Skip to Content
  • Language
  • End User
  • Educational Use
  • Time Required
(103)
(184)
(264)
(255)
(277)
(6)
(130)
(111)
(74)
(159)
(67)
(79)

Found 287 Collections

 

"Home and Away": Using museum objects to prompt stories and explore sense of place and belonging

"Home and Away" is a digital storytelling workshop that enhances the 4Cs (Creativity, Critical thinking, Collaboration, Communication) and improves literacy in second-language learners.  In this three-day workshop participants from Spain coming to Washington DC for an international exchange program with Oyster-Adams Bilingual School, supported by American students, will use museum objects as prompts to create videos of personal stories. No technical experience is necessary, but participants of all levels will:

  • learn about the variety of resources available in the Smithsonian Learning Lab.
  • experiment with storyboarding techniques for creative writing.
  • learn how to record and edit an audio file.
  • be supported in the selection of images and the production of a short video.
  • reflect on the Digital Storytelling 5-steps process
  • practice oral and written English language skills
  • enhance identity through personal stories
  • increase visual literacy through close looking at art

This workshop has been organised by the Smithsonian Center for Learning and Digital Access (SCLDA) in collaboration with Oyster-Adams Bilingual School.

Workshop facilitators are Antonia Liguori (Loughborough University, UK) and Philippa Rappoport (SCLDA).

This activity is part of  “Storying” the Cultural Heritage: Digital Storytelling as a tool to enhance the 4Cs in formal and informal learning, a research project led by Dr Antonia Liguori, appointed as a Smithsonian Fellow with the Smithsonian Center for Learning and Digital Access (SCLDA) from March 1 to June 30 2018, and is funded by the Arts and Humanities Research Council UK under the International Placement Scheme.

Antonia Liguori
18
 

"Pertenecer": Using Museum Objects to Prompt Stories and Explore Sense of Place and Belonging

Pertenecer is a digital storytelling workshop that enhances the 4Cs (Creativity, Critical thinking, Collaboration, Communication) and improves digital literacy.  In this three-day workshop participants attending Fairfax County Public School Family Literacy and/or the Parent Leadership programs will use museum objects as prompts to create videos of personal stories. No technical experience is necessary, but participants of all levels will:

  • learn about the variety of resources available in the Smithsonian Learning Lab.
  • experiment with story-boarding techniques for creative writing.
  • learn how to record and edit an audio file.
  • be supported in the selection of images and the production of a short video.
  • reflect on the Digital Storytelling 5-steps process
  • practice oral and written English language skills
  • enhance identity through personal stories
  • strengthen intergenerational family bond
  • increase visual literacy through close looking at art

_______________________________________________________________

This workshop is part of the research project "Storying the Cultural Heritage: Digital Storytelling as a tool to enhance the 4Cs in formal and informal learning" led by Dr Antonia Liguori, appointed as a Smithsonian Fellow with the Smithsonian Center for Learning and Digital Access (SCLDA) from March 1 to June 30 2018, and is funded by the Arts and Humanities Research Council UK under the International Placement Scheme. Over the next months, Dr Antonia Liguori, in collaboration with Dr Philippa Rappoportwho has agreed to serve as principal mentor/advisor during Dr Liguori’s appointment – will work with Fairfax County Public School Family Literacy and Parent Leadership Programs to explore the use of Digital Storytelling in combination with the digital resources of the Smithsonian Learning Lab. 

Antonia Liguori
35
 

"The Absolutely True Diary of a Part-Time Indian" Close-Reading: Making Text-to-Art Connections

The selected artwork and learning lab collection offers a historical approach to the transformation of Native Americans into white culture and society. It serves as a purpose to provoke discussion on the historical context of the Indian Removal Act, and gives students an understanding of the main character’s (from the novel "The Absolutely True Diary of a Part-Time Indian) “modern day” internal conflict of erasing or eliminating his Native American culture to immerse into the lifestyle of a white teenager in a predominately white school.

As an introductory activity, students will engage in the see/think/wonder methodology to infer the artists’ purpose for the artwork. This initial activity will help scaffold students’ prior understanding and knowledge of the historical context of Native American history and the forced immersion into white culture. Therefore, after students have had ample time of using visual understanding skills to interpret the artwork, students can explore a “modern-day version” of Sherman Alexie’s image that showcases a juxtaposition of the main character’s internal identity conflict.Similar to the artwork, students will engage in the "connect, extend, and challenge" thinking activity. Students will make connections to the text and real-world connections as a culminating task. Lastly, students will discuss how it extended their thinking and a remaining challenge or wonder students still have. Using their remaining questions, this could lead to several extension activities.

Students can explore other Native American artwork in the learning lab, students can also use the "unveiling stories" strategy to learn more about the Carlisle school. The history of the Carlisle school connects and relates with the novel by adding historical context. Lastly, students can engage in teacher-made or student-made gallery walks using other Native American artwork or imagery to support the reading process of the paired text.


Jacquie Lapple
16
 

"We the People": Flash Card Activity and Template

This collection includes a variety of resources on the theme, "We the People," a template document  for teachers to create their own  flashcard activity with Learning Lab images, and strategies to use them.

This collection was created for the 2018 cohort of the Smithsonian-Montgomery College Faculty Fellowship Program on the theme, "We the People: America's Grand and Radical Experiment with Democracy." But anyone can use it.

Strategies: Begin by selecting your own set of images. (Feel free to copy this collection and then adapt as you like.) When creating your flashcards, use the template from the last learning tile, and add relevant text diagonally below the object. Print double-sided flipping on the SHORT side.

After distributing the cards, have students select one or two that speak to them. Then have them discuss the following questions in groups and share out.

Supporting Questions:
What themes do you see?
Do you see these themes across the objects and over time?

Essential Questions:
Using these images, define American Democracy.
What other resources might you use to tell a fuller story?


Keywords: #MCteach


Philippa Rappoport
50
 

2018 National High School Design Competition

This Learning Lab was created as a resource for students and teachers participating in the 2018 National High School Design Competition.

This year's competition challenges students to make the everyday accessible by considering a place, process, or object they regularly use, identifying a challenge that a user with a disability might have with it, and designing a solution that addresses that challenge and makes the place, process, or object more accessible for all.

For more details on the competition go to https://www.cooperhewitt.org/2...

#designthinking

Cooper Hewitt Education Department
44
 

3-D Paper Puzzler: Hermit Crabs

Students at the Hirshhorn ARTLAB+ program have been experimenting with 3-dimensional digital paper craft. One of them even showed her papercraft dinosaur at the White House's first Maker Faire!

This collection includes images and video of hermit crabs, both live and from our art collections, as well as instructions and printable templates to make a 3-dimensional hermit crab shell from three sheets of paper.



Philippa Rappoport
10
 

30 Seconds-Fact and Opinion

In this collection, we look at portraiture through the lens of the 30 second look strategy. This looking strategy allows participants 30 seconds to look at a portrait, and then turn away from the portrait and have a conversation about what they saw. This activity challenges participants to first look on their own and then have a collaborative conversation with their peers.

Visually rich portraits, with both objects and setting, are most effective when using this strategy.

The 30 Seconds lesson helps students to use their visual and memorizing skills. The lessons will sentence starters like "I think and I know" to introduce fact and opinion, which will encourage creativity.

The activity can also help to exercises their....

Imagination

Creative Writing

Focusing on key details

Expressive Language

The activity can be done as a whole group discussion, partner work, or independently. I will use the Kagan strategy Rally Coach on the second portrait with the purpose of building their language skills and taking ownership of their learning. Students will work with a peer what they saw during the 30 seconds of looking at the portrait. Then, they will share in their opinion what they think is happening in the setting and what is the person in the portrait doing and thinking.


This collection was created in conjunction with the National Portrait Gallery, as well as resource and information.

Maria Menjivar
2
 

A "Family Lessons" Storybook Activity for the Classroom or Home, with examples of student work

This collection includes instructions and ideas for a classroom activity designed to get children and their families talking and creating together. It is suitable for K-5 classrooms, as an art, English, or social studies-based activity. Included here are examples of student work (images and video of students reading their books), as well as images from classroom displays.

In this activity, a 1st grade teacher from a bilingual school in Washington, D.C., used what we called the "Connections" handmade storybook design to have her students share important family lessons. She described how she did the activity: "I loved the book project and found that it was a way to get parents involved in making a book with their child at home. I pre-made the books since I thought the instructions were a little tricky. The instructions were to discuss and write about a Life Lesson that their families taught them. Our students created bilingual Spanish/English books. The format was perfect for this because it could be English on one side and Spanish on the other. Students enjoyed hanging their books up outside of the class for others to read and then sharing them with the class. It really helped them to understand what important life lessons families teach them and it helped to bring students' home knowledge into the classroom. We connected the books to our Life Lessons unit and plan to do the same thing this year."

This project is based on a handmade book design that can be found, along with several others, in another collection: Fun for the Whole Family: Making "Family Memory" Storybooks: http://learninglab.si.edu/q/ll-c/1tozk88HXhnFBU6d.

Philippa Rappoport
11
 

A Classroom or Family Project: "Today I Am Here," with examples of student work

This collection contains assets and resources designed to help teachers (art, English, ESOL, social studies, and media technology), museum educators, and community-based informal learning educators recreate their own "Today I Am Here" project, based on the specific needs of their classroom or learning community. 

The "Today I Am Here" book is a wonderful classroom activity, made from one sheet of paper, in which students can share their family stories. The design of the book works well for a K-5 classroom displays, and helps to show the breadth and diversity of the class and to encourage cross-cultural understanding. The project also works extremely well with ESOL students, although the teacher will need to be prepared for possible difficult issues to surface. 

Included here are instructions to make the book, examples of student work (images and video of students reading), as well as images from classroom displays.

The book design is one of many available in another collection: Fun for the Whole Family: Making "Family Memory" Storybooks: http://learninglab.si.edu/q/ll-c/1tozk88HXhnFBU6d.


Philippa Rappoport
9
 

A Long Walk to Water

     This collection is to be used in conjunction with the novel, A Long Walk to Water by Linda Sue Park.  The lesson concept spans the total of three 55 minute class periods for a middle school ELA course.  

   Students will begin by completing a pre-reading activity where they will analyze the artwork, Iceman Crucified #4through a "See, Think,Wonder" activity.  Students will then discuss the overarching ideas or themes that they observed in the piece.  This lesson will end with students making a prediction about the book, A Long Walk to Water, through previewing the cover/title and using information from the artwork to predict a possible theme of the story.  

   After reading chapters 1-4, students will then begin analyzing their predictions.  They will also be introduced to a new piece of art, The Girl I Left Behind, to analyze in conjunction with another character in the book.  Students will do a collaborative poem with the artwork.  They will then work in pairs to analyze lines of text and draw similarities/differences between the character in the text and the girl in the painting.  

#SAAMteach

SARA LOGAN
8
 

A Morning in Damascus

This collection features a series of three independent activities around one singular portrait of Bayard Taylor (formally titled A Morning in Damascus) painted by Thomas Hicks, 1855.  Taylor was one of America's foremost and most popular travel writers of the mid to late 19th century.  

These activities were created for my Advanced Placement World History course to practice close reading skills as well as historical thinking skills.  The notations provided here are for teacher reference and would not be given to students. 

This collection was created in conjunction with the National Portrait Gallery's 2017 Learning to Look Summer Teacher Institute.

#NPGTeach 

#historicalthinking

Lauren Hetrick
12
 

A Special Place - Woodcut & Linocut Prints

View selected prints of different places, then discuss:

  • What is the first thing you notice?
  • What do you believe is special about this place?
  • How did the artist use composition to highlight what is special?

Choose one print to examine:

  • What kinds of lines, patterns or textures did the artist use?
  • How did the artist use tools to create areas of light and dark?

Apply in your own work:


  • What makes a place special or meaningful to you?
  • What clues will help capture the uniqueness of your special place?

ARTMAKING CHALLENGES:

  • Draw a picture of a special place using foreground, middle ground, and background. Use a variety of lines and cross hatching to create texture and value.
  • Sketch your special place, then transfer the design to a soft rubber printing plate. Using a lino cutter, outline the major areas and cut away areas that will remain light. Use a variety of lines and cross hatching to create areas of light and dark in the prints. Ink your printing plate and pull several prints.
  • Create a painting of a special place using foreground, middle ground, and background. Mix tints and shades. Use color to communicate an emotion linked to your special place.  

Jean-Marie Galing
12
 

A STEAM Approach to Exploring Identity with Your Students

How is identity constructed? What role does biology play? 

This collection will highlight:

-how portraiture can be integrated into the science classroom by making connections between identity and genetics

-how we can explore identity from a broader perspective, utilizing global thinking routines

This collection is a collaboration between a Portrait Gallery educator and a high school IB Biology teacher, and was the topic of a professional development workshop at the museum and an NAEA session, both in March 2018. 

#NPGteach

Briana White
49
 

ACCESS SERIES | Galaxy Quest

IMPORTANT: Click on the "i" for information icon and the paperclip icons as you move through the collection.

Have you ever wondered what's going on out there in the universe? Would you like to discover exciting things about planets, stars, and galaxies? Today, we will go on a GALAXY QUEST to EXPLORE THE UNIVERSE!

RATIONALE | Digital technology has transformed how we explore the Universe. We now have the ability to peer into space right from our homes and laptop computers. Telescopes, photography, and spectroscopy remain the basic tools that scientists—astronomers and cosmologists—use to explore the universe, but digital light detectors and powerful computer processors have enhanced these tools. Observatories in space—like the Hubble Space Telescope—have shown us further into space then we have ever seen before.

EDUCATORS | For the LESSON PLAN of the original "Galaxy Quest" << CLICK HERE >>

Lesson Objectives:
1. Process and save at least one digital image of a galaxy or space image (with caption)
2. Create a three-dimensional astronomy sculpture (galaxy or other space body, space alien, plant, animal)
3. Create a digital astronomy sculpture (galaxy or other space body, space alien, plant, animal)
4. Visit the Explore the Universe exhibition at NASM and identify Hubble parts (mirror, lens, spectroscope)

Learning Objectives:
1.     What a galaxy is
2.     What a space telescope is
3.     Learn how to open an image on the computer and process it
4.     Socialize well in the museum setting


Tags: decision-making, self-determination, access, disability, accessibility, neurodiversity, special education, SPED, out of school learning, informal learning, cognitive, social skills, engagement, passion, creativity, empowerment, All Access Digital Arts Program 


Tracie Spinale
77
 

ACCESS SERIES | Nile, Nile Crocodile

IMPORTANT: Click on the "i" for information icon and the paperclip icons as you move through the collection.

Exploring: Ancient Egypt, the Nile River, and glass museum objects, papercraft, and sand art

Rationale for Instruction:

  • Through the introduction, museum visit, and activities, students connect with an ancient and diverse culture in ways both conceptual and concrete. The ancient Egyptians shaped our modern civilization in fundamental ways and left legacies that are still present today. 

Objectives:

  • Explain features of the daily life of an Ancient Egyptian living on the Nile River, including boat transportation, dress, and animal life. 
  • Explore the ancient origins of glass making in Egypt.
  • Examine how glass making relates to object making, animal representation, and the desert environment of Egypt
  • Plan, create, and share digital and physical works of art that represent ancient (sand art) and modern art forms (digital photography with filters) as well as representational art (papercraft) landscape.

EDUCATORS | For the LESSON PLAN of the original "Nile, Nile Crocodile" << CLICK HERE >>

SET THE STAGE:

  • Maps - Look at the maps in the Smithsonian collection; Where do you think you'll journey to in this collection?
  • "This is Sand" App - an tablet app that changes the pixels on the screen into digital sand.
  • Video about The Nile (for learners who prefer a concrete example)
  • Thought journey down the Nile River; Ask questions about observations along the way. If you are able to transform the furniture to reflect a boat, do so. 
  • Glass making video as well as a primary source text from 1904 (for learners who prefer a concrete example); Help make the connection between the desert sand environment and glass making. 

MUSEUM "VISIT"

  • Go to the gallery; read the panels and explore the objects. The gallery has been re-created in the Learning Lab collection
  • Explore the glass vessels-->What do you notice?
  • Observe the glass animals-->Take turns reading the informational texts; What do the animals represent?

~ BREAK ~

ACTIVITY STATIONS (rotate between activity stations)

  • SAND ART - Create your own ancient Egyptian glass vessel through a sand art design similar to the decorated glass in the museum.
  • "ANCIENT" PHOTOS - Use digital tablets to take photos in a museum gallery and use the built-in filters to create 'ancient-looking' photos like the ones that document historic museum excavations. 
  • PAPERCRAFT LANDSCAPE - Create a three-dimensional landscape of ancient Egypt based on the animals and structures observed in the museum gallery and in the introductory materials. Templates and examples are included. Document your results using photography.

Tags: decision-making, self-determination, access, disability, accessibility, neurodiversity, special education, SPED, out of school learning, informal learning, cognitive, social skills, engagement, passion, creativity, empowerment, All Access Digital Arts Program

Tracie Spinale
120
 

ACCESS SERIES | Through the Lens of Curiosity

IMPORTANT: Click on the "i" for information icon and the paperclip icons as you move through the collection.

All Access Club Explores the Microscopic World. If you cannot see something, does that mean that it is not there? Nope! Just lurking under the surface of common, everyday objects is an entire world that we normally cannot see. People just like you can use microscopes to discover things that need magnification in order to view.  The collection is part of an activity series that explores this mysterious microscopic world.

EDUCATORS | For the LESSON PLAN of the original "Through the Lens of Curiosity"  << CLICK HERE >>

In this collection you will:

  • Find out about the world through the use of microscopes and magnifiers
  • Take on the role of detective as you embark on a quest to solve 5 mysteries -- by making observations about up-close objects and reading clues, can you figure out what the whole object is?
  • In the game A Part of the Whole, use your power of observation to consider the structures and functions of up-close objects to guess what they might be. Again, you will look at part of an object--photographed up-close--to guess at the whole.

If it is possible to set-up a hand's-on experience with microscopes along with the online activities -- the tactile portion will enhance the online activity. Teens can also view a video about scanning electron microscopes by a young scientist in the 'extension section'.

Keywords: decision-making, self-determination, access, disability, accessibility, neurodiversity, special education, SPED, out of school learning, informal learning, cognitive, social skills, engagement, passion, creativity, empowerment, All Access Digital Arts Program 

Tracie Spinale
64
 

Access Series: Great Face! Portraits and Photo Composition

Taking a great portrait is more than just taking a quick snap of a face. It requires thoughtful contemplation and a variety of choices by the photographer. This is a collection of photographs that illustrate various principles of portrait photography: angles (eye-level, high angle, low angle, and bird's eye), light and shadow, framing, and shot length (long-shot, medium-shot, close-up, & extreme close-up); As well as mood--capturing a feeling or emotion in a photograph; scale--how big or small subjects look; and sense of place--capturing the feeling of a place. Click into each photo and on the "paper clip" annotation icon to read more information and complete challenges.

Tags: portrait photography, decision-making, self-determination, student empowerment, disability, All Access Digital Arts Program

Tracie Spinale
56
 

Activity Collection: 3D Modeling Bugs!

Go through the character sketches and renders from the animated feature "Bugs!" and guess what personalities the characters portray based on pose, shape, and expression. Then, using scientific illustrations from the National Museum of Natural History as reference, create your very own insect character in the Sculptris software.


This is one of 5 activities used in the Lenovo Week of Service event.

Cody Coltharp
20
 

Activity Collection: ArtBots!

In this activity collection, you'll learn how to create your very own art-making robot--an ArtBot! 



Special thanks to Lenovo

Cody Coltharp
23
 

African American Artists and Ancient Greek Myth: Teacher's Guide

This teacher's guide explores how myths transcend time and place through three modern paintings by African American artists, who reinterpret Ancient Greek myth to comment on the human experience. Collection includes three paintings and a lesson plan published by the Smithsonian American Art Museum, which includes background information on myths and artists, as well as activity ideas. Also includes a video about the artist Romare Bearden and his series 'Black Odyssey.' The video details his artistic process, the significance of storytelling in his art, and the lasting importance of 'Black Odyssey.'

Tags: greece

Tess Porter
5
 

African American Historians of the 19th and Early 20th Centuries

An innate function of being human is to preserve and share our experiences and stories.  African American men and women have researched and recorded their history despite enslavement, racism, segregation, sexism, and opposition. Their research helped expand the known narratives of American and international history through the African American perspective and interpretation of historical sources. This Learning Lab explores selected African American historians of the nineteenth and early twentieth centuries. Their research and works were critical to the foundation of African American studies and their activism helped open doors for future African Americans to enter and contribute to the field of history.  The Smithsonian's National Museum of African American History and Culture, situated in the heart of the nation’s capital, serves as the physical manifestation of the efforts of African American historians featured in this lab.

Keywords: NMAAHC, NMAAHC Education, African American, historians, history, primary sources, stories

HOW TO USE THIS LAB:

Use the book excerpts, documents, images, objects, and media related to a highlighted historian in the Learning Lab to answer the questions provided in the Discussion Question page  and/or or use them comparatively with information in your history textbook about the highlighted historical period.


FEATURED HISTORIANS 

  1. Revolutionary War (Squares 3 - 10)
    William Cooper Nell (1816 – 1874) was born to a prominent African American abolitionist family in Boston, Massachusetts. As a young man, he was mentored by William Lloyd Garrison, wrote for Garrison’s abolitionist newspaper the Liberator, and was influential in the fight against segregation in Boston’s public transportation and accommodations during the 1840s and 1850s. In 1855, Nell authored The Colored Patriots of the American Revolution, making it one of the first historical works to focus on African Americans.
  2. Civil War (Squares 11 - 18)
    George Washington Williams (1849 – 1891)
    was born in Bedford Springs, Pennsylvania. At the age of 14, he joined the Union Army during the Civil War. After the war, he finished his education in Massachusetts, became a minister, and founded a newspaper, The Commoner. By 1880, Williams moved to Ohio and became the first African American elected to the Ohio General Assembly. As a historian, Williams is most famous for writing the first comprehensive history of African Americans in the United States, a two-volume work called the History of the Negro Race in America from 1619 to 1880; as Negroes, as Slaves, as Soldiers, and as Citizens (1882). In 1887, he published A History of the Negro Troops in the War of the Rebellion.
  3. Reconstruction (Squares 19 - 25)
    William Edward Burghardt Du Bois (1868 – 1963)
    was born in Great Barrington, Massachusetts. His studies, which focused on African American history, anthropology, and sociology, took him to study in Tennessee, Germany, and finally back to Massachusetts where he became the first African American to graduate with a PhD from Harvard. In the quest for civil rights, Du Bois helped established the Niagara Movement, and its successor, the National Association for the Advancement of Colored People (NAACP). As a historian, he wrote widely on the African American experience, but one of his best-known works was Black Reconstruction in America (1935). While Black Reconstruction was refuted during the early twentieth century, the work is now considered one of the foundational texts of how Reconstruction is interpreted by today’s mainstream historians.
  4. Women and Gender History (Squares 26 - 31)
    Anna Julia Cooper (1858 – 1964)
    was born to her enslaved mother and her white slaveholder father in Raleigh, North Carolina. She pursued education from an early age, as well as fought for women’s rights and gender equality. As a scholar at Oberlin College, she protested sexist treatment of women by taking courses and gaining degrees in subjects typically designated for men. She became an influential educator in Washington D.C. who saw her students attend some of the most prestigious colleges in the country. In 1925, Cooper completed her graduate studies at Sorbonne, University of Paris. She became the fourth African American woman to earn a PhD in History. In 1892, she wrote, A Voice from the South by a Black Woman of the South, focusing on the history and experiences of African American women in the South, and the need for their education to uplift the African American community as a whole.
  5. The First World War (Squares 32 - 37)
    Carter Godwin Woodson (1875 - 1950)
    was born in New Canton, Virginia. He is known as the “Father of Black History” because of his numerous contributions to the field.  Woodson was the son of poor, but land-owning former slaves. As he worked to support his family’s farm he did not enter high school until age twenty. Woodson earned his first degree from Berea College in Kentucky. He then worked, studied, and taught internationally before receiving his Bachelors and his Masters from the University of Chicago, and later his PhD from Harvard University. In 1915, he founded the Association for the Study of Negro Life and History (now the Association for the Study of African-American Life and History), and in 1916 published the Journal of Negro History (now the Journal of African American History). In 1926, he established Negro History Week, which would later become Black History Month. In 1922, Woodson wrote The Negro in Our History, which covered African American history from African origins to the First World War. Woodson believed that history should not be a mere study of facts but the analyzation and interpretation of historical evidence for a deeper meaning.
  6. African American History: Slavery and Freedom (Squares 38 - 46)
    John Hope Franklin (1915 – 2009)
    was born in Rentiesville, Oklahoma. In June 1921, the Franklin family endured and survived the deadly Tulsa Race Riots. Franklin earned his Bachelors from Fisk University, and would complete his Masters and PhD at Harvard. In 1949, he became the first African American historian to present at the Southern Historical Association. He was also the only African American to serve as the president of the American Historical Association and the Organization of American Historians. Franklin wrote widely on the African American experience, with his most notable work being the 1947 publication of From Slavery to Freedom: A History of Negro Americans. Today, the work is in its tenth edition and is a staple of American history courses.



NMAAHC Education
69
 

Air technology of World War I

Technological advancements contributed to World War I costing more money and killing more people than all previous wars in history.

Students will be able to answer the question: What kinds technology existed during the First World war and what were their impacts on the war?

Leah Knecht
12
 

Alphabet Soup: Rural America and the New Deal

This lesson explores three different New Deal programs, with a specific eye towards their impact on rural America. As well, it focuses on student engagement with a variety of types of primary sources.  This lesson is designed as a self-contained class activity, which requires no supplementary teaching beyond the MoMS exhibition Crossroads. It is designed to be done in class following a visit to that exhibition, or within an after-school setting following a similar visit.

Age Levels Intermediate (9 to 12 years old), Middle School (12 to 15 years old)


Why are primary sources important?

  1. Direct engagement with artifacts and records of the past encourages deeper content exploration, active analysis, and thoughtful response.
  2. Analysis of primary sources helps develop critical thinking skills by examining meaning, context, bias, purpose, point of view, etc.
  3.  Primary source analysis fosters learner-led inquiry as students construct knowledge by interacting with a variety of sources that represent different accounts of the past.
  4. Students realize that history exists through interpretation that reflects the view points and biases of those doing the interpreting. 

This lesson aims to:

  • Introduce students to New Deal programs that affected rural life and agriculture during the Great Depression.
  • Encourage discussion of the experience of those programs in the context of the Museum on Main Street (MoMS) exhibition Crossroads.
  • Help students practice using different types of sources as research material.

Students should be able to:

  • Identify different types of sources as primary and secondary sources, as well as differentiate between objective and subjective sources.
  • Interrogate textual, video, and visual sources to build a picture of how different programs affected ordinary people.
  • Be able to translate their research into a presentation, and teach it to other students.

See notes for lesson plan instructions.

SITES Museum on Main Street
21
 

Alphabet Soup: Rural America and the New Deal

This lesson explores three different New Deal programs, with a specific eye towards their impact on rural America. As well, it focuses on student engagement with a variety of types of primary sources.  This lesson is designed as a self-contained class activity, which requires no supplementary teaching beyond the MoMS exhibition Crossroads. It is designed to be done in class following a visit to that exhibition, or within an after-school setting following a similar visit.

Age Levels Intermediate (9 to 12 years old), Middle School (12 to 15 years old)


Why are primary sources important?

  1. Direct engagement with artifacts and records of the past encourages deeper content exploration, active analysis, and thoughtful response.
  2. Analysis of primary sources helps develop critical thinking skills by examining meaning, context, bias, purpose, point of view, etc.
  3.  Primary source analysis fosters learner-led inquiry as students construct knowledge by interacting with a variety of sources that represent different accounts of the past.
  4. Students realize that history exists through interpretation that reflects the view points and biases of those doing the interpreting. 

This lesson aims to:

  • Introduce students to New Deal programs that affected rural life and agriculture during the Great Depression.
  • Encourage discussion of the experience of those programs in the context of the Museum on Main Street (MoMS) exhibition Crossroads.
  • Help students practice using different types of sources as research material.

Students should be able to:

  • Identify different types of sources as primary and secondary sources, as well as differentiate between objective and subjective sources.
  • Interrogate textual, video, and visual sources to build a picture of how different programs affected ordinary people.
  • Be able to translate their research into a presentation, and teach it to other students.

See notes for lesson plan instructions.

Mary Byrne
21
1-24 of 287 Collections