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Found 623 Collections

 

Audrey Antee
0
 

"Conversation Circles" across the Atlantic

This workshop is a collaboration between the Smithsonian Center for Learning and Digital Access, the Smithsonian National Portrait Gallery in Washington D.C., the School of the Arts, English and Drama - Loughborough University (UK) and Tate Exchange in London.

"Conversations Circles" is an ongoing free drop-in program for adults to practice their English and learn about American history and culture through the art of portraiture, that is designed and coordinated by the National Portrait Gallery and the DC Public Library.

During this particular workshop, the group that meets weekly at the National Portrait Gallery in Washington DC will be virtually joined by a group in London, that is already involved in a one-day storytelling workshop facilitated by researchers from Loughborough University as part of the Tate Exchange program.

Tate Exchange is an entirely new program for Tate Modern that explores how art makes a difference in society. Tate Exchange will occupy an entire floor of the new Switch House building of the new Tate Modern in London and also has an online platform for wider public engagement. The program runs from September to June every year and aims to open up the museum to new, more diverse audiences. 

Loughborough University is one of the Associates that support Tate Modern to deliver this program.
More info on the program here: http://www.tate.org.uk/visit/t...


Antonia Liguori
12
 

"Diary, December 12, 1941": Japanese American Internment, Propaganda, and Superheroes

This folder contains a lesson concept, lesson materials, related Project Zero thinking routines, and some optional related / extension resources for a six-day middle school unit that explores Japanese-American internment and WWII government propaganda through Roger Shimomura's "Diary, December 12, 1941." This collection is intended for teachers and can be modified to fit a shorter or longer period of time.  #SAAMteach

#historicalthinking

Alexandra Hartley
19
 

"Diary: December 12, 1941," internment in America, and the literature of exile

Beginning with Roger Shimomura's "Diary: December 12, 1941," students will engage with a variety of primary and secondary documents, works of art, and interviews as an entry point into Mohsin Hamid's contemporary work of magical realism, Exit, West.  

Aerie Treska
28
 

"Explore with Smithsonian Experts" Film Series

This video series, Explore with Smithsonian Experts, connects students and teachers with the skill and technique of Smithsonian experts who describe their work at our nation's museums. In each short film, experts introduce new ways to observe, record, research and share, while using real artifacts and work experiences.

Keywords: entomology, arthropod, insects, beetles, ants, scientific method, verification, President Abraham Lincoln, March on Washington, The Wright Brothers, Orville and Wilbur Wright, flight, astrophotography, cosmos, astronomy, abstract art, El Anatsui, portraits, portraiture, President George Washington, Gertrude Stein, Gordon, Pocahontas, LL Cool J, Kehinde Wiley, Nicholasa Mohr, Dolores Huerta, Puerto Rico, Luis Muñoz Marín, Rudolfo Anaya, urban photography, Shifting States: Iraq, Luis Cruz Azaceta, choreography, dance, Japanese American incarceration (internment) camps, World War II, Queen Kapi'olani, Hawaii, diplomacy, Ecuadorian boat seat, Anansi spider, Ángel Suárez Rosado, baseball, Latino community 

Ashley Naranjo
39
 

"Home and Away": Using museum objects to prompt stories and explore sense of place and belonging

"Home and Away" is a digital storytelling workshop that enhances the 4Cs (Creativity, Critical thinking, Collaboration, Communication) and improves literacy in second-language learners.  In this three-day workshop participants from Spain coming to Washington DC for an international exchange program with Oyster-Adams Bilingual School, supported by American students, will use museum objects as prompts to create videos of personal stories. No technical experience is necessary, but participants of all levels will:

  • learn about the variety of resources available in the Smithsonian Learning Lab.
  • experiment with storyboarding techniques for creative writing.
  • learn how to record and edit an audio file.
  • be supported in the selection of images and the production of a short video.
  • reflect on the Digital Storytelling 5-steps process
  • practice oral and written English language skills
  • enhance identity through personal stories
  • increase visual literacy through close looking at art

This workshop has been organised by the Smithsonian Center for Learning and Digital Access (SCLDA) in collaboration with Oyster-Adams Bilingual School.

Workshop facilitators are Antonia Liguori (Loughborough University, UK) and Philippa Rappoport (SCLDA).

This activity is part of  “Storying” the Cultural Heritage: Digital Storytelling as a tool to enhance the 4Cs in formal and informal learning, a research project led by Dr Antonia Liguori, appointed as a Smithsonian Fellow with the Smithsonian Center for Learning and Digital Access (SCLDA) from March 1 to June 30 2018, and is funded by the Arts and Humanities Research Council UK under the International Placement Scheme.

Antonia Liguori
18
 

"Pertenecer": Using Museum Objects to Prompt Stories and Explore Sense of Place and Belonging

Pertenecer is a digital storytelling workshop that enhances the 4Cs (Creativity, Critical thinking, Collaboration, Communication) and improves digital literacy.  In this three-day workshop participants attending Fairfax County Public School Family Literacy and/or the Parent Leadership programs will use museum objects as prompts to create videos of personal stories. No technical experience is necessary, but participants of all levels will:

  • learn about the variety of resources available in the Smithsonian Learning Lab.
  • experiment with story-boarding techniques for creative writing.
  • learn how to record and edit an audio file.
  • be supported in the selection of images and the production of a short video.
  • reflect on the Digital Storytelling 5-steps process
  • practice oral and written English language skills
  • enhance identity through personal stories
  • strengthen intergenerational family bond
  • increase visual literacy through close looking at art

_______________________________________________________________

This workshop is part of the research project "Storying the Cultural Heritage: Digital Storytelling as a tool to enhance the 4Cs in formal and informal learning" led by Dr Antonia Liguori, appointed as a Smithsonian Fellow with the Smithsonian Center for Learning and Digital Access (SCLDA) from March 1 to June 30 2018, and is funded by the Arts and Humanities Research Council UK under the International Placement Scheme. Over the next months, Dr Antonia Liguori, in collaboration with Dr Philippa Rappoportwho has agreed to serve as principal mentor/advisor during Dr Liguori’s appointment – will work with Fairfax County Public School Family Literacy and Parent Leadership Programs to explore the use of Digital Storytelling in combination with the digital resources of the Smithsonian Learning Lab. 

Antonia Liguori
35
 

"The Absolutely True Diary of a Part-Time Indian" Close-Reading: Making Text-to-Art Connections

The selected artwork and learning lab collection offers a historical approach to the transformation of Native Americans into white culture and society. It serves as a purpose to provoke discussion on the historical context of the Indian Removal Act, and gives students an understanding of the main character’s (from the novel "The Absolutely True Diary of a Part-Time Indian) “modern day” internal conflict of erasing or eliminating his Native American culture to immerse into the lifestyle of a white teenager in a predominately white school.

As an introductory activity, students will engage in the see/think/wonder methodology to infer the artists’ purpose for the artwork. This initial activity will help scaffold students’ prior understanding and knowledge of the historical context of Native American history and the forced immersion into white culture. Therefore, after students have had ample time of using visual understanding skills to interpret the artwork, students can explore a “modern-day version” of Sherman Alexie’s image that showcases a juxtaposition of the main character’s internal identity conflict.Similar to the artwork, students will engage in the "connect, extend, and challenge" thinking activity. Students will make connections to the text and real-world connections as a culminating task. Lastly, students will discuss how it extended their thinking and a remaining challenge or wonder students still have. Using their remaining questions, this could lead to several extension activities.

Students can explore other Native American artwork in the learning lab, students can also use the "unveiling stories" strategy to learn more about the Carlisle school. The history of the Carlisle school connects and relates with the novel by adding historical context. Lastly, students can engage in teacher-made or student-made gallery walks using other Native American artwork or imagery to support the reading process of the paired text.


Jacquie Lapple
16
 

"The more you look, the more you see." - Self Portraiture and the Personal Essay - Student Version - (#SAAMTeach)

Text below, from The National Portrait Gallery: "Eye to I: Self Portraits from 1900 to Today."

#SAAMTeach

Drawing from the National Portrait Gallery’s vast collection of self-portraits, this exhibition explores and thinks critically about how American artists have chosen to portray themselves over the past two centuries. Individuals featured in Eye to I have approached self-portraiture at various points in history, under unique circumstances, and using different tools, but their representations—especially when seen together—all raise important questions about self-perception and self-reflection. Some artists reveal intimate details of their inner lives through self-portraiture, while others use the genre to obfuscate their true selves or invent alter egos. Are we seeing mirror images? Or, are these portrayals refractions of modern identity that reveal artistry rather than personality?

As we are confronted each day with “selfies” via social media, and as we continue to explore the fluidity of contemporary identity, this is an opportune time to reassess the significance of self-portraiture in relation to our country’s history. 

https://www.si.edu/exhibitions...


Annette Spahr
26
 

"The Raven," by Edgar Allan Poe

I use this specific "Raven" lesson with 10th grade American Lit students who have some prior knowledge of Poe. This particular class has already read "The Tell Tale Heart," additionally, they have a strong understanding of the qualities associated with Dark Romantic style - having read The Scarlet Letter and Young Goodman Brown, in addition to The Tell Tale Heart. This particular poem also comes on the heals of completing the Emily Dickinson unit, so therefore they have a good grasp of what is required when you're explicating a poem, what steps to follow, etc. This particular "Raven" lesson takes approximately two 45 minute class periods. Step by step for the lesson is featured below in the "notes" section.  #SAAMTeach

Annette Spahr
7
 

#NPGteach The Ladies In and Out of the White House: Not Just A Pretty Face

Looking closely at the women married to our President's. Learn more about the individuals and the contributions they themselves made. Using Learning to Look Strategies to go beyond the pretty faces.

Nancy Gavrish
18
 

1920's Artifacts

To get artifacts that demonstrate the themes and purposes of the 1920s.
Nav Id
10
 

1920s Artifacts

These artifacts really slapdizzled the 1920s.

Caleb armstrong
10
 

2018 National High School Design Competition

This Learning Lab was created as a resource for students and teachers participating in the 2018 National High School Design Competition.

This year's competition challenges students to make the everyday accessible by considering a place, process, or object they regularly use, identifying a challenge that a user with a disability might have with it, and designing a solution that addresses that challenge and makes the place, process, or object more accessible for all.

For more details on the competition go to https://www.cooperhewitt.org/2...

#designthinking

Cooper Hewitt Education Department
44
 

2019 National High School Design Competition

2019 CHALLENGE

Cooper Hewitt is delighted to announce the theme of the 2019 National High School Design Competition: The Nature of Design: What would you design (or redesign) that is a nature-based solution to a global problem?

ABOUT THE COMPETITION

Cooper Hewitt, Smithsonian Design Museum launched the National High School Design Competition in collaboration with Target in 2016. Every year, students around the country are challenged to design a solution to a unique scenario, inspired by Cooper Hewitt’s rich collection and stimulating exhibitions.

Visit Cooper Hewitt website to learn more  
WWW.COOPERHEWITT.ORG/DESIGNCOMPETITION


Cooper Hewitt Education Department
19
 

2H Course Themes

Megan Dawson
20
 

2nd Grade- Community & Habitat

Themes: communities, habitats, economics (goods, services, interdependence, producer, consumer), Native Americans culture, explorers, overlapping, multiple ground lines, various sky colors

Animals live in habitats; people live in communities.

ladyinn
44
 

30 Second Look Strategy: Learning to Look with the National Portrait Gallery

In this collection, we look at portraiture through the lens of the 30 second look strategy. This looking strategy allows participants 30 seconds to look at a portrait, and then turn away from the portrait and have a conversation about what they saw. This activity challenges participants to first look on their own and then have a collaborative conversation with their peers.

Visually rich portraits, with both objects and setting, are most effective when using this strategy.

Included in this collection are examples of portraits National Portrait Gallery educators have had success with when faciltiating the 30 second look while teaching in the galleries: George Washington, Men of Progress, Shimomura Crossing the Delaware
Briana White
10
 

3rd Grade- Culture

Themes: culture, ethnicity, holidays, celebrations, animal vessels, still life (especially table settings)

Ancient Cultures: Egypt, China, Greece, Rome, Mali

Renee Voce
69
 

3rd Grade- Culture

Themes: culture, ethnicity, holidays, celebrations, animal vessels, still life (especially table settings)

Ancient Cultures: Egypt, China, Greece, Rome, Mali

ladyinn
69
 

4 Forces of Flight

Photos and Articles that are supplemental learning to the forces of flight. All artifacts are interactive for student engagement and assessment.

Dalton Alatan
10
 

4th Grade- Time

Themes: Time, figures in motion, coil vessels, American history, colonization of America, wire sculpture,

ladyinn
44
 

5th Grade- Globalization

Themes: Globalization (ideas shared across time and place), landscapes, perspective/illusion of depth, contour line drawings, ancient cultures, American History, world architecture

ladyinn
48
1-24 of 623 Collections