fun. Join us for family days when the time comes!

Elizabeth Dale-Deines
9
 

All That Jazz: An Introduction

I created this collection for families to do together while schools are closed. I will be making a collection a day while we are out of school. Today we will be exploring Jazz. The idea is for families to look at the items in the collection and consider what they see in the objects and paintings, what they think, and what they wonder. Families can also watch a free Brainpop video about jazz, read articles about Jazz, and listen to the read aloud Rent Party Jazz. At the end of the collection I have provided a few ideas for families about what to do next.

If you want to learn more about more about See Think Wonder you can click here to see a video of a teacher using the routine in her classroom.

Ellen Rogers
28
 

Mexican Art & U.S. History: Carmen Lomas Garza

This collection will provide an opportunity for students to analyze artwork, read background information, and connect art with historical events. At the heart of this activity is artwork created by Latino artist Carmen Lomas Garza. These paintings reflect the experiences of Garza's family and Latino life in 1980s America. In addition to image analysis, teachers could extend an opportunity for students to identify and discuss connections between Garza's art and the Mexican American experience from the 1960s to the present. This collection includes:

  • A timeline of U.S.-Mexican American relations
  • Video/audio of Reagan signing the 1986 Immigration Reform Control Act
  • And an overview of immigration reform via ABC-CLIO (requires subscription). 

#ethnicstudies #LISDSS

24A describe how the characteristics of and issues in U.S. history have been reflected in various genres of art, music, film, and literature;

Amanda Blake
24
 

Sharks: Friend or Foe?

I created this collection for families to do together while schools are closed. I will be making a collection a day while we are out of school. Today we will be exploring Sharks. The idea is for families to look at the items in the collection and consider what they see in the objects and paintings, what they think, and what they wonder. Families can also watch a free Brainpop video about sharks, read articles about sharks, and listen to the read aloud Clark the Shark. At the end of the collection I have provided a few ideas for families about what to do next.

If you want to learn more about more about See Think Wonder you can click here to see a video of a teacher using the routine in her classroom.

Ellen Rogers
30
 

Circles of Fun: Hula Hooping

I created this collection for families to do together while schools are closed. I will be making a collection a day while we are out of school. Today we will be exploring hula hoops. The idea is for families to look at the items in the collection and consider what they see in the objects and paintings, what they think, and what they wonder. Families can also watch a free Brainpop video about Oprah (the reader), read articles about hula hoop history, and watch hoop dances performed by native people. At the end of the collection I have provided a few ideas for families about what to do next.

If you want to learn more about more about See Think Wonder you can click here to see a video of a teacher using the routine in her classroom.

Ellen Rogers
21
 

MicroObservatory: A guide to Observing the Universe

MicroObservatory is a network of automated telescopes that can be controlled over the Internet. In this collection, students will learn how they can control these telescopes themselves, using many of the same technologies that NASA uses to capture astronomical images by controlling telescopes in space. After gathering their very own images of space, students will learn the steps professional astronomers take to process the astronomical masterpieces so often seen from NASA, and then have the opportunity to create their very own!

Erika Wright
6
 

May the Road Rise Up to Meet You: St. Patty's Day Fun

I created this collection for families to do together while schools are closed. I will be making a collection a day while we are out of school. Today we will be exploring St. Patrick's Day. The idea is for families to look at the items in the collection and consider what they see in the objects and paintings, what they think, and what they wonder. Families can also watch a free Brainpop video about St. Patrick's Day, read articles about magic folk, and listen to the read aloud Rainbow Fish. At the end of the collection I have provided a few ideas for families about what to do next.

If you want to learn more about more about See Think Wonder you can click here to see a video of a teacher using the routine in her classroom.

Ellen Rogers
39
 

Digital Science Games, Apps, and Simulations

Digital learning resources from the Smithsonian Science Education Center

Smithsonian Science Education Center
17
 

Digital Interactives in Science

Digital learning resources from the Smithsonian Science Education Center

SmithsonianScienceAshley
17
 

Investigating the Layers of a Korean Buddhist Sculpture

This Learning Lab Collection focuses on a single Buddhist object from Korea. Students will formulate questions about a Buddhist work of art from Korea using Project Zero's Layers Visible Thinking Routine.  They will investigate answers to their questions by researching the exhibition website and engaging with various interactives and digital resources provided.  

#AsiaTeachers
Tags:  Art; Buddhism; Korea; Project Zero; research; National Museum of Korea


About the exhibition:

Sacred Dedication:  A Korean Buddhist Masterpiece
September 21, 2019–March 22, 2020
Arthur M. Sackler Gallery

A single object—a beautiful gilt wood sculpture of Gwaneum, the bodhisattva of compassion and the most popular deity in Korean Buddhism—is the focus of this loan exhibition from the National Museum of Korea. Carved in the late Goryeo period (918–1392), this crowned image is now known to be the oldest surviving gilded wood figure in an informal pose. Its posture, with one leg raised and the other lowered, is associated with the deity’s dwelling place, where he sits calmly on rocks above the crashing waves of the sea. The same subject in a similar pose was common in devotional paintings, such as the hanging scroll of Suwol Gwaneum bosal (Water-Moon Avalokiteshvara) now in the collection of the Freer Gallery.

Sacred texts and potent symbolic objects were sealed inside this hollow religious sculpture when it was first placed into worship in the thirteenth century. The practice of adding dedication material to a Buddhist sculpture during consecration ceremonies was believed to transform it into a living body. Recent research conducted by the National Museum of Korea provides new information about this rare sculpture, its hidden contents, and the special rituals that surrounded image consecration in Korea centuries ago.

We thank our colleagues at the National Museum of Korea for sharing their research and facilitating this exhibition.

Freer and Sackler Galleries
11
 

2020 National High School Design Competition

WHAT WOULD YOU DESIGN TO HELP MORE OF US FEEL INCLUDED?

Inclusive design is essential for overcoming exclusion and inequality in the world. Designers today look at the breadth of human diversity and help people of different genders, languages, and cultures have a sense of belonging as they live, work, and play. Using empathy, designers think critically and intentionally about the obstacles that would make people feel excluded and design innovative solutions to empower them and create inclusion for all.

The 2020 National High School Design Competition challenges high school students around the country to use design to help more of us feel included. Be ambitious, innovative, and bold! Create a sketch of your idea and describe how your design addresses the challenge. Review how to enter and use these resources to start thinking like a designer!



Cooper Hewitt, Smithsonian Design Museum
10
 

Ideas to Solutions with Cooper Hewitt, Smithsonian Design Museum

How do you help students test their ideas in your classroom? A critical step in the design process, prototyping and testing ideas helps problem-solvers learn from failures, experiment with materials, and visualize their solutions. Educators will dive into a case study from Michael Graves Architecture and Design and explore various techniques to experiment with ideas in the classroom with resources from professional designers and Cooper Hewitt, Smithsonian Design Museum.

#NTOY18 #CHEDUCATION #CHDESIGNTHINKING

#designthinking

Cooper Hewitt, Smithsonian Design Museum
43
 

Senegal collection 2020

Signature Assignment for ECON201 Principles of Macroeconomics. 

Topic: Gender Issues and Labor Markets in Senegal

Hoa Nguyen
8
 

Cloudy With a Chance of Fun

I created this collection for families to do together while schools are closed. I will be making a collection a day while we are out of school. Today we will be exploring clouds. The idea is for families to look at the items in the collection and consider what they see in the objects and paintings, what they think, and what they wonder. Families can also watch a free Brainpop video about clouds, read articles about clouds, and listen to a read aloud called Brave Irene who faces some very interesting weather. At the end of the collection I have provided a few ideas for families about what to do next.

If you want to learn more about more about See Think Wonder you can click here to see a video of a teacher using the routine in her classroom.

Ellen Rogers
22
 

Calculated Change

Through this collection students will learn about how people exposed systemic societal issues to advocate for change in policy and change in thought. The thread that brings these practitioners together is that they slowly looked at the issues, exposed the truth, and did not only rely on data but a combination of people, stories, to back up their claims and advocate for change and education. 

Amanda Riske
23
 

African American Historians of the 19th and Early 20th Centuries

An innate function of being human is to preserve and share our experiences and stories.  African American men and women have researched and recorded their history despite enslavement, racism, segregation, sexism, and opposition. Their research helped expand the known narratives of American and international history through the African American perspective and interpretation of historical sources. This Learning Lab explores selected African American historians of the nineteenth and early twentieth centuries. Their research and works were critical to the foundation of African American studies and their activism helped open doors for future African Americans to enter and contribute to the field of history.  The Smithsonian's National Museum of African American History and Culture, situated in the heart of the nation’s capital, serves as the physical manifestation of the efforts of African American historians featured in this lab.

Keywords: NMAAHC, NMAAHC Education, African American, historians, history, primary sources, stories

HOW TO USE THIS LAB:

Use the book excerpts, documents, images, objects, and media related to a highlighted historian in the Learning Lab to answer the questions provided in the Discussion Question page  and/or or use them comparatively with information in your history textbook about the highlighted historical period.

FEATURED HISTORIANS 

  1. Revolutionary War (Squares 3 - 10)
    William Cooper Nell (1816 – 1874) was born to a prominent African American abolitionist family in Boston, Massachusetts. As a young man, he was mentored by William Lloyd Garrison, wrote for Garrison’s abolitionist newspaper the Liberator, and was influential in the fight against segregation in Boston’s public transportation and accommodations during the 1840s and 1850s. In 1855, Nell authored The Colored Patriots of the American Revolution, making it one of the first historical works to focus on African Americans.
  2. Civil War (Squares 11 - 18)
    George Washington Williams (1849 – 1891)
    was born in Bedford Springs, Pennsylvania. At the age of 14, he joined the Union Army during the Civil War. After the war, he finished his education in Massachusetts, became a minister, and founded a newspaper, The Commoner. By 1880, Williams moved to Ohio and became the first African American elected to the Ohio General Assembly. As a historian, Williams is most famous for writing the first comprehensive history of African Americans in the United States, a two-volume work called the History of the Negro Race in America from 1619 to 1880; as Negroes, as Slaves, as Soldiers, and as Citizens (1882). In 1887, he published A History of the Negro Troops in the War of the Rebellion.
  3. Reconstruction (Squares 19 - 25)
    William Edward Burghardt Du Bois (1868 – 1963)
    was born in Great Barrington, Massachusetts. His studies, which focused on African American history, anthropology, and sociology, took him to study in Tennessee, Germany, and finally back to Massachusetts where he became the first African American to graduate with a PhD from Harvard. In the quest for civil rights, Du Bois helped established the Niagara Movement, and its successor, the National Association for the Advancement of Colored People (NAACP). As a historian, he wrote widely on the African American experience, but one of his best-known works was Black Reconstruction in America (1935). While Black Reconstruction was refuted during the early twentieth century, the work is now considered one of the foundational texts of how Reconstruction is interpreted by today’s mainstream historians.
  4. Women and Gender History (Squares 26 - 31)
    Anna Julia Cooper (1858 – 1964)
    was born to her enslaved mother and her white slaveholder father in Raleigh, North Carolina. She pursued education from an early age, as well as fought for women’s rights and gender equality. As a scholar at Oberlin College, she protested sexist treatment of women by taking courses and gaining degrees in subjects typically designated for men. She became an influential educator in Washington D.C. who saw her students attend some of the most prestigious colleges in the country. In 1925, Cooper completed her graduate studies at Sorbonne, University of Paris. She became the fourth African American woman to earn a PhD in History. In 1892, she wrote, A Voice from the South by a Black Woman of the South, focusing on the history and experiences of African American women in the South, and the need for their education to uplift the African American community as a whole.
  5. The First World War (Squares 32 - 37)
    Carter Godwin Woodson (1875 - 1950)
    was born in New Canton, Virginia. He is known as the “Father of Black History” because of his numerous contributions to the field.  Woodson was the son of poor, but land-owning former slaves. As he worked to support his family’s farm he did not enter high school until age twenty. Woodson earned his first degree from Berea College in Kentucky. He then worked, studied, and taught internationally before receiving his Bachelors and his Masters from the University of Chicago, and later his PhD from Harvard University. In 1915, he founded the Association for the Study of Negro Life and History (now the Association for the Study of African-American Life and History), and in 1916 published the Journal of Negro History (now the Journal of African American History). In 1926, he established Negro History Week, which would later become Black History Month. In 1922, Woodson wrote The Negro in Our History, which covered African American history from African origins to the First World War. Woodson believed that history should not be a mere study of facts but the analyzation and interpretation of historical evidence for a deeper meaning.
  6. African American History: Slavery and Freedom (Squares 38 - 46)
    John Hope Franklin (1915 – 2009)
    was born in Rentiesville, Oklahoma. In June 1921, the Franklin family endured and survived the deadly Tulsa Race Riots. Franklin earned his Bachelors from Fisk University, and would complete his Masters and PhD at Harvard. In 1949, he became the first African American historian to present at the Southern Historical Association. He was also the only African American to serve as the president of the American Historical Association and the Organization of American Historians. Franklin wrote widely on the African American experience, with his most notable work being the 1947 publication of From Slavery to Freedom: A History of Negro Americans. Today, the work is in its tenth edition and is a staple of American history courses.



National Museum of African American History and Culture
69
 

Chinese immigration experience to Texas featuring Jim Eng's story

This collection includes resources about focusing on the story of Jim Eng (Ng San Wah) who immigrated to Texas when he was seven years old. Included are the various documents that he and his mom needed to immigrate and excerpts from his oral history are included.

Teachers and students may use this collection as a springboard for classroom discussions , such as those about immigration policy and/or discrimination. This collection is not comprehensive but rather provides a launching point for research and study. Documents are included to guide students through analysis activities of the documents, photos and oral history.

This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center. 

Keywords: chinese exclusion act, 1882,

 #EthnicStudies

Melanie Schwebke
29
 

Photography and News

Guiding Questions:

  • How much of a story can a photo tell? What are the limits?
  • Why do journalists take photos?
  • How is news photography different than other types of photography? What is photojournalism?

Time- 1-2 class periods with optional extension activities

This collection provides an opportunity for students to consider a first impression of news photos through careful image analysis. The initial viewing of the image is followed by reading historical newspaper articles or other primary sources about the event in question to compare their thinking with some context to their initial impressions. Images can be powerful and can greatly influence our impression of events, but without context, we can form inaccurate impressions based on our own biases. Students need to be careful and critical viewers of media as well as media creators. Images include events covered in history/social studies courses such as the Civil Rights Movement, Little Rock Nine, World War II, Japanese internment,  9/11, the Detroit Riots, the Scopes trial, women’s suffrage, Dolores Huerta and United Farm Workers, and the Vietnam War.

Day 1:

Warm Up/ Engagement:

Have students journal or a mind-map about the following questions:

  • How much of a story can a photo tell? What are the limits?
  • Why do journalists take photos?
  • What is photojournalism?
  • How is news photography different than other types of photography?

Have them do a Think-Pair-Share

Debrief as a whole group

As a whole group, discuss the photo of the female students who integrated Central High School in Little Rock. Do not show the caption to students. The global competency thinking routine, “Unveiling Stories,” is good to use for news or other current event photos because it allows students the opportunity to explore multiple layers of meaning.

Once students have discussed the image, show them the caption. Then give additional background on the Little Rock Nine. To review/background on the Little Rock Nine, consider exploring resources from Facing History and Ourselves. There is a New York Times article listed below as well.

Next, go back and look at photo with the caption and see how the initial understanding has shifted with the Connect-Extend-Challenge routine. This is a thinking routine that is great for connecting new ideas to prior knowledge.

Day 2

Have students read the article from the Click! Exhibit, “Photography Changes How We Read the World.”

After reading, lead students through the What Makes You Say That? Routine which encourages interpretation with justification and evidence.

Small Group Jigsaw activity

In pairs or small groups, assign one image in the collection to each group. Make sure they know they will present their findings to the whole class. Have them go through the “Unveiling Stories” routine with their new image. Give students 10 mins to record their thoughts and ideas on chart paper or sticky notes. Next, give each group the related primary source news article (listed below through ProQuest) or your choice of a primary source. Have students read the article together. Then, have them go back to the image and do the Connect-Extend-Challenge routine while visualizing their thinking on the same chart paper or with additional sticky notes.

Have each group share out and summarize their findings from their initial reaction to how their thinking changed after reading an additional primary source.

As a final debrief, make sure that students reflect on their learning from their image analysis.

A great reflection routine is “I used to think… Now I think…”. Have students complete this routine with the topic of photojournalism/news photography.

Extensions

Readings:

Audio:

Exhibit:

Project:

  • Report on an event with images and in writing  

Companion Article Sources on ProQuest Historical Newspapers:

For 9/11 Photos-

A CREEPING HORROR

KLEINFIELD N R

New York Times (1923-Current file); Sep 12, 2001;

ProQuest Historical Newspapers The New York Times (1851 - 2011) pg. A1

For D-Day Photo:

Allies Seize Beachheads on French Coast, Invasion Forces Drive Toward Interior

By the War Editor of The Christian Science Monitor

The Christian Science Monitor (1908-Current file); Jun 6, 1944; ProQuest Historical Newspapers Christian Science Monitor (1908 - 2001) pg. 1

For Detroit Riot Photo:

Detroit Is Swept by Rioting and Fires; Romney Calls In Guard; 700 Arrested

New York Times (1923-Current file); Jul 24, 1967;

ProQuest Historical Newspapers The New York Times (1851 - 2011) pg. 1

For Vietnam Withdrawal Photo:

A Farewell to Vietnam: 2 Flown Out Tell Story

New York Times (1923-Current file); Apr 28, 1975;

ProQuest Historical Newspapers The New York Times (1851 - 2011) pg. 1

For Dolores Huerta Photo:

Farm Labor Law Chances Improve

By Susan Jacoby Washington Post Staff Writer

The Washington Post, Times Herald (1959-1973); May 2, 1969; ProQuest Historical Newspapers The Washington Post (1877 - 1998) pg. A24

For Little Rock Photo:

STUDENTS ACCEPT NEGROES CALMLY

By BENJAMIN FINE Special to The New York Times.

New York Times (1923-Current file); Sep 26, 1957;

ProQuest Historical Newspapers The New York Times (1851 - 2011)

For WWII/D-Day Photos:

PARADE OF PLANES CARRIES INVADERS

New York Times (1923-Current file); Jun 6, 1944;

ProQuest Historical Newspapers The New York Times (1851 - 2011) pg. 1

For Scopes Trial Photo:

DEFENSE CASE IS OUTLINED

Special to The New York Times.

New York Times (1923-Current file); Jul 16, 1925;

ProQuest Historical Newspapers The New York Times (1851 - 2011) pg. 1

For Women’s Suffrage March Photo: WOMEN PARADE FOR SUFFRAGE AT CAPITAL

The Christian Science Monitor (1908-Current file); Mar 3, 1913; ProQuest Historical Newspapers Christian Science Monitor (1908 - 2001) pg. 1

#visiblethinking


Allie Wilding
20
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